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{{Short description|South Korean illustrator}} |
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{{Orphan|date=July 2023}} |
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{{Redirect|WP:PREVIEW|the navigation pop-ups when hovering over hyperlinks|:mw:Page previews}} |
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{{Information page|H:PREVIEW}} |
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{{Infobox writer |
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Below the edit box is a "Show preview" button. Pressing this will show you what the article will look like without actually implementing your edits (i.e. publishing your changes online.) It is strongly recommended that you use this before hitting "Publish changes", which will cause your edits to be published onto the page and made visible immediately to everybody. |
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| name = Kwon Yoon-duck |
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| image = |
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[[File:Kwon Yoon duck.png|thumb]] |
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| birth_place = [[Seoul]], South Korea |
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| birth_date = 1960-11-02 |
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| occupation = illustrator and author of picture books |
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| language = Korean |
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| nationality = South Korean |
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| genre = [[Picture Books]] |
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| website = |
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}} |
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{{Family name hatnote|Kwon|lang=Korean}} |
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'''Kwon Yoon-duck'''(권윤덕; born 1960) is a Korean illustrator and author of picture books. She is the Korean nominee for the 2024 Hans Christian Andersen Award for Illustration. |
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The edit options box looks like this: |
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{{EditOptions| align = center | width = 35em| boldsave=yes}} |
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== |
== Life == |
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Kwon is a Korean illustrator and author of picture books. She was born in Osan, South Korea in 1960. She has been selected as the Korean candidate for the 2024 Hans Christian Andersen Awards in the Illustration category. Her major works include Manhee’s House, There Dangles a Spider, My Cat Copies Me, Tools at Work, and Flower Granny. |
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Use preview during editing to check what the page will look like once they've been saved (i.e. published online) and to check that you haven't made any errors. It also prevents the need for multiple 'publish changes'. Publishing the same article several times in quick succession makes it harder for people to check what changed, and clogs up the [[Help:Page history|page history]]. When making major edits, consider copying the content into your [[clipboard (software)|clipboard]]. The Wikipedia servers sometimes have hiccups, and you could lose your work. |
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Kwon received a Bachelor’s degree in food science from Seoul Women’s University and a Master’s in advertising design from Hongik University. She started on her path as a picture book artist with design editing work for Sapsari from Black Country by Jeong Seung-gak. In 1987 she formed a picture book group with Lee Uk-bae and Jeong Yu-jeong while operating the Citizens’ Art School. The first picture book that she both authored and illustrated is Manhee’s House (1995). During a residence in Beijing, China, she studied ink-and-wash painting and gongbi-style painting using fine brushes. Upon returning to Korea, she studied Buddhist painting with monks. |
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'''Tip:''' When you preview, you will also see a preview of the edit summary, so, e.g., links can be checked. |
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== Career == |
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{{anchor|Quick preview/AJAX preview}} |
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Kwon Yoon-duck made her debut as a picture book artist and author in 1995 with Manhee’s House. While participating in a “Peace Picture Book” series produced through collaborative efforts among twelve illustrators from Korea, China, and Japan, she published Flower Granny. The book earned her recognition at the First Korean Publishing Culture Awards and the Third CJ Picture Book Awards in 2010. In 2013, she received the Minister of Gender Equality and Family Award for her contributions to the issue of comfort women. In 2014, she received the Female Cultural Figure of the Year Award at the Seventh Cheonggang Culture Prizes in 2014. In 2016, she was nominated for the Astrid Lindgren Memorial Award. In 2018, she received the Main Prize at the First Lotte Publishing Culture Awards for Wood Stamp. She has been selected as the Korean candidate for the 2024 Hans Christian Andersen Awards for illustration in recognition of her contributions to children’s literature. |
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== |
== Style== |
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Her early works from her thirties, including Manhee’s House (1995) and Mom, I Love These Clothes (1998; republished in 2010), are characterized by the detailed depictions of objects. Her illustrations from this period capture life in Korea in the 1980s. The books that Kwon created during her forties, including Manhee’s Letter Bugs (2000–2022; integrated edition republished in 2011), There Dangles a Spider (2003), My Cat Copies Me (2005), and Tools at Work (2008), focus on the everyday interests of children. Tools at Work takes a multiple perspective in which the book is told from the viewpoint of the workers who perform labor with the tools themselves. The author remains more of an observer. This multiple perspective is an effective way to help imagine the position of things other than humans and reveal their narratives. Kwon also effectively utilizes this viewpoint to reveal the internal conflicts and changes witnessed by her characters. In Pikaia, humans and animals switch positions, and in Sixteen and Yong Maeng-ho a shift in perspective reveals that the people involved in historical events may be victims on one side but perpetrators on the other. The books that Kwon produced from her fifties onward, such as Flower Granny (2010), Pikaia (2013), Wood Stamp (2016), Sixteen (2019), and Yong Maeng-ho (2021), mainly deal with historical events. Flower Granny presents testimonials by comfort women. Wood Stamp depicts the Jeju Uprising while Sixteen explores the Gwangju Uprising. Yong Maeng-ho is set against the Vietnam War. Kwon captures fragments of history in her picture books, and the readers of her works are not limited to children. Since 2019, she has been working with students. She conducted a project entitled “Nature and I” with students from a school on Jeju Island to express the voices of nature through writing and illustrations and to raise awareness of the climate crisis. She encouraged the children to observe their surroundings and express themselves freely from their own perspectives. Kwon meticulously recorded the process that she shared with the students and combined these records together with the illustrations made by the students and a personal essay into the publication I Want to Have More Blue. |
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You can get a live preview, also known as Quick-preview or AJAX preview, whereby only the preview area will reload, as opposed to the entire page. You can enable this option in your [[Special:Preferences|Preferences]], by selecting the option ''{{int:tog-uselivepreview}}'' in the [[Special:Preferences#mw-prefsection-editing|''Editing'' section]]. |
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== Awards == |
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There are also several user scripts that provide similar or additional functionality, such as: |
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*[[User:Cacycle/wikEd|wikEd]], a large JavaScript based editor with lots of features. |
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*[[User:Js/ajaxPreview]], adds a preview button above the edit textarea. |
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== Other advantages == |
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Using ''Show preview'' prevents your login timing out, which would mean your edits would not be attributed to your username. Clicking preview regularly will restart the timer, so you remain logged in. Also, if you are no longer logged in, showing a preview will make you aware of this so you can log in and publish your work after that. You can check this by seeing if your username appears in the upper-right corner when you press preview. If you are not logged in, open [[Special:UserLogin]] in a separate window (right-click "Log in" and hit "Open link in new window" or similar). Log in, then go back to your editing and hit "preview" again to make sure all is well. Note that this will clear the minor edit and watch checkboxes, so make sure they're set appropriately again before you finally publish the page. |
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== |
== Works == |
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Typically, the noinclude-part of a template page contains examples including or [[Help:substitution|substituting]] the template. Changes in the working of the template (i.e. changes outside the noinclude-part) are not yet effective in these examples in preview and, in the case of [[Help:substitution|substitution]], in "show changes". |
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==See also== |
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*[[Wikipedia:That's why we preview, kids]] - an essay |
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{{Help navigation}}__NOTOC__ |
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== References == |
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[[Category:Wikipedia edit window help]] |
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== External links == |
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{{DEFAULTSORT:}} |
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[[Category:1960 births]] |
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[[Category:Living people]] |
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[[Category:South Korean illustrators]] |
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[[Category:South Korean children's writers]] |
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[[Category:South Korean children's book illustrators]] |
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[[Category:South Korean women children's writers]] |
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Revision as of 09:23, 19 July 2023
Kwon Yoon-duck | |
|---|---|
| Born | 1960-11-02 Seoul, South Korea |
| Occupation | illustrator and author of picture books |
| Language | Korean |
| Nationality | South Korean |
| Genre | Picture Books |
Kwon Yoon-duck(권윤덕; born 1960) is a Korean illustrator and author of picture books. She is the Korean nominee for the 2024 Hans Christian Andersen Award for Illustration.
Life
Kwon is a Korean illustrator and author of picture books. She was born in Osan, South Korea in 1960. She has been selected as the Korean candidate for the 2024 Hans Christian Andersen Awards in the Illustration category. Her major works include Manhee’s House, There Dangles a Spider, My Cat Copies Me, Tools at Work, and Flower Granny. Kwon received a Bachelor’s degree in food science from Seoul Women’s University and a Master’s in advertising design from Hongik University. She started on her path as a picture book artist with design editing work for Sapsari from Black Country by Jeong Seung-gak. In 1987 she formed a picture book group with Lee Uk-bae and Jeong Yu-jeong while operating the Citizens’ Art School. The first picture book that she both authored and illustrated is Manhee’s House (1995). During a residence in Beijing, China, she studied ink-and-wash painting and gongbi-style painting using fine brushes. Upon returning to Korea, she studied Buddhist painting with monks.
Career
Kwon Yoon-duck made her debut as a picture book artist and author in 1995 with Manhee’s House. While participating in a “Peace Picture Book” series produced through collaborative efforts among twelve illustrators from Korea, China, and Japan, she published Flower Granny. The book earned her recognition at the First Korean Publishing Culture Awards and the Third CJ Picture Book Awards in 2010. In 2013, she received the Minister of Gender Equality and Family Award for her contributions to the issue of comfort women. In 2014, she received the Female Cultural Figure of the Year Award at the Seventh Cheonggang Culture Prizes in 2014. In 2016, she was nominated for the Astrid Lindgren Memorial Award. In 2018, she received the Main Prize at the First Lotte Publishing Culture Awards for Wood Stamp. She has been selected as the Korean candidate for the 2024 Hans Christian Andersen Awards for illustration in recognition of her contributions to children’s literature.
Style
Her early works from her thirties, including Manhee’s House (1995) and Mom, I Love These Clothes (1998; republished in 2010), are characterized by the detailed depictions of objects. Her illustrations from this period capture life in Korea in the 1980s. The books that Kwon created during her forties, including Manhee’s Letter Bugs (2000–2022; integrated edition republished in 2011), There Dangles a Spider (2003), My Cat Copies Me (2005), and Tools at Work (2008), focus on the everyday interests of children. Tools at Work takes a multiple perspective in which the book is told from the viewpoint of the workers who perform labor with the tools themselves. The author remains more of an observer. This multiple perspective is an effective way to help imagine the position of things other than humans and reveal their narratives. Kwon also effectively utilizes this viewpoint to reveal the internal conflicts and changes witnessed by her characters. In Pikaia, humans and animals switch positions, and in Sixteen and Yong Maeng-ho a shift in perspective reveals that the people involved in historical events may be victims on one side but perpetrators on the other. The books that Kwon produced from her fifties onward, such as Flower Granny (2010), Pikaia (2013), Wood Stamp (2016), Sixteen (2019), and Yong Maeng-ho (2021), mainly deal with historical events. Flower Granny presents testimonials by comfort women. Wood Stamp depicts the Jeju Uprising while Sixteen explores the Gwangju Uprising. Yong Maeng-ho is set against the Vietnam War. Kwon captures fragments of history in her picture books, and the readers of her works are not limited to children. Since 2019, she has been working with students. She conducted a project entitled “Nature and I” with students from a school on Jeju Island to express the voices of nature through writing and illustrations and to raise awareness of the climate crisis. She encouraged the children to observe their surroundings and express themselves freely from their own perspectives. Kwon meticulously recorded the process that she shared with the students and combined these records together with the illustrations made by the students and a personal essay into the publication I Want to Have More Blue.