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Coordinates: 41°55′45″N 12°28′28″E / 41.929075°N 12.474557°E / 41.929075; 12.474557
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{{Infobox venue
{{Infobox venue
|name = Auditorium Parco della Musica|nickname = |image =|image_caption = The Parco della Musica and the exterior [[Cavea]].|address = Viale Pietro de Coubertin, 30|location = [[Rome]], [[Italy]]|type = [[Performing arts center|Performing-arts center]]|built = 1995-2002|opened = 2002|renovated = |expanded = |owner = |construction_cost = |publictransit = '''Tram:'''
|name = Auditorium Parco della Musica|nickname = |image =|image_caption = The Parco della Musica and the exterior [[Cavea]].|address = Viale Pietro de Coubertin, 30|location = [[Rome]], [[Italy]]|type = [[Performing arts center|Performing-arts center]]|built = 1995-2002|opened = 2002|renovated = |expanded = |owner = |construction_cost = |publictransit = '''Tram:'''
Flaminia/Reni e Apollodoro on Roma 2|website = [http://www.auditorium.com/]|architect = [[Renzo Piano]]}}'''Auditorium Parco della Musica''' is a large multi-functional public music complex in [[Rome]], [[Italy]]. The complex is situated in the north of the city, in the area where the [[1960 Summer Olympic Games]] were held.
Flaminia/Reni e Apollodoro on Roma 2|website = [http://www.auditorium.com/]|architect = [[Renzo Piano]]}}'''Auditorium Parco della Musica''' is a large public music complex in [[Rome]], [[Italy]], with three indoor concert halls and an outdoor theater in a park setting. It was designed by Italian architect [[Renzo Piano]]<ref name=slessor>{{cite journal | last =Slessor | first =Catherine | title =Urban orchestration | journal =The Architectural Review | volume =213 | issue =1275 | pages =64 | date =May 2003}}</ref>; Jürgen Reinhold of Müller-BBM was in charge of acoustics in the three concert halls; Franco Zagari was landscape architect for the outdoor spaces. Parco della Musica lies somewhat north of Rome’s ancient city center, where the [[1960 Summer Olympic Games]] were held, and is home to the world-famous [[Accademia Nazionale di Santa Cecilia]].


The halls are ''Sala Santa Cecilia'', with about 2800 seats; ''Sala Sinopoli'', in memory of conductor [[Giuseppe Sinopoli]], seating about 1200 people; and ''Sala Petrassi'', in memory of [[Goffredo Petrassi]], with 700 seats. Structurally separated for sound-proofing, they are nonetheless joined at the base by a continuous lobby. (Collectively they have acquired nicknames, such as “the blobs,” “the beetles,” “the turtles,” and “the computer mice”.<ref name=slessor />) The outdoor theater, called the ''Cavea'', recalls ancient Greek and Roman performance spaces.<ref name=slessor /> The complex has a fan-shaped layout around its central [[piazza]].
Parco della Musica was designed by Italian architect [[Renzo Piano]].<ref name=slessor>{{cite journal | last =Slessor | first =Catherine | title =Urban orchestration | journal =The Architectural Review | volume =213 | issue =1275 | pages =64 | date =May 2003}}</ref>
Jürgen Reinhold from Müller-BBM was in charge of acoustics in the three concert halls; Franco Zagari was landscape architect for the outdoor spaces.


During construction, excavations uncovered the foundations of a villa and an oil-press dating from the 6th century BC. [[Renzo Piano]] then adjusted his design scheme to accommodate the archaeological remains and included a small museum to house artifacts discovered, delaying the project’s completion by a year.<ref name=slessor /> Parco della Musica was inaugurated on 21 December 2002. Within a few years it became Europe’s most-visited music facility.<ref>[http://www.ilmessaggero.it/articolo.php?id=150403&sez=HOME_SPETTACOLO Il Messaggero, May 24th, 2011]</ref> In 2014 it had over two million visitors, making it the second-most-visited cultural music venue in the world, after [[Lincoln Center]] in [[New York]].
The three large concert halls are ''Sala Petrassi'', in memory of [[Goffredo Petrassi]], about 700 seats; ''Sala Sinopoli'', in memory of [[Giuseppe Sinopoli]], about 1200 seats; and ''Sala Santa Cecilia'', about 2800 seats. They are structurally separated to ensure soundproofing, though joined at the base by a continuous lobby. A fourth "concert hall", called ''Cavea'', is the open air theater recalling ancient Greek and Roman theaters.<ref name=slessor />
The fan-shaped layout is formed around the central [[piazza]].

Structures have several nicknames such as blobs, beetles, scarabs,<ref name=slessor /> turtles, insect carapaces, computer mice.

During construction, excavations uncovered the foundations of a villa and oil press dating from sixth century BC.
[[Renzo Piano]] redesigned the facility to accommodate the archaeological remains and included a small museum to house the artifacts that were discovered. Such changes delayed the project by a year.<ref name=slessor />

The Parco della Musica was formally inaugurated on 21 December 2002; in few years it became Europe's most visited music facility.<ref>[http://www.ilmessaggero.it/articolo.php?id=150403&sez=HOME_SPETTACOLO Il Messaggero, May 24th, 2011]</ref> In 2014 it had over two million spectators, making it the second most visited cultural music venue in the world, after [[Lincoln Center for the Performing Arts]] in [[New York City]].

The [[Accademia Nazionale di Santa Cecilia]] is located at the Parco della Musica.


==References ==
==References ==

Revision as of 15:23, 24 August 2017

Auditorium Parco della Musica
Map
AddressViale Pietro de Coubertin, 30
StandortRome, Italy
Public transitTram: Flaminia/Reni e Apollodoro on Roma 2
TypPerforming-arts center
Bauwesen
Built1995-2002
Opened2002
ArchitectRenzo Piano
Website
[1]

Auditorium Parco della Musica is a large public music complex in Rome, Italy, with three indoor concert halls and an outdoor theater in a park setting. It was designed by Italian architect Renzo Piano[1]; Jürgen Reinhold of Müller-BBM was in charge of acoustics in the three concert halls; Franco Zagari was landscape architect for the outdoor spaces. Parco della Musica lies somewhat north of Rome’s ancient city center, where the 1960 Summer Olympic Games were held, and is home to the world-famous Accademia Nazionale di Santa Cecilia.

The halls are Sala Santa Cecilia, with about 2800 seats; Sala Sinopoli, in memory of conductor Giuseppe Sinopoli, seating about 1200 people; and Sala Petrassi, in memory of Goffredo Petrassi, with 700 seats. Structurally separated for sound-proofing, they are nonetheless joined at the base by a continuous lobby. (Collectively they have acquired nicknames, such as “the blobs,” “the beetles,” “the turtles,” and “the computer mice”.[1]) The outdoor theater, called the Cavea, recalls ancient Greek and Roman performance spaces.[1] The complex has a fan-shaped layout around its central piazza.

During construction, excavations uncovered the foundations of a villa and an oil-press dating from the 6th century BC. Renzo Piano then adjusted his design scheme to accommodate the archaeological remains and included a small museum to house artifacts discovered, delaying the project’s completion by a year.[1] Parco della Musica was inaugurated on 21 December 2002. Within a few years it became Europe’s most-visited music facility.[2] In 2014 it had over two million visitors, making it the second-most-visited cultural music venue in the world, after Lincoln Center in New York.

References

  1. ^ a b c d Slessor, Catherine (May 2003). "Urban orchestration". The Architectural Review. 213 (1275): 64.
  2. ^ Il Messaggero, May 24th, 2011

41°55′45″N 12°28′28″E / 41.929075°N 12.474557°E / 41.929075; 12.474557