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As in the analogy of the [[Good Shepherd]], Jesus is the shepherd, thus identifying himself with the image of God as a shepherd searching for stray sheep in [[Book of Ezekiel|Ezekiel]] {{bibleverse|Ezekiel|34:11–16|NIV}}.<ref name="RNL"/> [[Joel B. Green]] writes that "these parables are fundamentally about God, ... their aim is to lay bare the nature of the divine response to the recovery of the lost."<ref name="Green">[[Joel B. Green]], ''[https://books.google.com/books?id=wzRVN2S8cVgC&pg=PA526 The Gospel of Luke]'', Eerdmans, 1997, {{ISBN|0-8028-2315-7}}, p. 526.</ref> The rejoicing of the shepherd with his friends represents God rejoicing with the angels. The image of God rejoicing at the recovery of lost sinners contrasts with the criticism of the religious leaders which prompted the parable.<ref name="Green"/>
As in the analogy of the [[Good Shepherd]], Jesus is the shepherd, thus identifying himself with the image of God as a shepherd searching for stray sheep in [[Book of Ezekiel|Ezekiel]] {{bibleverse|Ezekiel|34:11–16|NIV}}.<ref name="RNL"/> [[Joel B. Green]] writes that "these parables are fundamentally about God, ... their aim is to lay bare the nature of the divine response to the recovery of the lost."<ref name="Green">[[Joel B. Green]], ''[https://books.google.com/books?id=wzRVN2S8cVgC&pg=PA526 The Gospel of Luke]'', Eerdmans, 1997, {{ISBN|0-8028-2315-7}}, p. 526.</ref> The rejoicing of the shepherd with his friends represents God rejoicing with the angels. The image of God rejoicing at the recovery of lost sinners contrasts with the criticism of the religious leaders which prompted the parable.<ref name="Green"/>

An alternative interpretation would be that the species of man is 'lost' after its fall from the [[Garden of Eden]]. As such, the species must be recovered and the Christ's main function is to attempt this recovery.


==Depiction in art==
==Depiction in art==

Revision as of 14:23, 22 January 2022

Etching by Jan Luyken showing the triumphant return of the shepherd, from the Bowyer Bible.
Parable of the Lost Sheep (right) in St Mary's Cathedral, Kilkenny, Ireland

The Parable of the Lost Sheep is one of the parables of Jesus. It appears in the Gospels of Matthew (Matthew 18:12–14) and Luke (Luke 15:3–7). It is about a shepherd who leaves his flock of ninety-nine sheep in order to find the one which is lost. It is the first member of a trilogy about redemption that Jesus tells after the Pharisees and religious leaders accuse him of welcoming and eating with "sinners."[1]

Narrative

In the Gospel of Luke, the parable is as follows:

He told them this parable. "Which of you men, if you had one hundred sheep, and lost one of them, wouldn't leave the ninety-nine in the wilderness, and go after the one that was lost, until he found it? When he has found it, he carries it on his shoulders, rejoicing. When he comes home, he calls together his friends, his family and his neighbors, saying to them, 'Rejoice with me, for I have found my sheep which was lost!' I tell you that even so there will be more joy in heaven over one sinner who repents, than over ninety-nine righteous people who need no repentance."

— Luke 15:3–7, World English Bible

Interpretation

Depiction of the Good Shepherd by Jean-Baptiste de Champaigne showing the influence of this parable.

The Parable of the Lost Sheep is followed by those of the Lost Coin and the Prodigal Son, in Luke's Gospel. The Parable of the Lost Sheep shares themes of loss, searching, and rejoicing with the Parable of the Lost Coin.[1] The lost sheep or coin represents a lost human being.

As in the analogy of the Good Shepherd, Jesus is the shepherd, thus identifying himself with the image of God as a shepherd searching for stray sheep in Ezekiel Ezekiel 34:11–16.[1] Joel B. Green writes that "these parables are fundamentally about God, ... their aim is to lay bare the nature of the divine response to the recovery of the lost."[2] The rejoicing of the shepherd with his friends represents God rejoicing with the angels. The image of God rejoicing at the recovery of lost sinners contrasts with the criticism of the religious leaders which prompted the parable.[2]

Depiction in art

The image from this parable of the shepherd placing the lost sheep on his shoulders (Luke 15:5) has been widely incorporated into depictions of the Good Shepherd.[3] Consequently, this parable appears in art mostly as an influence on depictions of the Good Shepherd rather than as a distinct subject on its own.

Hymns

While there are innumerable references to the Good Shepherd image in Christian hymns, specific references to this parable can be recognised by a mention of the ninety-nine other sheep.

A hymn describing this parable is "The Ninety and Nine" by Elizabeth Clephane (1868), which begins:

There were ninety and nine that safely lay
In the shelter of the fold.
But one was out on the hills away,
Far off from the gates of gold.
Away on the mountains wild and bare.
Away from the tender Shepherd's care.
Away from the tender Shepherd's care.[4]

James Tissot – The Good Shepherd (Le bon pasteur) – Brooklyn Museum

See also

References

  1. ^ a b c Richard N. Longenecker, The Challenge of Jesus' Parables, Eerdmans, 2000, ISBN 0-8028-4638-6, pp. 201–204.
  2. ^ a b Joel B. Green, The Gospel of Luke, Eerdmans, 1997, ISBN 0-8028-2315-7, p. 526.
  3. ^ Walter Lowrie, Art in the Early Church, Pantheon Books, 1947, ISBN 1-4067-5291-6, p. 69.
  4. ^ "The Ninety and Nine". www.hymntime.com. The Cyber Hymnal. 16 July 2016. Retrieved 26 September 2021.{{cite web}}: CS1 maint: url-status (link)
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