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{{short description|British Indian conceptual artist|bot=PearBOT 5}}
{{short description|British Indian conceptual artist|bot=PearBOT 5}}
{{Use dmy dates|date=April 2022}}
{{Infobox artist
{{Infobox artist
| name = Sutapa Biswas
| name = Sutapa Biswas
| native_name =
| native_name =
| native_name_lang =
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| image =
| image = Sutapa Biswas.jpg|Sutapa Biswas
| image_size =
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| landscape = yes
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| birth_name =
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| birth_date = {{Birth year and age|1962}}
| birth_date = {{Birth date and age|1962|11|28|df=yes}}
| birth_place = [[Shantiniketan]], India
| birth_place = [[Shantiniketan]], India
| death_date = <!-- {{Death date and age|YYYY|MM|DD|YYYY|MM|DD}} -->
| death_date = <!-- {{Death date and age|YYYY|MM|DD|YYYY|MM|DD}} -->
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'''Sutapa Biswas''' (born 1962) is a [[British Indian]] conceptual artist, who works across a range of media including [[painting]], [[drawing]], [[film]] and [[time-based media]].<ref>[http://www.iniva.org/library/archive/people/b/biswas_sutapa "Sutapa Biswas"], iniva, Retrieved 17 October 2014.</ref>
'''Sutapa Biswas''' (born 28 November 1962) is a [[British Indian]] conceptual artist, who works across a range of media including [[painting]], [[drawing]], [[film]] and [[time-based media]].<ref>[http://www.iniva.org/library/archive/people/b/biswas_sutapa "Sutapa Biswas"], iniva, Retrieved 17 October 2014.</ref>


==Early life==
==Early life==
Line 37: Line 39:


==Career==
==Career==
As a conceptual artist, Biswas works in a variety of mediums, including performance, film, photography<ref>'Critical Decade: Black British Photography in the 80s', ''[[Ten.8]]'' vol. 2, no. 3, 1992</ref> and installation.<ref name=FAB/> During the 1980s, Biswas was primarily a painter.<ref>[http://www.culture24.org.uk/places-to-go/yorkshire/leeds/art24305 "Birdsong - Film by Sutapa Biswas"], Culture24. Retrieved 17 October 2014.</ref> For instance, her paintings ''Housewives with Steak-Knives'' (1985) and ''Through Rose-Tinted Windows'' form part of the Bradford Museums and Galleries permanent collections on display at [[Cartwright Hall]].<ref>{{Art UK bio|retrieved=17 October 2014|ref=1}}</ref> She also worked in video. ''Kali'' (1984) is a thirty-minute video that the artist Sutapa Biswas made while a student at the University of Leeds. It documents a performance by the artist as [[Kali]] and her fellow student as [[Ravana|Ravan]]. [[Kali]] – whose name means the ‘black one’ – is the Hindu goddess of time and change and within [[Hindu mythology]] she was created to inhabit more than one representation (hence her multiple appearances in the performance) to rid the world of evil, which is here embodied by [[Ravana|Ravan]]. Biswas often draws from myths and iconography from ancient Hindu mythologies, speaking of the symbolism she says 'I want people to research into my culture, as I've been doing into European and Western culture'.<ref name=":1">{{Cite book|title=Visibly female : feminism and art : an anthology|date=1987|publisher=Camden|others=Robinson, Hilary, 1956-|isbn=0-948491-31-0|location=London, England|pages=37|oclc=18257320}}</ref> In 1985, Biswas's work was exhibited at the [[Institute of Contemporary Arts]], London, in the exhibition ''The Thin Black Line,'' an exhibition of young Black and Asian women artists curated by [[Lubaina Himid]]''.''<ref>{{Cite web|url=http://makinghistoriesvisible.com/curations/thin-black-lines/|title=Thin Black Line(s)|date=2015-02-26|website=Making Histories Visible|language=en-GB|access-date=2019-03-21}}</ref>
As a conceptual artist, Biswas works in a variety of mediums, including performance, film, photography<ref>'Critical Decade: Black British Photography in the 80s', ''[[Ten.8]]'' vol. 2, no. 3, 1992</ref> and installation.<ref name=FAB/> During the 1980s, Biswas was primarily a painter.<ref>[http://www.culture24.org.uk/places-to-go/yorkshire/leeds/art24305 "Birdsong - Film by Sutapa Biswas"], Culture24. Retrieved 17 October 2014.</ref> For instance, her paintings ''Housewives with Steak-Knives'' (1985) and ''Through Rose-Tinted Windows'' form part of the Bradford Museums and Galleries permanent collections on display at [[Cartwright Hall]].<ref>{{Art UK bio|retrieved=17 October 2014|ref=1}}</ref> She also worked in video. ''Kali'' (1984) is a thirty-minute video that the artist made while a student at the University of Leeds. It documents a performance by the artist as [[Kali]] and her fellow student as [[Ravana|Ravan]]. Kali – whose name means the ‘black one’ – is the [[Hindu goddess]] of time and change and within [[Hindu mythology]] she was created to inhabit more than one representation (hence her multiple appearances in the performance) to rid the world of evil, which is here embodied by [[Ravana|Ravan]]. Biswas often draws from myths and iconography from ancient Hindu mythologies, speaking of the symbolism she says 'I want people to research into my culture, as I've been doing into European and Western culture'.<ref name=":1">{{Cite book|title=Visibly female : feminism and art : an anthology|date=1987|publisher=Camden|others=Robinson, Hilary, 1956-|isbn=0-948491-31-0|location=London, England|pages=37|oclc=18257320}}</ref> In 1985, Biswas's work was exhibited at the [[Institute of Contemporary Arts]], London, in the exhibition ''The Thin Black Line,'' an exhibition of young Black and Asian women artists curated by [[Lubaina Himid]]''.''<ref>{{Cite web|url=http://makinghistoriesvisible.com/curations/thin-black-lines/|title=Thin Black Line(s)|date=2015-02-26|website=Making Histories Visible|language=en-GB|access-date=2019-03-21}}</ref>


Sutapa Biswas's works often reflect on questions of gender and cultural and ethnic identity.<ref name="Merc">{{cite news|last=Motley|first=John|title=Sutapa Biswas|url=http://www.portlandmercury.com/portland/sutapa-biswas/Content?oid=60398|newspaper=Portland Mercury|accessdate=1 February 2014}}</ref> For instance, her film ''Birdsong'' captures the story of young Indian boy who longs to own a horse and is filmed against the backdrop of an English period home.<ref>[http://pica.org/event/sutapa-biswas/ "Sutapa Biswas"], PICA, Retrieved 17 October 2014.</ref> Biswas is also keen to use humour and satire in her work.<ref name=":1" /> In her painting 'The Last Mango in Paris' depicting two women talking and peeling mango's the caption below reads. ''M: 'If you were to be re-born, and had a choice what would you come back as?' B: 'If I were to be reborn again, I would be born an English dog, because in England they look after their dogs really well.''' <ref name=":1" /> She is keen to use her work as a platform for people to begin to address their own racism. Biswas was the 2008 Andrew W. Mellon Fellow at the [[Yale Center for British Art|Yale Centre for British Art]], and is a European Photography Award nominee. She is currently a Reader [[Fine art|Fine Art]] at [[Manchester Metropolitan University]], UK.<ref>{{Cite web|url=http://www.art.mmu.ac.uk/profile/sbiswas|title=Sutapa Biswas – Manchester School of Art|website=www.art.mmu.ac.uk|access-date=2019-03-21}}</ref>
Sutapa Biswas's works often reflect on questions of gender and cultural and ethnic identity.<ref name="Merc">{{cite news|last=Motley|first=John|title=Sutapa Biswas|url=http://www.portlandmercury.com/portland/sutapa-biswas/Content?oid=60398|newspaper=Portland Mercury|accessdate=1 February 2014}}</ref> For instance, her film ''Birdsong'' captures the story of young Indian boy who longs to own a horse and is filmed against the backdrop of an English period home.<ref>[http://pica.org/event/sutapa-biswas/ "Sutapa Biswas"], PICA, Retrieved 17 October 2014.</ref> Biswas is also keen to use humour and satire in her work.<ref name=":1" /> In her painting 'The Last Mango in Paris' depicting two women talking and peeling mangos the caption below reads. ''M: 'If you were to be re-born, and had a choice what would you come back as?' B: 'If I were to be reborn again, I would be born an English dog, because in England they look after their dogs really well.''' <ref name=":1" /> She is keen to use her work as a platform for people to begin to address their own racism. Biswas was the 2008 Andrew W. Mellon Fellow at the [[Yale Center for British Art|Yale Centre for British Art]], and is a European Photography Award nominee. She is currently a Reader [[Fine art|Fine Art]] at [[Manchester Metropolitan University]], UK.<ref>{{Cite web|url=http://www.art.mmu.ac.uk/profile/sbiswas|title=Sutapa Biswas – Manchester School of Art|website=www.art.mmu.ac.uk|access-date=2019-03-21}}</ref>


==Collections==
==Collections==
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*1990 Disputed Identities, Camerawork, San Francisco<ref name=":0" />
*1990 Disputed Identities, Camerawork, San Francisco<ref name=":0" />
*1992 Fine Material for a Dream...?: A Reappraisal of Orientalism: 19th & 20th Century Fine Art and Popular Culture Juxtaposed with Paintings, Video and Photography by Contemporary Artists, [[Harris Museum|Harris Museum & Art Gallery]], Preston <ref name=":0" />
*1992 Fine Material for a Dream...?: A Reappraisal of Orientalism: 19th & 20th Century Fine Art and Popular Culture Juxtaposed with Paintings, Video and Photography by Contemporary Artists, [[Harris Museum|Harris Museum & Art Gallery]], Preston <ref name=":0" />
*1992 The Circular Dance, [[Arnolfini]], Bristol<ref name=":0" />
*1992 The Circular Dance, [[Arnolfini, Bristol|Arnolfini]], Bristol<ref name=":0" />
*1992 Who Do You Take Me For?, Institute of Modern Art, Brisbane<ref name=":0" />
*1992 Who Do You Take Me For?, Institute of Modern Art, Brisbane<ref name=":0" />
*1993 Beyond Destination: Film and Video Installations by South Asian Artists, [[Ikon Gallery]], Birmingham<ref name=":0" />
*1993 Beyond Destination: Film and Video Installations by South Asian Artists, [[Ikon Gallery]], Birmingham<ref name=":0" />
*1993 Disrupted Borders, [[Arnolfini]], Bristol<ref name=":0" />
*1993 Disrupted Borders, [[Arnolfini, Bristol|Arnolfini]], Bristol<ref name=":0" />
*2023 Women in Revolt!: Art and Activism in the UK 1970-1990, Tate Britain, London<ref>{{cite web | url=https://www.tate.org.uk/whats-on/tate-britain/women-in-revolt/exhibition-guide | title=Women in Revolt! Art and Activism in the UK 1970-1990 }}</ref>
*2024 The Time of Our Lives, The Drawing Room, London<ref>{{cite web | url=https://drawingroom.org.uk/exhibition/the-time-of-our-lives/ | title=The Time of Our Lives }}</ref>


==References==
==References==
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[[Category:Alumni of the Royal College of Art]]
[[Category:Alumni of the Royal College of Art]]
[[Category:English people of Bengali descent]]
[[Category:English people of Bengali descent]]
[[Category:Artists from London]]
[[Category:Artists from the London Borough of Ealing]]
[[Category:British contemporary artists]]
[[Category:People from Southall]]

Latest revision as of 07:50, 31 August 2024

Sutapa Biswas
Born (1962-11-28) 28 November 1962 (age 61)
Shantiniketan, India
Alma materUniversity of Leeds, Slade School of Art, Royal College of Art

Sutapa Biswas (born 28 November 1962) is a British Indian conceptual artist, who works across a range of media including painting, drawing, film and time-based media.[1]

Early life

[edit]

She was born in Shantiniketan, West Bengal, India, in 1962.[2] At the age of four, she moved to London, England, with her family,[2] and grew up in Southall.[3] Between 1981 and 1985 she studied at the University of Leeds for her BFA.[2] She then studied art the Slade School of Art in London from 1988-1990.[2] From 1996 to 1998, Biswas studied at the Royal College of Art.[2]

Career

[edit]

As a conceptual artist, Biswas works in a variety of mediums, including performance, film, photography[4] and installation.[2] During the 1980s, Biswas was primarily a painter.[5] For instance, her paintings Housewives with Steak-Knives (1985) and Through Rose-Tinted Windows form part of the Bradford Museums and Galleries permanent collections on display at Cartwright Hall.[6] She also worked in video. Kali (1984) is a thirty-minute video that the artist made while a student at the University of Leeds. It documents a performance by the artist as Kali and her fellow student as Ravan. Kali – whose name means the ‘black one’ – is the Hindu goddess of time and change and within Hindu mythology she was created to inhabit more than one representation (hence her multiple appearances in the performance) to rid the world of evil, which is here embodied by Ravan. Biswas often draws from myths and iconography from ancient Hindu mythologies, speaking of the symbolism she says 'I want people to research into my culture, as I've been doing into European and Western culture'.[7] In 1985, Biswas's work was exhibited at the Institute of Contemporary Arts, London, in the exhibition The Thin Black Line, an exhibition of young Black and Asian women artists curated by Lubaina Himid.[8]

Sutapa Biswas's works often reflect on questions of gender and cultural and ethnic identity.[9] For instance, her film Birdsong captures the story of young Indian boy who longs to own a horse and is filmed against the backdrop of an English period home.[10] Biswas is also keen to use humour and satire in her work.[7] In her painting 'The Last Mango in Paris' depicting two women talking and peeling mangos the caption below reads. M: 'If you were to be re-born, and had a choice what would you come back as?' B: 'If I were to be reborn again, I would be born an English dog, because in England they look after their dogs really well.' [7] She is keen to use her work as a platform for people to begin to address their own racism. Biswas was the 2008 Andrew W. Mellon Fellow at the Yale Centre for British Art, and is a European Photography Award nominee. She is currently a Reader Fine Art at Manchester Metropolitan University, UK.[11]

Collections

[edit]

Biswas' work is held in the following public collection:

Exhibitions

[edit]

Solo exhibitions

[edit]

Group exhibitions

[edit]
  • 1985 The Thin Black Line, [Selected by Lubaina Himid], Institute of Contemporary Arts, London
  • 1986 The Issue of Painting, Rochdale Art Gallery.[13]
  • 1986 Jagrati, Greenwich Citizens Gallery, London[13]
  • 1986 Unrecorded Truths, The Elbow Room, London[13]
  • 1987 Creation For Liberation 4th Open Exhibition: Art by Black Artists, Brixton Village, London[13]
  • 1987 Critical Realism: Britain in the 1980’s through the Work of 28 Artists, Nottingham Castle Museum, Nottingham[13]
  • 1987 State Of The Art: Ideas And Images in The 1980s, Institute of Contemporary Arts, London[13]
  • 1987 The Image Employed: The Use of Narrative in Black Art[13]
  • 1988 Along the Lines of Resistance: an Exhibition of Contemporary Feminist Art, [Selected by Sutapa Biswas, Sarah Edge and Clare Slattery], Cooper Gallery, Barnsley [13]
  • 1988 The Essential Black Art, Chisenhale Gallery, London[13]
  • 1988 Graven Images: Art, Religion and Politics, Harris Museum and Art Gallery, Preston[13]
  • 1989 Fabled Territories: New Asian Photography in Britain, City Art Gallery, Leeds[13]
  • 1989 The Artist Abroad: An Exhibition of Work Influenced by International Travel, Usher Gallery, Lincoln[13]
  • 1989 Intimate Distance, The Photographers’ Gallery, London[13]
  • 1989 The Other Story: Afro-Asian Artists in Post-War Britain, Hayward Gallery, London[13]
  • 1990 Disputed Identities, Camerawork, San Francisco[13]
  • 1992 Fine Material for a Dream...?: A Reappraisal of Orientalism: 19th & 20th Century Fine Art and Popular Culture Juxtaposed with Paintings, Video and Photography by Contemporary Artists, Harris Museum & Art Gallery, Preston [13]
  • 1992 The Circular Dance, Arnolfini, Bristol[13]
  • 1992 Who Do You Take Me For?, Institute of Modern Art, Brisbane[13]
  • 1993 Beyond Destination: Film and Video Installations by South Asian Artists, Ikon Gallery, Birmingham[13]
  • 1993 Disrupted Borders, Arnolfini, Bristol[13]
  • 2023 Women in Revolt!: Art and Activism in the UK 1970-1990, Tate Britain, London[16]
  • 2024 The Time of Our Lives, The Drawing Room, London[17]

References

[edit]
  1. ^ "Sutapa Biswas", iniva, Retrieved 17 October 2014.
  2. ^ a b c d e f "Sutapa Biswas". Feminist Art Base, Brooklyn Museum. Retrieved 1 February 2014.
  3. ^ Elkin, Lauren (15 October 2021). "Recognition, at Last, After Decades Decolonizing Art". The New York Times. ISSN 0362-4331. Retrieved 16 October 2021.
  4. ^ 'Critical Decade: Black British Photography in the 80s', Ten.8 vol. 2, no. 3, 1992
  5. ^ "Birdsong - Film by Sutapa Biswas", Culture24. Retrieved 17 October 2014.
  6. ^ 2 artworks by or after Sutapa Biswas, Art UK. Retrieved 17 October 2014.
  7. ^ a b c Visibly female : feminism and art : an anthology. Robinson, Hilary, 1956-. London, England: Camden. 1987. p. 37. ISBN 0-948491-31-0. OCLC 18257320.{{cite book}}: CS1 maint: others (link)
  8. ^ "Thin Black Line(s)". Making Histories Visible. 26 February 2015. Retrieved 21 March 2019.
  9. ^ Motley, John. "Sutapa Biswas". Portland Mercury. Retrieved 1 February 2014.
  10. ^ "Sutapa Biswas", PICA, Retrieved 17 October 2014.
  11. ^ "Sutapa Biswas – Manchester School of Art". www.art.mmu.ac.uk. Retrieved 21 March 2019.
  12. ^ "Sutapa Biswas", Tate, Retrieved 17 October 2014.
  13. ^ a b c d e f g h i j k l m n o p q r s t u v Keen, Melanie. (1996). Recordings : a select bibliography of contemporary African, Afro-Caribbean and Asian British art. Ward, Elizabeth., Chelsea College of Art and Design., Institute of International Visual Arts. London: Institute of International Visual Arts and Chelsea College of Art and Design. ISBN 1-899846-06-9. OCLC 36076932.
  14. ^ "Sutapa Biswas :: BALTIC Centre for Contemporary Art". baltic.art. Retrieved 1 December 2021.
  15. ^ "Sutapa Biswas: Lumen – Events". Kettle's Yard. Retrieved 1 December 2021.
  16. ^ "Women in Revolt! Art and Activism in the UK 1970-1990".
  17. ^ "The Time of Our Lives".
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