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Saint Luke Drawing the Virgin is a large 15th-century oil and tempera on oak panel painting, usually dated between 1435 and 1440, attributed to the Early Netherlandish painter Rogier van der Weyden. Housed in the Museum of Fine Arts, Boston, it shows Luke the Evangelist, patron saint of artists, sketching the Virgin Mary as she nurses the Child Jesus. The figures are positioned in a bourgeois interior which leads out towards a courtyard, river, town and landscape. The face of Luke is accepted as van der Weyden's self-portrait. The painting's historical significance rests both on the skill behind the design and its merging of earthly and divine realms. By positioning himself in the same space as the Madonna, and showing a painter in the act of portrayal, Van der Weyden brings to the fore the role of artistic creativity in 15th-century society. The panel became widely influential with near copies by the Master of the Legend of Saint Ursula and Hugo van der Goes. (Full article...)

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 {{TFAIMAGE|Rogier van der Weyden St Luke Some Chick MFA Boston.jpg |Saint Luke Drawing the Virgin, Boston Museum of Fine Arts}}
-'''''[[Saint Luke Drawing the Virgin]]''''' is a large 15th-century oil and [[tempera]] on oak [[panel painting]], usually dated between 1435 and 1440, attributed to the [[Early Netherlandish painting|Early Netherlandish]] painter [[Rogier van der Weyden]]. Housed in the [[Museum of Fine Arts, Boston|Museum of Fine Arts]], Boston, it shows [[Luke the Evangelist]], patron saint of artists, sketching the [[Mary (mother of Jesus)|Virgin Mary]] as she nurses the [[Child Jesus]]. The figures are positioned in a bourgeois interior which leads out towards a courtyard, river, town and landscape. The [[Hortus conclusus|enclosed garden]], illusionistic carvings of [[Adam and Eve]] on the arms of Mary's throne, and attributes of St Luke are amongst the painting's many iconographic symbols. Van der Weyden was strongly influenced by [[Jan van Eyck]], and the painting is very similar to the earlier ''[[Madonna of Chancellor Rolin]]'', usually dated to around 1434, with significant differences. The figure's positioning and colourisation are reversed, and Luke takes centre stage; his face is accepted as van der Weyden's [[self-portrait]]. Three near contemporary versions are in the [[Hermitage Museum]], Saint Petersburg, the [[Alte Pinakothek]], Munich, and the [[Groeningemuseum]], [[Bruges]]. The Boston panel is widely considered the original from [[underdrawing]]s that are both heavily reworked and absent in other versions. It is in relatively poor condition, having suffered considerable damage, which remains despite extensive restoration and cleaning. The painting's historical significance rests both on the skill behind the design and its merging of earthly and divine realms. By positioning himself in the same space as the Madonna, and showing a painter in the act of portrayal, Van der Weyden brings to the fore the role of artistic creativity in 15th-century society. The panel became widely influential with near copies by the [[Master of the (Bruges) legend of St. Ursula|Master of the Legend of Saint Ursula]] and [[Hugo van der Goes]].
+'''''[[Saint Luke Drawing the Virgin]]''''' is a large 15th-century oil and [[tempera]] on oak [[panel painting]], usually dated between 1435 and 1440, attributed to the [[Early Netherlandish painting|Early Netherlandish]] painter [[Rogier van der Weyden]]. Housed in the [[Museum of Fine Arts, Boston|Museum of Fine Arts]], Boston, it shows [[Luke the Evangelist]], patron saint of artists, sketching the [[Mary (mother of Jesus)|Virgin Mary]] as she nurses the [[Child Jesus]]. The figures are positioned in a bourgeois interior which leads out towards a courtyard, river, town and landscape.  The face of Luke is accepted as van der Weyden's [[self-portrait]].  The painting's historical significance rests both on the skill behind the design and its merging of earthly and divine realms. By positioning himself in the same space as the Madonna, and showing a painter in the act of portrayal, Van der Weyden brings to the fore the role of artistic creativity in 15th-century society. The panel became widely influential with near copies by the [[Master of the (Bruges) legend of St. Ursula|Master of the Legend of Saint Ursula]] and [[Hugo van der Goes]]. {{TFAFULL|Saint Luke Drawing the Virgin}}
-{{TFAFULL|Saint Luke Drawing the Virgin}}
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