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===Opera and music theatre===
===Opera and music theatre===
* ''[[King Harald's Saga]]'' (1979, [[soprano]], singing eight roles)
* ''[[King Harald's Saga]]'' (1979, [[soprano]], singing eight roles)
*''[[The Black Spider (opera)|The Black Spider]]'' (6 March 1985, Canterbury); also exists in an expanded version for [[Hamburg State Opera]] (8 February 2009, Hamburg)
*''[[The Black Spider (opera)|The Black Spider]]'' (6 March 1985, Canterbury);<ref name="Evans 2022">{{cite web | last=Evans | first=Rian | title=The Black Spider review – Weir's opera is ghastly gothic treat | website=[[The Guardian]] | date=29 May 2022 | url=https://www.theguardian.com/music/2022/may/29/the-black-spider-review-weirs-opera-is-ghastly-gothic-treat | access-date=20 September 2022}}</ref> also exists in an expanded version for [[Hamburg State Opera]] (8 February 2009, Hamburg)
* ''[[The Consolations of Scholarship]]'' (5 May 1985, [[Durham, England|Durham]], soprano, chamber ensemble)
* ''[[The Consolations of Scholarship]]'' (5 May 1985, [[Durham, England|Durham]], soprano, chamber ensemble)
*''[[A Night at the Chinese Opera]]'' (8 July 1987, Cheltenham)
*''[[A Night at the Chinese Opera]]'' (8 July 1987, Cheltenham)

Revision as of 18:56, 20 September 2022

Judith Weir
CBE HonFRSE
21st Master of the King's Music
Incumbent
Assumed office
22 July 2014
MonarchsElizabeth II
Charles III
Preceded byPeter Maxwell Davies
Personal details
Born
Judith Weir

11 May 1954
Cambridge, England
BildungNorth London Collegiate School
Alma materKing's College, Cambridge
AwardsThe Queen's Medal for Music (2007)
Websitewww.judithweir.com

Judith Weir CBE HonFRSE (born 11 May 1954)[1] is a British composer. She was the first female Master of the Queen's Music.[2]

Biography

Weir was born in Cambridge, England, to Scottish parents. She studied with John Tavener whilst at the North London Collegiate School[3] and subsequently with Robin Holloway at King's College, Cambridge, graduating in 1976. Her music often draws on sources from medieval history, as well as the traditional stories and music of her parents' homeland, Scotland. Although she has achieved international recognition for her orchestral and chamber works, Weir is best known for her operas and theatrical works. From 1995 to 2000, she was Artistic Director of the Spitalfields Festival in London. She held the post of Composer in Association for the City of Birmingham Symphony Orchestra from 1995 to 1998.

Weir was appointed Commander of the Order of the British Empire (CBE) in the 1995 Birthday Honours for services to music.[4] She received the Lincoln Center's Stoeger Prize in 1997, the South Bank Show music award in 2001 and the ISM's Distinguished Musician Award in 2010. In 2007, she was the third recipient of The Queen's Medal for Music. She was Visiting Distinguished Research Professor in Composition in Cardiff University from 2006 to 2009.

On 30 June 2014, The Guardian stated that her appointment as the Master of the Queen's Music (since September 2022, Master of the King's Music),[5] succeeding Sir Peter Maxwell Davies (whose term of office expired in March 2014), would be announced;[6] this was officially confirmed on 21 July.[7] In May 2015, Weir won The Ivors Classical Music Award at the Ivor Novello Awards.[8]

Weir is a member of the Incorporated Society of Musicians.[9] In 2018 she was elected an Honorary Fellow of the Royal Society of Edinburgh.[10]

Music

Weir's musical language is fairly conservative, with a "knack of making simple musical ideas appear freshly mysterious."[11] Her first stage work, The Black Spider, was a one-act opera which premiered in Canterbury in 1985 loosely based on the short novel of the same name by Jeremias Gotthelf. She has subsequently written one more "micro-opera", three full-length operas, and an opera for television. In 1987, her first half-length opera, A Night at the Chinese Opera, premiered at Kent Opera. This was followed by a further three full-length operas The Vanishing Bridegroom (1990), Blond Eckbert (1994), the latter commissioned by the English National Opera[12] and Miss Fortune (Achterbahn) (2011). In 2005 her opera Armida, an opera for television, premiered on Channel Four in the United Kingdom). The work was made in co-operation with Margaret Williams.[13] Weir's commissioned works most notably include woman.life.song (2000) for Jessye Norman and We are Shadows (1999) for Simon Rattle. In January 2008, Weir was the focus of the BBC's annual composer weekend at the Barbican Centre in London. The four days of programmes ended with a first performance of her new commission, CONCRETE, a choral motet. The subject of this piece was inspired by the Barbican building itself – she describes it as 'an imaginary excavation of the Barbican Centre, burrowing through 2,500 years of historical rubble'.[14]

The first public performance of Weir's arrangement of the National Anthem of the UK, God Save the Queen, was performed at the reburial of King Richard III at Leicester Cathedral on 26 March 2015. She was commissioned to compose an a cappella work for the state funeral of Elizabeth II on 19 September 2022, and wrote a setting of Psalm 42, "Like as the hart".[15]

Opera and music theatre

Miss Fortune (Achterbahn)

On 21 July 2011, her first opera for 17 years, Miss Fortune (Achterbahn), premiered at the Bregenz Festival in Austria. It was a co-production with the Royal Opera, Covent Garden, London, and was written in English.

The opera reworks a Sicilian folktale as a contemporary parable.[11] Gerhard R. Koch, writing in the Frankfurter Allgemeine newspaper on 25 July, had these observations:

The music of Judith Weir, who also wrote the libretto for her opera, is neither avant-garde nor experimental but has a highly distilled folkloric style with cantabile voices similar to that of Britten without becoming retrospective. Tonality and atonality are not applied in a strictly antithetical manner, therefore the ideas of the American minimalists Reich and Riley are very present. This music has colour and a rhythmic pulse; it creates characteristic sounds without losing itself in descriptive patterns.

Miss Fortune moved to London in March 2012, garnering at least two negative reviews. Edward Seckerson in The Independent (London) wrote of "Miss Fortune in name and deed" and described the opera as "silly and naive" and "a waste of talent and resources", with a libretto that "vacillates between the banal and the unintentionally comedic (or is that irony?), full of truisms and clunky metaphors" and "about as streetwise as a visitor from Venus".[18] Andrew Clements wrote in The Guardian of "a long two hours in the opera house" with scenes that "follow like cartoonish tableaux, without real characterisation, or confrontation, and without suggesting a dramatic shape", and also criticised the "twee rhyming couplets and inert blank verse" of Weir's libretto.[11]

The American premiere of Miss Fortune was originally planned in 2011 by the Santa Fe Opera to be a part of its 2014 season, but it was announced in the summer of 2012 that the opera was to be replaced by the North American premiere of Huang Ruo's Dr. Sun Yat-sen.[19]

Other compositions

  • Music for 247 Strings (1981, violin, piano)
  • Thread! (1981, narrator, chamber ensemble)
  • Scotch Minstrelsy (1982, tenor or soprano, piano)
  • The Art of Touching the Keyboard (1983, piano)
  • Missa Del Cid (1988, SAAATTTBBB choir), originally part of BBC's Sound on Film series; later used independently in concert and on stage.[20]
  • String Quartet (1990)
  • Musicians Wrestle Everywhere (1994, flute, oboe, bass clarinet, horn, trombone, piano, cello, double bass)
  • Forest (1995, orchestra)
  • Piano Concerto (1997, piano, strings)
  • Storm (1997, children's choir, SSAA choir, chamber ensemble)
  • Natural History (1998, soprano, orchestra)
  • Piano Trio (1998)
  • We Are Shadows (1999, children's choir, SATB choir, orchestra)
  • Piano Quartet (2000)
  • woman.life.song (2000, premiered by Jessye Norman at Carnegie Hall, soprano, chamber ensemble)
  • The welcome arrival of rain (2001, orchestra)
  • Tiger Under the Table (2002, chamber ensemble)
  • Piano Trio Two (2003–2004)
  • Winter Song (2006, orchestra)
  • CONCRETE (2007, speaker, SATB choir, orchestra)
  • I give you the end of a golden string (2013, strings)
  • In the Land of Uz (2017, SATB choir, soprano saxophone, trumpet, tuba, organ, viola, double bass)
  • Oboe Concerto (2018, oboe, orchestra)
  • The Prelude (2018–2019, flute, violin, viola, cello)

Recordings

References

Notes

  1. ^ Alan Blackwood (1991). Music of the world. Prentice-Hall. p. 218. ISBN 978-0-13-588237-5.
  2. ^ "Queen's new composer Judith Weir hails 'boss'". heraldscotland. 22 July 2014. Retrieved 22 July 2014.
  3. ^ Morrison, Richard (18 January 2008). "The wonderful Judith Weir – With a Barbican weekend devoted to her music, the composer Judith Weir is being feted as never before". The Times & Sunday Times Archives. London: Times Newspapers. Retrieved 31 January 2011.
  4. ^ The United Kingdom:"No. 54066". The London Gazette (1st supplement). 16 June 1995. p. 9.
  5. ^ Brodeur, Michael Andor (9 September 2022). "Queen had 'immensely detailed knowledge' of music, says royal composer". Washington Post. Retrieved 20 September 2022.
  6. ^ Booth, Robert (29 June 2014). "Judith Weir to be appointed first female master of Queen's music". The Guardian. Retrieved 20 September 2022.
  7. ^ "News – Judith Weir appointed Master of the Queen's Music – Music Sales Classical". www.musicsalesclassical.com. Retrieved 22 October 2018.
  8. ^ "The Ivors 2015 Winners, Ivor Novello Awards, Judith Weir". The Ivors. BASCA. 22 May 2015. Archived from the original on 3 March 2016. Retrieved 28 February 2016.
  9. ^ "Incorporated Society of Musicians". ISM. 4 August 2015. Retrieved 19 September 2022.
  10. ^ "Ms Judith Weir HonFRSE – The Royal Society of Edinburgh". The Royal Society of Edinburgh. Retrieved 14 March 2018.
  11. ^ a b c Clements, Andrew (13 March 2012). "Miss Fortune – review". The Guardian. London.
  12. ^ "Opera Composers: W". opera.stanford.edu. Retrieved 22 October 2018.
  13. ^ "Judith Weir – Armida (2005) – Music Sales Classical". www.chesternovello.com. Retrieved 22 October 2018.
  14. ^ "Musical Work rises from the concrete Barbican". London Evening Standard. 28 December 2007. Retrieved 18 October 2017.
  15. ^ "The State Funeral and Committal Service for Her Majesty The Queen". The Royal Family. 15 September 2022. Retrieved 19 September 2022.
  16. ^ Evans, Rian (29 May 2022). "The Black Spider review – Weir's opera is ghastly gothic treat". The Guardian. Retrieved 20 September 2022.
  17. ^ Weir, Judith. Memoirs of an Accidental Film Artist. In: A Night in at the Opera – Media representations of Opera. Edited by Jeremy Tambling. John Libbey & Company Ltd, London, 1994, p57.
  18. ^ Seckerson, Edward (13 March 2012). "Miss Fortune, Royal Opera House". The Independent. London.
  19. ^ Press release from The Santa Fe Opera, 22 August 2012.
  20. ^ Weir, Judith. Memoirs of an Accidental Film Artist. In: A Night in at the Opera – Media representations of Opera. Edited by Jeremy Tambling. John Libbey & Company Ltd, London, 1994, p58.

Sources

  • Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5
Court offices
Preceded by Master of the King's Music
2014–present 		Incumbent
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