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In 2002, with [[Don Giovanni]], and in 2013, with [[Can't Pay? Won't Pay!]], Taraborrelli created set designs that defy gravity and transform the stage. In 2009, with [[Gertrude - The Cry]]<ref name="geltrude">{{cite web |title=Gertrude the Cry |url=https://www.theatre-odeon.eu/en/gertrude-the-cry |website=theatre-odeon.eu |access-date=2 July 2024}}</ref>, he used an inclined mirror to create a visual illusion without the use of cameras. In 2010, with La ronde du Carré, and in 2012, with [[L'elisir d'amore]]<ref name="elisir">{{cite web |title=Elisir d'amore |url=https://www.facebook.com/watch/?v=1394221430976015 |website=facebook.com |access-date=2 July 2024}}</ref>, he experimented with proportions and perspective illusions.
In 2002, with [[Don Giovanni]], and in 2013, with [[Can't Pay? Won't Pay!]], Taraborrelli created set designs that defy gravity and transform the stage. In 2009, with [[Gertrude - The Cry]]<ref name="geltrude">{{cite web |title=Gertrude the Cry |url=https://www.theatre-odeon.eu/en/gertrude-the-cry |website=theatre-odeon.eu |access-date=2 July 2024}}</ref>, he used an inclined mirror to create a visual illusion without the use of cameras. In 2010, with La ronde du Carré, and in 2012, with [[L'elisir d'amore]]<ref name="elisir">{{cite web |title=Elisir d'amore |url=https://www.facebook.com/watch/?v=1394221430976015 |website=facebook.com |access-date=2 July 2024}}</ref>, he experimented with proportions and perspective illusions.


Over the years, Taraborrelli also integrated digital technologies, such as video mapping<ref name="realtà aumentata">{{cite web |title=Con la realtà aumentata invento il mondo sul palco |url=https://www.teatro.it/interviste/lirica/cristian-taraborrelli-con-la-realta-aumentata-invento-il-mondo-sul-palco |website=teatro.it |access-date=2 July 2024}}</ref>, to completely transform the scenic space. A significant example is the projection on the facade of the Teatro dell’Opera di Roma to bring opera closer to the public. A project in progress, Opera Go, uses augmented reality to bring opera into the streets of Rome.<ref name="Teatro Opera 2016">{{cite journal |title=Roma, teatro Opera: un video-mapping d'autore illumina la facciata per Natale |journal=La Repubblica |date=2016-12-20 |url=https://roma.repubblica.it/cronaca/2016/12/20/video/roma_teatro_opera_un_video-mapping_dautore_illumina_la_facciata_per_natale-422931186/ |access-date=2 July 2024}}</ref>
Over the years, Taraborrelli also integrated digital technologies, such as video mapping<ref name="realtà aumentata">{{cite web |title=Con la realtà aumentata invento il mondo sul palco |url=https://www.teatro.it/interviste/lirica/cristian-taraborrelli-con-la-realta-aumentata-invento-il-mondo-sul-palco |website=teatro.it |access-date=2 July 2024}}</ref>, to completely transform the scenic space. A significant example is the projection on the facade of the Teatro dell’Opera di Roma to bring opera closer to the public. A project in progress, Opera Go, uses augmented reality<ref>{{cite web |title=Pagliacci |url=https://www.youtube.com/watch?v=oWf37jTGZ-k |website=youtube.com |access-date=2 July 2024}}</ref> to bring opera into the streets of Rome.<ref name="Teatro Opera 2016">{{cite journal |title=Roma, teatro Opera: un video-mapping d'autore illumina la facciata per Natale |journal=La Repubblica |date=2016-12-20 |url=https://roma.repubblica.it/cronaca/2016/12/20/video/roma_teatro_opera_un_video-mapping_dautore_illumina_la_facciata_per_natale-422931186/ |access-date=2 July 2024}}</ref>


In 2014, Taraborrelli used motion tracking in [[Balance]]<ref name="balance">{{cite web |title=Balance |url=https://www.youtube.com/watch?v=XlWdEtOXt9I |website=youtube.com |access-date=2 July 2024}}</ref> and in [[Ventrosoleil]]<ref name="Ventrosoleil">{{cite web |title=Ventrosoleil |url=https://www.cristiantaraborrellistudio.net/ventrosoleil |website=cristiantaraborrellistudio.net |access-date=2 July 2024}}</ref>, where performers interact with virtual elements. His aesthetic is characterized by the use of lettering and the visualization of words on stage, as seen in [[La Jura]]<ref name="la jura">{{cite web |title=La Jura |url=https://www.cristiantaraborrellistudio.net/la-jura |website=cristiantaraborrellistudio.net |access-date=2 July 2024}}</ref> (2015), where he shows the scene changes live.
In 2014, Taraborrelli used motion tracking in [[Balance]]<ref name="balance">{{cite web |title=Balance |url=https://www.youtube.com/watch?v=XlWdEtOXt9I |website=youtube.com |access-date=2 July 2024}}</ref> and in [[Ventrosoleil]]<ref name="Ventrosoleil">{{cite web |title=Ventrosoleil |url=https://www.cristiantaraborrellistudio.net/ventrosoleil |website=cristiantaraborrellistudio.net |access-date=2 July 2024}}</ref>, where performers interact with virtual elements. His aesthetic is characterized by the use of lettering and the visualization of words on stage, as seen in [[La Jura]]<ref name="la jura">{{cite web |title=La Jura |url=https://www.cristiantaraborrellistudio.net/la-jura |website=cristiantaraborrellistudio.net |access-date=2 July 2024}}</ref> (2015), where he shows the scene changes live.

Revision as of 20:41, 2 July 2024

Angeoazzurro (talk) 09:30, 28 June 2024 (UTC)

Cristian Taraborrelli
Cristian Taraborrelli in 2023
Born1970 (age 53–54)
Occupations
  • Director
  • set designer
  • costume designer
Websitewww.cristiantaraborrellistudio.net

Career

Cristian Taraborrelli [1] [2] [3] [4] is an artist whose work as a set designer and director is inseparable, characterized by a unique aesthetic and poetics. His career began in 1996, but it was from 2006[5] that his authorial dimension clearly emerged, thanks to the freedom he gained in directing shows. Taraborrelli seeks a balance in the constant instability and metamorphosis of theater, using suspensions, reversals, and distortions[4].

In 2002, with Don Giovanni, and in 2013, with Can't Pay? Won't Pay!, Taraborrelli created set designs that defy gravity and transform the stage. In 2009, with Gertrude - The Cry[6], he used an inclined mirror to create a visual illusion without the use of cameras. In 2010, with La ronde du Carré, and in 2012, with L'elisir d'amore[7], he experimented with proportions and perspective illusions.

Over the years, Taraborrelli also integrated digital technologies, such as video mapping[8], to completely transform the scenic space. A significant example is the projection on the facade of the Teatro dell’Opera di Roma to bring opera closer to the public. A project in progress, Opera Go, uses augmented reality[9] to bring opera into the streets of Rome.[10]

In 2014, Taraborrelli used motion tracking in Balance[11] and in Ventrosoleil[12], where performers interact with virtual elements. His aesthetic is characterized by the use of lettering and the visualization of words on stage, as seen in La Jura[13] (2015), where he shows the scene changes live.

Taraborrelli's work represents a fusion between the playwright and the director, redefining the role of the set designer as a creator of both analog and digital visions. His intermedia approach integrates elements of dance, cinema, photography, and video, projecting him toward a new performative aesthetic.[14]

Set decorator and Costume designer

Theatre

Opera

Movie

Video

DVD

Director

Opera

Award

Sources

  1. ^ "Taraborelli at Opera Bordeaux". opera-bordeaux.com. Retrieved 2 July 2024.
  2. ^ Cristian, Taraborrelli. "Cristian Taraborelli web site". cristiantaraborrellistudio.net. Retrieved 2 July 2024.
  3. ^ "Fondazione Pergolesi Spontini".
  4. ^ a b Taraborrelli, Cristian. "Stage and creative directors". Thetrical Notebooks.
  5. ^ "VideoMapping". apemusicale.it. Retrieved 2 July 2024.
  6. ^ "Gertrude the Cry". theatre-odeon.eu. Retrieved 2 July 2024.
  7. ^ "Elisir d'amore". facebook.com. Retrieved 2 July 2024.
  8. ^ "Con la realtà aumentata invento il mondo sul palco". teatro.it. Retrieved 2 July 2024.
  9. ^ "Pagliacci". youtube.com. Retrieved 2 July 2024.
  10. ^ "Roma, teatro Opera: un video-mapping d'autore illumina la facciata per Natale". La Repubblica. 20 December 2016. Retrieved 2 July 2024.
  11. ^ "Balance". youtube.com. Retrieved 2 July 2024.
  12. ^ "Ventrosoleil". cristiantaraborrellistudio.net. Retrieved 2 July 2024.
  13. ^ "La Jura". cristiantaraborrellistudio.net. Retrieved 2 July 2024.
  14. ^ "NCB - AVANTI Striding Forward". Vimeo. Retrieved 2 July 2024.
  15. ^ "Il processo". kinoweb.it. Retrieved 2 July 2024.
  16. ^ "La Jura". cristiantaraborrellistudio.net. Retrieved 2 July 2024.
  17. ^ "Il colore del sole". cristiantaraborrellistudio.net.
  18. ^ "La sonnambula". cristiantaraborrellistudio.net. Retrieved 2 July 2024.
  19. ^ "I pagliacci". cristiantaraborrellistudio.net. Retrieved 2 July 2024.
  20. ^ "Angelica Cunta". cristiantaraborrellistudio.net. Retrieved 2 July 2024.
  21. ^ "Prize Ubu". premiubu.it. Retrieved 2 July 2024.
  22. ^ "Prize Ubu". It.wikipedia.org. Retrieved 2 July 2024.
  23. ^ Barberio Corsetti, Giorgio. "Accademia Silvio D'Amico".
  24. ^ "Prize Franco Abbiati". festivaldellavalleditria. Retrieved 2 July 2024.
  25. ^ "Prix Moliere 2009 -- Anne Alvaro". www.lesmolieres.com. Retrieved 2 July 2024.
  26. ^ "Golden Prague 2015". zlatapraha.ceskatelevize.cz. Retrieved 2 July 2024.
  27. ^ "La belle Elene". operaonvideo.com. Retrieved 2 July 2024.
  28. ^ "Bea Italia 2016". adcgroup.it. Retrieved 2 July 2024.