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| training = [[RIT]]
| training = [[RIT]]
| movement =
| movement =
| works = Landscape photography and historic photography, especially themes of decay.<ref>[http://nwphoto.com/about/ "About,"] artist's website</ref>
| works = Landscape photography, nature studies, and historic photography, especially involving themes of decay.<ref>[http://nwphoto.com/about/ "About,"] artist's website</ref>
| patrons =
| patrons =
| influenced by = [[Aaron Siskind]], [[Wynn Bullock]]<ref>[http://dedeeshattuckgallery.wordpress.com/2012/06/26/dsg-interviews-nicholas-whitman/ Interview] with Whitman by Dedee Shattuck</ref>
| influenced by = [[Aaron Siskind]], [[Wynn Bullock]]<ref>[http://dedeeshattuckgallery.wordpress.com/2012/06/26/dsg-interviews-nicholas-whitman/ Interview] with Whitman by Dedee Shattuck</ref>

Revision as of 15:47, 4 July 2013

Nicholas Whitman
Born
NationalityAmerican
EducationRIT
Known forPhotography
Notable workLandscape photography, nature studies, and historic photography, especially involving themes of decay.[1]
Websitenwphoto.com

Nicholas Whitman is an American photographer. He is best known for his work chronicling the decay and transformations of buildings, as well as his nature studies[3]. Whitman's 2001 Mass MoCA: From Mill to Museum documents the renovation of a sprawling[4] electronics plant into the Massachusetts Museum of Contemporary Art,[5][6]. Similarly, Whitman's 2008 book, The Colonial Theatre: A Pittsfield Resurrection, showcases the transformation of the Miller Supply Company of Pittsfield, Massachusetts into a functional playhouse.[7][8]

A graduate of RIT's photography program, Whitman was Curator of Photography at the New Bedford Whaling Museum from 1978 to 1986.[9] In addition to his independent work, he is currently an instructor at Williams College's winter studies program.[10][11]

Selected publications

  • 2013. Sea, Shore, Sky & Ice.[12]
  • 2013. Squares from Nature.[13]
  • 2008. The Colonial Theatre.[14]
  • 2001. Mass MoCA: From Mill to Museum.[15]
  • 1997. A Window Back: Photography in a Whaling Museum.[16]

References

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