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Milner was born in [[Bristol]], and educated at [[Douai School|Douai, Berkshire]]. He was awarded a bursary to attend the [[Royal College of Music]], where he studied piano with [[Herbert Fryer]] and theory with [[R. O. Morris]]. He studied composition privately with [[Mátyás Seiber]]. Milner's own teaching career began at [[Morley College]], [[London]], where he taught music theory and history from 1948–64. He was Lecturer in Music at [[King's College London]], from 1965–71, when he moved to [[Goldsmiths' College]] as Senior Lecturer, becoming Principal Lecturer in 1974. In 1980 he was appointed full-time Principal Lecturer at the Royal College, where he had taught part-time since 1961. He remained in this post until his retirement in 1989; his students included [[John Carmichael (composer)|John Carmichael]].<ref>[http://www.chesternovello.com/default.aspx?TabId=2431&State_2905=2&composerId_2905=1057 Milner profile], Chester-Novello website; retrieved 17 October 2013.</ref>
Milner was born in [[Bristol]], and educated at [[Douai School|Douai, Berkshire]]. He was awarded a bursary to attend the [[Royal College of Music]], where he studied piano with [[Herbert Fryer]] and theory with [[R. O. Morris]]. He studied composition privately with [[Mátyás Seiber]]. Milner's own teaching career began at [[Morley College]], [[London]], where he taught music theory and history from 1948–64. He was Lecturer in Music at [[King's College London]], from 1965–71, when he moved to [[Goldsmiths' College]] as Senior Lecturer, becoming Principal Lecturer in 1974. In 1980 he was appointed full-time Principal Lecturer at the Royal College, where he had taught part-time since 1961. He remained in this post until his retirement in 1989; his students included [[John Carmichael (composer)|John Carmichael]].<ref>[http://www.chesternovello.com/default.aspx?TabId=2431&State_2905=2&composerId_2905=1057 Milner profile], Chester-Novello website; retrieved 17 October 2013.</ref>


Milner had close academic ties with [[North America]]. Beginning in 1964, he gave frequent summer lecture tours in the [[United States|USA]] and [[Canada]]. Milner's teaching interests centred on twentieth-century [[Music of the United Kingdom|British music]] and on sacred and [[Christian liturgy|liturgical music]]. He was Composer-in-Residence at the Summer School of Liturgical Music at [[Loyola University New Orleans]] in 1965 and 1966, and the first Director of [[Spode Music Week]], an annual residential Music school that places particular emphasis on the music of the Roman Catholic liturgy. {{cn|date=October 2013}}
Milner had close academic ties with [[North America]]. Beginning in 1964, he gave frequent summer lecture tours in the [[United States|USA]] and [[Canada]]. Milner's teaching interests centred on twentieth-century [[Music of the United Kingdom|British music]] and on sacred and [[Christian liturgy|liturgical music]]. He was Composer-in-Residence at the Summer School of Liturgical Music at [[Loyola University New Orleans]] in 1965 and 1966, and the first Director of [[Spode Music Week]], an annual residential Music school that places particular emphasis on the music of the Roman Catholic liturgy. {{citation needed|date=October 2013}}


In 1985 [[Pope John Paul II]] appointed Anthony Milner a [[Order of St. Gregory the Great|Knight of St. Gregory]], in recognition of his work for Catholic liturgical music. {{cn|date=October 2013}}
In 1985 [[Pope John Paul II]] appointed Anthony Milner a [[Order of St. Gregory the Great|Knight of St. Gregory]], in recognition of his work for Catholic liturgical music. {{citation needed|date=October 2013}}


Milner's early compositions were influenced by [[Michael Tippett]], who was Morley College's music director at the time of his appointment to the staff. As he developed his own voice, he continually sought new ways of expressing himself within an essentially tonal style. Contrapuntal rigour and the influence of plainsong are evident in most of his works. {{cn|date=October 2013}}
Milner's early compositions were influenced by [[Michael Tippett]], who was Morley College's music director at the time of his appointment to the staff. As he developed his own voice, he continually sought new ways of expressing himself within an essentially tonal style. Contrapuntal rigour and the influence of plainsong are evident in most of his works. {{citation needed|date=October 2013}}


A commission for the Leicestershire Schools Music Festival in 1967 resulted in a ''Te Deum'', first performed by the [http://www.lsso.co.uk Leicestershire Schools Symphony Orchestra and Chorus] in May 1967 under the direction of the composer. From 1954-65 Milner was director and harpsichordist of the London Cantata Ensemble, with whom he gave the first broadcast performances in the UK of many [[Dieterich Buxtehude|Buxtehude]] cantatas as well as frequently conducting performances of his own music. {{cn|date=October 2013}}
A commission for the Leicestershire Schools Music Festival in 1967 resulted in a ''Te Deum'', first performed by the [http://www.lsso.co.uk Leicestershire Schools Symphony Orchestra and Chorus] in May 1967 under the direction of the composer. From 1954-65 Milner was director and harpsichordist of the London Cantata Ensemble, with whom he gave the first broadcast performances in the UK of many [[Dieterich Buxtehude|Buxtehude]] cantatas as well as frequently conducting performances of his own music. {{citation needed|date=October 2013}}
==Illness/death==
==Illness/death==
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*[http://www.lsso.co.uk/ Leicestershire Schools Symphony Orchestra website]
*[http://www.lsso.co.uk/ Leicestershire Schools Symphony Orchestra website]
*[http://www.claudiorecords.com/detail/milner_more.html Milner Symphony No. 1 & Variations for Orchestra], claudiorecords.com
*[http://www.claudiorecords.com/detail/milner_more.html Milner Symphony No. 1 & Variations for Orchestra], claudiorecords.com
*[http://www.musicweb-international.com/classrev/2001/Oct01/Milner.htm MusicWeb review of Milner's work], 1 October 2001
*[http://www.musicweb-international.com/classrev/2001/Oct01/Milner.htm MusicWeb review of Milner's work], 1 October 2001


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| DATE OF DEATH = 22 September 2002
| DATE OF DEATH = 22 September 2002
| PLACE OF DEATH = Spain}}
| PLACE OF DEATH = Spain}}

{{DEFAULTSORT:Milner, Anthony}}
{{DEFAULTSORT:Milner, Anthony}}
[[Category:1925 births]]
[[Category:1925 births]]
[[Category:2002 deaths]]
[[Category:2002 deaths]]
[[Category:English composers]]
[[Category:English classical composers]]
[[Category:English Roman Catholics]]
[[Category:English Roman Catholics]]
[[Category:People from Bristol]]
[[Category:People from Bristol]]

Revision as of 00:52, 20 September 2014

Anthony Milner (13 May 1925 – 22 September 2002) was a British composer, teacher and conductor.

Milner was born in Bristol, and educated at Douai, Berkshire. He was awarded a bursary to attend the Royal College of Music, where he studied piano with Herbert Fryer and theory with R. O. Morris. He studied composition privately with Mátyás Seiber. Milner's own teaching career began at Morley College, London, where he taught music theory and history from 1948–64. He was Lecturer in Music at King's College London, from 1965–71, when he moved to Goldsmiths' College as Senior Lecturer, becoming Principal Lecturer in 1974. In 1980 he was appointed full-time Principal Lecturer at the Royal College, where he had taught part-time since 1961. He remained in this post until his retirement in 1989; his students included John Carmichael.[1]

Milner had close academic ties with North America. Beginning in 1964, he gave frequent summer lecture tours in the USA and Canada. Milner's teaching interests centred on twentieth-century British music and on sacred and liturgical music. He was Composer-in-Residence at the Summer School of Liturgical Music at Loyola University New Orleans in 1965 and 1966, and the first Director of Spode Music Week, an annual residential Music school that places particular emphasis on the music of the Roman Catholic liturgy. [citation needed]

In 1985 Pope John Paul II appointed Anthony Milner a Knight of St. Gregory, in recognition of his work for Catholic liturgical music. [citation needed]

Milner's early compositions were influenced by Michael Tippett, who was Morley College's music director at the time of his appointment to the staff. As he developed his own voice, he continually sought new ways of expressing himself within an essentially tonal style. Contrapuntal rigour and the influence of plainsong are evident in most of his works. [citation needed]

A commission for the Leicestershire Schools Music Festival in 1967 resulted in a Te Deum, first performed by the Leicestershire Schools Symphony Orchestra and Chorus in May 1967 under the direction of the composer. From 1954-65 Milner was director and harpsichordist of the London Cantata Ensemble, with whom he gave the first broadcast performances in the UK of many Buxtehude cantatas as well as frequently conducting performances of his own music. [citation needed]

Illness/death

Milner was diagnosed with multiple sclerosis in his 40s. As the illness progressed, composition became an increasingly difficult activity. His last work, the Oboe Concerto, was completed in 1994. He spent the last two years of his life in Spain and died there on 22 September 2002.[2]

References

  1. ^ Milner profile, Chester-Novello website; retrieved 17 October 2013.
  2. ^ [1], Milner obituary, musicweb-international.com; retrieved 17 October 2013.

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