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== Life ==
== Life ==
Steinecke was born in [[Essen]] as son of Käthe Steinecke ''née'' Lübbers and Hugo Wolfram Steinecke. The father was a full-time Reichsbahn inspector. As a sideline he was a [[music critic]] for well-known Essen daily newspapers and was a choirmaster. Already as a child Steinecke wrote poems and a play. He attended a grammar school in his home town. At the age of 17 he wrote his first musical work. From 1927 he wrote [[incidental music]] for school theatre performances as well as for productions of the Kiel Student Theatre. Steinecke first completed practical music studies at the Folkwangschule in Essen with Ludwig Riemann (1863-1927) and [[Felix Wolfes]]. He then studied musicology with [[Ernst Bücken]], art history, theatre and literature and philosophy at the Cologne Academy of Music and the University of Cologne and in Kiel. By 1928 he had already written a seventy-page music aesthetic, which is in his estate.
Steinecke was born in [[Essen]],<ref name="Hesse" /> as son of Käthe Lübbers and Hugo Wolfram Steinecke. His father was a full-time Reichsbahn inspector, and also a [[music critic]] for well-known Essen daily newspapers, and a choral conductor.<ref name="Hesse" /> Already as a child, Steinecke wrote poems and a play. He attended a gymnasium in his home town.<ref name="Hesse" /> At the age of 17 he wrote his first composition. From 1927, he wrote [[incidental music]] for school theatre performances as well as for productions of the Kiel Student Theatre. Steinecke first completed practical music studies at the [[Folkwangschule]] in Essen with Ludwig Riemann (1863-1927) and [[Felix Wolfes]]. He then studied musicology with [[Ernst Bücken]], art history, theatre and literature and philosophy at the [[Musikhochschule Köln]], the [[University of Cologne]] and the [[University of Kiel]].<ref name="Hesse" /> By 1928 he had already written a seventy-page music aesthetic.


In addition to his studies, he worked as a student of direction and assistant to [[Georg Hartmann (intendant)|Georg Hartmann]] at the Städtische Bühnen in Kiel. In 1934 he received his doctorate under [[Friedrich Blume]] in Cologne. The title of the dissertation was "The Parody in Music".
In addition to his studies, he worked as an assistant student of theatre with [[Georg Hartmann (intendant)|Georg Hartmann]] at the [[Theater Kiel|Städtische Bühnen Kiel]]. In 1934 he received his doctorate under [[Friedrich Blume]] in Cologne. The title of the dissertation was "The Parody in Music".<ref name="Hesse" />


Steinecke was open-minded about the Nazi regime and also cultivated relationships with numerous influential musicians and musicologists during the Nazi period. Among them was his doctoral supervisor Friedrich Blume, but also [[Fritz Stein]].
Steinecke was open-minded about the Nazi regime and also cultivated relationships with numerous influential musicians and musicologists during the Nazi period. Among them was his doctoral supervisor Friedrich Blume, but also [[Fritz Stein]].


Steinecke worked as a music and theatre critic for the ''Rheinisch-Westfälische Zeitung'' in Essen until 1939. He then moved to Darmstadt to work as the editor for southwest Germany for the Düsseldorf theatre newspaper ''Der Mittag''. He also worked as a correspondent for several daily newspapers. Due to the closure of the German theaters on September 1, 1944 he became unemployed.
Steinecke worked as a music and theatre critic for the ''Rheinisch-Westfälische Zeitung'' in Essen until 1939. He then moved to Darmstadt to work as the editor for southwest Germany for the Düsseldorf theatre newspaper ''Der Mittag''. He also worked as a correspondent for several daily newspapers.<ref name="Hesse"> Due to the closure of the German theatres on 1 September 1944 he became unemployed.


After the end of the Second World War he applied in Darmstadt for a job in the newly to be founded cultural administration of the city of Darmstadt under Mayor {{Ill|Ludwig Metzger|de}}. On his application he stated that he was politically unencumbered and made no statements about his activities in the NS time. Also at a later time Steinecke was not subjected to a denazification procedure. On 1 August 1945 he was given a temporary contract of employment as cultural advisor. On 1 December 1945, the American Military Government agreed to employ Steinecke. The employment contract was regularly extended in the following period. He received a salary in the rank of a government councillor.
After the end of the Second World War he applied in Darmstadt for a job in the new cultural administration of the city of Darmstadt under Mayor {{Ill|Ludwig Metzger|de}}. On his application he stated that he was politically unencumbered and made no statements about his activities in the NS time. Also at a later time Steinecke was not subjected to a denazification procedure. On 1 August 1945 he was given a temporary contract of employment as cultural advisor. On 1 December 1945, the American Military Government agreed to employ Steinecke. The employment contract was regularly extended in the following period. He received a salary in the rank of a government councillor.


During his time as cultural advisor until 1948 Steinecke rebuilt the cultural administration in the heavily destroyed city of Darmstadt. This included the opening of the municipal library, the Academy of Musical Arts and the Volkshochschule. He also founded a municipal [[chamber music]] series and organized the first art exhibitions.
During his time as cultural advisor until 1948 Steinecke rebuilt the cultural administration in the heavily destroyed city of Darmstadt. This included the opening of the municipal library, the Academy of Musical Arts and the Volkshochschule. He also founded a municipal [[chamber music]] series and organized the first art exhibitions.<ref name="Hesse" />


The name Steinecke is, however, particularly associated with the founding of the International Summer Courses for New Music and the Kranichstein Music Institute. The programs in the early years were strongly influenced by musicians from the transitional period between National Socialism and the Federal Republic of Germany. These included such musicians as {{Ill|Hugo Distler|de}}, [[Wolfgang Fortner]], [[Gerhard Frommel]], [[Hermann Reutter]] etc. From 1950 Steinecke devoted himself exclusively to the [[Darmstädter Ferienkurse]]. Little by little he succeeded in bringing many composers of [[Neue Musik]] to Darmstadt.
The name Steinecke is, however, particularly associated with the founding of the International Summer Courses for New Music and the Kranichstein Music Institute. The programs in the early years were strongly influenced by musicians from the transitional period between National Socialism and the Federal Republic of Germany. These included such musicians as {{Ill|Hugo Distler|de}}, [[Wolfgang Fortner]], [[Gerhard Frommel]], [[Hermann Reutter]] etc. From 1950 Steinecke devoted himself exclusively to the [[Darmstädter Ferienkurse]]. He succeeded in bringing many composers of [[Neue Musik]] to Darmstadt. Steinecke also worked as a music critic for various newspapers and magazines.


⚫
Steinecke was married to the photographer Hella Steinecke née Dahm (1921-1982). The marriage remained childless. Steinecke died as a result of a car accident in Darmstadt on 23 December 1961 at the age of 51.<ref name="Hesse" />
Steinecke also worked as a music critic for various newspapers and magazines.

⚫
Steinecke was married to the photographer Hella Steinecke ''née Dahm'' (1921-1982). The marriage remained childless. Steinecke died as a result of a car accident in December 1961 at the age of 51.


== Publications ==
== Publications ==
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== Literature ==
== Literature ==
* Artikel Wolfgang Steinecke, in ''Stadtlexikon Darmstadt'', Stuttgart 2006, S. 889.
* Michael Custodis im Auftrag des Internationalen Musikinstituts Darmstadt (IMD): ''Traditionen Koalitionen Visionen. Wolfgang Steinecke und die Internationalen Ferienkurse in Darmstadt'',<ref>[https://www.worldcat.org/title/traditionen-koalitionen-visionen-wolfgang-steinecke-und-die-internationale-ferienkurse-in-darmstardt/oclc/795418049&referer=brief_results ''Traditionen - Koalitionen - Visionen : Wolfgang Steinecke und die internationale Ferienkurse''] on WorldCat</ref> in Darmstardt Saarbrücken 2010.
* Michael Custodis im Auftrag des Internationalen Musikinstituts Darmstadt (IMD): ''Traditionen Koalitionen Visionen. Wolfgang Steinecke und die Internationalen Ferienkurse in Darmstadt'',<ref>[https://www.worldcat.org/title/traditionen-koalitionen-visionen-wolfgang-steinecke-und-die-internationale-ferienkurse-in-darmstardt/oclc/795418049&referer=brief_results ''Traditionen - Koalitionen - Visionen : Wolfgang Steinecke und die internationale Ferienkurse''] on WorldCat</ref> in Darmstardt Saarbrücken 2010.


== References ==
== References ==
{{Reflist}}
{{Reflist
| refs =

<ref name="Hesse">{{cite web
| url = https://www.lagis-hessen.de/pnd/117251658
| title = Steinecke, Wolfgang [ID = 2010]
| website = Hessian Biography
| language = de
| accessdate = 25 April 2020
}}</ref>

}}


== External links ==
== External links ==

Revision as of 20:37, 25 April 2020

Wolfgang Steinecke (left) with Heinz Dressel (1957)

Wolfgang Steinecke (22 April 1910 – 23 December 1961) was a German musicologist, music critic and cultural politician.

Life

Steinecke was born in Essen,[1] as son of Käthe Lübbers and Hugo Wolfram Steinecke. His father was a full-time Reichsbahn inspector, and also a music critic for well-known Essen daily newspapers, and a choral conductor.[1] Already as a child, Steinecke wrote poems and a play. He attended a gymnasium in his home town.[1] At the age of 17 he wrote his first composition. From 1927, he wrote incidental music for school theatre performances as well as for productions of the Kiel Student Theatre. Steinecke first completed practical music studies at the Folkwangschule in Essen with Ludwig Riemann (1863-1927) and Felix Wolfes. He then studied musicology with Ernst Bücken, art history, theatre and literature and philosophy at the Musikhochschule Köln, the University of Cologne and the University of Kiel.[1] By 1928 he had already written a seventy-page music aesthetic.

In addition to his studies, he worked as an assistant student of theatre with Georg Hartmann at the Städtische Bühnen Kiel. In 1934 he received his doctorate under Friedrich Blume in Cologne. The title of the dissertation was "The Parody in Music".[1]

Steinecke was open-minded about the Nazi regime and also cultivated relationships with numerous influential musicians and musicologists during the Nazi period. Among them was his doctoral supervisor Friedrich Blume, but also Fritz Stein.

Steinecke worked as a music and theatre critic for the Rheinisch-Westfälische Zeitung in Essen until 1939. He then moved to Darmstadt to work as the editor for southwest Germany for the Düsseldorf theatre newspaper Der Mittag. He also worked as a correspondent for several daily newspapers.Cite error: A <ref> tag is missing the closing </ref> (see the help page).

  • 1960: Darmstädter Beiträge zur neuen Musik[2]
  • 1961: Kranichstein : Geschichte, Idee, Ergebnisse.[3]
  • 1993: Juden in Kleve : Spuren einer verlorenen Vergangenheit.[4]
  • 2011: Spielmusik : für Violine, Viola und Violoncello = Instrumental music [5]

Literature

  • Michael Custodis im Auftrag des Internationalen Musikinstituts Darmstadt (IMD): Traditionen Koalitionen Visionen. Wolfgang Steinecke und die Internationalen Ferienkurse in Darmstadt,[6] in Darmstardt Saarbrücken 2010.

References

  1. ^ a b c d e "Steinecke, Wolfgang [ID = 2010]". Hessian Biography (in German). Retrieved 25 April 2020.
  2. ^ Darmstaedter Beiträge zur neuen Musik on WorldCat
  3. ^ Kranichstein : Geschichte, Idee, Ergebnisse on WorldCat
  4. ^ Juden in Kleve : Spuren einer verlorenen Vergangenheit on WorldCat
  5. ^ Spielmusik : für Violine, Viola und Violoncello = Instrumental music : for violin, viola, and violoncello on WorldCat
  6. ^ Traditionen - Koalitionen - Visionen : Wolfgang Steinecke und die internationale Ferienkurse on WorldCat
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