Anouk Aimée: Difference between revisions
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|birthname = Nicole Françoise Florence Dreyfus |
|birthname = Nicole Françoise Florence Dreyfus |
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|birth_date = {{birth date|df=y|1932|4|27}} |
|birth_date = {{birth date|df=y|1932|4|27}} |
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|birth_place = Paris, [[French Third Republic|France]] |
|birth_place = [[Paris]], [[French Third Republic|France]] |
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|death_date = {{death date and age|2024|6|18|1932|4|27|df=y}} |
|death_date = {{death date and age|2024|6|18|1932|4|27|df=y}} |
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|death_place=Paris, France |
|death_place = Paris, France |
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|years_active = 1947–2019 |
|years_active = 1947–2019 |
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|resting_place = [[Saint-Vincent Cemetery]], [[18th arrondissement of Paris|Paris]] |
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|occupation = Actress |
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| spouse = {{plainlist| |
| spouse = {{plainlist| |
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* {{marriage|Edouard Zimmermann <br>|1949|1950|end=divorced}} |
* {{marriage|Edouard Zimmermann <br>|1949|1950|end=divorced}} |
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'''Nicole Françoise Florence Dreyfus'''<ref>{{cite web|url=http://encinematheque.net/oeil/Y026/index.asp?page=bio.asp|title=Anouk Aimée|access-date=9 August 2014|publisher=L'encinémathèque|language=fr|url-status=dead|archive-url=https://web.archive.org/web/20140809210905/http://encinematheque.net/oeil/Y026/index.asp?page=bio.asp| archive-date=9 August 2014}}</ref> (27 April 1932{{spnd}}{{nowrap|18 June}} 2024), known professionally as '''Anouk Aimée''' ({{IPA-fr|anuk ɛme|lang}}) or '''Anouk''', was a French film actress who appeared in 70 films from 1947 until 2019. Having begun her film career at age 14, she studied acting and dance in her early years, besides her regular education. Although the majority of her films were French, she also made films in Spain, |
'''Nicole Françoise Florence Dreyfus'''<ref name=":1">{{cite web|url=http://encinematheque.net/oeil/Y026/index.asp?page=bio.asp|title=Anouk Aimée|access-date=9 August 2014|publisher=L'encinémathèque|language=fr|url-status=dead|archive-url=https://web.archive.org/web/20140809210905/http://encinematheque.net/oeil/Y026/index.asp?page=bio.asp| archive-date=9 August 2014}}</ref> (27 April 1932{{spnd}}{{nowrap|18 June}} 2024), known professionally as '''Anouk Aimée''' ({{IPA-fr|anuk ɛme|lang}}) or '''Anouk''', was a French film actress who appeared in 70 films from 1947 until 2019. Having begun her film career at age 14, she studied acting and dance in her early years, besides her regular education. Although the majority of her films were French, she also made films in Spain, the United Kingdom, Italy and Germany, along with some American productions. |
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Among her films are [[Federico Fellini]]'s ''[[La dolce vita]]'' (1960), after which she was considered a "rising star who exploded" onto the film world.<ref name=Thompson/> She subsequently acted in Fellini's ''[[8½]]'' (1963), [[Jacques Demy]]'s ''[[Lola (1961 film)|Lola]]'' (1961), [[George Cukor]]'s ''[[Justine (1969 film)|Justine]]'' (1969), [[Bernardo Bertolucci]]'s ''[[Tragedy of a Ridiculous Man]]'' (1981), and [[Robert Altman]]'s ''[[Prêt-à-Porter (film)|Prêt à Porter]]'' (1994). She won the [[Golden Globe Award for Best Actress in a Motion Picture – Drama]] and the [[BAFTA Award for Best Actress in a Leading Role|BAFTA Award for Best Actress]] and was nominated for the [[Academy Award for Best Actress]] for her acting in ''[[A Man and a Woman]]'' (1966). The film "virtually reignited the lush on-screen romance in an era of skeptical modernism |
Among her films are [[Federico Fellini]]'s ''[[La dolce vita]]'' (1960), after which she was considered a "rising star who exploded" onto the film world.<ref name=Thompson/> She subsequently acted in Fellini's ''[[8½]]'' (1963), [[Jacques Demy]]'s ''[[Lola (1961 film)|Lola]]'' (1961), [[George Cukor]]'s ''[[Justine (1969 film)|Justine]]'' (1969), [[Bernardo Bertolucci]]'s ''[[Tragedy of a Ridiculous Man]]'' (1981), and [[Robert Altman]]'s ''[[Prêt-à-Porter (film)|Prêt à Porter]]'' (1994). She won the [[Golden Globe Award for Best Actress in a Motion Picture – Drama]] and the [[BAFTA Award for Best Actress in a Leading Role|BAFTA Award for Best Actress]] and was nominated for the [[Academy Award for Best Actress]] for her acting in ''[[A Man and a Woman]]'' (1966). The film "virtually reignited the lush on-screen romance in an era of skeptical modernism", and brought her international fame.<ref name=Lewis/> |
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She won the [[Cannes Film Festival Award for Best Actress|Award for Best Actress]] at the [[Cannes Film Festival]] for [[Marco Bellocchio]]'s film ''[[A Leap in the Dark]]'' (1980). In 2002, she received an honorary [[César Award]], France's national film award. |
She won the [[Cannes Film Festival Award for Best Actress|Award for Best Actress]] at the [[Cannes Film Festival]] for [[Marco Bellocchio]]'s film ''[[A Leap in the Dark]]'' (1980). In 2002, she received an honorary [[César Award]], France's national film award. Aimée was known for her "striking features" and beauty, and considered "one of the hundred sexiest stars in film history", according to a 1995 poll conducted by ''[[Empire (magazine)|Empire]]'' magazine.<ref name="Lewis" /> She often portrayed a [[femme fatale]] with a melancholy aura. In the 1960s, ''[[Life (magazine)|Life]]'' magazine commented: "after each picture her enigmatic beauty lingered" in the memories of her audience, and called her "the [[Rive Gauche|Left Bank]]'s most beautiful resident".<ref name="Life" /> |
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Aimée was known for her "striking features" and beauty, and considered "one of the hundred sexiest stars in film history," according to a 1995 poll conducted by ''[[Empire (magazine)|Empire]]'' magazine.<ref name=Lewis/> She often portrayed a [[femme fatale]] with a melancholy aura. In the 1960s, ''[[Life (magazine)|Life]]'' magazine commented: "after each picture her enigmatic beauty lingered" in the memories of her audience, and called her "the [[Rive Gauche|Left Bank]]'s most beautiful resident."<ref name=Life/> |
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==Early years== |
==Early years== |
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Besides the French cinema, Aimée's career included films made in Spain, Great Britain, Italy, and Germany. She achieved worldwide attention in Fellini's ''[[La Dolce Vita]]'' (1960) and ''Lola'' (1961). She appeared again in Fellini's ''[[8½]]'', and would remain in Italy during the first half of the 1960s, making films for a number of Italian directors. Because of her role in ''La Dolce Vita'', biographer Dave Thompson describes Aimée as a "rising star who exploded" onto the film world. He adds that singer-songwriter [[Patti Smith]], who in her teens saw the film, began to idolise her, and "dreamed of being an actress like Aimée."<ref name=Thompson>Thompson, Dave. ''Dancing Barefoot: The Patti Smith Story'', Chicago Review Press (2011) p. 17</ref><ref>Bockris, Victor; Bayley, Roberta. ''Patti Smith: An Unauthorized Biography'', Simon and Schuster (1999) p. 33</ref> |
Besides the French cinema, Aimée's career included films made in Spain, Great Britain, Italy, and Germany. She achieved worldwide attention in Fellini's ''[[La Dolce Vita]]'' (1960) and ''Lola'' (1961). She appeared again in Fellini's ''[[8½]]'', and would remain in Italy during the first half of the 1960s, making films for a number of Italian directors. Because of her role in ''La Dolce Vita'', biographer Dave Thompson describes Aimée as a "rising star who exploded" onto the film world. He adds that singer-songwriter [[Patti Smith]], who in her teens saw the film, began to idolise her, and "dreamed of being an actress like Aimée."<ref name=Thompson>Thompson, Dave. ''Dancing Barefoot: The Patti Smith Story'', Chicago Review Press (2011) p. 17</ref><ref>Bockris, Victor; Bayley, Roberta. ''Patti Smith: An Unauthorized Biography'', Simon and Schuster (1999) p. 33</ref> |
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Aimée's greatest success came with the film ''[[A Man and a Woman]]'' (''Un homme et une femme'', 1966) directed by [[Claude Lelouch]]. Primarily due to the excellent acting by its stars, Aimée and [[Jean-Louis Trintignant]] and the beautiful musical score, the film became an international success, winning both the Grand Prize at the [[Cannes Film Festival]] in 1966 and two Oscars including [[Academy Award for Best International Feature Film|Best Foreign Language Film]]. Tabery states that with her "subtle portrayal of the heroine—self-protective, then succumbing to a new love—Aimée seemed to create a new kind of [[femme fatale]]."<ref name=Unterburger/> |
Aimée's greatest success came with the film ''[[A Man and a Woman]]'' (''Un homme et une femme'', 1966) directed by [[Claude Lelouch]]. Primarily due to the excellent acting by its stars, Aimée and [[Jean-Louis Trintignant]], and the beautiful musical score, the film became an international success, winning both the Grand Prize at the [[Cannes Film Festival]] in 1966 and two Oscars including [[Academy Award for Best International Feature Film|Best Foreign Language Film]]. Tabery states that with her "subtle portrayal of the heroine—self-protective, then succumbing to a new love—Aimée seemed to create a new kind of [[femme fatale]]."<ref name=Unterburger/> |
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Film historian Jurgen Muller adds, "whether one likes the film or not, it's still hard for anyone to resist the melancholy aura of Anouk Aimée."<ref>Müller, Jürgen. ''Movies of the 60s'', Taschen (2004) cover</ref> In many of her subsequent films, she would continue to play that type of role, "a woman of sensitivity whose emotions are often kept secret."<ref name = Unterburger/> |
Film historian Jurgen Muller adds, "whether one likes the film or not, it's still hard for anyone to resist the melancholy aura of Anouk Aimée."<ref>Müller, Jürgen. ''Movies of the 60s'', Taschen (2004) cover</ref> In many of her subsequent films, she would continue to play that type of role, "a woman of sensitivity whose emotions are often kept secret."<ref name = Unterburger/> |
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She starred in the American film production of [[Justine (1969 film)|''Justine'']] (1969), costarring [[Dirk Bogarde]] and directed by [[George Cukor]] and [[Joseph Strick]]. The film contained some nudity, with one writer observing, "Anouk is always impeccable, oozing the sexy, detached air of the elite . . . when she drops these trappings, along with her couture clothing, Anouk's naked perfection will annihilate you."<ref>''Mr. Skin's Encyclopedia: A to Z Guide to Finding Your Favorite Actresses Naked'', SK INtertainment (2005) p. 5</ref> |
She starred in the American film production of [[Justine (1969 film)|''Justine'']] (1969), costarring [[Dirk Bogarde]] and directed by [[George Cukor]] and [[Joseph Strick]]. The film contained some nudity, with one writer observing, "Anouk is always impeccable, oozing the sexy, detached air of the elite . . . when she drops these trappings, along with her couture clothing, Anouk's naked perfection will annihilate you."<ref>''Mr. Skin's Encyclopedia: A to Z Guide to Finding Your Favorite Actresses Naked'', SK INtertainment (2005) p. 5</ref> |
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Photojournalist [[Eve Arnold]], assigned to photograph and write a story about Aimée and her role, spoke to [[Dirk Bogarde]], who had known her since she was fifteen. He said that "She is never so happy as when she is miserable between love affairs," referencing her recent love affair with [[Omar Sharif]], her co-star in ''[[The Appointment]]'' (1969).<ref name=Arnold/> Arnold photographed Aimée, who talked about her role as the character Justine. Justine was also Jewish. Arnold recalls one of their talks:{{blockquote|I am still haunted by two things she quoted. They seemed to say more about her than anything else I experienced with her during the three weeks I knew her on the film:<br />Quote from [[Treblinka extermination camp|Treblinka]]: 'The Jews are prone to anguish but seldom given to despair.'<br />And a quote by an anonymous Jewish poet to his wife when the [[Nazis]] came to get them: 'Till now we have lived with fear, now we can know hope.'<ref name=Arnold>[[Eve Arnold|Arnold, Eve]]. ''Film Journal'', Bloomsbury Publishing (2002) pp. 193–94</ref>}} |
Photojournalist [[Eve Arnold]], assigned to photograph and write a story about Aimée and her role, spoke to [[Dirk Bogarde]], who had known her since she was fifteen. He said that "She is never so happy as when she is miserable between love affairs," referencing her recent love affair with [[Omar Sharif]], her co-star in ''[[The Appointment (film)|The Appointment]]'' (1969).<ref name=Arnold/> Arnold photographed Aimée, who talked about her role as the character Justine. Justine was also Jewish. Arnold recalls one of their talks:{{blockquote|I am still haunted by two things she quoted. They seemed to say more about her than anything else I experienced with her during the three weeks I knew her on the film:<br />Quote from [[Treblinka extermination camp|Treblinka]]: 'The Jews are prone to anguish but seldom given to despair.'<br />And a quote by an anonymous Jewish poet to his wife when the [[Nazis]] came to get them: 'Till now we have lived with fear, now we can know hope.'<ref name=Arnold>[[Eve Arnold|Arnold, Eve]]. ''Film Journal'', Bloomsbury Publishing (2002) pp. 193–94</ref>}} |
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[[File:Anouk Aimée Cannes.jpg|thumb|Anouk Aimée at Cannes, 2007]] |
[[File:Anouk Aimée Cannes.jpg|thumb|Anouk Aimée at Cannes, 2007]] |
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==Personal life== |
==Personal life== |
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Aimée was married and divorced four times: Édouard Zimmermann (1949–1950),<ref>{{Cite web |title=Anouk Aimee and Edouard Zimmermann |url=https://www.whosdatedwho.com/dating/anouk-aimee-and-edouard-zimmermann#google_vignette |website=whos dated who |access-date=14 May 2024 |archive-date=14 May 2024 |archive-url=https://web.archive.org/web/20240514094616/https://www.whosdatedwho.com/dating/anouk-aimee-and-edouard-zimmermann#google_vignette |url-status=live }}</ref> director [[Nico Papatakis]] (1951–1954), actor and musical producer [[Pierre Barouh]] (1966–1969), and actor [[Albert Finney]] (1970–1978).<ref>{{Cite web |title=Anouk Aimée a 92 ans : Origines, vrai nom, films cultes, amants célèbres... tout ce qu'il faut savoir |url=https://www.journaldesfemmes.fr/people/personnalites/3175080-anouk-aimee-age-vie-privee-carriere-infos/ |website=Journal des femmes |access-date=14 May 2024 |archive-date=14 May 2024 |archive-url=https://web.archive.org/web/20240514094606/https://www.journaldesfemmes.fr/people/personnalites/3175080-anouk-aimee-age-vie-privee-carriere-infos/ |url-status=live }}</ref> She had one child, Manuela Papatakis (born 1951), from her second marriage. She died at her home in Paris on 18 June 2024, at the age of 92.<ref>{{cite web|title=Anouk Aimée, Enigmatic Star of 'A Man and a Woman,' Dies at 92|url=https://www.nytimes.com/2024/06/18/obituaries/anouk-aimee-dead.html|last=Gates|first=Anita|date=18 June 2024|work=The New York Times|access-date=18 June 2024|archive-date=18 June 2024|archive-url=https://web.archive.org/web/20240618190102/https://www.nytimes.com/2024/06/18/obituaries/anouk-aimee-dead.html|url-status=live}}</ref> |
Aimée was married and divorced four times: Édouard Zimmermann (1949–1950),<ref>{{Cite web |title=Anouk Aimee and Edouard Zimmermann |url=https://www.whosdatedwho.com/dating/anouk-aimee-and-edouard-zimmermann#google_vignette |website=whos dated who |access-date=14 May 2024 |archive-date=14 May 2024 |archive-url=https://web.archive.org/web/20240514094616/https://www.whosdatedwho.com/dating/anouk-aimee-and-edouard-zimmermann#google_vignette |url-status=live }}</ref> director [[Nico Papatakis]] (1951–1954), actor and musical producer [[Pierre Barouh]] (1966–1969), and actor [[Albert Finney]] (1970–1978).<ref>{{Cite web |title=Anouk Aimée a 92 ans : Origines, vrai nom, films cultes, amants célèbres... tout ce qu'il faut savoir |url=https://www.journaldesfemmes.fr/people/personnalites/3175080-anouk-aimee-age-vie-privee-carriere-infos/ |website=Journal des femmes |access-date=14 May 2024 |archive-date=14 May 2024 |archive-url=https://web.archive.org/web/20240514094606/https://www.journaldesfemmes.fr/people/personnalites/3175080-anouk-aimee-age-vie-privee-carriere-infos/ |url-status=live }}</ref> She had one child, Manuela Papatakis (born 1951), from her second marriage. She died at her home in Paris on 18 June 2024, at the age of 92.<ref>{{cite web|title=Anouk Aimée, Enigmatic Star of 'A Man and a Woman,' Dies at 92|url=https://www.nytimes.com/2024/06/18/obituaries/anouk-aimee-dead.html|last=Gates|first=Anita|date=18 June 2024|work=The New York Times|access-date=18 June 2024|archive-date=18 June 2024|archive-url=https://web.archive.org/web/20240618190102/https://www.nytimes.com/2024/06/18/obituaries/anouk-aimee-dead.html|url-status=live}}</ref> She was buried privately at the [[Saint-Vincent Cemetery]] in Paris on 25 June.<ref>{{Cite web|url=https://www.bfmtv.com/people/cinema/obseques-d-anouk-aimee-dans-l-intimite-a-paris_AD-202406250715.html|title=OBSÈQUES D'ANOUK AIMÉE DANS L'INTIMITÉ, À PARIS|website=BFMTV|language=fr|accessdate=2024-06-25}}</ref> |
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==Status and legacy== |
==Status and legacy== |
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Aimée was nominated for [[Oscar (award)|Oscar]] as best actress for her role opposite [[Jean-Louis Trintignant]] in ''A Man and a Woman'', becoming one of a relatively small number of actors to be nominated for a performance in a foreign film.<ref>{{Cite web |url=https://variety.com/2024/film/news/anouk-aimee-dead-french-star-a-man-and-a-woman-1236040890/ |title=Anouk Aimée, Oscar-Nominated French Star of 'A Man and a Woman,' Dies at 92 |access-date=18 June 2024 |archive-date=18 June 2024 |archive-url=https://web.archive.org/web/20240618183715/https://variety.com/2024/film/news/anouk-aimee-dead-french-star-a-man-and-a-woman-1236040890/ |url-status=live }}</ref> |
Aimée was nominated for an [[Oscar (award)|Oscar]] as best actress for her role opposite [[Jean-Louis Trintignant]] in ''A Man and a Woman'', becoming one of a relatively small number of actors to be nominated for a performance in a foreign film.<ref>{{Cite web |url=https://variety.com/2024/film/news/anouk-aimee-dead-french-star-a-man-and-a-woman-1236040890/ |title=Anouk Aimée, Oscar-Nominated French Star of 'A Man and a Woman,' Dies at 92 |date=18 June 2024 |access-date=18 June 2024 |archive-date=18 June 2024 |archive-url=https://web.archive.org/web/20240618183715/https://variety.com/2024/film/news/anouk-aimee-dead-french-star-a-man-and-a-woman-1236040890/ |url-status=live }}</ref> |
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[[The Guardian]] film critic [[Peter Bradshaw]] wrote in an obituary for her that "The enigma, sensuality and vulnerability of |
[[The Guardian]] film critic [[Peter Bradshaw]] wrote in an obituary for her that "The enigma, sensuality and vulnerability of Aimee's screen persona are all there in essence – and above all the loneliness that comes with beauty." According to Bradshaw, "She had something of the young [[Joan Crawford]], or [[Marlene Dietrich]], or her contemporary, the French model and actress [[Capucine]]. Aimée radiated an enigmatic sexual aura flavoured with melancholy, sophistication and worldly reserve" and "had a unique screen presence that was at once alluring and forbidding"<ref name="guardian obit">{{Cite news |url=https://www.theguardian.com/film/article/2024/jun/18/anouk-aimee-the-60s-movie-icon-with-an-air-of-untouchability-la-dolce-vita-a-man-and-a-woman |title=Anouk Aimée was an entrancing 60s movie icon with an air of glamorous unknowability |newspaper=The Guardian |access-date=18 June 2024 |archive-date=19 June 2024 |archive-url=https://web.archive.org/web/20240619125812/https://www.theguardian.com/film/article/2024/jun/18/anouk-aimee-the-60s-movie-icon-with-an-air-of-untouchability-la-dolce-vita-a-man-and-a-woman |url-status=live |last1=Bradshaw |first1=Peter }}</ref> He wrote about her role in ''[[La dolce vita]]'' that actress's "natural hauteur made her a natural for the role and, with her airy detachment and beauty, could be said almost to have invented Italian cinema's modish ennui which [[Michelangelo Antonioni]] later developed."<ref name="guardian obit"/> |
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French Culture Minister [[Rachida Dati]] [[tweeted]] on X: "We bid farewell to a world-famous icon, to a great actress of French cinema who took on roles for some of the biggest names, such as (Jacques) Demy, Lelouch and (Federico) Fellini."<ref>{{cite news|url=https://www.bbc.com/news/articles/clllev363y3o|title=French film star Anouk Aimée dies aged 92|access-date=19 June 2024|archive-date=19 June 2024|archive-url=https://web.archive.org/web/20240619013958/https://www.bbc.com/news/articles/clllev363y3o|url-status=live}}</ref> |
French Culture Minister [[Rachida Dati]] [[tweeted]] on X: "We bid farewell to a world-famous icon, to a great actress of French cinema who took on roles for some of the biggest names, such as (Jacques) Demy, Lelouch and (Federico) Fellini."<ref>{{cite news|url=https://www.bbc.com/news/articles/clllev363y3o|title=French film star Anouk Aimée dies aged 92|access-date=19 June 2024|archive-date=19 June 2024|archive-url=https://web.archive.org/web/20240619013958/https://www.bbc.com/news/articles/clllev363y3o|url-status=live}}</ref> |
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==Selected filmography== |
==Selected filmography== |
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{{more sources |section|date=June 2024}} |
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|1947 |
|1947 |
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|'' |
|''{{ill|La Maison sous la mer|fr}}'' |
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|Anouk |
|Anouk |
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|[[Henri Calef]] |
|[[Henri Calef]] |
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|<ref>{{Cite AV media |url=https://www.allocine.fr/film/fichefilm-32162/casting/ |title=Tout le casting du film La Maison sous la mer |last= |language=fr |access-date=20 June 2024 |via=AlloCine |archive-date=7 September 2023 |archive-url=https://web.archive.org/web/20230907064147/https://www.allocine.fr/film/fichefilm-32162/casting/ |url-status=live }}</ref><ref>{{Cite web |title=La Maison sous la mer – Fiche Film |url=http://cinema.encyclopedie.films.bifi.fr/index.php?pk=47191 |access-date=20 June 2024 |website=La Cinémathèque française |at=Générique artistique |archive-date=8 December 2022 |archive-url=https://web.archive.org/web/20221208093243/http://cinema.encyclopedie.films.bifi.fr/index.php?pk=47191 |url-status=live }}</ref> |
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| 1949 |
| 1949 |
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|''[[Les amants de Vérone]]'' ("The Lovers Of Verona") |
|''[[Les amants de Vérone]]'' ("The Lovers Of Verona") |
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|Georgia (a modern [[Juliet]]) |
|Georgia Maglia (a modern [[Juliet]]) |
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|[[André Cayatte]] |
|[[André Cayatte]] |
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|<ref name=":2">{{Cite web |title=Anouk Aimée |url=https://www.rottentomatoes.com/celebrity/anouk |access-date=19 June 2024 |website=Rotten Tomatoes |language=en |archive-date=11 May 2024 |archive-url=https://web.archive.org/web/20240511142606/https://www.rottentomatoes.com/celebrity/anouk |url-status=live }}</ref> |
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| 1950 |
| 1950 |
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|Anna |
|Anna |
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|[[Ronald Neame]] |
|[[Ronald Neame]] |
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|<ref name=":2" /> |
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|rowspan= |
| rowspan="3" |1952 |
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|''[[La Bergère et le ramoneur]]'' (animation film) |
|''[[La Bergère et le ramoneur]]'' (animation film) |
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|Voice (the female shepherd) |
|Voice (the female shepherd) |
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|[[Paul Grimault]] |
|[[Paul Grimault]] |
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|<ref name=":2" /> |
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|''[[Le Rideau cramoisi]]'' |
|''[[Le Rideau cramoisi]]'' |
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|Albertine |
|Albertine |
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|[[Alexandre Astruc]] |
|[[Alexandre Astruc]] |
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|<ref name=":2" /> |
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|[[The Man Who Watched Trains Go By]] ("Paris Express") |
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|Jeanne |
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|[[Harold French]] |
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|<ref>{{Cite web |title=Paris Express |url=https://catalog.afi.com/Film/53362-PARIS-EXPRESS?sid=2beb713c-7308-45a0-816c-8bce2c636bdd&sr=6.170568&cp=1&pos=5&cxt=Filmography1 |access-date=19 June 2024 |website=AFI. Catalog |archive-date=19 June 2024 |archive-url=https://web.archive.org/web/20240619193858/https://catalog.afi.com/Film/53362-PARIS-EXPRESS?sid=2beb713c-7308-45a0-816c-8bce2c636bdd&sr=6.170568&cp=1&pos=5&cxt=Filmography1 |url-status=live }}</ref> |
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|rowspan=2|1955 |
|rowspan=2|1955 |
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|Elena Vargas |
|Elena Vargas |
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|[[Lawrence Huntington]] |
|[[Lawrence Huntington]] |
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|<ref name=":2" /><ref name="DLA">{{Cite web |title=Muere la actriz Anouk Aimée, ícono del cine francés |url=https://www.diariolasamericas.com/cultura/muere-la-actriz-anouk-aimee-icono-del-cine-frances-n5358503 |access-date=2024-06-21 |website=diariolasamericas.com |language=es-US |archive-date=18 June 2024 |archive-url=https://web.archive.org/web/20240618140503/https://www.diariolasamericas.com/cultura/muere-la-actriz-anouk-aimee-icono-del-cine-frances-n5358503 |url-status=live }}</ref> |
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|- |
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|''[[Bad Liaisons|Les Mauvaises rencontres]]'' ("Bad Liaisons") |
|''[[Bad Liaisons|Les Mauvaises rencontres]]'' ("Bad Liaisons") |
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|Catherine Racan |
|Catherine Racan |
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|[[Alexandre Astruc]] |
|[[Alexandre Astruc]] |
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|<ref name=":2" /> |
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|- |
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|rowspan=2|1956 |
|rowspan=2|1956 |
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|''[[Ich suche Dich]]'' |
|''[[Ich suche Dich]] ("I seek you")'' |
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|Françoise Maurer |
|Françoise Maurer |
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|[[O.W. Fischer]] |
|[[O.W. Fischer]] |
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|<ref name=":2" /> |
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|- |
|- |
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| ''[[Nina (1956 film)|Nina]]'' |
| ''[[Nina (1956 film)|Nina]]'' |
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| Nina Iwanowa |
| Nina Iwanowa |
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| [[Rudolf Jugert]] |
| [[Rudolf Jugert]] |
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|<ref name=":3">{{Cite web |date= |title=Anouk Aimée |url=http://www.bfi.org.uk/films-tv-people/4ce2ba118432d |url-status=dead |archive-url=https://web.archive.org/web/20180422185253/http://www.bfi.org.uk/films-tv-people/4ce2ba118432d |archive-date=22 April 2018 |access-date=20 June 2024 |website=BFI}}</ref> |
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|rowspan=2|1957 |
|rowspan=2|1957 |
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|''[[Pot-Bouille]]'' |
|''[[Lovers of Paris|Pot-Bouille]] ("Lovers of Paris")'' |
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|Marie |
|Marie |
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|[[Julien Duvivier]] |
|[[Julien Duvivier]] |
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|<ref name=":2" /> |
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|- |
|- |
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| ''[[Anyone Can Kill Me]]'' |
| ''[[Anyone Can Kill Me]]'' |
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|Isabelle |
|Isabelle |
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| [[Henri Decoin]] |
| [[Henri Decoin]] |
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|<ref name=":2" /> |
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|1958 |
|1958 |
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Line 151: | Line 155: | ||
|[[Jeanne Hébuterne]] |
|[[Jeanne Hébuterne]] |
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|[[Jacques Becker]] |
|[[Jacques Becker]] |
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|<ref name=":2" /> |
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|- |
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|rowspan=3|1959 |
|rowspan=3|1959 |
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Line 157: | Line 161: | ||
|Eva |
|Eva |
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|[[Anatole Litvak]] |
|[[Anatole Litvak]] |
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|<ref name=":0">{{Cite web |title=Anouk Aimée |url=https://catalog.afi.com/Person/14177-Anouk-Aime |access-date= |
|<ref name=":0">{{Cite web |title=Anouk Aimée |url=https://catalog.afi.com/Person/14177-Anouk-Aime |access-date=19 June 2024 |website=AFI. Catalog |archive-date=21 June 2024 |archive-url=https://web.archive.org/web/20240621204813/https://catalog.afi.com/Person/14177-Anouk-Aime |url-status=live }}</ref> |
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|- |
|- |
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|''[[La tête contre les murs]]'' |
|''[[La tête contre les murs]]'' |
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|Stéphanie |
|Stéphanie |
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|[[Georges Franju]] |
|[[Georges Franju]] |
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|<ref name=":2" /> |
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| |
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|- |
|- |
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|''[[Les Dragueurs]]'' |
|''[[Les Dragueurs]] ("The Chasers")'' |
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|Jeanne |
|Jeanne |
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|[[Jean-Pierre Mocky]] |
|[[Jean-Pierre Mocky]] |
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|<ref name=":2" /> |
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|rowspan=2|1960 |
|rowspan=2|1960 |
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Line 173: | Line 177: | ||
|Maddalena |
|Maddalena |
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|[[Federico Fellini]] |
|[[Federico Fellini]] |
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|<ref name=":2" /><ref name="DLA"/> |
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| |
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|- |
|- |
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|''[[The Joker (1960 film)|The Joker]]'' |
|''[[The Joker (1960 film)|The Joker]]'' |
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|Hélène Laroche |
|Hélène Laroche |
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|[[Philippe de Broca]] |
|[[Philippe de Broca]] |
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|<ref name=":2" /> |
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|rowspan=2|1961 |
|rowspan=2|1961 |
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Line 184: | Line 188: | ||
|Irene |
|Irene |
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|[[Vittorio De Sica]] |
|[[Vittorio De Sica]] |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|''[[Lola (1961 film)|Lola]]'' |
|''[[Lola (1961 film)|Lola]]'' |
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|Lola |
|Lola |
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|[[Jacques Demy]] |
|[[Jacques Demy]] |
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|<ref name=":3" /> |
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|- |
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|rowspan=2|1962 |
|rowspan=2|1962 |
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Line 200: | Line 204: | ||
|[[cameo appearance]] |
|[[cameo appearance]] |
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|[[Sergio Corbucci]] |
|[[Sergio Corbucci]] |
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|<ref>{{Cite AV media |url=https://www.cinematografo.it/film/il-giorno-piu-corto-awnk1zpn |title=Il giorno più corto |language=it |access-date=20 June 2024 |via=www.cinematografo.it |archive-date=9 June 2023 |archive-url=https://web.archive.org/web/20230609135039/https://www.cinematografo.it/film/il-giorno-piu-corto-awnk1zpn |url-status=live }}</ref> |
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|1963 |
|1963 |
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Line 206: | Line 210: | ||
|Luisa Anselmi |
|Luisa Anselmi |
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|[[Federico Fellini]] |
|[[Federico Fellini]] |
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|<ref name=":2" /> |
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| |
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|- |
|- |
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|rowspan=2|1964 |
|rowspan=2|1964 |
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Line 212: | Line 216: | ||
|Lorenza |
|Lorenza |
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|Pasquale Festa Campanile |
|Pasquale Festa Campanile |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|''[[La fuga (1964 film)|La fuga]]'' ("The Escape") |
|''[[La fuga (1964 film)|La fuga]]'' ("The Escape") |
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|Luisa |
|Luisa |
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|Paolo Spinola |
|Paolo Spinola |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|1965 |
|1965 |
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|''[[The Dreamer (1965 film)|The Dreamer]]'' |
|''[[The Dreamer (1965 film)|The Dreamer]]'' ("Il Morbidone") |
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|Valeria |
|Valeria |
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|[[Massimo Franciosa]] |
|[[Massimo Franciosa]] |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|1966 |
|1966 |
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Line 229: | Line 233: | ||
|Anne Gauthier |
|Anne Gauthier |
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|[[Claude Lelouch]] |
|[[Claude Lelouch]] |
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|<ref name=":3" /><ref name="DLA"/> |
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| |
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|- |
|- |
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|1968 |
|1968 |
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Line 235: | Line 239: | ||
|Anne |
|Anne |
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|[[André Delvaux]] |
|[[André Delvaux]] |
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|<ref name=":3" /> |
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|- |
|- |
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|rowspan=3|1969 |
|rowspan=3|1969 |
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Line 243: | Line 247: | ||
|<ref name=":0" /> |
|<ref name=":0" /> |
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|- |
|- |
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|''[[The Appointment]]'' |
|''[[The Appointment (film)|The Appointment]]'' |
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|Carla |
|Carla |
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|[[Sidney Lumet]] |
|[[Sidney Lumet]] |
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Line 257: | Line 261: | ||
|Sarah Gordon |
|Sarah Gordon |
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|Claude Lelouch |
|Claude Lelouch |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|1978 |
|1978 |
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Line 263: | Line 267: | ||
|Jane Romain (the mother) |
|Jane Romain (the mother) |
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|[[Élie Chouraqui]] |
|[[Élie Chouraqui]] |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|1979 |
|1979 |
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Line 269: | Line 273: | ||
|Marta Ponticelli |
|Marta Ponticelli |
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|[[Marco Bellocchio]] |
|[[Marco Bellocchio]] |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|1981 |
|1981 |
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Line 275: | Line 279: | ||
|Barbara Spaggiari |
|Barbara Spaggiari |
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|[[Bernardo Bertolucci]] |
|[[Bernardo Bertolucci]] |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|rowspan=2|1983 |
|rowspan=2|1983 |
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Line 281: | Line 285: | ||
|Countess Betsy Mirafiore |
|Countess Betsy Mirafiore |
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|[[Luciano Tovoli]] |
|[[Luciano Tovoli]] |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|''[[Viva la vie]]'' |
|''[[Viva la vie]]'' |
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|Anouk |
|Anouk |
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|Claude Lelouch |
|Claude Lelouch |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|1984 |
|1984 |
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|''[[Success Is the Best Revenge]]'' |
|''[[Success Is the Best Revenge]]'' |
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|Monique |
|Monique des Fontaines |
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|[[Jerzy Skolimowski]] |
|[[Jerzy Skolimowski]] |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|1986 |
|1986 |
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Line 298: | Line 302: | ||
|Anne Gauthier |
|Anne Gauthier |
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|[[Claude Lelouch]] |
|[[Claude Lelouch]] |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|1990 |
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|''[[Bethune: The Making of a Hero]]'' |
|''[[Bethune: The Making of a Hero]]'' |
||
|Marie-France Coudaire |
|Marie-France Coudaire |
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|[[Phillip Borsos]] |
|[[Phillip Borsos]] |
||
|<ref name=":2" /> |
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| |
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|- |
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|''[[Il y a des jours... et des lunes]]'' |
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|as herself |
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|Claude Lelouch |
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| |
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|- |
|- |
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|rowspan=2|1994 |
|rowspan=2|1994 |
||
|''[[A Hundred and One Nights (film)|Les Cent et une nuits]]'' ("A Hundred and One Nights") |
|''[[A Hundred and One Nights (film)|Les Cent et une nuits de Simon Cinéma]]'' ("A Hundred and One Nights") |
||
|Anouk |
|Anouk |
||
|[[Agnès Varda]] |
|[[Agnès Varda]] |
||
|<ref name=":3" /> |
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| |
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|- |
|- |
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|''[[Prêt-à-Porter (film)|Prêt-à-Porter]] ( |
|''[[Prêt-à-Porter (film)|Prêt-à-Porter]] ("Ready to wear")'' |
||
|Simone Lowenthal |
|Simone Lowenthal |
||
|[[Robert Altman]] |
|[[Robert Altman]] |
||
|<ref>{{Cite web |title=Ready to wear |url=https://catalog.afi.com/Film/60203-READY-TO-WEAR?cxt=filmography |access-date= |
|<ref>{{Cite web |title=Ready to wear |url=https://catalog.afi.com/Film/60203-READY-TO-WEAR?cxt=filmography |access-date=19 June 2024 |website=AFI. Catalog |archive-date=26 September 2023 |archive-url=https://web.archive.org/web/20230926203905/https://catalog.afi.com/Film/60203-READY-TO-WEAR?cxt=filmography |url-status=live }}</ref> |
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|- |
|- |
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|1996 |
|1996 |
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Line 326: | Line 325: | ||
|the widow |
|the widow |
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|Claude Lelouch |
|Claude Lelouch |
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|<ref name=":2" /> |
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| |
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|- |
|- |
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|1997 |
|1997 |
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Line 332: | Line 331: | ||
|[[Bathsheba]] |
|[[Bathsheba]] |
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|[[Roger Young (director)|Roger Young]] |
|[[Roger Young (director)|Roger Young]] |
||
|<ref name=":2" /> |
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| |
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|- |
|- |
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|1998 |
|1998 |
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Line 338: | Line 337: | ||
|as herself |
|as herself |
||
|[[Mika Kaurismäki]] |
|[[Mika Kaurismäki]] |
||
|<ref name=":2" /> |
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| |
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|- |
|- |
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|1999 |
|1999 |
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Line 344: | Line 343: | ||
|the musician's wife |
|the musician's wife |
||
|[[Claude Lelouch]] |
|[[Claude Lelouch]] |
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|<ref name=":2" /> |
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| |
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|- |
|- |
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|rowspan=2|2002 |
|rowspan=2|2002 |
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Line 350: | Line 349: | ||
|Millie Marquand |
|Millie Marquand |
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|[[Henry Jaglom]] |
|[[Henry Jaglom]] |
||
|<ref>{{Cite web |title=Festival in Cannes |url=https://catalog.afi.com/Film/62380-FESTIVAL-IN-CANNES?cxt=filmography |access-date= |
|<ref>{{Cite web |title=Festival in Cannes |url=https://catalog.afi.com/Film/62380-FESTIVAL-IN-CANNES?cxt=filmography |access-date=19 June 2024 |website=AFI. Catalog |archive-date=19 June 2024 |archive-url=https://web.archive.org/web/20240619192314/https://catalog.afi.com/Film/62380-FESTIVAL-IN-CANNES?cxt=filmography |url-status=live }}</ref> |
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|- |
|- |
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|''[[Napoléon (miniseries)|Napoléon]]'' |
|''[[Napoléon (miniseries)|Napoléon]]'' |
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|[[Letizia Bonaparte]] |
|[[Letizia Bonaparte]] |
||
|[[Yves Simoneau]] |
|[[Yves Simoneau]] |
||
|<ref name=":3" /> |
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| |
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|- |
|- |
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|rowspan=2|2003 |
|rowspan=2|2003 |
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Line 361: | Line 360: | ||
|Vincent's mother |
|Vincent's mother |
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|[[Yvan Attal]] |
|[[Yvan Attal]] |
||
|<ref name=":2" /> |
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| |
|||
|- |
|- |
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|''[[:fr:La Petite Prairie aux bouleaux|La Petite prairie aux bouleaux]]'' |
|''[[:fr:La Petite Prairie aux bouleaux|La Petite prairie aux bouleaux]]'' |
||
|Myriam |
|Myriam |
||
|[[Marceline Loridan-Ivens]] |
|[[Marceline Loridan-Ivens]] |
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|<ref name=":3" /> |
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| |
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|- |
|- |
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|2010 |
|2010 |
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Line 372: | Line 371: | ||
|Agnès |
|Agnès |
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|[[Harley Cokeliss]] |
|[[Harley Cokeliss]] |
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|<ref name=":2" /> |
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| |
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|- |
|- |
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|2011 |
|2011 |
||
|''[[Tous les soleils]]'' |
|''[[Tous les soleils]]'' ("Silence of love") |
||
|Agathe |
|Agathe |
||
|[[Philippe Claudel]] |
|[[Philippe Claudel]] |
||
|<ref name=":2" /> |
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| |
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|- |
|- |
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|2012 |
|2012 |
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Line 384: | Line 383: | ||
|mother |
|mother |
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|[[Charlotte de Turckheim]] |
|[[Charlotte de Turckheim]] |
||
|<ref>{{Cite web |last=Balle |first=Catherine |date=2024-06-18 |title=Charlotte de Turckheim sur la mort d'Anouk Aimée : « Elle se demandait si elle avait encore sa place » |url=https://www.leparisien.fr/culture-loisirs/cinema/charlotte-de-turckheim-sur-la-mort-danouk-aimee-elle-se-demandait-si-elle-avait-encore-sa-place-18-06-2024-J7VRRQ6K6ZDPZD47VKJNGY2RUE.php |access-date=2024-06-21 |website=Le Parisien |language=fr-FR |archive-date=19 June 2024 |archive-url=https://web.archive.org/web/20240619013824/https://www.leparisien.fr/culture-loisirs/cinema/charlotte-de-turckheim-sur-la-mort-danouk-aimee-elle-se-demandait-si-elle-avait-encore-sa-place-18-06-2024-J7VRRQ6K6ZDPZD47VKJNGY2RUE.php |url-status=live }}</ref> |
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| |
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|- |
|- |
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|2019 |
|2019 |
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Line 390: | Line 389: | ||
|Anne Gauthier |
|Anne Gauthier |
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|[[Claude Lelouch]] |
|[[Claude Lelouch]] |
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|<ref name=":2" /> |
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Line 436: | Line 435: | ||
[[Category:20th-century French actresses]] |
[[Category:20th-century French actresses]] |
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[[Category:21st-century French actresses]] |
[[Category:21st-century French actresses]] |
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[[Category:21st-century French Jews]] |
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[[Category:20th-century French Jews]] |
Latest revision as of 07:55, 4 July 2024
Anouk Aimée | |
---|---|
![]() Aimée in 1963 | |
Born | Nicole Françoise Florence Dreyfus 27 April 1932 |
Died | 18 June 2024 Paris, France | (aged 92)
Resting place | Saint-Vincent Cemetery, Paris |
Occupation | Actress |
Years active | 1947–2019 |
Spouses | Edouard Zimmermann
(m. 1949; div. 1950) |
Children | 1 |
Nicole Françoise Florence Dreyfus[1] (27 April 1932 – 18 June 2024), known professionally as Anouk Aimée (French: [anuk ɛme]) or Anouk, was a French film actress who appeared in 70 films from 1947 until 2019. Having begun her film career at age 14, she studied acting and dance in her early years, besides her regular education. Although the majority of her films were French, she also made films in Spain, the United Kingdom, Italy and Germany, along with some American productions.
Among her films are Federico Fellini's La dolce vita (1960), after which she was considered a "rising star who exploded" onto the film world.[2] She subsequently acted in Fellini's 8½ (1963), Jacques Demy's Lola (1961), George Cukor's Justine (1969), Bernardo Bertolucci's Tragedy of a Ridiculous Man (1981), and Robert Altman's Prêt à Porter (1994). She won the Golden Globe Award for Best Actress in a Motion Picture – Drama and the BAFTA Award for Best Actress and was nominated for the Academy Award for Best Actress for her acting in A Man and a Woman (1966). The film "virtually reignited the lush on-screen romance in an era of skeptical modernism", and brought her international fame.[3]
She won the Award for Best Actress at the Cannes Film Festival for Marco Bellocchio's film A Leap in the Dark (1980). In 2002, she received an honorary César Award, France's national film award. Aimée was known for her "striking features" and beauty, and considered "one of the hundred sexiest stars in film history", according to a 1995 poll conducted by Empire magazine.[3] She often portrayed a femme fatale with a melancholy aura. In the 1960s, Life magazine commented: "after each picture her enigmatic beauty lingered" in the memories of her audience, and called her "the Left Bank's most beautiful resident".[4]
Early years
[edit]Aimée was born in Paris to actor Henri Murray (born Henry Dreyfus; 30 January 1907 – 29 January 1984)[3] and actress Geneviève Sorya (née Durand; 23 June 1912 – 23 March 2008). According to one historian, although some have speculated that her background may be related to Captain Alfred Dreyfus, this has never been confirmed.[3] Her father was Jewish, whereas her mother was Roman Catholic. She was raised Catholic but later converted to Judaism as an adult.[3][5]
Her early education took place at l'École de la rue Milton, in Paris; École de Barbezieux; Pensionnat de Bandol; and Institution de Megève. She studied dance at Marseille Opera. During World War II she was a pupil at Mayfield School, East Sussex, but left before taking final exams. She studied theatre in England, after which she studied dramatic art and dance with Andrée Bauer-Thérond.[6]
Career
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/8/81/Anouk_Aim%C3%A9e_-_Otto.png/220px-Anouk_Aim%C3%A9e_-_Otto.png)
Aimée (then still Françoise Dreyfus) made her film debut, at the age of fourteen, in the role of Anouk in La Maison sous la mer (The House Under the Sea, 1946), and she kept the name afterwards. Jacques Prévert, while writing Les amants de Vérone (The Lovers of Verona, 1949) specifically for her, suggested she take the symbolic last name Aimée, "that would forever associate her with the affective power of her screen roles."[3] In French, it means "beloved."[4][7]
Among her films were Alexandre Astruc's The Crimson Curtain (Le Rideau Cramoisi, 1953), Federico Fellini's La Dolce Vita (1960), Fellini's 8½ (1963), Jacques Demy's Lola (1961), André Delvaux's One Night... A Train (Un Soir, un Train, 1968), George Cukor's Justine (1969), Bernardo Bertolucci's Tragedy of a Ridiculous Man (1981), Robert Altman's Prêt à Porter (Ready to Wear, 1994), and Claude Lelouch's A Man and a Woman (Un Homme et une femme, 1966) — described as a "film that virtually reignited the lush on-screen romance in an era of skeptical modernism."[3] Words like "regal," "intelligent", and "enigmatic" are frequently associated with her, notes one author, giving Aimée "an aura of disturbing and mysterious beauty" that earned her the status of "one of the hundred sexiest stars in film history," according to a 1995 poll conducted by Empire Magazine.[3]
Because of her "striking features" and her beauty, she has been compared to Jacqueline Kennedy. Film historian Ginette Vincendeau has commented that Aimée's films "established her as an ethereal, sensitive and fragile beauty with a tendency to tragic destinies or restrained suffering."[3]
Her abilities as an actress and the photogenic qualities of her face, its "fine lines, expression of elation and a suggestive gaze," helped her achieve success in her early films. Émile Savitry made an early portrait of her at 15, holding a kitten on the set of Carné's La Fleur de l'âge (1947).[8][9] Among others of her films of this period were Pot-Bouille (1957), Les Amants de Montparnasse (Montparnasse 19) (The Lovers of Montparnasse, (1958), and La tête contre les murs (Head Against the Wall, 1958).[6]
Besides the French cinema, Aimée's career included films made in Spain, Great Britain, Italy, and Germany. She achieved worldwide attention in Fellini's La Dolce Vita (1960) and Lola (1961). She appeared again in Fellini's 8½, and would remain in Italy during the first half of the 1960s, making films for a number of Italian directors. Because of her role in La Dolce Vita, biographer Dave Thompson describes Aimée as a "rising star who exploded" onto the film world. He adds that singer-songwriter Patti Smith, who in her teens saw the film, began to idolise her, and "dreamed of being an actress like Aimée."[2][10]
Aimée's greatest success came with the film A Man and a Woman (Un homme et une femme, 1966) directed by Claude Lelouch. Primarily due to the excellent acting by its stars, Aimée and Jean-Louis Trintignant, and the beautiful musical score, the film became an international success, winning both the Grand Prize at the Cannes Film Festival in 1966 and two Oscars including Best Foreign Language Film. Tabery states that with her "subtle portrayal of the heroine—self-protective, then succumbing to a new love—Aimée seemed to create a new kind of femme fatale."[6]
Film historian Jurgen Muller adds, "whether one likes the film or not, it's still hard for anyone to resist the melancholy aura of Anouk Aimée."[11] In many of her subsequent films, she would continue to play that type of role, "a woman of sensitivity whose emotions are often kept secret."[6]
She starred in the American film production of Justine (1969), costarring Dirk Bogarde and directed by George Cukor and Joseph Strick. The film contained some nudity, with one writer observing, "Anouk is always impeccable, oozing the sexy, detached air of the elite . . . when she drops these trappings, along with her couture clothing, Anouk's naked perfection will annihilate you."[12]
Photojournalist Eve Arnold, assigned to photograph and write a story about Aimée and her role, spoke to Dirk Bogarde, who had known her since she was fifteen. He said that "She is never so happy as when she is miserable between love affairs," referencing her recent love affair with Omar Sharif, her co-star in The Appointment (1969).[5] Arnold photographed Aimée, who talked about her role as the character Justine. Justine was also Jewish. Arnold recalls one of their talks:
I am still haunted by two things she quoted. They seemed to say more about her than anything else I experienced with her during the three weeks I knew her on the film:
Quote from Treblinka: 'The Jews are prone to anguish but seldom given to despair.'
And a quote by an anonymous Jewish poet to his wife when the Nazis came to get them: 'Till now we have lived with fear, now we can know hope.'[5]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/3/33/Anouk_Aim%C3%A9e_Cannes.jpg/220px-Anouk_Aim%C3%A9e_Cannes.jpg)
Another American film, La Brava, starring Dustin Hoffman, was set to be made in 1984 but was never completed. Hoffman at first decided it would play better if he were in love with a younger girl rather than the original story's older woman. "Where are you going to get a good-looking older woman?" he asked. He rejected Faye Dunaway, feeling she was "too obvious." A month later, after a chance meeting with Aimée in Paris, he changed his mind, telling his producer, "I can fall in love with the older woman. I met Anouk Aimée over the weekend. She looks great." He begged his producer to at least talk to her: "Come on, get on the phone, say hello to her. . . Just listen to her voice, it's great."[13]
Robert Altman, at another time, wanted to use Aimée in a film to be called Lake Lugano, about a woman who was a Holocaust survivor returning long after the war. She "loved the script," according to Altman. However, she backed out after discussing the part with him more thoroughly:
I do remember he was like a bomb. He had a strong personality. He was tall, and he had a big voice. 'I want this,' and 'I want that.' I remember thinking it would be very difficult to work with him, and we didn't make the film.[14]
In 2002, she received an honorary César Award, France's national film award, and in 2003 received an Honorary Golden Bear at the Berlin International Film Festival.[15] In the 1960s, Life magazine called her "the Left Bank's most beautiful resident ... after each picture her enigmatic beauty lingered" in the memories of her audience.[4]
In late 2013, the Cinemania film festival in Montreal, Canada, paid tribute to Aimée's career.[16]
Aimée reunited with director Claude Lelouch and co-star Jean-Louis Trintignant for a follow-up to Un homme et une femme and its sequel, A Man and a Woman: 20 Years Later (Un homme et une femme, 20 ans deja, 1986) which is her final film.[17] The result, The Best Years of a Life (Les plus belles années d'une vie, 2019), was shown at Cannes out of competition.[18] [19]
Personal life
[edit]Aimée was married and divorced four times: Édouard Zimmermann (1949–1950),[20] director Nico Papatakis (1951–1954), actor and musical producer Pierre Barouh (1966–1969), and actor Albert Finney (1970–1978).[21] She had one child, Manuela Papatakis (born 1951), from her second marriage. She died at her home in Paris on 18 June 2024, at the age of 92.[22] She was buried privately at the Saint-Vincent Cemetery in Paris on 25 June.[23]
Status and legacy
[edit]Aimée was nominated for an Oscar as best actress for her role opposite Jean-Louis Trintignant in A Man and a Woman, becoming one of a relatively small number of actors to be nominated for a performance in a foreign film.[24]
The Guardian film critic Peter Bradshaw wrote in an obituary for her that "The enigma, sensuality and vulnerability of Aimee's screen persona are all there in essence – and above all the loneliness that comes with beauty." According to Bradshaw, "She had something of the young Joan Crawford, or Marlene Dietrich, or her contemporary, the French model and actress Capucine. Aimée radiated an enigmatic sexual aura flavoured with melancholy, sophistication and worldly reserve" and "had a unique screen presence that was at once alluring and forbidding"[25] He wrote about her role in La dolce vita that actress's "natural hauteur made her a natural for the role and, with her airy detachment and beauty, could be said almost to have invented Italian cinema's modish ennui which Michelangelo Antonioni later developed."[25]
French Culture Minister Rachida Dati tweeted on X: "We bid farewell to a world-famous icon, to a great actress of French cinema who took on roles for some of the biggest names, such as (Jacques) Demy, Lelouch and (Federico) Fellini."[26]
Selected filmography
[edit]References
[edit]- ^ "Anouk Aimée" (in French). L'encinémathèque. Archived from the original on 9 August 2014. Retrieved 9 August 2014.
- ^ a b Thompson, Dave. Dancing Barefoot: The Patti Smith Story, Chicago Review Press (2011) p. 17
- ^ a b c d e f g h i Flitterman-Lewis, Sandy. "Anouk Aimée" Archived 23 August 2016 at the Wayback Machine, Jewish Women: A Comprehensive Historical Encyclopedia
- ^ a b c Durham, Michael. "Aimée—It Means 'To Be Loved'", Life Magazine, 19 May 1967 pp. 85–86.
- ^ a b c Arnold, Eve. Film Journal, Bloomsbury Publishing (2002) pp. 193–94
- ^ a b c d Unterburger, Amy L. (ed.) Actors and Actresses, International Dictionary of Films and Filmmakers (3rd edition), St James Press (1997), pp. 9–11
- ^ "Aimee - Name Meaning, What does Aimee mean?". www.thinkbabynames.com. Archived from the original on 28 November 2022. Retrieved 25 June 2012.
- ^ "Port-Musée. La sensibilité de " La Fleur de l'âge "". Le Telegramme (in French). 31 July 2014. Archived from the original on 7 June 2020. Retrieved 7 June 2020.
- ^ "" La Fleur de l'âge " et le secret d'Anouk Aimée". L'Obs (in French). 23 October 2019. Archived from the original on 9 May 2020. Retrieved 7 June 2020.
- ^ Bockris, Victor; Bayley, Roberta. Patti Smith: An Unauthorized Biography, Simon and Schuster (1999) p. 33
- ^ Müller, Jürgen. Movies of the 60s, Taschen (2004) cover
- ^ Mr. Skin's Encyclopedia: A to Z Guide to Finding Your Favorite Actresses Naked, SK INtertainment (2005) p. 5
- ^ Grobel, Lawrence. Endangered Species: Writers Talk About Their Craft, Their Visions, Their Lives, Da Capo Press (2001) pp. 267–268
- ^ Zuckoff, Mitchell. Robert Altman: An Oral Biography, Random House (2009) pp. 138–39
- ^ Oscherwitz, Dayna. The A to Z of French Cinema, Scarecrow Press (2007), pg. 18
- ^ "Anouk Aimée: A charmed cinematic life" Archived 9 November 2013 at the Wayback Machine, The Gazette (Montreal), 8 November 2013.
- ^ "VIDEO. Claude Lelouch retrouve Anouk Aimée et Jean-Louis Trintignant pour l'épilogue d'"Un homme et une femme"". Franceinfo. 15 March 2019. Archived from the original on 17 March 2019. Retrieved 18 March 2019.
- ^ Lodge, Guy (31 May 2019). "Cannes Film Review: The Best Years of a Life". Variety. Archived from the original on 2 April 2023. Retrieved 28 December 2020.
- ^ Pulver, Andrew. "Anouk Aimée, star of La Dolce Vita and A Man and a Woman, dies aged 92". The Guardian. Archived from the original on 18 June 2024. Retrieved 18 June 2024.
- ^ "Anouk Aimee and Edouard Zimmermann". whos dated who. Archived from the original on 14 May 2024. Retrieved 14 May 2024.
- ^ "Anouk Aimée a 92 ans : Origines, vrai nom, films cultes, amants célèbres... tout ce qu'il faut savoir". Journal des femmes. Archived from the original on 14 May 2024. Retrieved 14 May 2024.
- ^ Gates, Anita (18 June 2024). "Anouk Aimée, Enigmatic Star of 'A Man and a Woman,' Dies at 92". The New York Times. Archived from the original on 18 June 2024. Retrieved 18 June 2024.
- ^ "OBSÈQUES D'ANOUK AIMÉE DANS L'INTIMITÉ, À PARIS". BFMTV (in French). Retrieved 25 June 2024.
- ^ "Anouk Aimée, Oscar-Nominated French Star of 'A Man and a Woman,' Dies at 92". 18 June 2024. Archived from the original on 18 June 2024. Retrieved 18 June 2024.
- ^ a b Bradshaw, Peter. "Anouk Aimée was an entrancing 60s movie icon with an air of glamorous unknowability". The Guardian. Archived from the original on 19 June 2024. Retrieved 18 June 2024.
- ^ "French film star Anouk Aimée dies aged 92". Archived from the original on 19 June 2024. Retrieved 19 June 2024.
- ^ Tout le casting du film La Maison sous la mer (in French). Archived from the original on 7 September 2023. Retrieved 20 June 2024 – via AlloCine.
- ^ "La Maison sous la mer – Fiche Film". La Cinémathèque française. Générique artistique. Archived from the original on 8 December 2022. Retrieved 20 June 2024.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x "Anouk Aimée". Rotten Tomatoes. Archived from the original on 11 May 2024. Retrieved 19 June 2024.
- ^ "Paris Express". AFI. Catalog. Archived from the original on 19 June 2024. Retrieved 19 June 2024.
- ^ a b c "Muere la actriz Anouk Aimée, ícono del cine francés". diariolasamericas.com (in Spanish). Archived from the original on 18 June 2024. Retrieved 21 June 2024.
- ^ a b c d e f g h i j k l m n o p q r s "Anouk Aimée". BFI. Archived from the original on 22 April 2018. Retrieved 20 June 2024.
- ^ a b c d e "Anouk Aimée". AFI. Catalog. Archived from the original on 21 June 2024. Retrieved 19 June 2024.
- ^ Il giorno più corto (in Italian). Archived from the original on 9 June 2023. Retrieved 20 June 2024 – via www.cinematografo.it.
- ^ "Ready to wear". AFI. Catalog. Archived from the original on 26 September 2023. Retrieved 19 June 2024.
- ^ "Festival in Cannes". AFI. Catalog. Archived from the original on 19 June 2024. Retrieved 19 June 2024.
- ^ Balle, Catherine (18 June 2024). "Charlotte de Turckheim sur la mort d'Anouk Aimée : « Elle se demandait si elle avait encore sa place »". Le Parisien (in French). Archived from the original on 19 June 2024. Retrieved 21 June 2024.
External links
[edit]![](http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png)
- Anouk Aimée at IMDb
- Anouk Aimée at AllMovie
- Anouk Aimée at AlloCiné (in French)
- Anouk Aimée discography at Discogs
- AIMÉE Anouk Archived 16 October 2019 at the Wayback Machine International Who's Who. Retrieved 1 September 2006.
- Sandy Flitterman-Lewis, Anouk Aimée, Jewish Women Encyclopedia
- Photographs and literature
- video Interview at Cannes, 1966 on YouTube
- 1932 births
- 2024 deaths
- Actresses from Paris
- Best Foreign Actress BAFTA Award winners
- Best Drama Actress Golden Globe (film) winners
- Cannes Film Festival Award for Best Actress winners
- César Honorary Award recipients
- Honorary Golden Bear recipients
- French film actresses
- French people of Jewish descent
- Converts to Judaism from Roman Catholicism
- Jewish French actresses
- People educated at St Leonards-Mayfield School
- 20th-century French actresses
- 21st-century French actresses
- 21st-century French Jews
- 20th-century French Jews