Casa de Pilatos: Difference between revisions
Katechon08 (talk | contribs) No edit summary |
ILoveCaracas (talk | contribs) |
||
| (23 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
[[File:022-Patio-Casa de Pilatos-Sevilla(RI-51-0000889).jpg|right|thumb|The palace has a collection of statues in which stand out twenty five busts from ancient Rome, one is from ancient Greece, dating from 5th century BC and other of 16th century depicting Charles V.<ref name="pilatos"/>]] |
|||
[[File:Casa Pilatos 5384865645 1642bfa658 o.jpg|right|thumb|''Casa de Pilatos'', main courtyard.]] |
|||
'''La Casa de Pilatos''' ('''Pilate's House''') is an [[Andalusia]]n palace in [[Seville, Spain]], which serves as the permanent residence of the [[Duke of Medinaceli|Dukes of Medinaceli]]. The building is a mixture of [[ |
'''La Casa de Pilatos''' ('''Pilate's House''') is an [[Andalusia]]n palace in [[Seville, Spain]], which serves as the permanent residence of the [[Duke of Medinaceli|Dukes of Medinaceli]]. The building is a mixture of [[Italian Renaissance]] and Spanish [[Mudéjar]] styles. It is considered the prototype of the Andalusian palace. |
||
Casa de Pilatos has around 150 different azulejo designs of the 1530s made by the brothers Diego and Juan Pulido,<ref>{{cite|url=http://maratania.es/152152-loa-azulejos-de-la-casa-de-pilatos-de-los-hermanos-pulido/|title=Los azulejos de la Casa de Pilatos de los hermanos Pulido – 152|author=MARATANIA}}</ref> one of the largest antique [[azulejo]] collections in the world.<ref name="pilatos">{{cite|url=http://www.loveofspain.com/casa-de-pilatos/|title=THE CASA DE PILATOS – A DREAM ANDALUSIAN PALACE IN THE HEART OF SEVILLE|author=loveofspain.com}}</ref> |
|||
==History== |
==History== |
||
| Line 7: | Line 9: | ||
On 20 October 1520, Don Fadrique returned from a trip through Europe and the Holy Land. During Lent in 1521, he inaugurated the observance in Seville of the [[Via Crucis to the Cruz del Campo|Holy Via Crucis]] (Holy Way of the Cross). The route began in the ''Chapel of the Flagellations'' of his palace and ended at a pillar located not far from the ''Templete'', or ''Cruz del Campo'' (The Cross of the Field,) located outside the city walls. This route ran the same distance of 1321 paces supposed to have separated the [[praetorium]] of Pontius Pilate from [[Calvary]]. The Marquis's palace, the ''Palacio de San Andrés'', was then still partly under construction; it later became known as the ''Casa de Pilatos'' through its association with the ''Vía Crucis'', and was much altered over the next few centuries. Popular imagination has since mistakenly identified the palace as a copy of the house of Pilate; thus the rooms have been named along the theme of the [[Passion of Christ]]: "Hall of the Praetorian", "Chapel of the Flagellations", etc. It was declared a National Monument in 1931. The oldest documentation of the name ''Casa de Pilatos'' is from 1754. |
On 20 October 1520, Don Fadrique returned from a trip through Europe and the Holy Land. During Lent in 1521, he inaugurated the observance in Seville of the [[Via Crucis to the Cruz del Campo|Holy Via Crucis]] (Holy Way of the Cross). The route began in the ''Chapel of the Flagellations'' of his palace and ended at a pillar located not far from the ''Templete'', or ''Cruz del Campo'' (The Cross of the Field,) located outside the city walls. This route ran the same distance of 1321 paces supposed to have separated the [[praetorium]] of Pontius Pilate from [[Calvary]]. The Marquis's palace, the ''Palacio de San Andrés'', was then still partly under construction; it later became known as the ''Casa de Pilatos'' through its association with the ''Vía Crucis'', and was much altered over the next few centuries. Popular imagination has since mistakenly identified the palace as a copy of the house of Pilate; thus the rooms have been named along the theme of the [[Passion of Christ]]: "Hall of the Praetorian", "Chapel of the Flagellations", etc. It was declared a National Monument in 1931. The oldest documentation of the name ''Casa de Pilatos'' is from 1754. |
||
[[File: |
[[File:Casa de Pilatos 06.jpg|thumb|Old azulejos through the palace]] |
||
In the 16th-century, under the orders of the [[viceroy of Naples]], the architect [[Benvenuto Tortello]] will be responsible for rebuilding the palace leaving intact the old [[Mudéjar]] rooms.<ref>{{cite|url=http://www.xn--espaaescultura-tnb.es/es/jardines_historicos/sevilla/casa_de_pilatos.html|title=Jardines de Casa de Pilatos|author=españaescultura.es}}</ref> |
|||
==Floor plan== |
==Floor plan== |
||
[[File:Garden in the casa de pilatos, seville.JPG|thumb|left|The two 16th-century<ref name="pilatos"/> tiled-gardens made by Neapolitan Benvenuto Tortello, both gardens suffered renovations in 19th century.]] |
|||
[[File:Casa de Pilatos Jardín Chico2.jpg|thumb|left|Indoor garden.]] |
|||
The palace is accessed through a Renaissance style marble gate, designed by the [[Genoa|Genoese]] Antonio Maria Aprile in 1529, and surmounted by a [[Gothic architecture|Gothic]] [[Crest (heraldry)|crest]] possibly brought from the palace that developers were building in [[Bornos]]. The gate leads to a typical Andalusian courtyard where a fountain surrounded by twenty-four busts of Spanish kings, [[Roman emperor]]s and other relevant characters collected from the ruins of [[Italica]] are distributed along the lower galleries of the courtyard. The courtyard, in turn, leads to two gardens with [[plateresque]] adornements. |
The palace is accessed through a Renaissance style marble gate, designed by the [[Genoa|Genoese]] Antonio Maria Aprile in 1529, and surmounted by a [[Gothic architecture|Gothic]] [[Crest (heraldry)|crest]] possibly brought from the palace that developers were building in [[Bornos]]. The gate leads to a typical Andalusian courtyard where a fountain surrounded by twenty-four busts of Spanish kings, [[Roman emperor]]s and other relevant characters collected from the ruins of [[Italica]] are distributed along the lower galleries of the courtyard. The courtyard, in turn, leads to two gardens with [[plateresque]] adornements. |
||
| Line 17: | Line 21: | ||
In the room to the left wing of the Tower the ceiling displays [[fresco]]es painted by [[Francisco Pacheco]] between 1603 and 1604 that enhance the apotheosis of [[Hercules]], and in the room that follows the Tower is a tiny series of works by [[Francisco Goya]] of a bullfight, then a still life by Giuseppe Recco in the dining room and a table representing [[Mary Magdalene]] painted in the sixteenth century; in the library are three works by painter [[Luca Giordano]]. As with most palaces of the period, the Casa de Pilatos also has a chapel, designed in a fusion of the Gothic and Mudéjar styles, with antique decor and numerous manuscripts. The Casa de Pilatos is considered one of the finest examples of Andalusian architecture of 16th century Seville. The house is open to the public year-round. |
In the room to the left wing of the Tower the ceiling displays [[fresco]]es painted by [[Francisco Pacheco]] between 1603 and 1604 that enhance the apotheosis of [[Hercules]], and in the room that follows the Tower is a tiny series of works by [[Francisco Goya]] of a bullfight, then a still life by Giuseppe Recco in the dining room and a table representing [[Mary Magdalene]] painted in the sixteenth century; in the library are three works by painter [[Luca Giordano]]. As with most palaces of the period, the Casa de Pilatos also has a chapel, designed in a fusion of the Gothic and Mudéjar styles, with antique decor and numerous manuscripts. The Casa de Pilatos is considered one of the finest examples of Andalusian architecture of 16th century Seville. The house is open to the public year-round. |
||
== Film scenario == |
|||
At least two [[Hollywood]] motion pictures were partially filmed on the venue -- [[Lawrence of Arabia]], 1962, and [[Knight and Day]], 2010. |
|||
In the Casa de Pilatos, several films have been shot, including four Hollywood blockbusters: In 1962 scenes of the mythical overproduction were filmed in the palace ''[[Lawrence of Arabia (film)|Lawrence of Arabia]]'', winner of 7 Oscars, including best film. In 1992 the director [[Ridley Scott]] filmed the movie here ''[[1492: Conquest of Paradise]]''. This director would repeat again in 2005 filming scenes for ''[[Kingdom of Heaven (film)|Kingdom of Heaven]]''. And at the end of 2009, [[Tom Cruise]] filmed the movie ''[[Knight and Day]]'' with [[Cameron Diaz]] at the palace. |
|||
==References== |
|||
{{reflist}} |
|||
==See also== |
==See also== |
||
| Line 43: | Line 51: | ||
[[Category:Renaissance architecture in Seville]] |
[[Category:Renaissance architecture in Seville]] |
||
[[Category:Azulejos in buildings in Andalusia]] |
[[Category:Azulejos in buildings in Andalusia]] |
||
[[Category:Italian Renaissance]] |
|||
Revision as of 18:41, 6 April 2018
.jpg)
La Casa de Pilatos (Pilate's House) is an Andalusian palace in Seville, Spain, which serves as the permanent residence of the Dukes of Medinaceli. The building is a mixture of Italian Renaissance and Spanish Mudéjar styles. It is considered the prototype of the Andalusian palace.
Casa de Pilatos has around 150 different azulejo designs of the 1530s made by the brothers Diego and Juan Pulido,[2] one of the largest antique azulejo collections in the world.[1]
History
The construction of this palace, which is adorned with precious azulejos tiles and well-kept gardens, was begun by Pedro Enríquez de Quiñones, Adelantado Mayor of Andalucía, and his wife Catalina de Rivera, founder of the Casa de Alcalá, and completed by Pedro's son Fadrique Enríquez de Rivera (first Marquis of Tarifa), whose pilgrimage to Jerusalem in 1519 led to the building being given the name "Pilate's House".
On 20 October 1520, Don Fadrique returned from a trip through Europe and the Holy Land. During Lent in 1521, he inaugurated the observance in Seville of the Holy Via Crucis (Holy Way of the Cross). The route began in the Chapel of the Flagellations of his palace and ended at a pillar located not far from the Templete, or Cruz del Campo (The Cross of the Field,) located outside the city walls. This route ran the same distance of 1321 paces supposed to have separated the praetorium of Pontius Pilate from Calvary. The Marquis's palace, the Palacio de San Andrés, was then still partly under construction; it later became known as the Casa de Pilatos through its association with the Vía Crucis, and was much altered over the next few centuries. Popular imagination has since mistakenly identified the palace as a copy of the house of Pilate; thus the rooms have been named along the theme of the Passion of Christ: "Hall of the Praetorian", "Chapel of the Flagellations", etc. It was declared a National Monument in 1931. The oldest documentation of the name Casa de Pilatos is from 1754.
In the 16th-century, under the orders of the viceroy of Naples, the architect Benvenuto Tortello will be responsible for rebuilding the palace leaving intact the old Mudéjar rooms.[3]
Floor plan
The palace is accessed through a Renaissance style marble gate, designed by the Genoese Antonio Maria Aprile in 1529, and surmounted by a Gothic crest possibly brought from the palace that developers were building in Bornos. The gate leads to a typical Andalusian courtyard where a fountain surrounded by twenty-four busts of Spanish kings, Roman emperors and other relevant characters collected from the ruins of Italica are distributed along the lower galleries of the courtyard. The courtyard, in turn, leads to two gardens with plateresque adornements.
A staircase to the top floor is decorated with azulejos tiling and a ceiling of Mudéjar honeycomb, made by Cristobal Sanchez. The rooms on this floor include major paintings dating from the 16th to the 19th centuries, including the Pietà by Sebastiano del Piombo.
In the room to the left wing of the Tower the ceiling displays frescoes painted by Francisco Pacheco between 1603 and 1604 that enhance the apotheosis of Hercules, and in the room that follows the Tower is a tiny series of works by Francisco Goya of a bullfight, then a still life by Giuseppe Recco in the dining room and a table representing Mary Magdalene painted in the sixteenth century; in the library are three works by painter Luca Giordano. As with most palaces of the period, the Casa de Pilatos also has a chapel, designed in a fusion of the Gothic and Mudéjar styles, with antique decor and numerous manuscripts. The Casa de Pilatos is considered one of the finest examples of Andalusian architecture of 16th century Seville. The house is open to the public year-round.
Film scenario
In the Casa de Pilatos, several films have been shot, including four Hollywood blockbusters: In 1962 scenes of the mythical overproduction were filmed in the palace Lawrence of Arabia, winner of 7 Oscars, including best film. In 1992 the director Ridley Scott filmed the movie here 1492: Conquest of Paradise. This director would repeat again in 2005 filming scenes for Kingdom of Heaven. And at the end of 2009, Tom Cruise filmed the movie Knight and Day with Cameron Diaz at the palace.
References
- ^ a b c loveofspain.com, THE CASA DE PILATOS – A DREAM ANDALUSIAN PALACE IN THE HEART OF SEVILLE
- ^ MARATANIA, Los azulejos de la Casa de Pilatos de los hermanos Pulido – 152
- ^ españaescultura.es, Jardines de Casa de Pilatos
See also
External links
- Archaeological sites in Spain
- Palaces in Seville
- Dukes of Medinaceli
- House of Medinaceli
- Mudéjar architecture in Andalusia
- Buildings and structures completed in the 15th century
- Buildings and structures completed in the 16th century
- Renaissance architecture in Seville
- Azulejos in buildings in Andalusia
- Italian Renaissance