Bridal Procession on the Hardangerfjord: Difference between revisions
Sam Sailor (talk | contribs) Adding local short description: "Norwegian painting by Hans Gude and Adolph Tidemand" (Shortdesc helper) |
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{{Infobox artwork |
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{{italic title}} |
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| title = Bridal Procession on the Hardangerfjord |
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| other_language_1 = [[Norwegian language|Norwegian]] |
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| other_title_1 = {{lang|no|Brudeferd i Hardanger}} |
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| other_title_2 = |
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| image = Adolph Tidemand & Hans Gude - Bridal Procession on the Hardangerfjord - Google Art Project.jpg |
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| image_upright = |
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| alt = |
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| caption = |
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| artist = [[Hans Gude]] and [[Adolph Tidemand]] |
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| year = {{start date|1848}} |
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| completion_date = <!-- For a more specific date (post-1583): {{start date|YYYY|MM|DD|df=y}} --> |
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| height_metric = 93 |
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| width_metric = 130 |
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| museum = [[National Gallery (Norway)|National Gallery]] |
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| city = [[Oslo]] |
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| coordinates = <!-- Only use for the coordinates (when known) of the artwork itself, i.e. not for the site, building, structure, etc where it is kept, otherwise leave blank (or omit): {{coord|LAT|LON|type:landmark|display=inline,title}} --> |
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'''''Bridal Procession on the Hardanger''''' is one of the best known [[Norwegian]] [[paintings]].<ref name="Neset2009">{{cite book|author=Arne Neset|title=Arcadian Waters and Wanton Seas: The Iconology of Waterscapes in Nineteenth-century Transatlantic Culture|url=https://books.google.com/books?id=ZUPRp-aDtvIC&pg=PA122|year=2009|publisher=Peter Lang|isbn=978-1-4331-0297-4|pages=122–}}</ref><ref name="Rue2009">{{cite book|author=Anna C. Rue|title="In The Party Circle": Norwegian-Americans and their fiddle|url=https://books.google.com/books?id=qWoOAQAAMAAJ|year=2009|publisher=University of Wisconsin--Madison}}</ref> The 1848 painting was created by [[Hans Gude]] and [[Adolph Tidemand]].<ref name="Denizeau2004">{{cite book|author=Gérard Denizeau|title=Vocabulaire des arts visuels du XIXe siècle|url=https://books.google.com/books?id=TE9NAAAAYAAJ|year=2004|publisher=Minerve|isbn=978-2-86931-108-4}}</ref> Gude painted the landscapes and Tidemand the bridal party.<ref name="O'Leary2010">{{cite book|author=Margaret Hayford O'Leary|title=Culture and Customs of Norway|url=https://books.google.com/books?id=MmceC9bpMggC&pg=PA171|year=2010|publisher=ABC-CLIO|isbn=978-0-313-36248-4|pages=171–}}</ref><ref name="NGN">{{cite web|url=http://samling.nasjonalmuseet.no/en/object/NG.M.00467|title=Hans Gude, Adolph Tidemand, Bridal Procession on the Hardangerfjord – Nasjonalmuseet – Collection|publisher=}}</ref> |
'''''Bridal Procession on the Hardanger''''' is one of the best known [[Norwegian]] [[paintings]].<ref name="Neset2009">{{cite book|author=Arne Neset|title=Arcadian Waters and Wanton Seas: The Iconology of Waterscapes in Nineteenth-century Transatlantic Culture|url=https://books.google.com/books?id=ZUPRp-aDtvIC&pg=PA122|year=2009|publisher=Peter Lang|isbn=978-1-4331-0297-4|pages=122–}}</ref><ref name="Rue2009">{{cite book|author=Anna C. Rue|title="In The Party Circle": Norwegian-Americans and their fiddle|url=https://books.google.com/books?id=qWoOAQAAMAAJ|year=2009|publisher=University of Wisconsin--Madison}}</ref> The 1848 painting was created by [[Hans Gude]] and [[Adolph Tidemand]].<ref name="Denizeau2004">{{cite book|author=Gérard Denizeau|title=Vocabulaire des arts visuels du XIXe siècle|url=https://books.google.com/books?id=TE9NAAAAYAAJ|year=2004|publisher=Minerve|isbn=978-2-86931-108-4}}</ref> Gude painted the landscapes and Tidemand the bridal party.<ref name="O'Leary2010">{{cite book|author=Margaret Hayford O'Leary|title=Culture and Customs of Norway|url=https://books.google.com/books?id=MmceC9bpMggC&pg=PA171|year=2010|publisher=ABC-CLIO|isbn=978-0-313-36248-4|pages=171–}}</ref><ref name="NGN">{{cite web|url=http://samling.nasjonalmuseet.no/en/object/NG.M.00467|title=Hans Gude, Adolph Tidemand, Bridal Procession on the Hardangerfjord – Nasjonalmuseet – Collection|publisher=}}</ref> |
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The painting is considered to be an excellent example of [[Romantic Nationalism]] in Norway.<ref name="Moi2008">{{cite book|author=Toril Moi|title=Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy|url=https://books.google.com/books?id=Kdn9AAAAQBAJ&pg=PT246|date=14 February 2008|publisher=OUP Oxford|isbn=978-0-19-150264-4|pages=246–}}</ref><ref name="Grimley2006">{{cite book|author=Daniel M. Grimley|title=Grieg: Music, Landscape and Norwegian Identity|url=https://books.google.com/books?id=Nzyt33bbAvQC&pg=PA67|year=2006|publisher=Boydell Press|isbn=978-1-84383-210-2|pages=67–}}</ref> A bridal procession runs in boats a [[fjord]] after the wedding. The bride and groom sit on the first boat; behind this, in the distance, other boats are distinguished with the guests of the wedding. The crew are dressed in typical costumes ([[bunad]]); The bride is crowned and the groom is perhaps the man who greets the hat.<ref name="Schmiesing2006">{{cite book|author=Ann Schmiesing|title=Norway's Christiania Theatre, |
The painting is considered to be an excellent example of [[Romantic Nationalism]] in Norway.<ref name="Moi2008">{{cite book|author=Toril Moi|title=Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy|url=https://books.google.com/books?id=Kdn9AAAAQBAJ&pg=PT246|date=14 February 2008|publisher=OUP Oxford|isbn=978-0-19-150264-4|pages=246–}}</ref><ref name="Grimley2006">{{cite book|author=Daniel M. Grimley|title=Grieg: Music, Landscape and Norwegian Identity|url=https://books.google.com/books?id=Nzyt33bbAvQC&pg=PA67|year=2006|publisher=Boydell Press|isbn=978-1-84383-210-2|pages=67–}}</ref> A bridal procession runs in boats a [[fjord]] after the wedding. The bride and groom sit on the first boat; behind this, in the distance, other boats are distinguished with the guests of the wedding. The crew are dressed in typical costumes ([[bunad]]); The bride is crowned and the groom is perhaps the man who greets the hat.<ref name="Schmiesing2006">{{cite book|author=Ann Schmiesing|title=Norway's Christiania Theatre, 1827–1867: From Danish Showhouse to National Stage|url=https://books.google.com/books?id=_dJqOUOLmtYC&pg=PA98|year=2006|publisher=Fairleigh Dickinson Univ Press|isbn=978-0-8386-4107-1|pages=98–}}</ref><ref>{{cite book|title=Gesammelte Aufsätze zur Kulturgeschichte Spaniens|url=https://books.google.com/books?id=9M3Iq6RcZQgC|year=1916|publisher=Aschendorff}}</ref> |
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The painting was first presented in a [[tableau vivant]] at the Christiania Theater in [[1849]].<ref name="HjortLindqvist2016">{{cite book|author1=Mette Hjort|author2=Ursula Lindqvist|title=A Companion to Nordic Cinema|url=https://books.google.com/books?id=vy3YCwAAQBAJ&pg=PA282|date=24 March 2016|publisher=John Wiley & Sons|isbn=978-1-118-47527-0|pages=282–}}</ref> The soireé, in March 1849, included a theatrical group dressed in traditional costumes aboard a boat who performed a song by [[Andreas Munch]] with music by [[Halfdan Kjerulf]], with the painting itself serving as scenery.<ref name="Schmiesing2006"/><ref name="FalahatLange2003">{{cite book|author1=Ann Falahat|author2=Marit Ingeborg Lange|author3=Nasjonalgalleriet (Norway)|title=Hans Fredrik Gude på papir|url=https://books.google.com/books?id=KH1HAQAAIAAJ|year=2003|publisher=Nasjonalgalleriet|isbn=978-82-90744-87-3}}</ref> |
The painting was first presented in a [[tableau vivant]] at the Christiania Theater in [[1849]].<ref name="HjortLindqvist2016">{{cite book|author1=Mette Hjort|author2=Ursula Lindqvist|title=A Companion to Nordic Cinema|url=https://books.google.com/books?id=vy3YCwAAQBAJ&pg=PA282|date=24 March 2016|publisher=John Wiley & Sons|isbn=978-1-118-47527-0|pages=282–}}</ref> The soireé, in March 1849, included a theatrical group dressed in traditional costumes aboard a boat who performed a song by [[Andreas Munch]] with music by [[Halfdan Kjerulf]], with the painting itself serving as scenery.<ref name="Schmiesing2006" /><ref name="FalahatLange2003">{{cite book|author1=Ann Falahat|author2=Marit Ingeborg Lange|author3=Nasjonalgalleriet (Norway)|title=Hans Fredrik Gude på papir|url=https://books.google.com/books?id=KH1HAQAAIAAJ|year=2003|publisher=Nasjonalgalleriet|isbn=978-82-90744-87-3}}</ref> |
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The painting is 93 x 130 |
The painting is 93 x 130 cm, and is preserved in the [[National Gallery (Norway)|National Gallery]] in [[Oslo]].<ref name="NGN" /><ref>{{cite web|url=https://artsandculture.google.com/asset/bridal-procession-on-the-hardangerfjord/EwGseaUks6vhrQ|title=Bridal Procession on the Hardangerfjord – Hans Gude – Google Arts & Culture|publisher=}}</ref> |
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== References == |
== References == |
Revision as of 08:59, 24 August 2018
An editor has nominated this article for deletion. You are welcome to participate in the deletion discussion, which will decide whether or not to retain it. |
Bridal Procession on the Hardangerfjord | |
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Norwegian: Brudeferd i Hardanger | |
Artist | Hans Gude and Adolph Tidemand |
Year | 1848 |
Dimensions | 93 cm × 130 cm (37 in × 51 in) |
Standort | National Gallery, Oslo |
Bridal Procession on the Hardanger is one of the best known Norwegian paintings.[1][2] The 1848 painting was created by Hans Gude and Adolph Tidemand.[3] Gude painted the landscapes and Tidemand the bridal party.[4][5]
The painting is considered to be an excellent example of Romantic Nationalism in Norway.[6][7] A bridal procession runs in boats a fjord after the wedding. The bride and groom sit on the first boat; behind this, in the distance, other boats are distinguished with the guests of the wedding. The crew are dressed in typical costumes (bunad); The bride is crowned and the groom is perhaps the man who greets the hat.[8][9]
The painting was first presented in a tableau vivant at the Christiania Theater in 1849.[10] The soireé, in March 1849, included a theatrical group dressed in traditional costumes aboard a boat who performed a song by Andreas Munch with music by Halfdan Kjerulf, with the painting itself serving as scenery.[8][11]
The painting is 93 x 130 cm, and is preserved in the National Gallery in Oslo.[5][12]
References
- ^ Arne Neset (2009). Arcadian Waters and Wanton Seas: The Iconology of Waterscapes in Nineteenth-century Transatlantic Culture. Peter Lang. pp. 122–. ISBN 978-1-4331-0297-4.
- ^ Anna C. Rue (2009). "In The Party Circle": Norwegian-Americans and their fiddle. University of Wisconsin--Madison.
- ^ Gérard Denizeau (2004). Vocabulaire des arts visuels du XIXe siècle. Minerve. ISBN 978-2-86931-108-4.
- ^ Margaret Hayford O'Leary (2010). Culture and Customs of Norway. ABC-CLIO. pp. 171–. ISBN 978-0-313-36248-4.
- ^ a b "Hans Gude, Adolph Tidemand, Bridal Procession on the Hardangerfjord – Nasjonalmuseet – Collection".
- ^ Toril Moi (14 February 2008). Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. OUP Oxford. pp. 246–. ISBN 978-0-19-150264-4.
- ^ Daniel M. Grimley (2006). Grieg: Music, Landscape and Norwegian Identity. Boydell Press. pp. 67–. ISBN 978-1-84383-210-2.
- ^ a b Ann Schmiesing (2006). Norway's Christiania Theatre, 1827–1867: From Danish Showhouse to National Stage. Fairleigh Dickinson Univ Press. pp. 98–. ISBN 978-0-8386-4107-1.
- ^ Gesammelte Aufsätze zur Kulturgeschichte Spaniens. Aschendorff. 1916.
- ^ Mette Hjort; Ursula Lindqvist (24 March 2016). A Companion to Nordic Cinema. John Wiley & Sons. pp. 282–. ISBN 978-1-118-47527-0.
- ^ Ann Falahat; Marit Ingeborg Lange; Nasjonalgalleriet (Norway) (2003). Hans Fredrik Gude på papir. Nasjonalgalleriet. ISBN 978-82-90744-87-3.
- ^ "Bridal Procession on the Hardangerfjord – Hans Gude – Google Arts & Culture".