John Barleycorn (novel): Difference between revisions
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== White Logic == |
== White Logic == |
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At the beginning of the book, Jack London gives a quick tease of "White Logic," mentioning the “white light of alcohol” and how alcohol presented to his mind the |
At the beginning of the book, Jack London gives a quick tease of "White Logic," mentioning the “white light of alcohol” and how alcohol presented to his mind the concept of White Logic. It is only until the final five chapters that the nihilism of White Logic is finally revealed and pitted against the "lesser truth" that "makes life possible to persist." <ref>[http://www.mikecornelison.com/the-white-logic-of-london-vs-dostoyevskys-faith ''The White Logic of London vs. Dostoyevsky's Faith''] Mike Cornelison Blog</ref> |
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== Seeing pink elephants == |
== Seeing pink elephants == |
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Revision as of 23:04, 8 September 2012
(The Century Company)
John Barleycorn is an autobiographical novel by Jack London dealing with his enjoyment of and struggles with alcoholism. It was published in 1913. The title is taken from the British folksong "John Barleycorn".
Themes
In this memoir, there are the themes of masculinity and male friendship. London discusses various life experiences he has had with alcohol, and at widely different stages in his life. Key stages are his late teen years when he earned money as a sailor and later in life when he was a wealthy, successful writer.
The Role of Alcohol
Alcoholic beverages play a big role in facilitating the themes listed above. The book is about the social facilitiation of alcohol, but is also a cautionary tale about the addictive powers of alcohol and its deleterious effects on health.
White Logic
At the beginning of the book, Jack London gives a quick tease of "White Logic," mentioning the “white light of alcohol” and how alcohol presented to his mind the concept of White Logic. It is only until the final five chapters that the nihilism of White Logic is finally revealed and pitted against the "lesser truth" that "makes life possible to persist." [1]
Seeing pink elephants
The first recorded use of pink elephants as the stereotypical hallucination of the extremely drunk[2][3] occurs at the beginning of chapter two:
There are, broadly speaking, two types of drinkers. There is the man whom we all know, stupid, unimaginative, whose brain is bitten numbly by numb maggots; who walks generously with wide-spread, tentative legs, falls frequently in the gutter, and who sees, in the extremity of his ecstasy, blue mice and pink elephants. He is the type that gives rise to the jokes in the funny papers.[4]
This is contrasted to drinkers such as the narrator, who are possessed of imagination and become drunk more in brain than in body. To them, John Barleycorn sends clear visions of the eventual pointlessness of life and love and struggle.
References
- ^ The White Logic of London vs. Dostoyevsky's Faith Mike Cornelison Blog
- ^ pink Online Etymological Dictionary
- ^ pink elephants Maven's Word of the Day, Random House
- ^ John Barleycorn at Wikisource