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Revision as of 03:33, 14 November 2020
Nicole R. Fleetwood is a professor of American Studies and Art History at Rutgers University.[1]
Bildung
Fleetwood received her B.Phil. from the School of Interdisciplinary Studies at Miami University of Ohio and her Ph.D. from Stanford University in the Program in Modern Thought and Literature.[2]
Career
Fleetwood interests are "contemporary black diasporic art and visual culture, photography studies, art and public practice, performance studies, gender, and feminist studies, black cultural history, creative nonfiction, prison abolition, carceral studies, and poverty studies."[2]
In 2014, she co-organized “Marking Time: Prison Art and Activism,” a conference and six site exhibition with the Institute for Research on Women at Rutgers. A 44-artist show was exhibited in 2018 at the Aperture Foundation[3] and then in 2020 at the reopened MoMA PS1.[4][5][6][7]
Awards and honors
2012 Lora Romero First Book Publication Prize of the American Studies Association
Books
- Marking Time: Art in the Age of Mass Incarceration (Harvard University Press, 2020)
- On Racial Icons: Blackness and the Public Imagination (Rutgers University Press, 2015)[8][9]
- Troubling Vision: Performance, Visuality and Blackness (University of Chicago Press, 2011)[10]
References
- ^ Cramer, Maria (2020-07-03). "The Mug Shot, a Crime Story Staple, Is Dropped by Some Newsrooms and Police". The New York Times. Retrieved 2020-11-13.
{{cite news}}: Cite has empty unknown parameter:|1=(help) - ^ a b "Nicole R. Fleetwood". amerstudies.rutgers.edu.
- ^ "Prison Nation". Aperture.
- ^ Cotter, Holland (2020-09-24). "Making Art When Lockdown Means Prison". The New York Times. Retrieved 2020-11-13.
{{cite news}}: Cite has empty unknown parameter:|1=(help) - ^ Fateman, Johanna. ""Marking Time: Art in the Age of Mass Incarceration"". The New Yorker. Retrieved 2020-11-13.
{{cite news}}: Cite has empty unknown parameter:|1=(help) - ^ Limbong, Andrew (2020-10-28). "'Marking Time' And Making Art In Confinement". National Public Radio. Retrieved 2020-11-13.
{{cite news}}: Cite has empty unknown parameter:|1=(help) - ^ Lynne, Jessica (2020-06-25). "How Visual Culture Is Implicated in Mass Incarceration". The Nation. Retrieved 2020-11-13.
{{cite news}}: Cite has empty unknown parameter:|1=(help) - ^ Brunner, Rachel (2017). "On Racial Icons: Blackness and the Public Imagination by Nicole R. Fleetwood (review)". Callaloo. 40 (3): 101–104. doi:10.1353/cal.2017.0123. ISSN 1080-6512.
- ^ [https://doi.org/10.1405/85343 "N.R. Fleetwood, 2015, On Racial Icons. Blackness and the Public Imagination e E. Bordin, A. Scacchi (a cura di), 2015, Transatlantic Memories of Slavery. Reimagining the Past, Changing the Future [Gaia Giuliani]; P. Grassi, 2015, Il limbo urbano. Conflitti territoriali, violenza e gang a Citt� del Guatemala [Luigigiovanni Quarta];"]. Studi culturali (3): 449–453. 2016. doi:10.1405/85343. ISSN 1824-369X.
{{cite journal}}: replacement character in|title=at position 294 (help) - ^ Summers, Brandi Thompson (2013-07-30). "Troubling Vision: Performance, Visuality, and Blackness by Nicole Fleetwood (review)". Callaloo. 36 (2): 471–474. doi:10.1353/cal.2013.0131. ISSN 1080-6512.
