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{{Orphan|November 2006}}
{{Orphan|date=November 2006}}
[[Image:Chimpanzee congo painting.jpg|thumb|Painting by [[Congo (chimpanzee)]]]]
[[Image:Chimpanzee congo painting.jpg|thumb|Painting by [[Congo (chimpanzee)]]]]
During the late 1950's biologists began to study the nature of [[art]] in humans. Of the theories proposed few had such a striking effect as those based on observations of [[primate]] paintings, hundreds of which were cataloged by [[Desmond Morris]]. Morris, along with his associate [[Tyler Harris]], took these canvas paintings to indicate an intrinsic motivation for abstract creativity, expressed through an exploration of the visual field and color. Surprisingly, many of these painters progressed over time by expanding or contracting the area of paint coverage (see Bozo), the horizontal/vertical stroke relationships and even the development of content among those taught some English vocabulary (see Moja).
During the late 1950s biologists began to study the nature of [[art]] in humans. Of the theories proposed few had such a striking effect as those based on observations of [[primate]] paintings, hundreds of which were cataloged by [[Desmond Morris]]. Morris, along with his associate [[Tyler Harris]], took these canvas paintings to indicate an intrinsic motivation for abstract creativity, expressed through an exploration of the visual field and color. Surprisingly, many of these painters progressed over time by expanding or contracting the area of paint coverage (see Bozo), the horizontal/vertical stroke relationships and even the development of content among those taught some English vocabulary (see Moja).

Monkey paintings were exhibited in many modern art museums and experienced a fad following in the early 1960's. The cultural and scientific interest in monkey painting diminished steadily and little note is taken today (see Thierry Lenain).


Monkey paintings were exhibited in many modern art museums and experienced a fad following in the early 1960s. The cultural and scientific interest in monkey painting diminished steadily and little note is taken today (see Thierry Lenain).
[[Category:Human-animal interaction]]
[[Category:Human-animal interaction]]
[[Category:Painting]]
[[Category:Painting]]

Revision as of 13:02, 19 April 2007

Painting by Congo (chimpanzee)

During the late 1950s biologists began to study the nature of art in humans. Of the theories proposed few had such a striking effect as those based on observations of primate paintings, hundreds of which were cataloged by Desmond Morris. Morris, along with his associate Tyler Harris, took these canvas paintings to indicate an intrinsic motivation for abstract creativity, expressed through an exploration of the visual field and color. Surprisingly, many of these painters progressed over time by expanding or contracting the area of paint coverage (see Bozo), the horizontal/vertical stroke relationships and even the development of content among those taught some English vocabulary (see Moja).

Monkey paintings were exhibited in many modern art museums and experienced a fad following in the early 1960s. The cultural and scientific interest in monkey painting diminished steadily and little note is taken today (see Thierry Lenain).