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The '''Sampul tapestry''' is an ancient woolen wall-hanging found at the [[Tarim Basin]] settlement of [[Sampul]] in [[Lop County]], [[Hotan Prefecture]], [[Xinjiang]], China,<ref>Wood 2002, p. 37, p. 255</ref> close to ancient city of [[Khotan]].<ref>Christopoulos, Lucas (August 2012), "Hellenes and Romans in Ancient China (240 BC – 1398 AD)," in Victor H. Mair (ed), ''Sino-Platonic Papers'', No. 230, Chinese Academy of Social Sciences, University of Pennsylvania Department of East Asian Languages and Civilizations, p. 15, ISSN 2157-9687.</ref> The object has many [[Hellenistic period]] features, including a [[Greek mythology|Greek]] [[centaur]] and [[diadem]], linking it to the [[Greco-Bactrian Kingdom]] (formed after the conquest of the [[Achaemenid Empire]] by [[Alexander the Great]] of [[Macedon]] and establishment of the [[Seleucid Empire]]). It may represent a [[Yuezhi]] soldier, in red jacket and trousers, from the 1st century CE.<ref>{{cite journal |last1=Yatsenko |first1=Sergey A. |title=Yuezhi on Bactrian Embroidery from Textiles Found at Noyon uul, Mongolia |journal=The Silk Road |date=2012 |volume=10 |pages=45–46|url=http://www.silkroadfoundation.org/newsletter/vol10/SilkRoad_10_2012_yatsenko.pdf}}</ref><ref>{{cite book |last1=Betts |first1=Alison |last2=Vicziany |first2=Marika |last3=Jia |first3=Peter Weiming |last4=Castro |first4=Angelo Andrea Di |title=The Cultures of Ancient Xinjiang, Western China: Crossroads of the Silk Roads |date=19 December 2019 |publisher=Archaeopress Publishing Ltd |isbn=978-1-78969-407-9 |page=104 |url=https://books.google.com/books?id=rxUSEAAAQBAJ&pg=PA104 |language=en}}</ref> Alternatively, the soldier (king) is possibly a Greco-Bactrian, an Hellenized Saka or a Greco-Saka military aristocrat.<ref>Lucas, Christopoulos; Dionysian rituals and the Golden Zeus of China pp.63-118 </ref> The man's head features (cheek, mouth, blue eyes,<ref>According to Pseudo-Callisthenes, Alexander right eye was heavily-lidded and black/dark blue (kuanoblefaron) and the left one was blue (glaukos). Ps.-Callisthenes, Bios Alexandrou 1.13.3 (ca AD 300); Brown 19 49; Stewart 1993, 346, T 18.</ref> nose, [[Tainia (costume)|hairband]]) and the spear representation are modeled similarly with the depiction of [[Alexander the Great]] on a medallion found from Roman Egypt (215-243 AD)<ref>https://art.thewalters.org/detail/21555/medallion-with-alexander-the-great/</ref> and should represent the king.<ref>Christopoulos, Lucas (August 2021). "Hellenes and Romans in Ancient China" Sino-Platonic Papers. 230. p.15</ref> The tapestry representation of Alexander would imply his cult in Eastern Central Asia before the conquests of the Han.
The '''Sampul tapestry''' is an ancient woolen wall-hanging found at the [[Tarim Basin]] settlement of [[Sampul]] in [[Lop County]], [[Hotan Prefecture]], [[Xinjiang]], China,<ref>Wood 2002, p. 37, p. 255</ref> close to ancient city of [[Khotan]].<ref>Christopoulos, Lucas (August 2012), "Hellenes and Romans in Ancient China (240 BC – 1398 AD)," in Victor H. Mair (ed), ''Sino-Platonic Papers'', No. 230, Chinese Academy of Social Sciences, University of Pennsylvania Department of East Asian Languages and Civilizations, p. 15, ISSN 2157-9687.</ref> The object has many [[Hellenistic period]] features, including a [[Greek mythology|Greek]] [[centaur]] and [[diadem]], linking it to the [[Greco-Bactrian Kingdom]] (formed after the conquest of the [[Achaemenid Empire]] by [[Alexander the Great]] of [[Macedon]] and establishment of the [[Seleucid Empire]]). It may represent a [[Yuezhi]] soldier, in red jacket and trousers, from the 1st century CE.<ref>{{cite journal |last1=Yatsenko |first1=Sergey A. |title=Yuezhi on Bactrian Embroidery from Textiles Found at Noyon uul, Mongolia |journal=The Silk Road |date=2012 |volume=10 |pages=45–46|url=http://www.silkroadfoundation.org/newsletter/vol10/SilkRoad_10_2012_yatsenko.pdf}}</ref><ref>{{cite book |last1=Betts |first1=Alison |last2=Vicziany |first2=Marika |last3=Jia |first3=Peter Weiming |last4=Castro |first4=Angelo Andrea Di |title=The Cultures of Ancient Xinjiang, Western China: Crossroads of the Silk Roads |date=19 December 2019 |publisher=Archaeopress Publishing Ltd |isbn=978-1-78969-407-9 |page=104 |url=https://books.google.com/books?id=rxUSEAAAQBAJ&pg=PA104 |language=en}}</ref> Alternatively, the soldier (king) is possibly a Greco-Bactrian, an Hellenized Saka or a Greco-Saka military aristocrat.<ref>Lucas, Christopoulos; Dionysian rituals and the Golden Zeus of China pp.63-118 </ref> The man's head features (cheek, mouth, blue eyes,<ref>According to Pseudo-Callisthenes, Alexander right eye was heavily-lidded and black/dark blue (kuanoblefaron) and the left one was blue (glaukos). Ps.-Callisthenes, Bios Alexandrou 1.13.3 (ca AD 300); Brown 19 49; Stewart 1993, 346, T 18.</ref> nose, [[Tainia (costume)|hairband]]) and the spear representation are modeled similarly with the depiction of [[Alexander the Great]] on a medallion found from Roman Egypt (215-243 AD)<ref>https://art.thewalters.org/detail/21555/medallion-with-alexander-the-great/</ref> and could represent the king.<ref>Christopoulos, Lucas (August 2021). "Hellenes and Romans in Ancient China" Sino-Platonic Papers. 230. p.15</ref>


==Description==
==Description==

Revision as of 06:29, 2 January 2023

Sampul tapestry
Full length
Detail
Probable Yuezhi soldier in red jacket and trousers, in the Sampul tapestry. Embroidered in Hellenistic style, with motif of a centaur, 1st century AD, Sampul, Ürümqi Xinjiang Region Museum.[1]
MaterialEmbroided tapestry
Created1st century AD
DiscoveredSampul, 37°01′13″N 80°06′47″E / 37.020199°N 80.113078°E / 37.020199; 80.113078

The Sampul tapestry is an ancient woolen wall-hanging found at the Tarim Basin settlement of Sampul in Lop County, Hotan Prefecture, Xinjiang, China,[2] close to ancient city of Khotan.[3] The object has many Hellenistic period features, including a Greek centaur and diadem, linking it to the Greco-Bactrian Kingdom (formed after the conquest of the Achaemenid Empire by Alexander the Great of Macedon and establishment of the Seleucid Empire). It may represent a Yuezhi soldier, in red jacket and trousers, from the 1st century CE.[4][5] Alternatively, the soldier (king) is possibly a Greco-Bactrian, an Hellenized Saka or a Greco-Saka military aristocrat.[6] The man's head features (cheek, mouth, blue eyes,[7] nose, hairband) and the spear representation are modeled similarly with the depiction of Alexander the Great on a medallion found from Roman Egypt (215-243 AD)[8] and could represent the king.[9]

Description

The full tapestry is 48 cm wide and 230 cm long.[10] The centaur fragment is 45 cm by 55 cm, warrior's face fragment is 48 cm by 52 cm.[11] The recovered tapestry only constitutes the left decorative border of what would be a much bigger wall hanging.[11]

Made of wool,[12] it comprises 24 threads of various colours.

The tapestry depicts a man with Caucasoid features,[13] (including blue eyes),[14] and a centaur.[15] If lost fabric is accounted for, the soldier would be about six times as tall as the centaur.[16] The subject is identified as a warrior by the spear he is holding in his hand as well as a dagger tucked on his waist.[17] He wears a tunic with rosette motifs. His headband could be a diadem, a symbol of kingship in the Hellenistic world – and represented on Macedonian and other ancient Greek coinage.

The centaur is playing a horn while wearing a cape and a hood.[18] Surrounding him is a diamond-shaped floral ornament.[11]

Due to heavy looting at the location, the dating of the material is uncertain. It has been assigned dates from the 3rd century BC to the 4th century AD.[11][14][19][20][21]

Discovery

The centaur, with floral decorations.

The tapestry was excavated in 1983–1984 at an ancient burial ground in Sampul (Shanpula), 30 km east of Hotan (Khotan), in the Tarim Basin.[22]

The tapestry was, curiously, fashioned into a pair of man's trousers (all the other trousers found in Sampul had no decoration).[23]

Origin

Tapestry with head of Hermes and his staff caduceus, discovered by Aurel Stein in Loulan Kingdom.[24]

It is uncertain where the tapestry was made, although the Greco-Bactrian Kingdom in Central Asia has been suggested to be a possibility. The technique used for the tapestry, with more than 24 threads of different colours, is a typically western one. The centaur's cape and hood are a central Asian modification of the Greek motif.[25] The fact that he plays a horn also distinguishes him from the Greek prototypes.[11] Flower diamond motif on the warrior's lapel are of central Asian origin.[19] Certain motifs, particularly the animal head on the soldier's dagger, suggest that the tapestry originated in the kingdom of Parthia in northern Iran.[26]

Rome has also been proposed as a possible source.[26] Another suggestion is that it is locally made as Tang annal New Book of Tang mentioned that local people of Khotan were good at textile and tapestry work when Emperor Wu of Han (r. 141-87 BC) opened the Silk Road to Khotan during the first century BC. The tapestry may have been made roughly a century before the Han Chinese conquest of the Tarim Basin under Wudi.[27] Hellenistic tapestries have also been found in Loulan by Aurel Stein, indicating a cultural link between Loulan and Khotan.[27]

Significance

The existence of this tapestry tends to suggest that contacts between the Hellenistic kingdoms of Central Asia and the Tarim Basin, at the edge of the Chinese world, occurred from around the 3rd century BC.[citation needed]

Exhibition history

The tapestry is on permanent display in the Xinjiang Museum, Ürümqi, China.[21]

Centaur and head fragments of the tapestry have been a part of a major exhibition China: Dawn of a Golden Age, 200–750 AD, held at the Metropolitan Museum of Art, New York, from 12 October 2004 to 23 January 2005.[28][29]

From 18 February to 5 June 2011, they were displayed at the Penn Museum, Philadelphia, in exhibition Secrets of the Silk Road.[30][31]

See also

Wikimedia Commons has media related to Sampul tapestry.

Notes

  1. ^ Yatsenko, Sergey A. (2012). "Yuezhi on Bactrian Embroidery from Textiles Found at Noyon uul, Mongolia" (PDF). The Silk Road. 10: 45–46.
  2. ^ Wood 2002, p. 37, p. 255
  3. ^ Christopoulos, Lucas (August 2012), "Hellenes and Romans in Ancient China (240 BC – 1398 AD)," in Victor H. Mair (ed), Sino-Platonic Papers, No. 230, Chinese Academy of Social Sciences, University of Pennsylvania Department of East Asian Languages and Civilizations, p. 15, ISSN 2157-9687.
  4. ^ Yatsenko, Sergey A. (2012). "Yuezhi on Bactrian Embroidery from Textiles Found at Noyon uul, Mongolia" (PDF). The Silk Road. 10: 45–46.
  5. ^ Betts, Alison; Vicziany, Marika; Jia, Peter Weiming; Castro, Angelo Andrea Di (19 December 2019). The Cultures of Ancient Xinjiang, Western China: Crossroads of the Silk Roads. Archaeopress Publishing Ltd. p. 104. ISBN 978-1-78969-407-9.
  6. ^ Lucas, Christopoulos; Dionysian rituals and the Golden Zeus of China pp.63-118
  7. ^ According to Pseudo-Callisthenes, Alexander right eye was heavily-lidded and black/dark blue (kuanoblefaron) and the left one was blue (glaukos). Ps.-Callisthenes, Bios Alexandrou 1.13.3 (ca AD 300); Brown 19 49; Stewart 1993, 346, T 18.
  8. ^ https://art.thewalters.org/detail/21555/medallion-with-alexander-the-great/
  9. ^ Christopoulos, Lucas (August 2021). "Hellenes and Romans in Ancient China" Sino-Platonic Papers. 230. p.15
  10. ^ Hansen 2012, p. 285, fn. 6
  11. ^ a b c d e Zhao 2004, p. 194
  12. ^ Wood 2002, p. 37; Zhao 2004, p. 194
  13. ^ Time Life 1993, p. 81; Wood 2002, p. 37; Hansen 2012, p. 202
  14. ^ a b Time Life 1993, p. 81
  15. ^ Time Life 1993, p. 81; Wood 2002, p. 37; Hansen 2012, pl. 13 image + text, p. 202
  16. ^ Zhao 2004, p.195
  17. ^ Zhao 2004, p. 194; Hansen 2012, p. 202
  18. ^ Hansen 2012, pl. 13 text; Zhao 2004, p. 194
  19. ^ a b Hansen 2012, pl. 13 text
  20. ^ Image gallery for the Secrets of the Silk Road exhibition at the Penn Museum
  21. ^ a b Wood 2002, p. 255
  22. ^ Wood 2002, p. 37, p. 255; Zhao 2004, p. 194; Hansen 2012, p. 201
  23. ^ Hansen 2012, pl. 13 text, p. 202
  24. ^ Rowland, Benjamin (1974). The Art of Central Asia. Art of the World. New York: Crown Publishers. p. 44. ISBN 9780517516607.
  25. ^ Zhao 2004, p. 194; Hansen 2012, pl. 13 text
  26. ^ a b Hansen 2012, p. 202
  27. ^ a b Lucas, Christopoulos (August 2012). "Hellenes and Romans in Ancient China (240 BC – 1398 AD)" (PDF). Sino-Platonic Papers (230): 9–20. ISSN 2157-9687.
  28. ^ Zhao 2004
  29. ^ China: Dawn of a Golden Age, 200–750 AD at the Metropolitan Museum of Art
  30. ^ Sheng 2010, p. 33, pp. 38–39
  31. ^ Secrets of the Silk Road at the Penn Museum

References

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