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She then enjoyed an active career in the United States for a number of years, with major opera, concert and radio appearances. She made at least one recording for a major label, ''[[Jeanne d'Arc au Bûcher]]'', by [[Arthur Honegger]]. This recording, issued in 1953, was made with the [[Philadelphia Orchestra]] conducted by [[Eugene Ormandy]].<ref>[http://www.operone.de/opern/jeannedarc.html Jeanne d'Arc au bûcher von Honegger]</ref>
She then enjoyed an active career in the United States for a number of years, with major opera, concert and radio appearances. She made at least one recording for a major label, ''[[Jeanne d'Arc au Bûcher]]'', by [[Arthur Honegger]]. This recording, issued in 1953, was made with the [[Philadelphia Orchestra]] conducted by [[Eugene Ormandy]].<ref>[http://www.operone.de/opern/jeannedarc.html Jeanne d'Arc au bûcher von Honegger]</ref>
and featured [[Vera Zorina]] in a speaking role. Private recordings from her personal collection exist, but are generally of extremely poor technical quality. They include at least one live recital and at least one radio broadcast from the International Harvester Hour, in which she sings light classical and popular songs with the International Harvester Orchestra and tenor [[James Melton]]. These recordings show that she was a lyrico-spinto soprano with a voice of considerable warmth and range, combined with a strong artistic personality.
and featured [[Vera Zorina]] in the speaking role of Joan of Arc. Private recordings from her personal collection exist, but are generally of extremely poor technical quality. They include at least one live recital and at least one radio broadcast from the International Harvester Hour, in which she sings light classical and popular songs with the International Harvester Orchestra and tenor [[James Melton]]. These recordings show that she was a lyrico-spinto soprano with a voice of considerable warmth and range, combined with a strong artistic personality.


She sang with most of the leading symphony orchestras in the United States. Although she did not appear at the [[Metropolitan Opera]] at its home in New York City, she did appear with the Metropolitan Opera National Touring Company in [[Cincinnati]]. She also appeared at [[Carnegie Hall]], the [[Hollywood Bowl]], and Chicago's [[Grant Park]]. Her appearances included [[operetta]], including [[Bloomer Girl]], and television. Her opera roles included [[Puccini]]'s ''[[Tosca]]'', [[Marguerite]] in ''[[Faust]]'', as well as roles in ''[[The Barber of Seville]]'', ''[[Salome]]'', ''[[Aida]]'', ''[[Rigoletto]]'', ''[[Carmen]]'', ''[[La Traviata]]'', ''[[La Boheme]]'' and ''[[Il Trovatore]]''. She appeared with such singers as tenor [[Mario Lanza]], bass [[Ezio Pinza]], tenor [[Nino Martini]], and Japanese soprano ''Hizi Koyke''. Long sang at the White House for President [[Harry Truman]] and his Vice President, [[Alben Barkley]]. In 1954 she was chosen by Rose and [[Ira Gershwin]] to be the "Gershwin Girl" for their touring show which also featured the young [[Lorin Maazel]].
She sang with most of the leading symphony orchestras in the United States. Although she did not appear at the [[Metropolitan Opera]] at its home in New York City, she did appear with the Metropolitan Opera National Touring Company in [[Cincinnati]]. She also appeared at [[Carnegie Hall]], the [[Hollywood Bowl]], and Chicago's [[Grant Park]]. Her appearances included [[operetta]], including [[Bloomer Girl]], and television. Her opera roles included [[Puccini]]'s ''[[Tosca]]'', [[Marguerite]] in ''[[Faust]]'', as well as roles in ''[[The Barber of Seville]]'', ''[[Salome]]'', ''[[Aida]]'', ''[[Rigoletto]]'', ''[[Carmen]]'', ''[[La Traviata]]'', ''[[La Boheme]]'' and ''[[Il Trovatore]]''. She appeared with such singers as tenor [[Mario Lanza]], bass [[Ezio Pinza]], tenor [[Nino Martini]], and Japanese soprano ''Hizi Koyke''. Long sang at the White House for President [[Harry Truman]] and his Vice President, [[Alben Barkley]]. In 1954 she was chosen by Rose and [[Ira Gershwin]] to be the "Gershwin Girl" for their touring show which also featured the young [[Lorin Maazel]].

Revision as of 14:29, 5 April 2008

Carolyn Long (1915 - 1991) was an American opera and concert singer.

She was born as Carolyn Creighton in Cambridge, Maryland in 1915 and died there in 1991. She studied piano as a child, winning a scholarship to study piano at the Peabody Institute in Baltimore in 1932 at the age of 16. Her singing voice soon proved to be a greater gift, however, and she changed to vocal studies two years later. She is said to have made her stage debut in Baltimore while still a student in The Old Maid and the Thief by Giancarlo Menotti, but this work was premiered in 1939, when Miss Long would have probably have completed her formal studies at Peabody.

She then enjoyed an active career in the United States for a number of years, with major opera, concert and radio appearances. She made at least one recording for a major label, Jeanne d'Arc au Bûcher, by Arthur Honegger. This recording, issued in 1953, was made with the Philadelphia Orchestra conducted by Eugene Ormandy.[1] and featured Vera Zorina in the speaking role of Joan of Arc. Private recordings from her personal collection exist, but are generally of extremely poor technical quality. They include at least one live recital and at least one radio broadcast from the International Harvester Hour, in which she sings light classical and popular songs with the International Harvester Orchestra and tenor James Melton. These recordings show that she was a lyrico-spinto soprano with a voice of considerable warmth and range, combined with a strong artistic personality.

She sang with most of the leading symphony orchestras in the United States. Although she did not appear at the Metropolitan Opera at its home in New York City, she did appear with the Metropolitan Opera National Touring Company in Cincinnati. She also appeared at Carnegie Hall, the Hollywood Bowl, and Chicago's Grant Park. Her appearances included operetta, including Bloomer Girl, and television. Her opera roles included Puccini's Tosca, Marguerite in Faust, as well as roles in The Barber of Seville, Salome, Aida, Rigoletto, Carmen, La Traviata, La Boheme and Il Trovatore. She appeared with such singers as tenor Mario Lanza, bass Ezio Pinza, tenor Nino Martini, and Japanese soprano Hizi Koyke. Long sang at the White House for President Harry Truman and his Vice President, Alben Barkley. In 1954 she was chosen by Rose and Ira Gershwin to be the "Gershwin Girl" for their touring show which also featured the young Lorin Maazel. By her account, she was also considered by MGM and 20th Century Fox for roles in Desire under the Elms by Eugene O'Neill and My Fair Lady.

She studied singing in Italy as well, from 1954 to 1956. While in Europe, she appeared in the first English language opera production to occur in Spain since Francisco Franco's accession to power in the Spanish Civil War.

Later years

Health and personal problems may have contributed to a relatively early end to her career. Her later years were spent as a private voice teacher in Bethesda, Maryland, where she lived with her lifelong friend and companion, Carolyn "Bobbie" Drury. She also taught voice at American University and the Prince George's Community College, in Maryland. She spent her final years in a nursing home in her home town of Cambridge, Maryland, where she died.

Awards

She received the Director's Recognition Award from the Peabody Institute on June 8 1988.

References