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{{DISPLAYTITLE:Works based on ''Thunderbirds''}}
{{DISPLAYTITLE:Works based on ''Thunderbirds''}}
This article primarily discusses screen and [[Audio play|audio]] works of fiction based on '''''[[Thunderbirds (TV series)|Thunderbirds]]''''', a British [[Supermarionation]] television series created by [[Gerry Anderson|Gerry]] and [[Sylvia Anderson]]. It also covers imitations and references in other media.
'''''[[Thunderbirds (TV series)|Thunderbirds]]''''', a British science-fiction puppet television series created by [[Gerry Anderson|Gerry]] and [[Sylvia Anderson]], has inspired various adaptations, parodies and imitations since it was first broadcast in 1965. The series has been recognised for its enduring popularity, especially in the UK,<ref>{{Cite book|title=Historical Dictionary of Animation and Cartoons|author=Dobson, Nicola|year=2009|series=Historical Dictionaries of Literature and the Arts|issue=34|publisher=[[Scarecrow Press]]|location=Lanham, Maryland|isbn=978-0-8108-5830-5|page=196}}</ref> and is widely regarded as the Andersons' most successful production.<ref>{{Cite book|editor1-last=Cook|editor1-first=John R.|editor2-last=Wright|editor2-first=Peter|title=British Science Fiction Television: A Hitchhiker's Guide|year=2006|publisher=[[I.B. Tauris]]|location=London, UK|isbn=978-1-84511-048-2|pages=11}}</ref>


Produced by [[AP Films]] (APF) for [[ITC Entertainment]], the series has inspired various adaptations, imitations and parodies since it was first broadcast in 1965. It has been recognised for its enduring popularity, especially in the UK,<ref>{{Cite book|title=Historical Dictionary of Animation and Cartoons|author=Dobson, Nicola|year=2009|series=Historical Dictionaries of Literature and the Arts|issue=34|publisher=[[Scarecrow Press]]|location=Lanham, Maryland|isbn=978-0-8108-5830-5|page=196}}</ref> and is widely regarded as the Andersons' most successful production.<ref>{{Cite book|editor1-last=Cook|editor1-first=John R.|editor2-last=Wright|editor2-first=Peter|title=British Science Fiction Television: A Hitchhiker's Guide|year=2006|publisher=[[I.B. Tauris]]|location=London, UK|isbn=978-1-84511-048-2|pages=11}}</ref>
Among other works, the series has generated two film sequels, a [[Thunderbirds (2004 film)|live-action film adaptation]] and an [[Thunderbirds 2086|animated TV remake]]. A [[Thunderbirds Are Go (TV series)|second remake]], made using a combination of computer animation and live action, was first broadcast in 2015.

Among other works, ''Thunderbirds'' has generated two film sequels, a [[Thunderbirds 2086|TV anime]] and a [[Thunderbirds (2004 film)|live-action film adaptation]]. A remake, ''[[Thunderbirds Are Go (TV series)|Thunderbirds Are Go]]'', made using a combination of computer animation and live action, premiered in 2015 and ran for three seasons. Also in 2015, three new puppet episodes were created to mark the 50th anniversary of the original series.

For a discussion of ''Thunderbirds'' [[tie-in]]s – including novels and novelisations, comics and games – see '''[[Thunderbirds merchandise|''Thunderbirds'' merchandise]]'''.

==Audio plays==
{{Further information|List of Thunderbirds episodes#Audio episodes}}

From 1965 to 1967, [[Century 21 Merchandising|Century 21 Records]] released 19 ''Thunderbirds'' [[audio play]]s on [[7-inch]], [[33 RPM]], vinyl [[Extended play|EP]] records (promoted as "mini-albums").<ref>Bentley 2008, pp.&nbsp;100;&nbsp;349.</ref> Three of these were original stories; the rest were re-tellings of TV episodes based on those episodes' soundtracks. In 2015, the original stories were adapted for the screen to mark the series' 50th anniversary (see [[#The Anniversary Episodes]]).

In April 2021, [[Big Finish Productions]] announced the launch of a new series of [[audiobook]]s based on the Anderson productions. The first of these, ''Thunderbirds: Terror from the Stars'' (an adaptation of the 1966 tie-in novel ''Thunderbirds'' by John Theydon) was released in May 2021. A second ''Thunderbirds'' story, ''Peril in Peru'' (based on the novel ''Calling Thunderbirds''), was released in November 2021. Produced by [[Anderson Entertainment]], the audiobooks feature [[Jon Culshaw]] as the voices of [[Jeff Tracy]] and [[Aloysius Parker|Parker]] with [[Genevieve Gaunt]] as [[Lady Penelope]].<ref>{{Cite web|title=''Thunderbirds'' is back|url=https://www.bigfinish.com/news/v/thunderbirds-is-back|date=11 April 2021|access-date=12 April 2021|website=bigfinish.com|publisher=[[Big Finish Productions]]|archive-url=https://web.archive.org/web/20210412200858/https://www.bigfinish.com/news/v/thunderbirds-is-back|archive-date=12 April 2021|url-status=live}}</ref><ref>{{Cite web|url=https://www.bigfinish.com/releases/v/thunderbirds-peril-in-peru-2581|website=bigfinish.com|title=2. ''Thunderbirds: Peril in Peru''|year=2021|publisher=[[Big Finish Productions]]|access-date=28 November 2021}}</ref>


==Film sequels and adaptations==
==Film sequels and adaptations==
{{Main|Thunderbirds Are Go|Thunderbird 6}}
{{Further information|Thunderbirds Are Go|Thunderbird 6}}


The popularity of ''Thunderbirds'' gave rise to two full-length film sequels with financial backing by [[United Artists]]. They premiered on 12 December 1966<ref name="Bentley, 97">Bentley 2005, p.&nbsp;97.</ref> and 29 July 1968.<ref name="Bentley, 99">Bentley 2005, p.&nbsp;99.</ref> Both were written and produced by [[Gerry Anderson|Gerry]] and [[Sylvia Anderson]] and directed by [[David Lane (director)|David Lane]],<ref name="Bentley, 96">Bentley 2005, p.&nbsp;96.</ref><ref name="Bentley, 98">Bentley 2005, p.&nbsp;98.</ref> and neither was a critical or commercial success.<ref name="Bentley, 41">Bentley 2005, p.&nbsp;41.</ref><ref name="Marriott, 159">Marriott, p.&nbsp;159.</ref> During the early 1980s, several ''Thunderbirds'' episodes were combined to create three compilation [[TV film]]s, and in 2004, nearly 40 years after the original TV series was first broadcast, a [[live-action]] film adaptation was released.
''Thunderbirds''{{'}} popularity led APF to make two feature film sequels with financial backing by [[United Artists]]. The first, ''[[Thunderbirds Are Go]]'', premiered on 12 December 1966;<ref name="Bentley, 97">Bentley 2005, p.&nbsp;97.</ref> the second, ''[[Thunderbird 6]]'', and 29 July 1968.<ref name="Bentley, 99">Bentley 2005, p.&nbsp;99.</ref> Written and produced by the Andersons and directed by [[David Lane (director)|David Lane]],<ref name="Bentley, 96">Bentley 2005, p.&nbsp;96.</ref><ref name="Bentley, 98">Bentley 2005, p.&nbsp;98.</ref> both were critical and commercial failures.<ref name="Bentley, 41">Bentley 2005, p.&nbsp;41.</ref><ref name="Marriott, 159">Marriott, p.&nbsp;159.</ref> During the early 1980s, several ''Thunderbirds'' episodes were combined to create three made-for-TV [[compilation film]]s. In 2004, a live-action film adaptation, ''[[Thunderbirds (2004 film)|Thunderbirds]]'', was released.


===Compilation films===
===Compilation films===
{{Main|List of Thunderbirds episodes#Compilation films}}
{{Further information|List of Thunderbirds episodes#Compilation films}}


In the early 1980s, episodes from a number of the Andersons' 1960s [[Supermarionation]] series were re-edited and combined into made-for-TV [[compilation film]]s by [[ITC Entertainment|ITC]]'s New York offices, supervised by producer [[Robert Mandell]] and writer David Hirsch.<ref name="Bentley, 117">Bentley 2005, p.&nbsp;117.</ref> Intended to be broadcast in a two-hour family timeslot (including advertisement breaks), and branded "Super Space Theater", this new format was sold to [[cable network]]s and into [[Broadcast syndication|syndication]] in United States.<ref name="Bentley, 117"/> Three ''Thunderbirds'' compilations, all one-and-a-half hours in length and re-edited with new, animated [[title sequence]]s, were made: ''Thunderbirds To The Rescue'' (1980) is a combination of "[[Trapped in the Sky]]" and "[[Operation Crash-Dive]]",<ref name="Bentley: EG, 361">Bentley 2008, p.&nbsp;361.</ref> ''Thunderbirds In Outer Space'' (1981) of "[[Sun Probe]]" and "[[List of Thunderbirds episodes#Series Two (1966)|Ricochet]]",<ref name="Bentley: EG, 362">Bentley 2008, p.&nbsp;362.</ref> and ''Countdown to Disaster'' (1982) of "[[Terror in New York City]]" and "Atlantic Inferno".<ref name="Bentley, 117"/><ref name="Bentley: EG, 362"/> Although [[Copyright|rights]] issues entailed by the 1980s home video releases of the "Super Space Theater" compilations delayed VHS releases of individual ''Thunderbirds'' episodes (in their un-cut form) until the early 1990s, the UK versions proved to be a major commercial success for the distributor, Channel 5 Video.<ref name="Bentley, 117"/>
In the early 1980s, episodes from ''Thunderbirds'' and other Anderson productions were re-edited and combined to make a series of [[compilation film]]s. These were produced by ITC's New York office under the supervision of writer David Hirsch and producer [[Robert Mandell (film producer)|Robert Mandell]].<ref name="Bentley, 117">Bentley 2005, p.&nbsp;117.</ref> Intended for broadcast in two-hour family timeslots, the format was branded "Super Space Theater" and sold to American cable and [[Broadcast syndication|syndicated]] TV.<ref name="Bentley, 117"/> Three ''Thunderbirds'' compilations each 90 minutes long and re-edited with new, animated title sequences – were produced: ''Thunderbirds To The Rescue'' (a combination of "[[Trapped in the Sky]]" and "[[Operation Crash-Dive]]"),<ref name="Bentley: EG, 361">Bentley 2008, p.&nbsp;361.</ref> ''Thunderbirds In Outer Space'' ("[[Sun Probe]]" and "[[Ricochet (Thunderbirds)|Ricochet]]")<ref name="Bentley: EG, 362">Bentley 2008, p.&nbsp;362.</ref> and ''Countdown to Disaster'' ("[[Terror in New York City]]" and "[[Atlantic Inferno]]").<ref name="Bentley, 117"/><ref name="Bentley: EG, 362"/> Although the home video releases of the "Super Space Theater" compilations led to copyright issues that delayed the releases of the original episodes in their uncut forms, the UK versions proved to be a major commercial success for the distributor, Channel 5 Video.<ref name="Bentley, 117"/>


===Live-action film===
===''Thunderbirds'' (2004)===
{{Main|Thunderbirds (2004 film)}}
{{Main|Thunderbirds (2004 film)}}


A live-action film adaptation – ''Thunderbirds'', directed by [[Jonathan Frakes]] and produced by [[StudioCanal]], [[Universal Pictures]] and [[Working Title Films]] – premiered on 24 July 2004. All the ''Thunderbird'' machines seen in the film are based on the original designs, albeit with modern refinements. Since [[BMW]], current owners of Rolls-Royce, refused its permission for use of the brand, a modified [[Ford Thunderbird]] appears as [[FAB 1]]. The plot of the film concentrates mostly on [[Alan Tracy]], [[Tin-Tin Kyrano|Tin-Tin]] and a newcomer – [[Brains (Thunderbirds)|Brains]]' son, Fermat – who must rescue their families, [[Lady Penelope]] and [[Aloysius Parker|Parker]] while the [[Hood (Thunderbirds)|Hood]] plots a gold bullion raid on the [[Bank of England]].
A live-action film adaptation – ''[[Thunderbirds (2004 film)|Thunderbirds]]'', directed by [[Jonathan Frakes]] and produced by [[StudioCanal]], [[Universal Pictures]] and [[Working Title Films]] – premiered on 24 July 2004. All the ''Thunderbird'' machines seen in the film are based on the original designs, albeit with modern refinements. As [[BMW]], the owners of Rolls-Royce, would not allow the production to use its brand, [[FAB 1]] was redesigned as a modified [[Ford Thunderbird]]. The plot focuses on [[Alan Tracy]], [[Tin-Tin Kyrano|Tin-Tin]] and a newcomer – [[Brains (Thunderbirds)|Brains]]' son, Fermat – who battle the [[Hood (Thunderbirds)|Hood]] as he plots a gold bullion raid on the [[Bank of England]].


The film was poorly received both critically and commercially,<ref name="Cull: Fifty, 6">Cull 2009, p.&nbsp;6.</ref> opening in 11th place at the North American box office, grossing only £1.3&nbsp;million in the UK on its [[opening weekend]],<ref name="Cull: Media, 206">Cull 2006 (August), p.&nbsp;206.</ref> and drawing a negative response from fans of the TV series.<ref name="Anderson, 163">Anderson, p.&nbsp;163.</ref> Sylvia Anderson, who served as an unofficial production consultant,<ref name="Anderson, 161"/> endorsed the adaptation; in her memoirs, she expresses regret for the "negative vibes that were already being circulated before even a foot of film was being shot. But I suppose there was bound to be a backlash from genuinely passionate fans who jealously guarded the ''Thunderbirds'' legacy."<ref name="Anderson, 163"/> According to Anderson, series cinematographer [[John Read (producer)|John Read]] responded positively at a test screening.<ref name="Anderson, 167">Anderson, p.&nbsp;167.</ref> By contrast, Gerry Anderson denounced the film as "the biggest load of crap I have ever seen in my life"<ref>{{Cite news|url=https://www.theguardian.com/media/2009/feb/07/gerry-anderson-thunderbirds-auction|title=Gerry Anderson Auctions ''Thunderbirds'' Treasures|newspaper=[[The Guardian]]|last=Fitzsimmons|first=Caitlin|date=7 February 2009|accessdate=25 May 2010|publisher=[[Guardian Media Group]]|location=London, UK|archiveurl=https://web.archive.org/web/20121114201624/http://www.guardian.co.uk/media/2009/feb/07/gerry-anderson-thunderbirds-auction|archivedate=14 November 2012|url-status=live}}</ref> and an "absolute, unmitigated disaster".<ref name="StandByForAction">{{Cite AV media|people=La Rivière, Stephen (director, producer); [[Gerry Anderson|Anderson, Gerry]] (interviewee)|year=2007|title=Stand By For Action|medium=Video|url=https://www.youtube.com/watch?v=FBLPP0vA8vE|accessdate=28 November 2013|archiveurl=https://web.archive.org/web/20131128030633/https://www.youtube.com/watch?v=FBLPP0vA8vE|archivedate=28 November 2013|url-status=live|publisher=Film24}}</ref> Like Sylvia, he had been contacted as a possible consultant, but declined the studio's offer after rejecting the concepts for the re-imagined ''Thunderbirds'' machines;<ref name="Cull: British, 119">Cull 2006, p.&nbsp;119.</ref> additionally, he declined an offer of £750,000 to attend the film's premiere.<ref name="StandByForAction"/> He received no on-screen credit for his role in co-creating the TV series.<ref name="Cull: British, 119"/>
The film was poorly received both critically and commercially,<ref name="Cull: Fifty, 6">Cull 2009, p.&nbsp;6.</ref> opening in eleventh place at the North American box office, grossing only £1.3&nbsp;million in the UK on its [[opening weekend]],<ref name="Cull: Media, 206">Cull 2006 (August), p.&nbsp;206.</ref> and drawing a negative response from fans of the TV series.<ref name="Anderson, 163">Anderson, p.&nbsp;163.</ref> Sylvia Anderson, who was a production consultant,<ref name="Anderson, 161"/> endorsed the adaptation; in her memoirs, she expressed regret over the "negative vibes that were already being circulated before even a foot of film was being shot. But I suppose there was bound to be a backlash from genuinely passionate fans who jealously guarded the ''Thunderbirds'' legacy."<ref name="Anderson, 163"/> According to Anderson, [[John Read (producer)|John Read]], director of photography on the original series, responded positively at a test screening.<ref name="Anderson, 167">Anderson, p.&nbsp;167.</ref> By contrast, Gerry Anderson denounced the film as "the biggest load of crap I have ever seen in my life"<ref>{{Cite news|url=https://www.theguardian.com/media/2009/feb/07/gerry-anderson-thunderbirds-auction|title=Gerry Anderson Auctions ''Thunderbirds'' Treasures|newspaper=[[The Guardian]]|last=Fitzsimmons|first=Caitlin|date=7 February 2009|access-date=25 May 2010|location=London, UK|archive-url=https://web.archive.org/web/20121114201624/http://www.guardian.co.uk/media/2009/feb/07/gerry-anderson-thunderbirds-auction|archive-date=14 November 2012|url-status=live}}</ref> and an "absolute, unmitigated disaster".<ref name="StandByForAction">{{Cite AV media|people=[[Stephen La Rivière|La Rivière, Stephen]] (director-producer); [[Gerry Anderson|Anderson, Gerry]] (interviewee)|year=2007|title=Stand By For Action|medium=Video|url=https://www.youtube.com/watch?v=FBLPP0vA8vE|access-date=28 November 2013|archive-url=https://web.archive.org/web/20131128030633/https://www.youtube.com/watch?v=FBLPP0vA8vE|archive-date=28 November 2013|url-status=live|publisher=Film24}}</ref> Like Sylvia, he had been offered a consultant role, but declined after seeing the concepts for the re-imagined ''Thunderbirds'' machines;<ref name="Cull: British, 119">Cull 2006, p.&nbsp;119.</ref> he also declined an offer of £750,000 to attend the premiere.<ref name="StandByForAction"/> He received no on-screen credit for his role in co-creating the TV series.<ref name="Cull: British, 119"/>


Plans for a live-action film had first been announced by ITC's Los Angeles offices in 1993.<ref name="Bentley: EG, 115">Bentley 2008, p.&nbsp;115.</ref> Originally expected to be released in time for Christmas 1995, the film was to have been directed by [[Renny Harlin]], with [[Tom Cruise]] a possibility for the role of [[Scott Tracy]].<ref name="Bentley, 121">Bentley 2005, p.&nbsp;121.</ref> Other actors under consideration included [[Bob Hoskins]] (as Parker) and [[Patsy Kensit]], [[Joanna Lumley]] and [[Emma Thompson]] (as Lady Penelope). Following [[PolyGram]]'s acquisition of ITC in 1995,<ref name="Bentley, 122">Bentley 2005, p.&nbsp;122.</ref> its subsidiary Working Title (represented by [[Tim Bevan]]) resumed the development of the abortive project, with filming now scheduled to commence in August 1998.<ref name="Bentley, 123">Bentley 2005, p.&nbsp;123.</ref> By 1997, [[Peter Hewitt (film director)|Peter Hewitt]] had been hired to direct on the basis of [[Karey Kirkpatrick]]'s script.<ref name="Bentley, 123"/> [[Kristin Scott Thomas]] had been contracted to play Lady Penelope, while [[Pete Postlethwaite]] had yet to accept an offer to appear as Parker.<ref name="Bentley, 123"/> The [[Baldwin family|Baldwin brothers]] – [[Alec Baldwin|Alec]], [[Daniel Baldwin|Daniel]], [[William Baldwin|William]] and [[Stephen Baldwin|Stephen]] – had been suggested for the roles of the Tracy sons, with [[Sean Connery]] a candidate for [[Jeff Tracy]].<ref name="Bentley, 123"/> Other filming techniques were briefly considered, including computer and [[stop-motion animation]].<ref name="Bentley, 123"/> As he would in subsequent years, Anderson was offered a consultant post; he was dropped from the production when Working Title determined that it already had sufficient numbers of creative staff attached to the project.<ref name="Archer and Hearn, 275"/>
Plans for a live-action film had first been announced by ITC Los Angeles in 1993.<ref name="Bentley: EG, 115">Bentley 2008, p.&nbsp;115.</ref> Originally due to be released in time for Christmas 1995, the film would have been directed by [[Renny Harlin]], with [[Tom Cruise]] a possibility for the role of [[Scott Tracy]].<ref name="Bentley, 121">Bentley 2005, p.&nbsp;121.</ref> Other actors under consideration included [[Bob Hoskins]] as [[Aloysius Parker|Parker]] and either [[Patsy Kensit]] or [[Joanna Lumley]] or [[Emma Thompson]] as [[Lady Penelope]]. Following [[PolyGram]]'s acquisition of ITC in 1995,<ref name="Bentley, 122">Bentley 2005, p.&nbsp;122.</ref> its subsidiary Working Title resumed development of the abortive project, with filming rescheduled to begin in August 1998.<ref name="Bentley, 123">Bentley 2005, p.&nbsp;123.</ref> By 1997, [[Karey Kirkpatrick]] had written a script and [[Peter Hewitt (film director)|Peter Hewitt]] had been hired as director.<ref name="Bentley, 123"/> [[Kristin Scott Thomas]] had been cast as Lady Penelope, while [[Pete Postlethwaite]] had yet to accept an offer to play Parker.<ref name="Bentley, 123"/> The [[Baldwin family|Baldwin brothers]] – [[Alec Baldwin|Alec]], [[Daniel Baldwin|Daniel]], [[William Baldwin|William]] and [[Stephen Baldwin|Stephen]] – had been suggested as Tracy brothers, with [[Sean Connery]] a possibility for the role of [[Jeff Tracy]].<ref name="Bentley, 123"/> Non-live action filming techniques were briefly considered, including computer and [[stop-motion animation]].<ref name="Bentley, 123"/> Gerry Anderson was initially offered a consultant role but was dropped from the production after Working Title decided that it already had a large enough creative team working on the project.<ref name="Archer and Hearn, 275"/>


A combination of budgeting concerns, disagreements over the writing and characterisation, and the poor commercial reception to films such as ''[[Lost in Space (film)|Lost in Space]]'' and ''[[The Avengers (1998 film)|The Avengers]]'' (both adaptations of older TV series), caused the development of the film to stall for a second time.<ref name="Bentley, 123"/> In 1998, PolyGram was purchased by [[Seagram]] and merged with Universal – an acquisition that Sylvia Anderson, who had given Hewitt's version her endorsement, believes impacted negatively on the production: "It seemed Seagram&nbsp;... cared nothing for this 'work in progress' and the whole ''Thunderbirds'' saga fell between the cracks."<ref name="Anderson, 160">Anderson, p.&nbsp;160.</ref> Frakes' version, co-produced by Bevan, did not enter production until 2003.<ref name="Anderson, 161">Anderson, p.&nbsp;161.</ref> Anderson adds that the many delays experienced in adapting ''Thunderbirds'' for live-action cinema may be partly attributable to her divorce: "[Gerry's and my] parting broke up a winning combination&nbsp;... The two creators [of ''Thunderbirds''] were going in different directions – the winning team was no more. How to entrust millions of dollars to only one of the duo? Which one? The name above the title or the character creator?"<ref name="Anderson, 159">Anderson, p.&nbsp;159.</ref>
A mixture of budgeting concerns, disagreements over the writing and characterisation, and the poor box office response to ''[[Lost in Space (film)|Lost in Space]]'' and ''[[The Avengers (1998 film)|The Avengers]]'' (both adaptations of other 1960s TV series), caused the production to stall again.<ref name="Bentley, 123"/> In 1998, PolyGram was purchased by [[Seagram]] and merged with Universal – a development that Sylvia Anderson, who had endorsed Hewitt's version, thought had a negative effect on the production: "It seemed Seagram&nbsp;... cared nothing for this 'work in progress' and the whole ''Thunderbirds'' saga fell between the cracks."<ref name="Anderson, 160">Anderson, p.&nbsp;160.</ref> Frakes' version did not enter production until 2003.<ref name="Anderson, 161">Anderson, p.&nbsp;161.</ref> Anderson believed that the many delays to the live-action film were partly attributable to her and Gerry's divorce: "[Gerry's and my] parting broke up a winning combination&nbsp;... The two creators [of ''Thunderbirds''] were going in different directions – the winning team was no more. How to entrust millions of dollars to only one of the duo? Which one? The name above the title or the character creator?"<ref name="Anderson, 159">Anderson, p.&nbsp;159.</ref>


==TV adaptations and revival attempts==
==TV adaptations and revivals==
In the 1970s, the Andersons sold what remained of their intellectual and [[Residual (entertainment industry)|profit participation rights]] to many of the Supermarionation productions, including ''Thunderbirds''.<ref name="Cull: Fifty, 6"/><ref name="Archer and Hearn, 222">Archer and Hearn, p.&nbsp;222.</ref><ref name="Anderson, 111">Anderson, p.&nbsp;111.</ref> Consequently, neither was able to assert creative control over the various ''Thunderbirds'' updatings that appeared in the 1980s and 1990s.<ref name="Cull: Fifty, 6"/><ref name="Anderson, 88">Anderson, p.&nbsp;88.</ref> Of her attempt to continue the adventures of Lady Penelope and Parker as an American-produced TV [[Spin-off (media)|spin-off]] series, Sylvia Anderson remembers that ITC "dismissed [the idea] out of hand."<ref name="Anderson, 151">Anderson, p.&nbsp;151.</ref> TV presenter [[Mike Smith (television presenter)|Mike Smith]], then a DJ for [[Capital Radio]], started a campaign to revive ''Thunderbirds'' at the start of the 1980s.<ref name="Archer, 60">Archer, p.&nbsp;60.</ref>
In the 1970s, the Andersons sold what remained of their intellectual and [[Residual (entertainment industry)|residual]] rights to many of the Supermarionation productions, including ''Thunderbirds''.<ref name="Cull: Fifty, 6"/><ref name="Archer and Hearn, 222">Archer and Hearn, p.&nbsp;222.</ref><ref name="Anderson, 111">Anderson, p.&nbsp;111.</ref> Consequently, neither was able to assert creative control over the various ''Thunderbirds'' updatings that appeared in the 1980s and 1990s.<ref name="Cull: Fifty, 6"/><ref name="Anderson, 88">Anderson, p.&nbsp;88.</ref> Sylvia Anderson proposed continuing the adventures of Lady Penelope and Parker as an American-made [[Spin-off (media)|spin-off]] series but remembered that ITC "dismissed [the idea] out of hand."<ref name="Anderson, 151">Anderson, p.&nbsp;151.</ref> In the early 1980s, [[Capital Radio]] DJ [[Mike Smith (television presenter)|Mike Smith]] started a campaign to revive ''Thunderbirds''.<ref name="Archer, 60">Archer, p.&nbsp;60.</ref>


After [[Lew Grade]] resigned from [[ITC Entertainment|ITC]], the ownership of the company changed hands three times (first to [[Robert Holmes à Court]], then [[Alan Bond (businessman)|Alan Bond]], and finally ITC's New York offices)<ref name="Archer and Hearn, 275">Archer and Hearn, p.&nbsp;275.</ref> before both the company and the rights to its film and TV catalogue were acquired by PolyGram, based in Los Angeles, in 1995.<ref name="Bentley: EG, 117">Bentley 2008, p.&nbsp;117.</ref> They subsequently passed to [[Carlton Communications|Carlton International Media]] in 1999,<ref name="Bentley: EG, 117"/> and then [[Granada plc]] between 2003 and 2004 (following a merger with Carlton).<ref name="Bentley, 5">Bentley 2005: Foreword by Gerry Anderson, p.&nbsp;5.</ref> The current rights holder of the ''Thunderbirds'' TV series and brand is [[ITV Studios]], the distributor of the 2015 remake.<ref name="Guardian">{{Cite news|url=https://www.theguardian.com/media/2013/sep/30/thunderbirds-are-go-itv|title=''Thunderbirds Are Go!'' Blends Old and New for Return of Classic Series|newspaper=The Guardian|last1=Plunkett|first1=John|publisher=Guardian Media Group|location=London, UK|date=30 September 2013|accessdate=1 October 2013|archiveurl=https://web.archive.org/web/20131012212521/http://www.theguardian.com/media/2013/sep/30/thunderbirds-are-go-itv|archivedate=12 October 2013|url-status=live}}</ref>
After [[Lew Grade]] left ITC in 1982, the ownership of the company changed hands three times (first to [[Robert Holmes à Court]], then [[Alan Bond (businessman)|Alan Bond]], then ITC New York)<ref name="Archer and Hearn, 275">Archer and Hearn, p.&nbsp;275.</ref> before both the company and its catalogue were acquired by PolyGram in 1995.<ref name="Bentley: EG, 117">Bentley 2008, p.&nbsp;117.</ref> They subsequently passed to [[Carlton Communications|Carlton International Media]] in 1999,<ref name="Bentley: EG, 117"/> and then [[Granada plc]] (following a merger with Carlton) between 2003 and 2004.<ref name="Bentley, 5">Bentley 2005: Foreword by Gerry Anderson, p.&nbsp;5.</ref> The rights to the ''Thunderbirds'' brand currently reside with [[ITV Studios]], the distributor of the 2015 remake.<ref name="Guardian">{{Cite news|url=https://www.theguardian.com/media/2013/sep/30/thunderbirds-are-go-itv|title=''Thunderbirds Are Go!'' Blends Old and New for Return of Classic Series|newspaper=The Guardian|last1=Plunkett|first1=John|location=London, UK|date=30 September 2013|access-date=1 October 2013|archive-url=https://web.archive.org/web/20131012212521/http://www.theguardian.com/media/2013/sep/30/thunderbirds-are-go-itv|archive-date=12 October 2013|url-status=live}}</ref>


===Japanese remake===
===''Thunderbirds 2086''===
{{Main|Thunderbirds 2086}}
{{Main|Thunderbirds 2086}}


''Kagaku Kyuujo-Tai TechnoVoyager'' (''Scientific Rescue Team TechnoVoyager'') – a 1982 Japanese [[anime]] series dubbed for, and exported to, Anglophone countries as ''Thunderbirds 2086'' – is based on ''Thunderbirds''<ref name="Bentley, 117"/><ref name="Cull: Fifty, 6"/> but written with a stronger emphasis on futuristic technology. In this re-imagining, developed from a concept by Anderson titled ''Thunderhawks'' (but without his knowledge, involvement or approval),<ref name="Bentley: EG, 363">Bentley 2008, p.&nbsp;363.</ref><ref name="Marriott, 188">Marriott, p.&nbsp;188.</ref> International Rescue is stationed within an [[arcology]], operates 17 ''Thunderbird'' vehicles, and employs personnel from a diverse range of backgrounds.<ref name="Bentley, 118">Bentley 2005, p.&nbsp;118.</ref> Distributed by ITC under the supervision of [[Robert Mandell]],<ref name="Bentley, 117"/> ''Thunderbirds 2086'' comprised 24 episodes, but was cancelled in Japan after the first 18 had been broadcast.<ref name="Bentley: EG, 363"/> In the UK, 13 episodes aired on [[BBC1]] in 1986.<ref name="Bentley, 118"/><ref name="Bentley: EG, 364">Bentley 2008, p.&nbsp;364.</ref>
The 1982 Japanese [[anime]] ''Kagaku Kyuujo-Tai TechnoVoyager'' (English: ''Scientific Rescue Team TechnoVoyager'') – exported to English-speaking countries as ''[[Thunderbirds 2086]]'' – was based on ''Thunderbirds'' but with a stronger emphasis on futuristic technology.<ref name="Bentley, 117"/><ref name="Cull: Fifty, 6"/> In this re-imagining, developed from a concept by Anderson titled ''Thunderhawks'' (but without his knowledge or approval),<ref name="Bentley: EG, 363">Bentley 2008, p.&nbsp;363.</ref><ref name="Marriott, 188">Marriott, p.&nbsp;188.</ref> the vastly-expanded International Rescue operates a fleet of 17 ''Thunderbird'' machines and is based within a massive [[arcology]].<ref name="Bentley, 118">Bentley 2005, p.&nbsp;118.</ref> Distributed by ITC under the supervision of Robert Mandell,<ref name="Bentley, 117"/> ''Thunderbirds 2086'' ran to 24 episodes but was cancelled in Japan with six episodes still to air.<ref name="Bentley: EG, 363"/> In the UK, BBC1 broadcast 13 episodes in 1986.<ref name="Bentley, 118"/><ref name="Bentley: EG, 364">Bentley 2008, p.&nbsp;364.</ref>


===US re-edits===
===US re-edits===
[[File:TurbochargedThunderbirds.jpg|thumb|The "Hack Masters", Tripp and Roxette, of [[UPN]]'s short-lived ''Turbocharged Thunderbirds'' (1994–95)|alt=Two teenagers, one boy and one girl, on the bridge of an untidy space station]]
[[File:TurbochargedThunderbirds.jpg|thumb|The "Hack Masters", Tripp and Roxette, of both [[Bohbot Kids Network|Amazin'! Adventures]] and [[UPN]]'s short-lived ''Turbocharged Thunderbirds'' (1994–1995)|alt=Two teenagers, one boy and one girl, on the bridge of an untidy space station]]


From 5 February 1994,<ref name="Bentley: EG, 115"/> the [[Fox Broadcasting Company]] broadcast ''Thunderbirds'' (re-styled ''Thunderbirds USA'' or ''Thunderbirds Are Go!'')<ref name="Bentley: EG, 115"/> on its [[Fox Kids]] programming block.<ref name="Bentley, 121"/> In response to ''[[Mighty Morphin Power Rangers]]'' and other successful, contemporary children's programmes, and to acquaint American audiences with the series' premise before the release of a film version (then expected to appear in 1995), ITC edited 13 of the original episodes to fill a half-hour timeslot, also overlaying new opening titles, synthesised theme and [[incidental music]], character voices and dialogue (provided by American actors).<ref name="Bentley, 121"/> The series was not renewed for a second season and, to date, has never been transmitted in the UK.<ref name="Bentley: EG, 115"/>
Beginning in February 1994,<ref name="Bentley: EG, 115"/> [[Fox Broadcasting Company|Fox]] aired ''Thunderbirds'' (styled as ''Thunderbirds USA'' or ''Thunderbirds Are Go!'')<ref name="Bentley: EG, 115"/> on its [[Fox Kids]] programming block.<ref name="Bentley, 121"/> ITC cut 13 episodes down to half of their original length and added new opening titles, synthesised music, and dialogue provided by American actors.<ref name="Bentley, 121"/> The update was designed to capitalise on the success of ''[[Mighty Morphin Power Rangers]]'' and other popular children's programmes of the 1990s, besides acquainting American audiences with the premise of ''Thunderbirds'' before the release of the live-action film (then expected to appear in 1995). The series was not renewed for a second season and, to date, has never been broadcast in the UK.<ref name="Bentley: EG, 115"/>


''Thunderbirds'' was syndicated in a brand-new format as ''Turbocharged Thunderbirds'', a PolyGram-[[BKN|Bohbot]] co-production, on the [[UPN|United Paramount Network]] (UPN) from 18 December 1994.<ref name="Cull: Fifty, 6"/><ref name="Bentley, 122"/><ref name="Bentley: EG, 116">Bentley 2008, p.&nbsp;116.</ref> Conceived as a comedy, this second re-edit preserved most of Fox's alterations, although a number of episode titles were changed.<ref name="Bentley: EG, 116"/> Fox additionally inserted live-action footage of a pair of Californian teenagers from the year 2096 – Tripp ([[Travis Wester]]) and Roxette ([[Johna Stewart]]), nicknamed the "Hack Masters" – who are pulled into the [[Parallel universe (fiction)|parallel universe]] of the planet "Thunder-World".<ref name="Bentley, 122"/> There, they ally themselves with "simulated lifeforms" of International Rescue (the 1960s puppet characters) against the evil "Atrocimator" (voiced by [[Tim Curry]]) and his "head-honcho", the Hood ([[Malachi Throne]]), serving Jeff Tracy ([[Efrem Zimbalist, Jr.]]) from the orbital listening platform ''Hackmaster Command''.<ref name="Bentley, 122"/>
In December 1994, the series reappeared as ''Turbocharged Thunderbirds'' on both [[Bohbot Kids Network|Amazin'! Adventures]] and [[UPN]].<ref name="Cull: Fifty, 6"/><ref name="Bentley, 122"/><ref name="Bentley: EG, 116">Bentley 2008, p.&nbsp;116.</ref> Devised as a comedy, this re-edit kept most of the earlier alterations, although some of the episodes were renamed.<ref name="Bentley: EG, 116"/> It also added live-action scenes featuring a pair of Californian teenagers from the year 2096 – Tripp ([[Travis Wester]]) and Roxette (Johna Stewart-Bowden), nicknamed the "Hack Masters" – who are pulled into a parallel universe called "Thunder-World".<ref name="Bentley, 122"/> There, they ally themselves with "simulated lifeforms" of International Rescue (the puppet characters) against the evil Atrocimator and his "head-honcho" the Hood (voiced by [[Tim Curry]] and [[Malachi Throne]] respectively), serving Jeff Tracy (voiced by [[Efrem Zimbalist, Jr.]]) from the orbital listening platform ''Hackmaster Command'' (''Thunderbird 5'').<ref name="Bentley, 122"/>


A single series of 13 episodes was transmitted in the United States; as with its antecedent, ''Turbocharged Thunderbirds'' has never received a UK broadcast.<ref name="Bentley, 123"/> Cull describes the series as a "grotesque hybrid show",<ref name="Cull: Media, 203">Cull 2006 (August), p.&nbsp;203.</ref> while Archer and Hearn consider it "risible".<ref name="Archer and Hearn, 262">Archer and Hearn, p.&nbsp;262.</ref> After viewing a sample of footage, Anderson judged ''Turbocharged Thunderbirds'' to be "the most diabolical thing I had ever seen in my life&nbsp;... absolutely appalling".<ref name="Archer and Hearn, 262"/> He held the acting, dialogue, and "gaudily painted set" of ''Hackmaster Command'' in especially low regard and was prepared to initiate legal action against the producers until his name was removed from the credits.<ref name="Bentley, 123"/><ref name="Archer and Hearn, 262"/>
A single season of 13 episodes was broadcast in the US; as with its precursor, ''Turbocharged Thunderbirds'' has never been shown in the UK.<ref name="Bentley, 123"/> Cull describes the series as a "grotesque hybrid show",<ref name="Cull: Media, 203">Cull 2006 (August), p.&nbsp;203.</ref> while Archer and Hearn call it "risible".<ref name="Archer and Hearn, 262">Archer and Hearn, p.&nbsp;262.</ref> After viewing sample footage, Anderson considered ''Turbocharged Thunderbirds'' to be "the most diabolical thing I had ever seen in my life&nbsp;... absolutely appalling".<ref name="Archer and Hearn, 262"/> He held the acting and dialogue and "gaudily painted set" of ''Hackmaster Command'' in particularly low regard and threatened legal action against the producers to force the removal of his name from the credits.<ref name="Bentley, 123"/><ref name="Archer and Hearn, 262"/>


===Revival attempts===
===Revival efforts===
Prior to the 2013 announcement of an official remake, Gerry Anderson made a number of attempts to resurrect ''Thunderbirds''. In 1976, in association with ''[[Star Trek: The Original Series|Star Trek]]'' and ''[[Space: 1999]]'' producer [[Fred Freiberger]], he developed ''Inter-Galactic Rescue 4'' for the American [[NBC]] network as an updating of both ''Thunderbirds'' and ''[[Supercar (TV series)|Supercar]]''.<ref name="Bentley, 117"/><ref name="Bentley: EG, 336">Bentley 2008, p.&nbsp;336.</ref> The series was to have been filmed in live action and to have followed the adventures of the variable-configuration land-, sea-, air- and space-rescue vehicle of the title, ''Rescue 4'', patrolling the "north-west [[Galactic quadrant|quadrant]] of space".<ref name="Bentley, 117"/><ref name="Bentley: EG, 336"/> [[AP Films#Century 21|Century 21]] designers [[Reg Hill]], [[Brian Johnson (special effects artist)|Brian Johnson]] and [[Martin Bower]] contributed pre-production concept art, but the 13-episode proposal was ultimately rejected by NBC in favour of rival story ideas.<ref name="Bentley, 117"/><ref name="Bentley: EG, 336"/>
Prior to the announcement of a remake in 2013, Gerry Anderson tried to revive ''Thunderbirds'' several times. In 1976, Anderson and [[Fred Freiberger]] devised ''Inter-Galactic Rescue 4'' as a combined updating of ''Thunderbirds'' and ''[[Supercar (TV series)|Supercar]]'', intending to pitch it to [[NBC]]. The series would have been in live action and shown the adventures of the variable-configuration land, sea, air and space rescue vehicle of the title, ''Rescue 4'', patrolling the "north-west quadrant of space". Century 21 designers [[Reg Hill]], [[Brian Johnson (special effects artist)|Brian Johnson]] and [[Martin Bower]] contributed to the concept art, but NBC rejected the 13-episode proposal in favour of rival story ideas.<ref name="Bentley, 117"/><ref name="Bentley: EG, 336">Bentley 2008, p.&nbsp;336.</ref>


In 1984, following the completion of ''[[Terrahawks]]'', Anderson conceived ''T-Force'', which would have transferred International Rescue's base of operations to a giant submarine, re-imagined FAB 1 as a custom-built [[Porsche]], and eliminated [[Brains (Thunderbirds)|Brains]]' [[short-sightedness]] and stutter.<ref name="Bentley, 120">Bentley 2005, p.&nbsp;120.</ref><ref name="Bentley: EG, 325">Bentley 2008, p.&nbsp;325.</ref> Although Anderson was unable to secure the funding necessary to develop the series further,<ref name="Bentley, 121"/> some of the plot devices originally intended for ''T-Force'' eventually surfaced in ''[[Firestorm (anime)|Firestorm]]'' (2003),<ref name="Bentley: EG, 325"/> a Japanese anime series based on an idea by Anderson and John Needham.<ref name="Bentley: EG, 324">Bentley 2008, p.&nbsp;324.</ref>
In 1984, following the completion of ''[[Terrahawks]]'', Anderson conceived ''T-Force''. This concept moved International Rescue's base of operations to a giant submarine, reinvented FAB 1 as a custom-built [[Porsche]], and eliminated Brains' stutter and [[myopia]].<ref name="Bentley, 120">Bentley 2005, p.&nbsp;120.</ref><ref name="Bentley: EG, 325">Bentley 2008, p.&nbsp;325.</ref> Although Anderson was unable to secure the funding needed to develop the series,<ref name="Bentley, 121"/> some of its plot devices later appeared in ''[[Firestorm (TV series)|Firestorm]]'' (2003),<ref name="Bentley: EG, 325"/> a Japanese anime series based on an idea by Anderson and John Needham.<ref name="Bentley: EG, 324">Bentley 2008, p.&nbsp;324.</ref>


In 1993, the concept for ''T-Force'' was re-developed under the title ''G-Force'',<ref name="Bentley: EG, 319">Bentley 2008, p.&nbsp;319.</ref> and later as ''GFI'' – an abbreviation of Gee Force Intergalactic, the rescue organisation that was to have featured in ''lieu'' of International Rescue.<ref name="Bentley, 121"/> The flagship of the G-Force fleet, the colossal spaceship ''Galaxy'', was to have housed a factory capable of manufacturing vehicles and equipment specialised to fulfil the requirements of any rescue mission.<ref name="Bentley, 121"/> Only one of the 13 scripted or partially scripted episodes of ''GFI'' – "Warming Warning", written by [[Tony Barwick]]<ref name="Bentley: EG, 320">Bentley 2008, p.&nbsp;320.</ref> – was filmed; it combined traditional [[cel animation]] (for sequences featuring the characters) and computer animation (for vehicle sequences).<ref name="Bentley, 121"/> The former, which was provided by a Russian studio, was judged to be of poor quality; when it was determined that re-creating and upgrading this material would render the series cost-prohibitive, production on ''GFI'' was abandoned.<ref name="Bentley, 121"/> According to Anderson, "the studio in Moscow was, in my opinion, ill-equipped. After some six months of desperately trying to make this co-production work, I finally had no option but to call it off."<ref name="Archer and Hearn, 263">Archer and Hearn, p.&nbsp;263.</ref>
In 1993, ''T-Force'' was revised as ''G-Force'',<ref name="Bentley: EG, 319">Bentley 2008, p.&nbsp;319.</ref> later named ''GFI'' – an abbreviation of Gee Force Intergalactic, the rescue organisation that would have appeared in International Rescue's place.<ref name="Bentley, 121"/> This proposal featured a G-Force space fleet headed by ''Galaxy'', a colossal vessel housing a factory capable of manufacturing vehicles and equipment tailored to the requirements of any rescue mission.<ref name="Bentley, 121"/> Only one episode – "Warming Warning", written by [[Tony Barwick]]<ref name="Bentley: EG, 320">Bentley 2008, p.&nbsp;320.</ref> – was filmed; it used computer animation for the vehicle sequences and [[cel animation]] for scenes involving the characters.<ref name="Bentley, 121"/> The latter, which was provided by a Russian studio, was judged to be of poor quality; as remaking this material would have made the series cost-prohibitive, production on ''GFI'' was abandoned.<ref name="Bentley, 121"/> According to Anderson, "the studio in Moscow was, in my opinion, ill equipped. After some six months of desperately trying to make this co-production work, I finally had no option but to call it off."<ref name="Archer and Hearn, 263">Archer and Hearn, p.&nbsp;263.</ref>


In September 2005, a [[QuickTime]] video clip titled ''Thunderbirds IR'' was published on online [[Peer-to-peer|P2P]] networks; it included a trailer of a proposed ''Thunderbirds'' remake, to be produced by [[Carlton Television]]. Made using a combination of computer animation and live-action puppetry, the clip included footage of a re-designed ''[[Thunderbird 1]]'', the characters of [[Scott Tracy]] and the [[Hood (Thunderbirds)|Hood]], and the rescue of a falling lighthousekeeper; Scott was seen to walk, and perform a backflip with the [[tongue-in-cheek]] quip "Look, no strings!". Visual effects company [[The Mill (post-production)|The Mill]] had been contracted to provide computer animation. Although Anderson endorsed the project after meeting the Carlton staff in the early stages of development, production of the new series was postponed indefinitely when Carlton merged with Granada plc.<ref name="Slingshot-TASNG">{{Cite web|url=http://davidmaxfreedman.typepad.com/slingshot/2005/06/thunderbirds_ar.html|archive-url=https://web.archive.org/web/20060222001043/http://davidmaxfreedman.typepad.com:80/slingshot/2005/06/thunderbirds_ar.html|url-status=dead|archive-date=22 February 2006|title=''Thunderbirds'' Are Still Not Go|last=Freedman|first=David|date=19 June 2005|publisher=[[Blogger (service)|Blogger]]|accessdate=27 November 2006}}</ref>
In September 2005, a [[QuickTime]] video clip titled ''Thunderbirds IR'' was published on online [[Peer-to-peer|P2P]] networks. It included a trailer of a proposed ''Thunderbirds'' remake to be made by [[Carlton Television]]. Created using a mixture of computer animation and live-action puppetry, the clip included footage of a redesigned ''[[Thunderbird 1]]'', characters Scott Tracy and the Hood, and the rescue of a falling lighthouse keeper; Scott was shown walking and performing a backflip with the tongue-in-cheek quip "Look, no strings!". Visual effects company [[The Mill (post-production)|The Mill]] provided the computer animation. Although Anderson endorsed the project after meeting the Carlton staff, production on new series was postponed indefinitely when Carlton merged with Granada plc.<ref name="Slingshot-TASNG">{{Cite web|url=http://davidmaxfreedman.typepad.com/slingshot/2005/06/thunderbirds_ar.html|archive-url=https://web.archive.org/web/20060222001043/http://davidmaxfreedman.typepad.com:80/slingshot/2005/06/thunderbirds_ar.html|url-status=dead|archive-date=22 February 2006|title=''Thunderbirds'' Are Still Not Go|last=Freedman|first=David|date=19 June 2005|publisher=[[Blogger (service)|Blogger]]|access-date=27 November 2006}}</ref>


Writing in 2005, following the completion of ''[[New Captain Scarlet]]'', Anderson stated that he had been unable to secure ''Thunderbirds'' remake rights from Granada.<ref name="Bentley, 5"/> By July 2008, he was still in negotiations with ITV, but promised a new version of ''Thunderbirds'' that would be "updated for the 21st-century audience" and which would, he hoped, be made in CGI.<ref name="Bentley: EG, 7">Bentley 2008: Foreword by [[Gerry Anderson]], p.&nbsp;7.</ref> He added, "This is very much a pet ambition of mine, and I am putting everything into what I consider would be ITV's answer to ''[[Doctor Who]]''.<ref name="Bentley: EG, 7"/> Although Anderson continued to express his belief that such a series would finally be produced with his involvement, ITV continued to withhold the rights into late 2008 and early 2009.<ref>{{Cite news|title=Talking Shop: Gerry Anderson|url=http://news.bbc.co.uk/1/hi/entertainment/7655589.stm|accessdate=7 October 2008|work=[[BBC News Online]]|date=7 October 2008|archiveurl=https://web.archive.org/web/20090212051511/http://news.bbc.co.uk/1/hi/entertainment/7655589.stm|archivedate=12 February 2009|url-status=live}}</ref><ref>{{Cite web|url=http://www.digitalspy.co.uk/tv/a164624/thunderbirds-creator-blasts-itv.html|title=''Thunderbirds'' Creator Blasts ITV|last=Kilkenny|first=Daniel|date=11 July 2009|work=[[Digital Spy]]|publisher=[[Hearst Magazines]]|accessdate=17 August 2010|archiveurl=https://web.archive.org/web/20090916074938/http://www.digitalspy.co.uk/tv/a164624/thunderbirds-creator-blasts-itv.html|archivedate=16 September 2009|url-status=live}}</ref>
Writing in 2005 following the completion of ''[[New Captain Scarlet]]'', Anderson stated that he had been unable to secure the ''Thunderbirds'' remake rights from Granada.<ref name="Bentley, 5"/> By July 2008, he was still in negotiations with ITV, but promised a new version of ''Thunderbirds'' that would be "updated for the 21st-century audience" and which would, he hoped, be made in CGI.<ref name="Bentley: EG, 7">Bentley 2008: Foreword by [[Gerry Anderson]], p.&nbsp;7.</ref> He added, "This is very much a pet ambition of mine, and I am putting everything into what I consider would be ITV's answer to ''[[Doctor Who]]''.<ref name="Bentley: EG, 7"/> Although he continued to express his belief that a series would be made eventually and with his involvement, ITV continued to withhold the rights into late 2008 and early 2009.<ref>{{Cite news|title=Talking Shop: Gerry Anderson|url=http://news.bbc.co.uk/1/hi/entertainment/7655589.stm|access-date=7 October 2008|work=[[BBC News Online]]|date=7 October 2008|archive-url=https://web.archive.org/web/20090212051511/http://news.bbc.co.uk/1/hi/entertainment/7655589.stm|archive-date=12 February 2009|url-status=live}}</ref><ref>{{Cite web|url=http://www.digitalspy.co.uk/tv/a164624/thunderbirds-creator-blasts-itv.html|title=''Thunderbirds'' Creator Blasts ITV|last=Kilkenny|first=Daniel|date=11 July 2009|work=[[Digital Spy]]|publisher=[[Hearst Magazines]]|access-date=17 August 2010|archive-url=https://web.archive.org/web/20090916074938/http://www.digitalspy.co.uk/tv/a164624/thunderbirds-creator-blasts-itv.html|archive-date=16 September 2009|url-status=live}}</ref>


====2015 remake====
====''Thunderbirds Are Go''====
{{Main|Thunderbirds Are Go (TV series)}}
{{Main|Thunderbirds Are Go (TV series)}}


In January 2011, a new series of ''Thunderbirds'' was announced by Anderson during an interview for [[BBC Radio 5 Live]]. Anderson stated that he was unable to reveal many details because he had signed a [[non-disclosure agreement]], but that the production of the series was assured and that it would indeed be made in CGI, with modernised characters and vehicles. In the 15 January edition of ''The Sun'', he said that he had yet to script the first episode, but that he had "fleshed it out" in his mind.<ref>{{Cite web|url=http://www.fanderson.org.uk/news/newseriesofthunderbirds.html|title=Anderson Mania – New ''Thunderbirds'' and Stamps|date=11 January 2011|publisher=[[Fanderson]]|accessdate=11 January 2011|archiveurl=https://web.archive.org/web/20120731073518/http://www.fanderson.org.uk/news/newseriesofthunderbirds.html|archivedate=31 July 2012|url-status=live}}</ref>
In January 2011, Anderson announced a new series of ''Thunderbirds'' during an interview with [[BBC Radio 5 Live]]. He said that although he was unable to go into details because he had signed a [[non-disclosure agreement]], the production of the series was assured and that it would indeed be made in CGI, with modernised characters and vehicles. In the 15 January edition of ''[[The Sun (United Kingdom)|The Sun]]'', he said that he had yet to write the first episode but had "fleshed it out" in his mind.<ref>{{Cite web|url=http://www.fanderson.org.uk/news/newseriesofthunderbirds.html|title=Anderson Mania – New ''Thunderbirds'' and Stamps|date=11 January 2011|publisher=[[Fanderson]]|access-date=11 January 2011|archive-url=https://web.archive.org/web/20120731073518/http://www.fanderson.org.uk/news/newseriesofthunderbirds.html|archive-date=31 July 2012|url-status=live}}</ref>


Anderson died in December 2012, initially leaving the future of the new series in doubt. However, in February 2013, an ITV press release confirmed that [[ITV Studios]] and [[Pukeko Pictures]] were planning to re-invent ''Thunderbirds'' as a series of twenty-six 30-minute episodes, to be filmed using a mixture of computer animation and live-action model sets.<ref name="ITV Press">{{Cite press release|date=4 February 2013|title=Thunderbirds Are Go!|url=http://www.itv.com/presscentre/press-releases/thunderbirds-are-go|url-status=live|type=Press release|publisher=[[ITV plc]]|archiveurl=https://web.archive.org/web/20131004214024/http://www.itv.com/presscentre/press-releases/thunderbirds-are-go|archivedate=4 October 2013|accessdate=22 November 2013}}</ref> The new series premiered on [[CITV]] on 4 April 2015.
Anderson died in December 2012, leaving the future of the series in doubt. However, in February 2013, ITV confirmed that [[ITV Studios]] and [[Pukeko Pictures]] were planning to remake ''Thunderbirds'' as a series of 30-minute episodes, to be filmed using a combination of computer animation and live-action model sets.<ref name="ITV Press">{{Cite press release|date=4 February 2013|title=Thunderbirds Are Go!|url=http://www.itv.com/presscentre/press-releases/thunderbirds-are-go|url-status=live|type=Press release|publisher=[[ITV plc]]|archive-url=https://web.archive.org/web/20131004214024/http://www.itv.com/presscentre/press-releases/thunderbirds-are-go|archive-date=4 October 2013|access-date=22 November 2013}}</ref> The new series, ''[[Thunderbirds Are Go (TV series)|Thunderbirds Are Go]]'', premiered on [[CITV]] in April 2015 and ran for three seasons, ending in 2020.


===Audio episode adaptations===
====''The Anniversary Episodes''====
{{Further information|List of Thunderbirds episodes#The Anniversary Episodes}}
In July 2015, to celebrate the series' 50th anniversary, ''[[Filmed in Supermarionation]]'' documentary director Stephen La Rivière launched a [[Kickstarter]] campaign to raise the funds necessary to produce three new puppet episodes based on the ''Thunderbirds'' [[mini-album]]s of the 1960s. The project, titled "Thunderbirds 1965", was supported by ITV, Sylvia Anderson and the estate of Gerry Anderson.<ref>{{Cite web|url=http://www.gerryanderson.co.uk/brand-new-episodes-of-classic-thunderbirds-on-the-way/|author=Anderson, Jamie|date=7 July 2015|title=Brand-New Episodes of Classic ''Thunderbirds'' On The Way!|work=gerryanderson.co.uk|publisher=[[Anderson Entertainment]]|accessdate=14 July 2015|archiveurl=https://web.archive.org/web/20150708012724/http://www.gerryanderson.co.uk/brand-new-episodes-of-classic-thunderbirds-on-the-way/|archivedate=8 July 2015|url-status=live}}</ref>

In 2015, to mark the series' 50th anniversary, ITV commissioned Pod 4 Films (now Century 21 Films) to produce a mini-series of new ''Thunderbirds'' episodes based on the soundtracks of three of the 1960s audio plays. The project, titled "Thunderbirds 1965", was supported by [[Sylvia Anderson]] and the estate of Gerry Anderson. Funding was secured through a successful [[Kickstarter]] campaign, started by Pod 4 director [[Stephen La Rivière]], which ultimately raised £218,412 against an initial goal of £75,000.<ref>{{Cite web|url=http://www.gerryanderson.co.uk/brand-new-episodes-of-classic-thunderbirds-on-the-way/|last1=Anderson|first1=Jamie|author1-link=Jamie Anderson (producer)|date=7 July 2015|title=Brand-new episodes of classic ''Thunderbirds'' on the way!|work=gerryanderson.co.uk|publisher=[[Anderson Entertainment]]|access-date=14 July 2015|archive-url=https://web.archive.org/web/20150708012724/http://www.gerryanderson.co.uk/brand-new-episodes-of-classic-thunderbirds-on-the-way/|archive-date=8 July 2015|url-status=live}}</ref><ref>{{Cite web|url=https://www.gerryanderson.co.uk/thunderbirds-are-go-again-thanks-to-thunderbirds-1965/|last1=Anderson|first1=Jamie|date=9 August 2015|title=''Thunderbirds'' are go again thanks to Thunderbirds 1965!|work=gerryanderson.co.uk|publisher=Anderson Entertainment|access-date=14 April 2021|archive-url=https://web.archive.org/web/20160606143027/http://www.gerryanderson.co.uk/thunderbirds-are-go-again-thanks-to-thunderbirds-1965/|archive-date=6 June 2016|url-status=live}}</ref>

The production of the mini-series saw the return of some of the original ''Thunderbirds'' crew, including director David Elliott. Following a premiere screening at the [[BFI Southbank]] in August 2016, the new episodes were released on DVD and Blu-ray Disc exclusively to their Kickstarter backers. Later titled "The Anniversary Episodes", they were added to [[BritBox]] in August 2020 alongside all 32 episodes of the original series.<ref>{{Cite web|url=https://www.century21films.co.uk/thunderbirds-50th-anniversary-specials|title=''Thunderbirds: The Anniversary Episodes''|year=2020|work=century21films.co.uk|access-date=24 August 2020|archive-url=https://web.archive.org/web/20200605102204/https://www.century21films.co.uk/thunderbirds-50th-anniversary-specials|archive-date=5 June 2020|url-status=live}}</ref><ref>{{Cite web|url=http://britishperioddramas.com/news/new-on-britbox-in-the-uk-whats-added-in-august-2020/|date=5 August 2020|title=New on BritBox in the UK: What's added in August 2020?|work=britishperioddramas.com|access-date=24 August 2020|archiveurl=https://web.archive.org/web/20200922013720/http://britishperioddramas.com/news/new-on-britbox-in-the-uk-whats-added-in-august-2020/|archivedate=22 September 2020|url-status=live}}</ref>


==References, parodies and imitations==
==References, parodies and imitations==
[[File:Thunderbirds are go^ - geograph.org.uk - 486764.jpg|thumb|A model ''[[Thunderbird 3]]'' at a ''Thunderbirds''-themed exhibition in [[Trafalgar Square]]. ''[[Thunderbird 2]]'' models have been displayed at the [[Millennium Dome]], [[Science Museum, London|Science Museum]] and other London venues.<ref name="Cull: Fifty, 7"/>|alt=A model space rocket stands ready for lift-off in a crowded city square]]
[[File:Thunderbirds are go^ - geograph.org.uk - 486764.jpg|thumb|Model ''[[Thunderbird 3]]'' on display in [[Trafalgar Square]]. ''[[Thunderbird 2]]'' models have been shown at the [[Millennium Dome]], [[Science Museum, London|Science Museum]] and other London sites.<ref name="Cull: Fifty, 7"/>|alt=A model space rocket stands ready for lift-off in a crowded city square]]


[[File:Brush Class 57 57302 (6016709967).jpg|thumb|[[Virgin Trains West Coast]] [[British Rail Class 57|57302]] ''[[Virgil Tracy]]'']]
[[File:Brush Class 57 57302 (6016709967).jpg|thumb|[[Virgin Trains]]' [[British Rail Class 57|57302]] ''Virgil Tracy'']]


[[File:57304 Gordon Tracy at Crewe 02.jpg|thumb|[[Gordon Tracy]] name plate on a Virgin Trains West Coast [[British Rail Class 57|57304]]]]
[[File:57304 Gordon Tracy at Crewe 02.jpg|thumb|[[Gordon Tracy]] name plate on a Virgin Trains 57304]]


Since its first appearance, ''Thunderbirds'' has had a significant impact on British [[popular culture]] and media worldwide.<ref name="Bentley: EG, 117"/> Anderson and Christopher Burr's ''[[Terrahawks]]'' (1983–84), whose eponymous starring organisation defends Earth against antagonistic [[Android (robot)|androids]] that have invaded from Mars, and which was filmed using a puppetry technique known as "[[Supermarionation#Supermacromation|Supermacromation]]", is thematically similar to ''Thunderbirds'' but written as a [[Comic science fiction|science-fiction comedy]].<ref name="Archer and Hearn, 249">Archer and Hearn, p.&nbsp;249.</ref> The mission of International Rescue inspired the foundation of the [[Red Cross]]-funded [[International Rescue Corps]], originally a brigade of British firefighters who volunteered humanitarian services to the Italian authorities in the aftermath of the [[1980 Irpinia earthquake]].<ref name="Bentley, 117"/> The charity made Gerry Anderson its honorary president<ref name="Marriott, 187">Marriott, p.&nbsp;187.</ref> and has since assisted at disaster zones in various other countries.<ref name="Bentley, 117"/>
Since it first appeared, ''Thunderbirds'' has made a significant impact on popular culture and media worldwide.<ref name="Bentley: EG, 117"/> Anderson's later puppet series''[[Terrahawks]]'', about an organisation that defends Earth against hostile androids from Mars, is thematically similar to ''Thunderbirds'' but written more as a comedy.<ref name="Archer and Hearn, 249">Archer and Hearn, p.&nbsp;249.</ref> International Rescue was the inspiration for the [[International Rescue Corps]], a volunteer rescue organisation started by a group of British firefighters who contributed to the humanitarian effort in the aftermath of the [[1980 Irpinia earthquake]].<ref name="Bentley, 117"/> The charity made Gerry Anderson its honorary president<ref name="Marriott, 187">Marriott, p.&nbsp;187.</ref> and has since assisted at disaster zones in various countries.<ref name="Bentley, 117"/>


[[Peter Jackson]] has spoken of the influence of ''Thunderbirds'' on his career as a film director: "... ''Thunderbirds'' was probably the first influence, I guess. I knew it wasn't real. You know, I could even relate to it on a level of it not being real because I had a lot of [[Matchbox (brand)|Matchbox]] toys and I used to recognise my Matchbox toys in ''Thunderbirds''. You know, I used to be very proud of myself when I'd see, you know, this little truck or lorry sort of trundle by in an episode of ''Thunderbirds'' and in my playbox I had exactly the same sort of Matchbox toy. And that sort of was the beginning, really, when I think about it, of, like, the connection of 'This isn't real, these are models, you know, they're making all this stuff up'."<ref>{{Cite news|url=http://www.abc.net.au/atthemovies/txt/s1529210.htm|title=At The Movies: Peter Jackson|author=[[David Stratton|Stratton, David]]|date=13 December 2005|work=[[ABC News (Australia)|ABC News]]|publisher=[[Australian Broadcasting Corporation]]|location=Sydney, Australia|archiveurl=https://web.archive.org/web/20140911063435/http://www.abc.net.au/atthemovies/txt/s1529210.htm|archivedate=11 September 2014|url-status=live}}</ref> The series has also influenced the work of author [[Warren Ellis]] (for example, in the premise of his 2002 comic series ''[[Global Frequency]]'').<ref>{{Cite web|url=http://www.warrenellis.com/?p=7252|title=Random Head Processing of The Day|author=[[Warren Ellis|Ellis, Warren]]|date=28 April 2009|work=warrenellis.com|accessdate=17 August 2010|archiveurl=https://web.archive.org/web/20130903053944/http://www.warrenellis.com/?p=7252|archivedate=3 September 2013|url-status=live}}</ref>
[[Peter Jackson]] has spoken of the series' influence on his career as a film director: "... ''Thunderbirds'' was probably the first influence, I guess. I knew it wasn't real. You know, I could even relate to it on a level of it not being real because I had a lot of [[Matchbox (brand)|Matchbox]] toys and I used to recognise my Matchbox toys in ''Thunderbirds''. You know, I used to be very proud of myself when I'd see, you know, this little truck or lorry sort of trundle by in an episode of ''Thunderbirds'' and in my playbox I had exactly the same sort of Matchbox toy. And that sort of was the beginning, really, when I think about it, of, like, the connection of 'This isn't real, these are models, you know, they're making all this stuff up'."<ref>{{Cite news|url=http://www.abc.net.au/atthemovies/txt/s1529210.htm|title=At The Movies: Peter Jackson|author=Stratton, David|author-link=David Stratton|date=13 December 2005|work=[[ABC News (Australia)|ABC News]]|publisher=[[Australian Broadcasting Corporation]]|location=Sydney, Australia|archive-url=https://web.archive.org/web/20140911063435/http://www.abc.net.au/atthemovies/txt/s1529210.htm|archive-date=11 September 2014|url-status=live}}</ref> The series also influenced the work of comics writer [[Warren Ellis]], including his 2002 series ''[[Global Frequency]]'').<ref>{{Cite web|url=http://www.warrenellis.com/?p=7252|title=Random Head Processing of The Day|author=Ellis, Warren|author-link=Warren Ellis|date=28 April 2009|work=warrenellis.com|access-date=17 August 2010|archive-url=https://web.archive.org/web/20130903053944/http://www.warrenellis.com/?p=7252|archive-date=3 September 2013|url-status=live}}</ref>


[[Virgin Group]] has used elements of the series in its branding. [[Virgin Atlantic]] flies a [[Boeing 747-400]] named ''Lady Penelope'', so christened to reflect its registration code: "G-V'''FAB'''".<ref name="Bentley: EG, 117"/><ref>{{Cite book|title=Boeing 747-400|series=Airliner Color History|author=Gilchrist, Peter|year=1998|publisher=[[MBI Publishing Company]]|location=Osceola, Wisconsin|isbn=978-0-7603-0616-1|page=111|url=https://archive.org/details/boeing74740000gilc}}</ref> Between 2002 and 2004, [[Virgin Trains West Coast]] purchased 16 [[British Rail Class 57|Class 57]] diesel locomotives that it named after ''Thunderbirds'' characters or vehicles and uses mainly for rescue duties.<ref name="Bentley: EG, 117"/><ref>"Thunderbirds Are Go!". ''[[Rail Express]]'', issue 75, August 2002, p.&nbsp;6.</ref><ref>"[https://web.archive.org/web/20061016083505/http://www.virgintrainsmediaroom.com/index.cfm?articleid=167 Stand By For Action]". [[Virgin Trains]], 17 August 2002.</ref><ref>"[https://web.archive.org/web/20061016081233/http://www.virgintrainsmediaroom.com/index.cfm?articleid=400 Thunderbirds Are Go]". Virgin Trains, 12 August 2003.</ref> In the UK, locomotives used to rescue broken-down trains are referred to as "Thunderbirds".<ref>"It's Go For The Thunderbird". ''[[The Railway Magazine]]'', issue 1114, February 1994, p.&nbsp;14.</ref>
[[Virgin Group]] has used aspects of the series in its branding. [[Virgin Atlantic]] operated a [[Boeing 747-400]] called ''Lady Penelope'', named for its registration: "G-V'''FAB'''".<ref name="Bentley: EG, 117"/><ref>{{Cite book|title=Boeing 747-400|series=Airliner Color History|author=Gilchrist, Peter|year=1998|publisher=[[MBI Publishing Company]]|location=Osceola, Wisconsin|isbn=978-0-7603-0616-1|page=[https://archive.org/details/boeing74740000gilc/page/111 111]|url=https://archive.org/details/boeing74740000gilc/page/111}}</ref> [[Virgin Trains West Coast]] had a fleet of 16 [[British Rail Class 57|Class 57]] diesel locomotives that it used mainly to rescue broken-down trains; all were named after ''Thunderbirds'' characters and vehicles.<ref name="Bentley: EG, 117"/><ref>{{Cite magazine|title=Thunderbirds Are Go!|magazine=[[Rail Express]]|issue=75|date=August 2002|page=6}}</ref><ref>{{Cite web|archive-url=https://web.archive.org/web/20061016083505/http://www.virgintrainsmediaroom.com/index.cfm?articleid=167|archive-date=16 October 2006|url=http://www.virgintrainsmediaroom.com/index.cfm?articleid=167|url-status=dead|title=Stand By For Action|publisher=[[Virgin Trains]]|date=17 August 2002}}</ref><ref>{{Cite web|url=http://www.virgintrainsmediaroom.com/index.cfm?articleid=400|archive-url=https://web.archive.org/web/20061016081233/http://www.virgintrainsmediaroom.com/index.cfm?articleid=400|archive-date=16 October 2006|title=Thunderbirds Are Go|publisher=Virgin Trains|date=12 August 2003}}</ref> In the UK, locomotives used for train rescue are often referred to as "Thunderbirds".<ref>{{Cite magazine|title=It's Go For The Thunderbird|magazine=[[The Railway Magazine]]|issue=1114|date=February 1994|page=14}}</ref>


In 2003, [[Image Comics]] published ''The Agency'', a comics mini-series set in a parallel world reminiscent of that of the Supermarionation series of the 1960s. In this world, the Tomahawks (an organisation similar to International Rescue) operate a VTOL rapid-transit aircraft, an airborne carrier craft, a "sub-atomic warhead" and a space station (corresponding to ''Thunderbirds 1'', ''2'', ''3'' and ''5''). They are associated with Lady Pippa, a former British spy, and her chauffeur Burgess (analogues of [[Lady Penelope]] and [[Aloysius Parker|Parker]]). ''The Agency'' also features pastiches of other Anderson series such as ''[[Captain Scarlet and the Mysterons]]'' and ''[[Joe 90]]''.
In 2003, [[Image Comics]] published ''The Agency'', a mini-series set in a parallel world reminiscent of the Supermarionation universe. In this world, the Tomahawks (an organisation similar to International Rescue) operate a VTOL rapid-transit aircraft, an airborne carrier craft, a "sub-atomic warhead" and a space station (corresponding to ''Thunderbirds 1'', ''2'', ''3'' and ''5''). They are associated with Lady Pippa, a former British spy, and her chauffeur Burgess (analogues of [[Lady Penelope]] and [[Aloysius Parker|Parker]]). ''The Agency'' also features pastiches of other Anderson series such as ''[[Captain Scarlet and the Mysterons]]'' and ''[[Joe 90]]''.


In 2011, [[Royal Mail]] launched a commemorative stamp range based on the Anderson series; among the items was a mini-sheet of [[Lenticular printing|lenticular]] stamps bearing holograms of ''Thunderbirds 1'', ''2'', ''3'' and ''4''.<ref>{{Cite web|url=http://www.stampmagazine.co.uk/news/article/fab-the-genius-of-gerry-anderson/7271|title=FAB: The Genius of Gerry Anderson|date=January 2011|work=stampmagazine.co.uk|publisher=MyTimeMedia|archiveurl=https://web.archive.org/web/20130415105407/http://www.stampmagazine.co.uk/news/article/fab-the-genius-of-gerry-anderson/7271|archivedate=15 April 2013|url-status=live}}</ref><ref>{{Cite news|url=http://news.bbc.co.uk/local/berkshire/hi/people_and_places/arts_and_culture/newsid_9354000/9354777.stm|title=Slough Children Launch ''Thunderbirds'' Anniversary Stamps|work=[[BBC News Online]]|date=10 January 2011|accessdate=3 February 2011|archiveurl=https://web.archive.org/web/20111124191944/http://news.bbc.co.uk/local/berkshire/hi/people_and_places/arts_and_culture/newsid_9354000/9354777.stm|archivedate=24 November 2011|url-status=live}}</ref>
In 2011, [[Royal Mail]] launched a commemorative stamp range based on the Anderson series; among the items was a mini-sheet of [[Lenticular printing|lenticular]] stamps bearing holograms of ''Thunderbirds 1'', ''2'', ''3'' and ''4''.<ref>{{Cite web|url=http://www.stampmagazine.co.uk/news/article/fab-the-genius-of-gerry-anderson/7271|title=FAB: The Genius of Gerry Anderson|date=January 2011|work=stampmagazine.co.uk|publisher=MyTimeMedia|archive-url=https://web.archive.org/web/20130415105407/http://www.stampmagazine.co.uk/news/article/fab-the-genius-of-gerry-anderson/7271|archive-date=15 April 2013|url-status=live|access-date=26 April 2020}}</ref><ref>{{Cite news|url=http://news.bbc.co.uk/local/berkshire/hi/people_and_places/arts_and_culture/newsid_9354000/9354777.stm|title=Slough Children Launch ''Thunderbirds'' Anniversary Stamps|work=BBC News Online|date=10 January 2011|access-date=3 February 2011|archive-url=https://web.archive.org/web/20111124191944/http://news.bbc.co.uk/local/berkshire/hi/people_and_places/arts_and_culture/newsid_9354000/9354777.stm|archive-date=24 November 2011|url-status=live}}</ref>


===Film and TV===
===Film and TV===
The comedy of the American puppet film ''[[Team America: World Police]]'' (2004), produced by ''[[South Park]]'' creators [[Matt Stone]] and [[Trey Parker]], was inspired by the idiosyncrasies of ''Thunderbirds''-era Supermarionation techniques.<ref name="Cull: Fifty, 7"/> In an interview, Stone and Parker stated that while they were not especially fans of ''Thunderbirds'', they thought highly of the series' visual style: "What's made it last is the time and care that the people who did that show put into the marionettes".<ref>{{Cite web|url=http://www.movieweb.com/news/06/5406.php|title=Trey Parker and Matt Stone Talk ''Team America: World Police''|date=4 October 2004|work=movieweb.com|accessdate=19 January 2008|archiveurl=https://web.archive.org/web/20080706155146/http://www.movieweb.com/news/06/5406.php|archivedate=6 July 2008|url-status=dead}}</ref> In the 1960s BBC comedy ''[[Not Only... But Also]]'', actors [[Peter Cook]] and [[Dudley Moore]] performed a sketch titled "Superthunderstingcar" – a parody of ''Thunderbirds'' as well as other Anderson puppet series, including ''[[Supercar (TV series)|Supercar]]'' and ''[[Stingray (1964 TV series)|Stingray]]''.<ref name="Bentley: EG, 117"/><ref name="Anderson, 97">Anderson, p.&nbsp;97.</ref> The 1980s Australian comedy show ''[[The D-Generation]]'' featured a recurring ''Thunderbirds''-themed sketch of live actors imitating wire puppets, with various storylines (such as "''Thunderbirds'' Pizza", in which the characters operate a global pizza-delivery business).
The comedy of the puppet film ''[[Team America: World Police]]'' (2004), produced by ''[[South Park]]'' creators [[Matt Stone]] and [[Trey Parker]], was inspired by the idiosyncrasies of ''Thunderbirds''-style Supermarionation techniques.<ref name="Cull: Fifty, 7"/> In an interview, Stone and Parker stated that while they were not especially fans of ''Thunderbirds'', they thought highly of the series' visual style: "What's made it last is the time and care that the people who did that show put into the marionettes".<ref>{{Cite web|url=http://www.movieweb.com/news/06/5406.php|title=Trey Parker and Matt Stone Talk ''Team America: World Police''|date=4 October 2004|work=movieweb.com|access-date=19 January 2008|archive-url=https://web.archive.org/web/20080706155146/http://www.movieweb.com/news/06/5406.php|archive-date=6 July 2008|url-status=dead}}</ref> The 1960s BBC comedy show ''[[Not Only... But Also]]'' with [[Peter Cook]] and [[Dudley Moore]] included a regular sketch titled "Superthunderstingcar" – a parody of ''Thunderbirds'' and other Anderson series including ''[[Supercar (TV series)|Supercar]]'' and ''[[Stingray (1964 TV series)|Stingray]]''.<ref name="Bentley: EG, 117"/><ref name="Anderson, 97">Anderson, p.&nbsp;97.</ref> The 1980s Australian comedy ''[[The D-Generation]]'' featured ''Thunderbirds''-themed sketches with live actors imitating wire puppets; storylines included "''Thunderbirds'' Pizza", in which the characters operate a global pizza-delivery business.


The [[Aardman Animations]] short film ''[[A Close Shave]]'' includes an homage to the series:<ref name="Bentley: EG, 117"/><ref name="Cull: Fifty, 7">Cull 2009, p.&nbsp;7.</ref> after Wallace receives a telephone call for window-cleaning services, his movement from his living room to his garage, then onto his motorcycle, and then out into the street – all via automated machinery is reminiscent of Virgil Tracy's launch of ''Thunderbird 2''.<ref name="Cull: Media, 198">Cull 2006 (August), p.&nbsp;198.</ref> Further homages can be found in the film ''[[Austin Powers: The Spy Who Shagged Me]]'' (1999),<ref name="Bentley: EG, 117"/> the TV sitcom ''[[Spaced]]'' (1999–2001),<ref name="Cull: Fifty, 7"/> and the design of the computer-animated characters of TV series ''[[Star Wars: The Clone Wars (2008 TV series)|Star Wars: The Clone Wars]]'' (2008–13).<ref>{{Cite web|url=http://www.broadcastingcable.com/blog/BC_Beat/10161-George_Lucas_Talks_Clone_Wars_.php|title=George Lucas Talks ''Clone Wars''|last=Weprin|first=Alex|date=3 April 2008|work=broadcastingcable.com|publisher=[[NewBay Media]]|accessdate=17 August 2010|archiveurl=https://web.archive.org/web/20121127104128/http://www.broadcastingcable.com/blog/BC_Beat/10161-George_Lucas_Talks_Clone_Wars_.php|archivedate=27 November 2012|url-status=live}}</ref> A 1994 episode of the BBC sitcom ''[[Absolutely Fabulous]]'' (1992–2004) features the Lady Penelope puppet in a dream sequence based on the character of [[Edina Monsoon]] undergoing surgery: Penelope informs Edina that she is dying, but that Brains is working on a chemical formula to save her life. In the United States, [[MTV]] broadcast a sitcom parody of ''Thunderbirds'', ''[[Super Adventure Team]]'', in 1998.
The [[Wallace and Gromit]] short film ''[[A Close Shave]]'' (1995) includes an homage to the series:<ref name="Bentley: EG, 117"/><ref name="Cull: Fifty, 7">Cull 2009, p.&nbsp;7.</ref> as Wallace prepares to leave his house to go on a window-cleaning job, he moves from his living room to his garage, gets onto his motorcycle, and sets off all with the help of automated machinery, similar to how Virgil Tracy enters and takes off in ''Thunderbird 2''.<ref name="Cull: Media, 198">Cull 2006 (August), p.&nbsp;198.</ref> Further homages can be found in the film ''[[Austin Powers: The Spy Who Shagged Me]]'' (1999),<ref name="Bentley: EG, 117"/> the TV sitcom ''[[Spaced]]'' (1999–2001),<ref name="Cull: Fifty, 7"/> and the design of the computer-animated characters of TV series ''[[Star Wars: The Clone Wars (2008 TV series)|Star Wars: The Clone Wars]]'' (2008–13).<ref>{{Cite web|url=http://www.broadcastingcable.com/blog/BC_Beat/10161-George_Lucas_Talks_Clone_Wars_.php|title=George Lucas Talks ''Clone Wars''|last=Weprin|first=Alex|date=3 April 2008|work=broadcastingcable.com|publisher=[[NewBay Media]]|access-date=17 August 2010|archive-url=https://web.archive.org/web/20121127104128/http://www.broadcastingcable.com/blog/BC_Beat/10161-George_Lucas_Talks_Clone_Wars_.php|archive-date=27 November 2012|url-status=live}}</ref> Lady Penelope appears in a 1994 episode of ''[[Absolutely Fabulous]]'' as part of a dream experienced by [[Edina Monsoon]] as she undergoes surgery: Penelope informs Edina that she is dying, but that Brains is working on a chemical formula to save her life. In the United States, [[MTV]] broadcast a sitcom parody of ''Thunderbirds'', ''[[Super Adventure Team]]'', in 1998.


===Theatre===
===Theatre===
From 1974 to 1975, the company Stage Three – co-founded by ''Thunderbirds'' puppeteer [[Christine Glanville]] – hosted a ''Thunderbirds'' [[rod puppet]] stage show at [[Bournemouth Pier]] and other venues.<ref name="Bentley, 117"/><ref name="Bentley, 116">Bentley 2005, p.&nbsp;116.</ref>
From 1974 to 1975, the company Stage Three – co-founded by ''Thunderbirds'' puppeteer [[Christine Glanville]] – hosted a ''Thunderbirds'' rod puppet stage show at [[Bournemouth Pier]] and other venues.<ref name="Bentley, 117"/><ref name="Bentley, 116">Bentley 2005, p.&nbsp;116.</ref>

In 1984, Mime Theatre Project artists Andrew Dawson and Gavin Robertson devised a tribute stage show, ''Thunderbirds: F.A.B.'',<ref name="Bentley, 118"/> which went on to break [[West End of London|West End]] sales records at London's [[Apollo Theatre]] in 1989.<ref name="Bentley, 119">Bentley 2005, p.&nbsp;119.</ref><ref name="Marriott, 181">Marriott, p.&nbsp;181.</ref> Also featuring the [[Captain Scarlet (character)|title character]] of ''Captain Scarlet'', and with Dawson and Robertson performing all the parts themselves (including, by wearing enlarged, strap-on helmets, the ''Thunderbirds'' machines), the original show toured internationally and popularised a staccato-like style of movement that became known as the "''Thunderbirds'' walk".<ref name="Bentley, 119"/> According to Robertson, it was initially planned that the miniature ''Thunderbirds'' models be positioned on the shoulder,<ref name="Marriott, 181"/> "but we figured they'd be too small to be seen at the back of the theatre, so we then decided to wear them like huge hats."<ref name="Marriott, 182">Marriott, p.&nbsp;182.</ref>


In 1984, Mime Theatre Project performers Andrew Dawson and Gavin Robertson created a tribute show titled ''Thunderbirds: F.A.B.'',<ref name="Bentley, 118"/><ref>{{Cite news|url=https://www.theguardian.com/theobserver/2000/dec/03/features.review57|archive-url=https://web.archive.org/web/20140509110014/http://www.theguardian.com/theobserver/2000/dec/03/features.review57|archive-date=9 May 2014|first1=Stephanie|last1=Merritt|author1-link=Stephanie Merritt|date=3 December 2000|title=''Thunderbirds'' are go - and they're still FAB|newspaper=The Guardian|url-status=live|access-date=23 December 2022}}</ref><ref>{{Cite web|url=https://www.londontheatre.co.uk/reviews/thunderbirds-fab|title=''Thunderbirds FAB'' Review|first1=Darren|last1=Dalglish|website=londontheatre.co.uk|access-date=19 April 2021|archive-url=https://web.archive.org/web/20210419225950/https://www.londontheatre.co.uk/reviews/thunderbirds-fab|archive-date=19 April 2021|url-status=dead}}</ref> which broke box office records when it played at London's [[Apollo Theatre]] in 1989.<ref name="Bentley, 119">Bentley 2005, p.&nbsp;119.</ref><ref name="Marriott, 181">Marriott, p.&nbsp;181.</ref> All of the parts were acted by Dawson and Robertson, who "played" the ''Thunderbirds'' machines by wearing a range of helmets, each one with a model ''Thunderbird'' on top. According to Robertson, the original plan was to wear the models on their shoulders,<ref name="Marriott, 181"/> "but we figured they'd be too small to be seen at the back of the theatre, so we then decided to wear them like huge hats."<ref name="Marriott, 182">Marriott, p.&nbsp;182.</ref>
Dawson and Robertson's style of acting was later exported to a 1987 TV advertisement for ''[[Exchange & Mart]]'' magazine, in which Dawson appears in costume as Scott Tracy.<ref name="Bentley: EG, 360">Bentley 2008, p.&nbsp;360.</ref> The stage show was re-launched in 1991, 1995 and 2000 and 2001<ref name="Bentley: EG, 117"/> as ''Thunderbirds: F.A.B. – The Next Generation'', incorporating additional characters from ''Stingray'' and ''Captain Scarlet'', and with Wayne Forester and Paul Kent replacing Dawson and Robertson as performers.<ref name="Bentley, 119"/><ref name="Marriott, 182"/><ref name="Archer and Hearn, 258">Archer and Hearn, p.&nbsp;258.</ref>


Also featuring [[Captain Scarlet (character)|Captain Scarlet]], the show toured internationally and popularised a staccato manner of walking that became known as the "''Thunderbirds'' walk".<ref name="Bentley, 119"/> Gerry Anderson had low expectations for the show, but after seeing Dawson and Robertson's performances called it "original" and "superb".<ref name="Archer and Hearn, 257">Archer and Hearn, p.&nbsp;257.</ref> In 1987, Dawson and Robertson's miming style was used in a TV advertisement for ''[[Exchange & Mart]]'' magazine, which featured Dawson in costume as Scott Tracy.<ref name="Bentley: EG, 360">Bentley 2008, p.&nbsp;360.</ref> The show returned in 1991 and again in 1995.<ref name="Bentley: EG, 117"/> In 2000, it was relaunched as ''Thunderbirds: F.A.B. – The Next Generation'', with Dawson and Robertson replaced by Wayne Forester and Paul Kent and featuring additional characters from ''Stingray'' and ''Captain Scarlet''.<ref name="Bentley: EG, 117"/><ref name="Bentley, 119"/><ref name="Marriott, 182"/><ref>{{Cite news|url=http://www.theguardian.com/stage/2000/dec/01/theatre.artsfeatures|archive-url=https://web.archive.org/web/20140509074331/http://www.theguardian.com/stage/2000/dec/01/theatre.artsfeatures|archive-date=9 May 2014|first1=Lyn|last1=Gardner|author1-link=Lyn Gardner|date=30 November 2000|title=''Thunderbirds FAB''|newspaper=The Guardian|url-status=live|access-date=26 April 2020}}</ref><ref name="Archer and Hearn, 258">Archer and Hearn, p.&nbsp;258.</ref>
In a flyer for the early 2000s tour, co-director Dawson stated, "We try to re-create everything that everyone loves about ''Thunderbirds'' in a live show – the noises, the funny puppet walk. Anyone who has ever seen ''Thunderbirds'' – and there can't be many people who haven't – will enjoy the show." Anderson himself initially had low expectations, but after seeing the show considered it "superb" and "original".<ref name="Archer and Hearn, 257">Archer and Hearn, p.&nbsp;257.</ref>


===Music===
===Music===
[[Cover version]]s of "The ''Thunderbirds'' March" have been released by musicians and bands such as [[Billy Cotton]], [[Joe Loss]], [[Frank Sidebottom]], [[The Rezillos]] and [[The Shadows]].<ref name="Bentley: EG, 117"/> The [[Royal Marines Band Service]] added the theme to its repertoire, performing it at the public unveiling of ''[[Concorde]]'' in France in 1969.<ref name="Archer and Hearn, 127">Archer and Hearn, p.&nbsp;127.</ref> Both the march and [[Peter Dyneley]]'s introductory countdown have been adopted by [[Level 42]] for use in live concerts, as seen in the video release of their 1987 performance at the old [[Wembley Stadium (1923)|Wembley Stadium]] in London; an updated version, combined with the opening fanfare to the band's song "[[Heaven in My Hands]]", is still used to start their gigs. The countdown has also been used by the [[Beastie Boys]] in various events, including the 2007 [[Live Earth]] concerts.
Cover versions of "The ''Thunderbirds'' March" have been released by musicians and bands including [[Billy Cotton]], [[Joe Loss]], [[Frank Sidebottom]], [[The Rezillos]] and [[The Shadows]].<ref name="Bentley: EG, 117"/> The [[Royal Marines Band Service]] added the theme to its repertoire, performing it at the public unveiling of ''[[Concorde]]'' in France in 1969.<ref name="Archer and Hearn, 127">Archer and Hearn, p.&nbsp;127.</ref> Both the march and [[Peter Dyneley]]'s introductory "5–4–3–2–1!" countdown have been adopted by [[Level 42]] for use in live concerts, as seen in the video release of their 1987 performance at the old [[Wembley Stadium (1923)|Wembley Stadium]] in London; an updated version, combined with the opening fanfare to the band's song "[[Heaven in My Hands]]", is still used to start their gigs. The countdown has also been used by the [[Beastie Boys]] at various events, including the 2007 [[Live Earth]] concerts.


Songs inspired by ''Thunderbirds'' include [[We've Got a Fuzzbox and We're Gonna Use It]]'s "International Rescue" (1989), [[Busted (band)|Busted]]'s "[[Thunderbirds / 3AM|Thunderbirds Are Go!]]" (the end theme of the 2004 film adaptation) and [[V6 (band)|V6]]'s "Thunderbirds (Your Voice)" (2004).<ref name="Bentley: EG, 117"/> In 1998, Australian band [[TISM]] released the single "[[Thunderbirds Are Coming Out]]", the music video for which focuses on a socially awkward teenager who sees the ''Thunderbird'' machines on TV and is immediately impressed; thereafter, he is inspired to conform to the norms of adolescent life. Other music video allusions to ''Thunderbirds'' include [[Wax (UK band)|Wax]]'s "Right Between the Eyes" (1986).<ref name="Bentley: EG, 365"/>
Songs inspired by ''Thunderbirds'' include "International Rescue" (1989) by [[We've Got a Fuzzbox and We're Gonna Use It|Fuzzbox]], "Thunderbirds (Your Voice)" (2004) by [[V6 (band)|V6]], and "[[Thunderbirds / 3AM|Thunderbirds Are Go!]]" by [[Busted (band)|Busted]] (the last of which was the end theme of the 2004 film).<ref name="Bentley: EG, 117"/> In 1998, [[TISM]] released the single "[[Thunderbirds Are Coming Out]]", the video for which shows a socially awkward teenager who sees the ''Thunderbird'' machines on TV and is immediately impressed; thereafter, he is inspired to conform to the norms of adolescent life. Other music videos alluding to ''Thunderbirds'' include [[Wax (UK band)|Wax]]'s "[[Right Between the Eyes (Wax song)|Right Between the Eyes]]" (1986).<ref name="Bentley: EG, 365"/>


In 1983, Gerry Anderson directed his first music video in the form of "SOS", a song performed by Moya Griffiths (the singing voice of Kate Kestrel in ''Terrahawks'') which features lyrical references to the ''Thunderbirds'' characters and vehicles.<ref name="Archer, 64">Archer, p.&nbsp;64.</ref><ref name="BigRat">{{Cite web|url=http://www.bigrat.co.uk/merchandise/80s90s/bioerrors.html|title=Gerry Anderson Biography Errata|last=Frampton|first=Andrew|date=9 April 2009|work=bigrat.co.uk|accessdate=26 September 2013|archiveurl=https://web.archive.org/web/20120524183518/http://www.bigrat.co.uk/merchandise/80s90s/bioerrors.html|archivedate=24 May 2012|url-status=live}}</ref> In 1991, at the request of producer-director [[Steve Barron]],<ref name="Archer and Hearn, 260">Archer and Hearn, p.&nbsp;260.</ref> and in collaboration with Andrew Dawson, Gavin Robertson and ''Thunderbirds'' puppet operator Christine Glanville,<ref name="Bentley: EG, 365"/><ref name="Marriott, 167">Marriott, p.&nbsp;167.</ref> Anderson directed the video for the [[Dire Straits]] single "[[Calling Elvis]]". It mixes newly filmed footage of ''Thunderbirds''-style puppets (some with likenesses of the band members), scenes from the TV series, and clips of the band in live performance.<ref name="Bentley, 121"/><ref name="Bentley: EG, 365">Bentley 2008, p.&nbsp;365.</ref><ref name="Bentley: EG, 366">Bentley 2008, p.&nbsp;366.</ref><ref name="Marriott, 190">Marriott, p.&nbsp;190.</ref>
In 1983, Gerry Anderson directed the music video for "SOS", a song performed by Moya Griffiths (the singing voice of Kate Kestrel in ''Terrahawks'') whose lyrics make reference to ''Thunderbirds'' characters and vehicles.<ref name="Archer, 64">Archer, p.&nbsp;64.</ref><ref name="BigRat">{{Cite web|url=http://www.bigrat.co.uk/merchandise/80s90s/bioerrors.html|title=Gerry Anderson Biography Errata|last=Frampton|first=Andrew|date=9 April 2009|work=bigrat.co.uk|access-date=26 September 2013|archive-url=https://web.archive.org/web/20120524183518/http://www.bigrat.co.uk/merchandise/80s90s/bioerrors.html|archive-date=24 May 2012|url-status=live}}</ref> In 1991, in collaboration with Andrew Dawson, Gavin Robertson and ''Thunderbirds'' puppeteer Christine Glanville,<ref name="Bentley: EG, 365"/><ref name="Marriott, 167">Marriott, p.&nbsp;167.</ref> Anderson directed the video for the [[Dire Straits]] single "[[Calling Elvis]]".<ref name="Archer and Hearn, 260">Archer and Hearn, p.&nbsp;260.</ref> This blended footage of ''Thunderbirds''-style puppets (some with likenesses of the band members) with scenes from the original TV series and clips of the band in live performance.<ref name="Bentley, 121"/><ref name="Bentley: EG, 365">Bentley 2008, p.&nbsp;365.</ref><ref name="Bentley: EG, 366">Bentley 2008, p.&nbsp;366.</ref><ref name="Marriott, 190">Marriott, p.&nbsp;190.</ref>


In 1990, TV producer [[Gary Shoefield]] released a re-mix album titled ''Power Themes 90'', containing techno covers of themes to various British TV programmes.<ref name="Anderson, 97"/><ref name="Bentley: EG, 365"/> Among these was ''Thunderbirds'', whose theme was re-mixed under the name "''Thunderbirds'' Are Go! (The Pressure Mix)", and billed as "featuring [[MC Hammer|MC Parker]]".<ref name="Bentley: EG, 365"/> A music video compilation was also released; the segment for "''Thunderbirds'' Are Go! (The Pressure Mix)" contains footage from the TV episodes intercut with specially filmed shots of the original Parker puppet, dressed in "era" clothing and working as a DJ.
In 1990, TV producer [[Gary Shoefield]] released a remix album titled ''Power Themes 90'', containing techno covers of themes to various British TV programmes.<ref name="Anderson, 97"/><ref name="Bentley: EG, 365"/> One of these was ''Thunderbirds'', whose theme was remixed as "''Thunderbirds'' Are Go! (The Pressure Mix)" and billed as "featuring MC Parker".<ref name="Bentley: EG, 365"/> A music video compilation was also released; the segment for "''Thunderbirds'' Are Go! (The Pressure Mix)" contained footage from the TV episodes intercut with specially filmed shots of the original Parker puppet, dressed in "era" clothing and working as a DJ.


===Advertising===
===Advertising===
Between 1965 and 1967, AP Films created a series of ''Thunderbirds''-themed television advertisements for the brands [[Lyons Maid]] and [[Kellogg's]], featuring contributions from the original voice cast and promoting such products as the [[Fab (brand)|Fab]] ice lolly and [[Honey Smacks|Sugar Smacks]] breakfast cereal.<ref name="Bentley: EG, 346">Bentley 2008, p.&nbsp;346.</ref><ref name="Bentley: EG, 347">Bentley 2008, p.&nbsp;347.</ref>
From 1965 to 1967, AP Films created a series of themed television adverts for the brands [[Lyons Maid]] and [[Kellogg's]], featuring the original voice cast and promoting products including [[Fab (brand)|Fab]] ice lollies and [[Honey Smacks|Sugar Smacks]] breakfast cereal.<ref name="Bentley: EG, 346">Bentley 2008, p.&nbsp;346.</ref><ref name="Bentley: EG, 347">Bentley 2008, p.&nbsp;347.</ref>


In 1990, Gerry Anderson filmed a car insurance advert for [[Swinton Insurance]] titled "Parker's Day Off",<ref name="Bentley: EG, 360"/> in which Lady Penelope, at the wheel of FAB 1, drives with a dangerous recklessness that is only checked when Parker comes to her rescue in ''Thunderbird 2''.<ref name="Bentley, 120"/> The title character was played by the original Parker puppet, worked by veteran operator Christine Glanville.<ref name="Bentley, 120"/>
In 1990, Gerry Anderson filmed a car insurance advert for [[Swinton Insurance]]. Titled "Parker's Day Off",<ref name="Bentley: EG, 360"/> it showed Lady Penelope recklessly driving FAB 1 and having to be rescued by Parker in ''Thunderbird 2''.<ref name="Bentley, 120"/> Parker was played by the puppet, worked by Christine Glanville.<ref name="Bentley, 120"/>


In 1993, a ''Thunderbirds''-themed advert for the [[Kit Kat]] chocolate bar, "Scott Takes a Break", was filmed.<ref name="Bentley: EG, 360"/> This includes the original "5–4–3–2–1!" countdown and shots of all the ''Thunderbird'' machines taking off except ''Thunderbird 1''.<ref name="Bentley: EG, 360"/> Inside the cockpit, Scott is honouring the product's slogan by "having a break" with a Kit Kat, while an agitated Jeff repeatedly orders him to launch: "''Thunderbirds''! GO!"<ref name="Bentley: EG, 360"/>
In 1993, an advert for [[Kit Kat]] chocolate bars, "Scott Takes a Break", was filmed.<ref name="Bentley: EG, 360"/> This featured the series' "5–4–3–2–1!" countdown and shots of all of the ''Thunderbirds'' taking off except ''Thunderbird 1'' whose pilot, Scott, is shown to be "having a break" with a Kit Kat while off-screen, a frustrated Jeff repeatedly orders him to launch.<ref name="Bentley: EG, 360"/>


In 2001, the [[Driver and Vehicle Licensing Agency]] made use of ''Thunderbirds'' in an advert prompting drivers to pay their [[road tax]] within the deadline: Lady Penelope snips Parker's strings for failing to prevent FAB 1 from being [[Wheel clamp|clamped]].<ref name="Andersonic13">{{Cite journal |date=Spring 2012 |title=Should Have Gone to Specsavers (Jan King Interview) |journal=Andersonic |volume=1 |issue=13 |pages=34–36 |publisher=Richard Farrell |editor1-first=Farrell |editor1-last=Richard}}</ref> The same year, [[Travelcare]] made an advert with the tagline "We'll tell you what the brochures won't": two girls in a swimming pool are disturbed as the floor starts to slide away; as ''Thunderbird 1'' blasts off, they are revealed to be on [[Tracy Island]], and only narrowly avoid being incinerated by the rocket exhaust.
In 2001, the [[Driver and Vehicle Licensing Agency]] used ''Thunderbirds'' in an advert to remind drivers to pay their road tax on time: it showed Lady Penelope snipping Parker's strings for allowing FAB 1 to be [[Wheel clamp|clamped]].<ref name="Andersonic13">{{Cite magazine|date=Spring 2012 |title=Should Have Gone to Specsavers (Jan King Interview) |magazine=Andersonic |volume=1 |issue=13 |pages=34–36 |publisher=Richard Farrell |editor1-first=Farrell |editor1-last=Richard}}</ref> The same year, travel agency [[Travelcare]] made an advert featuring the occupants of a swimming pool; the floor of the pool slides away and ''Thunderbird 1'' blasts off, almost incinerating the swimmers and revealing that the location is [[Tracy Island]]. The advert had the tagline "We'll tell you what the brochures won't".


In 2008, [[Specsavers]] commissioned an advert starring the characters of Virgil Tracy and the Hood to promote its new "Reaction" varifocal lenses.<ref name="Andersonic13"/> The mini-adventure sees Virgil being pursued by the Hood (both of them wearing jetpacks) over mountainous terrain. When Virgil emerges from a tunnel into the dazzling sunshine, his Specsavers lenses immediately darken to protect his vision; the Hood is not so fortunate and, blinded by the light, crashes into one of the mountains, his jetpack exploding. The advert was filmed in London over five days using techniques similar to those employed by the original crew.<ref name="Andersonic13"/> Jan King, who joined AP Films for ''Captain Scarlet and the Mysterons'', returned as puppet operator for the filming of the scene, which was heavily reliant on greenscreen [[chroma key]] compositing for the inclusion of the mountainous backgrounds.<ref name="Andersonic13"/> He notes that the advertisement used "ordinary carpet thread for the strings, because [the studio] wanted the strings to be seen rather than not seen."<ref name="Andersonic13"/>
In 2008, [[Specsavers]] commissioned an advert with Virgil Tracy and the Hood to promote its new "Reaction" [[Progressive lens|varifocal]] lenses.<ref name="Andersonic13"/> This featured a jetpack chase between Virgil and the Hood over mountainous terrain. When Virgil emerges from a tunnel into the dazzling sunshine, his "Reaction" lenses immediately darken to protect his vision; the Hood is not so fortunate and, blinded by the light, crashes into a mountain. The advert was filmed in London over five days using techniques similar to those employed by the original crew.<ref name="Andersonic13"/> Jan King, a member of the crew on ''Captain Scarlet'', returned as puppet operator for the filming of the scene, which used [[Chroma key|green-screen chroma key]] compositing to create the mountain background shots.<ref name="Andersonic13"/> He noted that the advert used ordinary carpet thread for the puppet strings "because [the studio] wanted the strings to be seen, rather than ''not'' seen."<ref name="Andersonic13"/>


Another 2000s advert, released by [[Britvic]] to advertise its Drench! water product, features Brains dancing to the 1992 song "[[Rhythm Is a Dancer]]". Half-way through, he sits down to rest and drink some Drench! before resuming the dance, and the advert ends with the slogan "Brains perform best when they're hydrated". The official "Stay Drenched!" website hosted a making-of video revealing that Brains' movements were realised by a mixture of live-action puppetry, [[motion capture]] and computer animation.
Another 2000s advert, released by [[Britvic]] to promote its Drench! water, saw Brains dancing to the 1992 song "[[Rhythm Is a Dancer]]". He sits down for a swig of Drench! before resuming the dance, and the advert ends with the slogan "Brains perform best when they're hydrated". The official "Stay Drenched!" website hosted a making-of video revealing that Brains' movements were created using a mixture of live-action puppetry, [[motion capture]] and computer animation.


In 2017, Parker and Lady Penelope appeared in a [[Halifax (bank)|Halifax]] advert promoting the bank's "Savers Prize Draw." In the advert, Parker visits a Halifax branch while running errands for Penelope, and learns that he has won the bank's ₤500,000 cash prize. Later, at Creighton-Ward Mansion, Lady Penelope rings for Parker, who is nowhere to be found. The scene cuts to reveal that he has spent his winnings on a tropical holiday.<ref>https://www.youtube.com/watch?v=cdhPVQhnMuI</ref>
In 2017, Penelope and Parker appeared in a [[Halifax (bank)|Halifax]] advert promoting the bank's savers' prize draw. In the advert, Parker visits a Halifax branch while running errands for Penelope, and learns that he has won the bank's £500,000 cash prize. Later, at Creighton-Ward Mansion, Penelope rings for Parker, who is nowhere to be found. The scene cuts to reveal that Parker has spent his winnings on a tropical holiday.<ref>{{Cite web|url=https://www.youtube.com/watch?v=cdhPVQhnMuI|title=''Thunderbirds'' Halifax Advert – Full-Length Version (2017)|website=[[YouTube]]|date=28 March 2017|publisher=Century 21 Films}}</ref>


===Video games===
===Video games===
''Thunderbirds'' was the inspiration for the style of [[Nintendo]]'s ''[[Star Fox (series)|Star Fox]]'' franchise. [[Shigeru Miyamoto]], the creator of the series, has stated that he is a fan of the series, and that its distinctive style inspired the puppet-like appearance and actions of the ''Star Fox'' characters since ''[[Star Fox 64]]''.<ref>{{cite web|title=Iwataasks Star Fox 64 3D Interview|url=http://iwataasks.nintendo.com/interviews/#/3ds/starfox/0/2|website=iwataasks}}</ref>
''Thunderbirds'' inspired the style of [[Nintendo]]'s ''[[Star Fox (series)|Star Fox]]'' video game series. [[Shigeru Miyamoto]], the series' creator, has stated that he is a fan of ''Thunderbirds'', and that its distinctive visual style had influenced the puppet-like appearance and actions of the ''Star Fox'' characters since ''[[Star Fox 64]]''.<ref>{{cite web|title=Iwata Asks: Nintendo 3DS: Fushimi Inari Taisha and Fox|url=http://iwataasks.nintendo.com/interviews/#/3ds/starfox/0/2|website=iwataasks.nintendo.com|archive-url=https://web.archive.org/web/20150314020538/http://iwataasks.nintendo.com/interviews/#/3ds/starfox/0/2|archive-date=14 March 2015|url-status=dead|access-date=20 August 2024}}</ref>


==References==
==References==
{{Reflist}}
{{Reflist}}


===Works cited===
;Bibliography
*{{Cite book | last1 = Anderson | first1=Sylvia | authorlink1 = Sylvia Anderson | title = Sylvia Anderson: My Fab Years! | year = 2007 | publisher = [[Hermes Press]] | location = Neshannock, Pennsylvania | isbn = 978-1-932563-91-7}}
*{{Cite book | last1 = Anderson | first1=Sylvia | author-link1 = Sylvia Anderson | title = Sylvia Anderson: My Fab Years! | year = 2007 | publisher = [[Hermes Press]] | location = Neshannock, Pennsylvania | isbn = 978-1-932563-91-7}}
*{{Cite book | last1 = Archer | first1 = Simon | author1-link = Simon Archer (author) | title = Gerry Anderson's FAB Facts: Behind the Scenes of TV's Famous Adventures in the 21st Century | year = 2004 | origyear = 1993 | publisher = [[HarperCollins]] | location = London, UK | isbn = 978-0-00-638247-8 | url = https://archive.org/details/gerryandersonsfa00arch }}
*{{Cite book | last1 = Archer | first1 = Simon | author1-link = Simon Archer (author) | title = Gerry Anderson's FAB Facts: Behind the Scenes of TV's Famous Adventures in the 21st Century | year = 2004 | orig-year = 1993 | publisher = [[HarperCollins]] | location = London, UK | isbn = 978-0-00-638247-8 | url = https://archive.org/details/gerryandersonsfa00arch }}
*{{Cite book | last1 = Archer | first1 = Simon | last2 = Hearn | first2 = Marcus | title=What Made ''Thunderbirds'' Go! The Authorised Biography of Gerry Anderson | year = 2002 | publisher = [[BBC Books]] | location = London, UK | isbn = 978-0-563-53481-5}}
*{{Cite book | last1 = Archer | first1 = Simon | last2 = Hearn | first2 = Marcus | title=What Made ''Thunderbirds'' Go! The Authorised Biography of Gerry Anderson | year = 2002 | publisher = [[BBC Books]] | location = London, UK | isbn = 978-0-563-53481-5}}
*{{Cite book | last1 = Bentley | first1 = Chris | title = The Complete Book of Thunderbirds | publisher = [[Carlton Books]] | year = 2005 | origyear = 2000 | edition = 2nd | location = London, UK | isbn = 978-1-84442-454-2}}
*{{Cite book | last1 = Bentley | first1 = Chris | title = The Complete Book of Thunderbirds | publisher = [[Carlton Books]] | year = 2005 | orig-year = 2000 | edition = 2nd | location = London, UK | isbn = 978-1-84442-454-2}}
*{{Cite book | last1 = Bentley | first1 = Chris | title = The Complete Gerry Anderson: The Authorised Episode Guide | publisher = Reynolds & Hearn | location = London, UK | edition = 4th | year = 2008 | origyear = 2001 | isbn = 978-1-905287-74-1}}
*{{Cite book | last1 = Bentley | first1 = Chris | title = The Complete Gerry Anderson: The Authorised Episode Guide | publisher = Reynolds & Hearn | location = London, UK | edition = 4th | year = 2008 | orig-year = 2001 | isbn = 978-1-905287-74-1}}
*{{Cite book | last1 = Cull | first1 = Nicholas J. | authorlink1 = Nicholas J. Cull | editor1-last = Cook | editor1-first = John R. | editor2-last = Wright | editor2-first = Peter | title = British Science Fiction Television: A Hitchhiker's Guide | year = 2006 | publisher = [[I.B. Tauris]] | location = London, UK | chapter=The Man Who Made ''Thunderbirds'': An Interview with Gerry Anderson (19 July 2003, XXth [[International Association for Media and History]] Conference) | isbn = 978-1-84511-048-2 | pages = 116–30}}
*{{Cite book | last1 = Cull | first1 = Nicholas J. | author-link1 = Nicholas J. Cull | editor1-last = Cook | editor1-first = John R. | editor2-last = Wright | editor2-first = Peter | title = British Science Fiction Television: A Hitchhiker's Guide | year = 2006 | publisher = [[I.B. Tauris]] | location = London, UK | chapter=The Man Who Made ''Thunderbirds'': An Interview with Gerry Anderson (19 July 2003, XXth [[International Association for Media and History]] Conference) | isbn = 978-1-84511-048-2 | pages = 116–30}}
*{{Cite journal | last1 = Cull | first1 = Nicholas J. |date=August 2006 | title = Was Captain Black Really Red? The TV Science Fiction of Gerry Anderson in its Cold War Context | journal = Media History | volume = 12 | issue = 2 | publisher = [[Routledge]] | issn = 1368-8804 | oclc = 364457089 | doi = 10.1080/13688800600808005}}
*{{Cite journal | last1 = Cull | first1 = Nicholas J. |date=August 2006 | title = Was Captain Black Really Red? The TV Science Fiction of Gerry Anderson in its Cold War Context | journal = Media History | volume = 12 | issue = 2 | publisher = [[Routledge]] | issn = 1368-8804 | oclc = 364457089 | doi = 10.1080/13688800600808005| s2cid = 142878042 }}
*{{Cite book | last1 = Cull | first1 = Nicholas J. | others = Bould, Mark; [[Andrew M. Butler|Butler, Andrew M.]]; [[Adam Roberts (British writer)|Roberts, Adam]]; Vint, Sherryl | title = Fifty Key Figures in Science Fiction | series = Routledge Key Guides | year = 2009 | publisher = Routledge | location = Oxford, UK; New York City, New York | isbn = 978-0-203-87470-7 | pages = 3–7 | chapter = Gerry Anderson (1929&ndash;)}}
*{{Cite book | last1 = Cull | first1 = Nicholas J. | others = Bould, Mark; [[Andrew M. Butler|Butler, Andrew M.]]; [[Adam Roberts (British writer)|Roberts, Adam]]; Vint, Sherryl | title = Fifty Key Figures in Science Fiction | series = Routledge Key Guides | year = 2009 | publisher = Routledge | location = Oxford, UK; New York City, New York | isbn = 978-0-203-87470-7 | pages = 3–7 | chapter = Gerry Anderson (1929&ndash;)}}
*{{Cite book | last1 = Marriott | first1 = John | others = Rogers, Dave; Drake, Chris; Bassett, Graeme | title = Supermarionation Classics: Stingray, Thunderbirds and Captain Scarlet and the Mysterons | year = 1993 | publisher = [[Macmillan Publishers|Boxtree]] | location = London, UK | isbn = 978-1-85283-900-0}}
*{{Cite book | last1 = Marriott | first1 = John | others = Rogers, Dave; Drake, Chris; Bassett, Graeme | title = Supermarionation Classics: Stingray, Thunderbirds and Captain Scarlet and the Mysterons | year = 1993 | publisher = [[Macmillan Publishers|Boxtree]] | location = London, UK | isbn = 978-1-85283-900-0}}


==External links==
==External links==
{{Portal|1960s|Science fiction|Television|United Kingdom}}
{{Portal|Science fiction}}


*[https://web.archive.org/web/20111003122358/http://downthetubescomics.blogspot.com/2008/04/thunderbirds-specsavers-ad.html Making of Specsavers TV Advert]
*[https://web.archive.org/web/20111003122358/http://downthetubescomics.blogspot.com/2008/04/thunderbirds-specsavers-ad.html Making of Specsavers TV Advert]

Latest revision as of 08:28, 20 August 2024

This article primarily discusses screen and audio works of fiction based on Thunderbirds, a British Supermarionation television series created by Gerry and Sylvia Anderson. It also covers imitations and references in other media.

Produced by AP Films (APF) for ITC Entertainment, the series has inspired various adaptations, imitations and parodies since it was first broadcast in 1965. It has been recognised for its enduring popularity, especially in the UK,[1] and is widely regarded as the Andersons' most successful production.[2]

Among other works, Thunderbirds has generated two film sequels, a TV anime and a live-action film adaptation. A remake, Thunderbirds Are Go, made using a combination of computer animation and live action, premiered in 2015 and ran for three seasons. Also in 2015, three new puppet episodes were created to mark the 50th anniversary of the original series.

For a discussion of Thunderbirds tie-ins – including novels and novelisations, comics and games – see Thunderbirds merchandise.

Audio plays

[edit]

From 1965 to 1967, Century 21 Records released 19 Thunderbirds audio plays on 7-inch, 33 RPM, vinyl EP records (promoted as "mini-albums").[3] Three of these were original stories; the rest were re-tellings of TV episodes based on those episodes' soundtracks. In 2015, the original stories were adapted for the screen to mark the series' 50th anniversary (see #The Anniversary Episodes).

In April 2021, Big Finish Productions announced the launch of a new series of audiobooks based on the Anderson productions. The first of these, Thunderbirds: Terror from the Stars (an adaptation of the 1966 tie-in novel Thunderbirds by John Theydon) was released in May 2021. A second Thunderbirds story, Peril in Peru (based on the novel Calling Thunderbirds), was released in November 2021. Produced by Anderson Entertainment, the audiobooks feature Jon Culshaw as the voices of Jeff Tracy and Parker with Genevieve Gaunt as Lady Penelope.[4][5]

Film sequels and adaptations

[edit]

Thunderbirds' popularity led APF to make two feature film sequels with financial backing by United Artists. The first, Thunderbirds Are Go, premiered on 12 December 1966;[6] the second, Thunderbird 6, and 29 July 1968.[7] Written and produced by the Andersons and directed by David Lane,[8][9] both were critical and commercial failures.[10][11] During the early 1980s, several Thunderbirds episodes were combined to create three made-for-TV compilation films. In 2004, a live-action film adaptation, Thunderbirds, was released.

Compilation films

[edit]

In the early 1980s, episodes from Thunderbirds and other Anderson productions were re-edited and combined to make a series of compilation films. These were produced by ITC's New York office under the supervision of writer David Hirsch and producer Robert Mandell.[12] Intended for broadcast in two-hour family timeslots, the format was branded "Super Space Theater" and sold to American cable and syndicated TV.[12] Three Thunderbirds compilations – each 90 minutes long and re-edited with new, animated title sequences – were produced: Thunderbirds To The Rescue (a combination of "Trapped in the Sky" and "Operation Crash-Dive"),[13] Thunderbirds In Outer Space ("Sun Probe" and "Ricochet")[14] and Countdown to Disaster ("Terror in New York City" and "Atlantic Inferno").[12][14] Although the home video releases of the "Super Space Theater" compilations led to copyright issues that delayed the releases of the original episodes in their uncut forms, the UK versions proved to be a major commercial success for the distributor, Channel 5 Video.[12]

Thunderbirds (2004)

[edit]

A live-action film adaptation – Thunderbirds, directed by Jonathan Frakes and produced by StudioCanal, Universal Pictures and Working Title Films – premiered on 24 July 2004. All the Thunderbird machines seen in the film are based on the original designs, albeit with modern refinements. As BMW, the owners of Rolls-Royce, would not allow the production to use its brand, FAB 1 was redesigned as a modified Ford Thunderbird. The plot focuses on Alan Tracy, Tin-Tin and a newcomer – Brains' son, Fermat – who battle the Hood as he plots a gold bullion raid on the Bank of England.

The film was poorly received both critically and commercially,[15] opening in eleventh place at the North American box office, grossing only £1.3 million in the UK on its opening weekend,[16] and drawing a negative response from fans of the TV series.[17] Sylvia Anderson, who was a production consultant,[18] endorsed the adaptation; in her memoirs, she expressed regret over the "negative vibes that were already being circulated before even a foot of film was being shot. But I suppose there was bound to be a backlash from genuinely passionate fans who jealously guarded the Thunderbirds legacy."[17] According to Anderson, John Read, director of photography on the original series, responded positively at a test screening.[19] By contrast, Gerry Anderson denounced the film as "the biggest load of crap I have ever seen in my life"[20] and an "absolute, unmitigated disaster".[21] Like Sylvia, he had been offered a consultant role, but declined after seeing the concepts for the re-imagined Thunderbirds machines;[22] he also declined an offer of £750,000 to attend the premiere.[21] He received no on-screen credit for his role in co-creating the TV series.[22]

Plans for a live-action film had first been announced by ITC Los Angeles in 1993.[23] Originally due to be released in time for Christmas 1995, the film would have been directed by Renny Harlin, with Tom Cruise a possibility for the role of Scott Tracy.[24] Other actors under consideration included Bob Hoskins as Parker and either Patsy Kensit or Joanna Lumley or Emma Thompson as Lady Penelope. Following PolyGram's acquisition of ITC in 1995,[25] its subsidiary Working Title resumed development of the abortive project, with filming rescheduled to begin in August 1998.[26] By 1997, Karey Kirkpatrick had written a script and Peter Hewitt had been hired as director.[26] Kristin Scott Thomas had been cast as Lady Penelope, while Pete Postlethwaite had yet to accept an offer to play Parker.[26] The Baldwin brothersAlec, Daniel, William and Stephen – had been suggested as Tracy brothers, with Sean Connery a possibility for the role of Jeff Tracy.[26] Non-live action filming techniques were briefly considered, including computer and stop-motion animation.[26] Gerry Anderson was initially offered a consultant role but was dropped from the production after Working Title decided that it already had a large enough creative team working on the project.[27]

A mixture of budgeting concerns, disagreements over the writing and characterisation, and the poor box office response to Lost in Space and The Avengers (both adaptations of other 1960s TV series), caused the production to stall again.[26] In 1998, PolyGram was purchased by Seagram and merged with Universal – a development that Sylvia Anderson, who had endorsed Hewitt's version, thought had a negative effect on the production: "It seemed Seagram ... cared nothing for this 'work in progress' and the whole Thunderbirds saga fell between the cracks."[28] Frakes' version did not enter production until 2003.[18] Anderson believed that the many delays to the live-action film were partly attributable to her and Gerry's divorce: "[Gerry's and my] parting broke up a winning combination ... The two creators [of Thunderbirds] were going in different directions – the winning team was no more. How to entrust millions of dollars to only one of the duo? Which one? The name above the title or the character creator?"[29]

TV adaptations and revivals

[edit]

In the 1970s, the Andersons sold what remained of their intellectual and residual rights to many of the Supermarionation productions, including Thunderbirds.[15][30][31] Consequently, neither was able to assert creative control over the various Thunderbirds updatings that appeared in the 1980s and 1990s.[15][32] Sylvia Anderson proposed continuing the adventures of Lady Penelope and Parker as an American-made spin-off series but remembered that ITC "dismissed [the idea] out of hand."[33] In the early 1980s, Capital Radio DJ Mike Smith started a campaign to revive Thunderbirds.[34]

After Lew Grade left ITC in 1982, the ownership of the company changed hands three times (first to Robert Holmes à Court, then Alan Bond, then ITC New York)[27] before both the company and its catalogue were acquired by PolyGram in 1995.[35] They subsequently passed to Carlton International Media in 1999,[35] and then Granada plc (following a merger with Carlton) between 2003 and 2004.[36] The rights to the Thunderbirds brand currently reside with ITV Studios, the distributor of the 2015 remake.[37]

Thunderbirds 2086

[edit]

The 1982 Japanese anime Kagaku Kyuujo-Tai TechnoVoyager (English: Scientific Rescue Team TechnoVoyager) – exported to English-speaking countries as Thunderbirds 2086 – was based on Thunderbirds but with a stronger emphasis on futuristic technology.[12][15] In this re-imagining, developed from a concept by Anderson titled Thunderhawks (but without his knowledge or approval),[38][39] the vastly-expanded International Rescue operates a fleet of 17 Thunderbird machines and is based within a massive arcology.[40] Distributed by ITC under the supervision of Robert Mandell,[12] Thunderbirds 2086 ran to 24 episodes but was cancelled in Japan with six episodes still to air.[38] In the UK, BBC1 broadcast 13 episodes in 1986.[40][41]

US re-edits

[edit]
Two teenagers, one boy and one girl, on the bridge of an untidy space station
The "Hack Masters", Tripp and Roxette, of both Amazin'! Adventures and UPN's short-lived Turbocharged Thunderbirds (1994–1995)

Beginning in February 1994,[23] Fox aired Thunderbirds (styled as Thunderbirds USA or Thunderbirds Are Go!)[23] on its Fox Kids programming block.[24] ITC cut 13 episodes down to half of their original length and added new opening titles, synthesised music, and dialogue provided by American actors.[24] The update was designed to capitalise on the success of Mighty Morphin Power Rangers and other popular children's programmes of the 1990s, besides acquainting American audiences with the premise of Thunderbirds before the release of the live-action film (then expected to appear in 1995). The series was not renewed for a second season and, to date, has never been broadcast in the UK.[23]

In December 1994, the series reappeared as Turbocharged Thunderbirds on both Amazin'! Adventures and UPN.[15][25][42] Devised as a comedy, this re-edit kept most of the earlier alterations, although some of the episodes were renamed.[42] It also added live-action scenes featuring a pair of Californian teenagers from the year 2096 – Tripp (Travis Wester) and Roxette (Johna Stewart-Bowden), nicknamed the "Hack Masters" – who are pulled into a parallel universe called "Thunder-World".[25] There, they ally themselves with "simulated lifeforms" of International Rescue (the puppet characters) against the evil Atrocimator and his "head-honcho" the Hood (voiced by Tim Curry and Malachi Throne respectively), serving Jeff Tracy (voiced by Efrem Zimbalist, Jr.) from the orbital listening platform Hackmaster Command (Thunderbird 5).[25]

A single season of 13 episodes was broadcast in the US; as with its precursor, Turbocharged Thunderbirds has never been shown in the UK.[26] Cull describes the series as a "grotesque hybrid show",[43] while Archer and Hearn call it "risible".[44] After viewing sample footage, Anderson considered Turbocharged Thunderbirds to be "the most diabolical thing I had ever seen in my life ... absolutely appalling".[44] He held the acting and dialogue and "gaudily painted set" of Hackmaster Command in particularly low regard and threatened legal action against the producers to force the removal of his name from the credits.[26][44]

Revival efforts

[edit]

Prior to the announcement of a remake in 2013, Gerry Anderson tried to revive Thunderbirds several times. In 1976, Anderson and Fred Freiberger devised Inter-Galactic Rescue 4 as a combined updating of Thunderbirds and Supercar, intending to pitch it to NBC. The series would have been in live action and shown the adventures of the variable-configuration land, sea, air and space rescue vehicle of the title, Rescue 4, patrolling the "north-west quadrant of space". Century 21 designers Reg Hill, Brian Johnson and Martin Bower contributed to the concept art, but NBC rejected the 13-episode proposal in favour of rival story ideas.[12][45]

In 1984, following the completion of Terrahawks, Anderson conceived T-Force. This concept moved International Rescue's base of operations to a giant submarine, reinvented FAB 1 as a custom-built Porsche, and eliminated Brains' stutter and myopia.[46][47] Although Anderson was unable to secure the funding needed to develop the series,[24] some of its plot devices later appeared in Firestorm (2003),[47] a Japanese anime series based on an idea by Anderson and John Needham.[48]

In 1993, T-Force was revised as G-Force,[49] later named GFI – an abbreviation of Gee Force Intergalactic, the rescue organisation that would have appeared in International Rescue's place.[24] This proposal featured a G-Force space fleet headed by Galaxy, a colossal vessel housing a factory capable of manufacturing vehicles and equipment tailored to the requirements of any rescue mission.[24] Only one episode – "Warming Warning", written by Tony Barwick[50] – was filmed; it used computer animation for the vehicle sequences and cel animation for scenes involving the characters.[24] The latter, which was provided by a Russian studio, was judged to be of poor quality; as remaking this material would have made the series cost-prohibitive, production on GFI was abandoned.[24] According to Anderson, "the studio in Moscow was, in my opinion, ill equipped. After some six months of desperately trying to make this co-production work, I finally had no option but to call it off."[51]

In September 2005, a QuickTime video clip titled Thunderbirds IR was published on online P2P networks. It included a trailer of a proposed Thunderbirds remake to be made by Carlton Television. Created using a mixture of computer animation and live-action puppetry, the clip included footage of a redesigned Thunderbird 1, characters Scott Tracy and the Hood, and the rescue of a falling lighthouse keeper; Scott was shown walking and performing a backflip with the tongue-in-cheek quip "Look, no strings!". Visual effects company The Mill provided the computer animation. Although Anderson endorsed the project after meeting the Carlton staff, production on new series was postponed indefinitely when Carlton merged with Granada plc.[52]

Writing in 2005 following the completion of New Captain Scarlet, Anderson stated that he had been unable to secure the Thunderbirds remake rights from Granada.[36] By July 2008, he was still in negotiations with ITV, but promised a new version of Thunderbirds that would be "updated for the 21st-century audience" and which would, he hoped, be made in CGI.[53] He added, "This is very much a pet ambition of mine, and I am putting everything into what I consider would be ITV's answer to Doctor Who.[53] Although he continued to express his belief that a series would be made eventually and with his involvement, ITV continued to withhold the rights into late 2008 and early 2009.[54][55]

Thunderbirds Are Go

[edit]

In January 2011, Anderson announced a new series of Thunderbirds during an interview with BBC Radio 5 Live. He said that although he was unable to go into details because he had signed a non-disclosure agreement, the production of the series was assured and that it would indeed be made in CGI, with modernised characters and vehicles. In the 15 January edition of The Sun, he said that he had yet to write the first episode but had "fleshed it out" in his mind.[56]

Anderson died in December 2012, leaving the future of the series in doubt. However, in February 2013, ITV confirmed that ITV Studios and Pukeko Pictures were planning to remake Thunderbirds as a series of 30-minute episodes, to be filmed using a combination of computer animation and live-action model sets.[57] The new series, Thunderbirds Are Go, premiered on CITV in April 2015 and ran for three seasons, ending in 2020.

The Anniversary Episodes

[edit]

In 2015, to mark the series' 50th anniversary, ITV commissioned Pod 4 Films (now Century 21 Films) to produce a mini-series of new Thunderbirds episodes based on the soundtracks of three of the 1960s audio plays. The project, titled "Thunderbirds 1965", was supported by Sylvia Anderson and the estate of Gerry Anderson. Funding was secured through a successful Kickstarter campaign, started by Pod 4 director Stephen La Rivière, which ultimately raised £218,412 against an initial goal of £75,000.[58][59]

The production of the mini-series saw the return of some of the original Thunderbirds crew, including director David Elliott. Following a premiere screening at the BFI Southbank in August 2016, the new episodes were released on DVD and Blu-ray Disc exclusively to their Kickstarter backers. Later titled "The Anniversary Episodes", they were added to BritBox in August 2020 alongside all 32 episodes of the original series.[60][61]

References, parodies and imitations

[edit]
A model space rocket stands ready for lift-off in a crowded city square
Model Thunderbird 3 on display in Trafalgar Square. Thunderbird 2 models have been shown at the Millennium Dome, Science Museum and other London sites.[62]
Virgin Trains' 57302 Virgil Tracy
Gordon Tracy name plate on a Virgin Trains 57304

Since it first appeared, Thunderbirds has made a significant impact on popular culture and media worldwide.[35] Anderson's later puppet seriesTerrahawks, about an organisation that defends Earth against hostile androids from Mars, is thematically similar to Thunderbirds but written more as a comedy.[63] International Rescue was the inspiration for the International Rescue Corps, a volunteer rescue organisation started by a group of British firefighters who contributed to the humanitarian effort in the aftermath of the 1980 Irpinia earthquake.[12] The charity made Gerry Anderson its honorary president[64] and has since assisted at disaster zones in various countries.[12]

Peter Jackson has spoken of the series' influence on his career as a film director: "... Thunderbirds was probably the first influence, I guess. I knew it wasn't real. You know, I could even relate to it on a level of it not being real because I had a lot of Matchbox toys and I used to recognise my Matchbox toys in Thunderbirds. You know, I used to be very proud of myself when I'd see, you know, this little truck or lorry sort of trundle by in an episode of Thunderbirds and in my playbox I had exactly the same sort of Matchbox toy. And that sort of was the beginning, really, when I think about it, of, like, the connection of 'This isn't real, these are models, you know, they're making all this stuff up'."[65] The series also influenced the work of comics writer Warren Ellis, including his 2002 series Global Frequency).[66]

Virgin Group has used aspects of the series in its branding. Virgin Atlantic operated a Boeing 747-400 called Lady Penelope, named for its registration: "G-VFAB".[35][67] Virgin Trains West Coast had a fleet of 16 Class 57 diesel locomotives that it used mainly to rescue broken-down trains; all were named after Thunderbirds characters and vehicles.[35][68][69][70] In the UK, locomotives used for train rescue are often referred to as "Thunderbirds".[71]

In 2003, Image Comics published The Agency, a mini-series set in a parallel world reminiscent of the Supermarionation universe. In this world, the Tomahawks (an organisation similar to International Rescue) operate a VTOL rapid-transit aircraft, an airborne carrier craft, a "sub-atomic warhead" and a space station (corresponding to Thunderbirds 1, 2, 3 and 5). They are associated with Lady Pippa, a former British spy, and her chauffeur Burgess (analogues of Lady Penelope and Parker). The Agency also features pastiches of other Anderson series such as Captain Scarlet and the Mysterons and Joe 90.

In 2011, Royal Mail launched a commemorative stamp range based on the Anderson series; among the items was a mini-sheet of lenticular stamps bearing holograms of Thunderbirds 1, 2, 3 and 4.[72][73]

Film and TV

[edit]

The comedy of the puppet film Team America: World Police (2004), produced by South Park creators Matt Stone and Trey Parker, was inspired by the idiosyncrasies of Thunderbirds-style Supermarionation techniques.[62] In an interview, Stone and Parker stated that while they were not especially fans of Thunderbirds, they thought highly of the series' visual style: "What's made it last is the time and care that the people who did that show put into the marionettes".[74] The 1960s BBC comedy show Not Only... But Also with Peter Cook and Dudley Moore included a regular sketch titled "Superthunderstingcar" – a parody of Thunderbirds and other Anderson series including Supercar and Stingray.[35][75] The 1980s Australian comedy The D-Generation featured Thunderbirds-themed sketches with live actors imitating wire puppets; storylines included "Thunderbirds Pizza", in which the characters operate a global pizza-delivery business.

The Wallace and Gromit short film A Close Shave (1995) includes an homage to the series:[35][62] as Wallace prepares to leave his house to go on a window-cleaning job, he moves from his living room to his garage, gets onto his motorcycle, and sets off all with the help of automated machinery, similar to how Virgil Tracy enters and takes off in Thunderbird 2.[76] Further homages can be found in the film Austin Powers: The Spy Who Shagged Me (1999),[35] the TV sitcom Spaced (1999–2001),[62] and the design of the computer-animated characters of TV series Star Wars: The Clone Wars (2008–13).[77] Lady Penelope appears in a 1994 episode of Absolutely Fabulous as part of a dream experienced by Edina Monsoon as she undergoes surgery: Penelope informs Edina that she is dying, but that Brains is working on a chemical formula to save her life. In the United States, MTV broadcast a sitcom parody of Thunderbirds, Super Adventure Team, in 1998.

Theatre

[edit]

From 1974 to 1975, the company Stage Three – co-founded by Thunderbirds puppeteer Christine Glanville – hosted a Thunderbirds rod puppet stage show at Bournemouth Pier and other venues.[12][78]

In 1984, Mime Theatre Project performers Andrew Dawson and Gavin Robertson created a tribute show titled Thunderbirds: F.A.B.,[40][79][80] which broke box office records when it played at London's Apollo Theatre in 1989.[81][82] All of the parts were acted by Dawson and Robertson, who "played" the Thunderbirds machines by wearing a range of helmets, each one with a model Thunderbird on top. According to Robertson, the original plan was to wear the models on their shoulders,[82] "but we figured they'd be too small to be seen at the back of the theatre, so we then decided to wear them like huge hats."[83]

Also featuring Captain Scarlet, the show toured internationally and popularised a staccato manner of walking that became known as the "Thunderbirds walk".[81] Gerry Anderson had low expectations for the show, but after seeing Dawson and Robertson's performances called it "original" and "superb".[84] In 1987, Dawson and Robertson's miming style was used in a TV advertisement for Exchange & Mart magazine, which featured Dawson in costume as Scott Tracy.[85] The show returned in 1991 and again in 1995.[35] In 2000, it was relaunched as Thunderbirds: F.A.B. – The Next Generation, with Dawson and Robertson replaced by Wayne Forester and Paul Kent and featuring additional characters from Stingray and Captain Scarlet.[35][81][83][86][87]

Music

[edit]

Cover versions of "The Thunderbirds March" have been released by musicians and bands including Billy Cotton, Joe Loss, Frank Sidebottom, The Rezillos and The Shadows.[35] The Royal Marines Band Service added the theme to its repertoire, performing it at the public unveiling of Concorde in France in 1969.[88] Both the march and Peter Dyneley's introductory "5–4–3–2–1!" countdown have been adopted by Level 42 for use in live concerts, as seen in the video release of their 1987 performance at the old Wembley Stadium in London; an updated version, combined with the opening fanfare to the band's song "Heaven in My Hands", is still used to start their gigs. The countdown has also been used by the Beastie Boys at various events, including the 2007 Live Earth concerts.

Songs inspired by Thunderbirds include "International Rescue" (1989) by Fuzzbox, "Thunderbirds (Your Voice)" (2004) by V6, and "Thunderbirds Are Go!" by Busted (the last of which was the end theme of the 2004 film).[35] In 1998, TISM released the single "Thunderbirds Are Coming Out", the video for which shows a socially awkward teenager who sees the Thunderbird machines on TV and is immediately impressed; thereafter, he is inspired to conform to the norms of adolescent life. Other music videos alluding to Thunderbirds include Wax's "Right Between the Eyes" (1986).[89]

In 1983, Gerry Anderson directed the music video for "SOS", a song performed by Moya Griffiths (the singing voice of Kate Kestrel in Terrahawks) whose lyrics make reference to Thunderbirds characters and vehicles.[90][91] In 1991, in collaboration with Andrew Dawson, Gavin Robertson and Thunderbirds puppeteer Christine Glanville,[89][92] Anderson directed the video for the Dire Straits single "Calling Elvis".[93] This blended footage of Thunderbirds-style puppets (some with likenesses of the band members) with scenes from the original TV series and clips of the band in live performance.[24][89][94][95]

In 1990, TV producer Gary Shoefield released a remix album titled Power Themes 90, containing techno covers of themes to various British TV programmes.[75][89] One of these was Thunderbirds, whose theme was remixed as "Thunderbirds Are Go! (The Pressure Mix)" and billed as "featuring MC Parker".[89] A music video compilation was also released; the segment for "Thunderbirds Are Go! (The Pressure Mix)" contained footage from the TV episodes intercut with specially filmed shots of the original Parker puppet, dressed in "era" clothing and working as a DJ.

Werbung

[edit]

From 1965 to 1967, AP Films created a series of themed television adverts for the brands Lyons Maid and Kellogg's, featuring the original voice cast and promoting products including Fab ice lollies and Sugar Smacks breakfast cereal.[96][97]

In 1990, Gerry Anderson filmed a car insurance advert for Swinton Insurance. Titled "Parker's Day Off",[85] it showed Lady Penelope recklessly driving FAB 1 and having to be rescued by Parker in Thunderbird 2.[46] Parker was played by the puppet, worked by Christine Glanville.[46]

In 1993, an advert for Kit Kat chocolate bars, "Scott Takes a Break", was filmed.[85] This featured the series' "5–4–3–2–1!" countdown and shots of all of the Thunderbirds taking off except Thunderbird 1 – whose pilot, Scott, is shown to be "having a break" with a Kit Kat while off-screen, a frustrated Jeff repeatedly orders him to launch.[85]

In 2001, the Driver and Vehicle Licensing Agency used Thunderbirds in an advert to remind drivers to pay their road tax on time: it showed Lady Penelope snipping Parker's strings for allowing FAB 1 to be clamped.[98] The same year, travel agency Travelcare made an advert featuring the occupants of a swimming pool; the floor of the pool slides away and Thunderbird 1 blasts off, almost incinerating the swimmers and revealing that the location is Tracy Island. The advert had the tagline "We'll tell you what the brochures won't".

In 2008, Specsavers commissioned an advert with Virgil Tracy and the Hood to promote its new "Reaction" varifocal lenses.[98] This featured a jetpack chase between Virgil and the Hood over mountainous terrain. When Virgil emerges from a tunnel into the dazzling sunshine, his "Reaction" lenses immediately darken to protect his vision; the Hood is not so fortunate and, blinded by the light, crashes into a mountain. The advert was filmed in London over five days using techniques similar to those employed by the original crew.[98] Jan King, a member of the crew on Captain Scarlet, returned as puppet operator for the filming of the scene, which used green-screen chroma key compositing to create the mountain background shots.[98] He noted that the advert used ordinary carpet thread for the puppet strings "because [the studio] wanted the strings to be seen, rather than not seen."[98]

Another 2000s advert, released by Britvic to promote its Drench! water, saw Brains dancing to the 1992 song "Rhythm Is a Dancer". He sits down for a swig of Drench! before resuming the dance, and the advert ends with the slogan "Brains perform best when they're hydrated". The official "Stay Drenched!" website hosted a making-of video revealing that Brains' movements were created using a mixture of live-action puppetry, motion capture and computer animation.

In 2017, Penelope and Parker appeared in a Halifax advert promoting the bank's savers' prize draw. In the advert, Parker visits a Halifax branch while running errands for Penelope, and learns that he has won the bank's £500,000 cash prize. Later, at Creighton-Ward Mansion, Penelope rings for Parker, who is nowhere to be found. The scene cuts to reveal that Parker has spent his winnings on a tropical holiday.[99]

Video games

[edit]

Thunderbirds inspired the style of Nintendo's Star Fox video game series. Shigeru Miyamoto, the series' creator, has stated that he is a fan of Thunderbirds, and that its distinctive visual style had influenced the puppet-like appearance and actions of the Star Fox characters since Star Fox 64.[100]

References

[edit]
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Works cited

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