Jump to content

Simon Quaglio: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Tidy up centuries; should be 19th century
m Sort Template:Expand language by topic
 
Line 1: Line 1:
{{Short description|German-Italian stage designer (1795–1878)}}
{{Short description|German-Italian stage designer (1795–1878)}}
{{expand German|date=September 2020}}
{{expand German|topic=bio|date=September 2020}}
[[File:Simon Quaglio.jpg|thumb|300px|A Vast [[Necropolis]]]]
[[File:Simon Quaglio.jpg|thumb|300px|A Vast [[Necropolis]]]]
'''Simon Quaglio''' (1795-1878) was a German [[stage designer]] of [[Italy|Italian]] extraction. He worked mainly in [[Munich]], and was among the first designers to use built scenery instead of [[Flat (theatre)|painted flat]]s. He designed over 100 productions during his career.
'''Simon Quaglio''' (1795-1878) was a German [[stage designer]] of [[Italy|Italian]] extraction. He worked mainly in [[Munich]], and was among the first designers to use built scenery instead of [[Flat (theatre)|painted flat]]s. He designed over 100 productions during his career.

Latest revision as of 08:24, 29 May 2024

A Vast Necropolis

Simon Quaglio (1795-1878) was a German stage designer of Italian extraction. He worked mainly in Munich, and was among the first designers to use built scenery instead of painted flats. He designed over 100 productions during his career.

Simon was part of the Quaglio family originally from the town of Laino, between Lake Como and Lake Lugano. Simon's father, Giuseppe Quaglio (1747-1828), practiced scene painting in Mannheim, Frankfurt, and Ludwigsburg. Simon's brother, Angelo Quaglio (1778-1810), was an architect and painter. He designed and painted landscapes and architectural pictures for Boisserée's work on Cologne Cathedral. Simon was also a lithographer.

References

[edit]
  • Bryan, Michael (1889). Walter Armstrong; Robert Edmund Graves (eds.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 317.
  • James Anderson, The Complete Dictionary of Opera and Operetta.
[edit]