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'''Royal Crown Derby''' is a [[porcelain]] factory, based in [[Derby]], [[England]]. They have produced [[tableware]] and [[Collectible|collectibles]] for over 250 years.
The '''Royal Crown Derby Porcelain Company''' is a [[porcelain]] factory, based in [[Derby]], [[England]]. The company has produced [[tableware]] and ornamental items for over 250 years.


==History==
==History==


The Royal Crown Derby Porcelain Co. opened sometime before 1750, with the exact date of the company's founding not known. The story begins with an entrepreneur named Andrew Planche migrating from France to England to escape the religious suppression of the Huguenots during the early 1700’s. After settling in England, Planche decided to open a porcelain factory. He partnered with William Duesbury (a wealthy English merchant) and the two men began work on a factory in Derby, England. Derby is located on the River Derwent near Trent. Proximity to the river allowed Duesbury and Planche to easily import and export raw materials as well as finished product. Additionally, Derby was known for its prolific silk trade and as a haven for artists.
The Derby porcelain factory opened some time before 1750: the exact date of the company's foundation is not known. An entrepreneur named Andrew Planche migrated from [[France]] to [[England]] to escape the religious suppression of the [[Huguenot]]s during the early 1700’s. After settling in England, Planche decided to open a porcelain factory. He formed a partnership with William Duesbury (a wealthy English merchant) and the two men began work on a factory in Derby. Derby is located on the [[River Derwent]] near the [[River Trent]], which forms an easy connection to the centre of the English pottery industry at [[Stoke-on-Trent]]. Proximity to the river allowed Duesbury and Planche easily to import and export raw materials as well as finished products. Additionally, Derby was known for its prolific silk trade and as a haven for artists.


In 1750, the doors of the Chelsea Works factory were opened. The factory brought industry to the small town of Derby and helped the town prosper. As the company’s figurines and dinnerware became popular throughout Europe, the Chelsea Works began attracting some of the most skilled artists of the day. Figure painting was done by Richard Askew and James Banford. Zachariah Boreman and John Brewer were hired to paint landscapes, still-lives, and pastorals. Intricate floral patterns were designed and painted by William Billingsley and William Pegg. Under the remarkable guidance of this design team, the company established its reputation for excellence in design, quality, and craftsmanship. In 1770, William Duesbury fully acquired the famous Chelsea Works factory from his partner. He continued to work to grow his small porcelain business. In 1775, Duesbury’s hard work was rewarded by King George III. The King issued Duesbury the rare honor of being allowed to incorporate His Majesty’s crown into the Derby backstamp. The company then became known as Crown Derby.
In 1750, the doors of the '''Chelsea Works''' factory were opened. The factory brought industry and prosperity to the small town of Derby. As the company’s [[figurine]]s and dinner services became popular throughout Europe, the Chelsea Works began to attract some of the most skilled artists of the day. Figure painting was done by [[Richard Askew]] and [[James Banford]]. [[Zachariah Boreman]] and [[John Brewer (artist)|John Brewer]] were hired to paint landscapes, still-lifes, and pastorals. Intricate floral patterns were designed and painted by [[William Billingsley (artist)|Willima Billingsley]] and [[William Pegg]]. Under the remarkable guidance of this design team, the company established its reputation for excellence in design, quality, and craftsmanship.


In 1770, William Duesbury fully acquired the famous Chelsea Works factory from his partner. He continued to work to grow his small porcelain business. In 1775, Duesbury’s hard work was rewarded by [[King George III]], who granted him the honour of being allowed to incorporate His Majesty’s crown into the Derby backstamp. The company then became known as '''Crown Derby'''.
In 1786, William Duesbury died. The company was passed to his son, William Duesbury II. Because he was educated and raised close to the porcelain business, William made an excellent leader. He set to work developing a number of new glazes and body types. Unfortunately, William Duesbury II died in 1797 at the age of 34. The company was passed to Michael Kean, and at this time the reputation of the Derby name began to decline. Many eminent artists working at the Derby factory left in pursuit of other opportunities during this time.


In 1786, William Duesbury died. The company passed to his son, William Duesbury II. Because he was educated and raised close to the porcelain business, William made an excellent director. He set to work developing a number of new [[ceramic glaze|glazes]] and body types. Unfortunately, William Duesbury II died in 1797 at the age of 34. The company passed to Michael Kean, and the reputation of the Derby name began to decline. Many eminent artists working at the Derby factory left in pursuit of other opportunities during this period.
In an effort to prevent further deterioration of the Derby name, leadership was passed to William Bloor in 1811. Bloor had a reputation as a shrewd business man. He was also recognized as an art lover with an appreciation for works that were richly colored and elegantly styled. Under his leadership, the company began designing brightly colored Japanese imari patterns. These lines often featured intricate geometric patterns layered with various floral designs. New artists were hired as the company set about to restore itself to its former glory.


In an effort to prevent further deterioration of the Derby name, leadership was passed to William Bloor in 1811. Bloor had a reputation as a shrewd business man. He was also recognized as an art lover with an appreciation for works that were richly coloured and elegantly styled. Under his leadership, the company began designing brightly coloured [[Japan]]ese [[imari porcelain|imari]] patterns. These lines often featured intricate geometric patterns layered with various floral designs. New artists were hired as the company set about to restore itself to its former glory.
In 1877, the old Derby factory was torn down and a new one erected. The opening of the impressive Osmaston Road factory would be the beginning of the modern period of Derby porcelain. Crown Derby’s patterns became immensely popular during the Victorian era. Victorians relished the romantic and lavish designs that were produced by the Derby factory. In 1890, Queen Victoria appointed Crown Derby to be “Manufacturers of porcelain to Her Majesty.” By order of the Royal Warrant, Queen Victoria granted the title "The Royal Crown Derby Porcelain Company".


In 1877, the old Derby factory was torn down and an impressive new one erected in Osmaston Road, the opening of which was to be the beginning of the modern period of Derby porcelain. Crown Derby’s patterns became immensely popular during the [[Victorian]] era, as the Derby factory's romantic and lavish designs exactly met the popular taste of the period. In 1890, [[Queen Victoria]] appointed Crown Derby to be “Manufacturers of porcelain to Her Majesty” and by [[Royal Warrant]] granted them the title "The Royal Crown Derby Porcelain Company".
In 1964, Royal Crown Derby was acquired by S. Pearson and Son and became part of the Allied English Potteries Group, later to be joined by Royal Doulton. In the year 2000, Hugh Gibson, a former director of Royal Doulton and a member of the Pearson family, led a buy out, allowing Royal Crown Derby to once again be an independent and privately owned concern.


In 1964, Royal Crown Derby was acquired by S. Pearson and Son and became part of the Allied English Potteries Group, later to be joined by [[Royal Doulton]]. In the year 2000, Hugh Gibson, a former director of Royal Doulton and a member of the Pearson family, led a buy out, allowing Royal Crown Derby once again to be an independent and privately owned concern.
In 1981, the company introduced a line of paperweights which have become immensely popular. Rich colours and intricate gilding remain the distinguishing features of Royal Crown Derby. Royal Crown Derby continues to produce patterns in the imari style. Fine dinnerware dealers world-wide carry many of these patterns, including Old Imari, Traditional Imari, Red Aves, Blue Mikado, and Olde Avesbury.


In 1981, the company introduced a line of paperweights which have become immensely popular. Rich colours and intricate gilding remain the distinguishing features of Royal Crown Derby, who also continue to produce patterns in the imari style. Fine dinnerware dealers world-wide carry many of these patterns, including Old Imari, Traditional Imari, Red Aves, Blue Mikado, and Olde Avesbury.
Today, Royal Crown Derby Porcelain Company is a privately owned Limited Company. It employs about 300 people and manufactures the highest quality English Fine Bone China at its factory on Osmaston Road, in Derby, England.

The present Royal Crown Derby Porcelain Company remains a privately owned limited company, and employs about 300 people in the manufacture of fine [bone china]], still in its factory on Osmaston Road in Derby.


==External link==
==External link==
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*[http://www.royal-crown-derby.co.uk/ Official website]
*[http://www.royal-crown-derby.co.uk/ Official website]


[[Category:Ceramics manufacturers of the United Kingdom]]
{{Uncategorized|October 2006}}
[[Category:Companies based in Derbyshire]]

Revision as of 17:29, 16 December 2006

The Royal Crown Derby Porcelain Company is a porcelain factory, based in Derby, England. The company has produced tableware and ornamental items for over 250 years.

History

The Derby porcelain factory opened some time before 1750: the exact date of the company's foundation is not known. An entrepreneur named Andrew Planche migrated from France to England to escape the religious suppression of the Huguenots during the early 1700’s. After settling in England, Planche decided to open a porcelain factory. He formed a partnership with William Duesbury (a wealthy English merchant) and the two men began work on a factory in Derby. Derby is located on the River Derwent near the River Trent, which forms an easy connection to the centre of the English pottery industry at Stoke-on-Trent. Proximity to the river allowed Duesbury and Planche easily to import and export raw materials as well as finished products. Additionally, Derby was known for its prolific silk trade and as a haven for artists.

In 1750, the doors of the Chelsea Works factory were opened. The factory brought industry and prosperity to the small town of Derby. As the company’s figurines and dinner services became popular throughout Europe, the Chelsea Works began to attract some of the most skilled artists of the day. Figure painting was done by Richard Askew and James Banford. Zachariah Boreman and John Brewer were hired to paint landscapes, still-lifes, and pastorals. Intricate floral patterns were designed and painted by Willima Billingsley and William Pegg. Under the remarkable guidance of this design team, the company established its reputation for excellence in design, quality, and craftsmanship.

In 1770, William Duesbury fully acquired the famous Chelsea Works factory from his partner. He continued to work to grow his small porcelain business. In 1775, Duesbury’s hard work was rewarded by King George III, who granted him the honour of being allowed to incorporate His Majesty’s crown into the Derby backstamp. The company then became known as Crown Derby.

In 1786, William Duesbury died. The company passed to his son, William Duesbury II. Because he was educated and raised close to the porcelain business, William made an excellent director. He set to work developing a number of new glazes and body types. Unfortunately, William Duesbury II died in 1797 at the age of 34. The company passed to Michael Kean, and the reputation of the Derby name began to decline. Many eminent artists working at the Derby factory left in pursuit of other opportunities during this period.

In an effort to prevent further deterioration of the Derby name, leadership was passed to William Bloor in 1811. Bloor had a reputation as a shrewd business man. He was also recognized as an art lover with an appreciation for works that were richly coloured and elegantly styled. Under his leadership, the company began designing brightly coloured Japanese imari patterns. These lines often featured intricate geometric patterns layered with various floral designs. New artists were hired as the company set about to restore itself to its former glory.

In 1877, the old Derby factory was torn down and an impressive new one erected in Osmaston Road, the opening of which was to be the beginning of the modern period of Derby porcelain. Crown Derby’s patterns became immensely popular during the Victorian era, as the Derby factory's romantic and lavish designs exactly met the popular taste of the period. In 1890, Queen Victoria appointed Crown Derby to be “Manufacturers of porcelain to Her Majesty” and by Royal Warrant granted them the title "The Royal Crown Derby Porcelain Company".

In 1964, Royal Crown Derby was acquired by S. Pearson and Son and became part of the Allied English Potteries Group, later to be joined by Royal Doulton. In the year 2000, Hugh Gibson, a former director of Royal Doulton and a member of the Pearson family, led a buy out, allowing Royal Crown Derby once again to be an independent and privately owned concern.

In 1981, the company introduced a line of paperweights which have become immensely popular. Rich colours and intricate gilding remain the distinguishing features of Royal Crown Derby, who also continue to produce patterns in the imari style. Fine dinnerware dealers world-wide carry many of these patterns, including Old Imari, Traditional Imari, Red Aves, Blue Mikado, and Olde Avesbury.

The present Royal Crown Derby Porcelain Company remains a privately owned limited company, and employs about 300 people in the manufacture of fine [bone china]], still in its factory on Osmaston Road in Derby.