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==Lyric==
==Lyric==
The words were written by [[Leonard McNally]]<ref name= Latham>{{cite book |title=Oxford Dictionary of Musical Works |last=Latham |first=Alison (ed.)|authorlink= |year=2004 |isbn= 978-0198610205 |page=91}}</ref><ref name= Stories169>{{cite book |title=Stories of Famous Songs |last=Fitz-Gerald |first=S. J. Adair |authorlink= |year=2005 - reprint of 1901 edition |isbn=978-1417960163 |page=169}}</ref> (1752 – 1820<ref name= Keogh>{{cite book |title=Patriot Priest: A Life of Reverend James Coigly |last=Keogh |first=Daire |year=1998 |isbn=978-1859181423 |page=81}}</ref>), who was a Dublin [[barrister]], playwright, a leader of the [[United Irishmen]] (a clandestine republican Irish revolutionary society<ref>{{cite book |title=The United Irishmen: Republicanism, Radicalism and Rebellion |url=https://archive.org/details/unitedirishmenre00dick |url-access=registration |last=Dickson |first=David, et al. (eds.) |year=1993 |isbn=978-0946640959 |page=[https://archive.org/details/unitedirishmenre00dick/page/172 172]}}</ref>), but also a double agent for the British Government.<ref>{{cite book |title=A Short History of Ireland |last=Ranelagh |first=John O'Beirne|authorlink= |year=1995 |isbn=978-0521469449 |page=83}}</ref><ref>{{cite book |title=A Short History of Ireland |last=McMahon |first=Sean |authorlink= |year=1996 |isbn=978-0802313195 |page=[https://archive.org/details/shorthistoryofir0000mcma/page/112 112] |url=https://archive.org/details/shorthistoryofir0000mcma/page/112 }}</ref> McNally would betray his United Irishmen colleagues to the authorities and then, as defence counsel at their trial, secretly collaborate with the prosecution to secure a conviction.<ref name= encycl>{{cite web |url=http://www.encyclopedia.com/doc/1E1-MacNally.html |title=Leonard McNally |author= |year=2008 |work=The Columbia Encyclopedia, Sixth Edition |publisher=Encyclopedia.com |accessdate=29 December 2012}}</ref><ref name= Webb>{{cite web |url=http://www.libraryireland.com/biography/LeonardMcNally.php |title=Leonard McNally |author=Alfred John Webb |year=1878 |work=A Compendium of Irish Biography |publisher=Library Ireland |accessdate=30 December 2012}}</ref><ref name= Hardiman>{{cite journal |author=[[Adrian Hardiman]] |date=July–August 2005 |title=The (Show?) Trial of Robert Emmet |journal=History Ireland |volume=13 |issue=4 |pages= |url=http://www.historyireland.com/volumes/volume13/issue4/features/?id=113866 |accessdate=30 December 2012}}</ref> He wrote a number of songs and [[operettas]], including for [[Royal Opera House|Covent Garden]].<ref name= Stories169/>
The words were written by [[Leonard McNally]]<ref name= Latham>{{cite book |title=Oxford Dictionary of Musical Works |last=Latham |first=Alison (ed.)|year=2004 |isbn= 978-0198610205 |page=91}}</ref><ref name= Stories169>{{cite book |title=Stories of Famous Songs |last=Fitz-Gerald |first=S. J. Adair |year=2005 - reprint of 1901 edition |isbn=978-1417960163 |page=169}}</ref> (1752 – 1820<ref name= Keogh>{{cite book |title=Patriot Priest: A Life of Reverend James Coigly |last=Keogh |first=Daire |year=1998 |isbn=978-1859181423 |page=81}}</ref>), who was a Dublin [[barrister]], playwright, a leader of the [[United Irishmen]] (a clandestine republican Irish revolutionary society<ref>{{cite book |title=The United Irishmen: Republicanism, Radicalism and Rebellion |url=https://archive.org/details/unitedirishmenre00dick |url-access=registration |last=Dickson |first=David, et al. (eds.) |year=1993 |isbn=978-0946640959 |page=[https://archive.org/details/unitedirishmenre00dick/page/172 172]}}</ref>), but also a double agent for the British Government.<ref>{{cite book |title=A Short History of Ireland |last=Ranelagh |first=John O'Beirne|year=1995 |isbn=978-0521469449 |page=83}}</ref><ref>{{cite book |title=A Short History of Ireland |last=McMahon |first=Sean |year=1996 |isbn=978-0802313195 |page=[https://archive.org/details/shorthistoryofir0000mcma/page/112 112] |url=https://archive.org/details/shorthistoryofir0000mcma/page/112 }}</ref> McNally would betray his United Irishmen colleagues to the authorities and then, as defence counsel at their trial, secretly collaborate with the prosecution to secure a conviction.<ref name= encycl>{{cite web |url=http://www.encyclopedia.com/doc/1E1-MacNally.html |title=Leonard McNally |year=2008 |work=The Columbia Encyclopedia, Sixth Edition |publisher=Encyclopedia.com |access-date=29 December 2012}}</ref><ref name= Webb>{{cite web |url=http://www.libraryireland.com/biography/LeonardMcNally.php |title=Leonard McNally |author=Alfred John Webb |year=1878 |work=A Compendium of Irish Biography |publisher=Library Ireland |access-date=30 December 2012}}</ref><ref name= Hardiman>{{cite journal |author=[[Adrian Hardiman]] |date=July–August 2005 |title=The (Show?) Trial of Robert Emmet |journal=History Ireland |volume=13 |issue=4 |url=http://www.historyireland.com/volumes/volume13/issue4/features/?id=113866 |access-date=30 December 2012}}</ref> He wrote a number of songs and [[operettas]], including for [[Royal Opera House|Covent Garden]].<ref name= Stories169/>
[[File:George Cuitt - Easby Hall and Easby Abbey with Richmond, Yorkshire in the Background - Google Art Project.jpg|thumb|upright=1.5|left|The [[Yorkshire]] countryside around [[Richmond, Yorkshire|Richmond]], with the town in the background. c.1800. Painting by [[George Cuitt the Elder|George Cuitt]].]]
[[File:George Cuitt - Easby Hall and Easby Abbey with Richmond, Yorkshire in the Background - Google Art Project.jpg|thumb|upright=1.5|left|The [[Yorkshire]] countryside around [[Richmond, Yorkshire|Richmond]], with the town in the background. c.1800. Painting by [[George Cuitt the Elder|George Cuitt]].]]
The "lass" referred to is Frances I’Anson, whom Leonard McNally married in 1787.<ref name= Stories169/><ref name= tales>{{cite book |title=Curious Tales of Old North Yorkshire |last=Peach |first=Howard |author2=Willis, Phil |year=2003 |isbn=978-1850587934 |page=142}}</ref> Her family owned a property in [[Richmond, Yorkshire]] called "Hill House", hence she was the "lass of Richmond Hill".<ref name= Stories169/> (''Lass'' is a Scottish or Northern English dialect word for "girl" or "young woman", derived from [[Old Norse]].<ref>{{cite web |url=http://oxforddictionaries.com/definition/english/lass |title=''Lass''|author= |work=Oxford English Dictionary Online |publisher=Oxford Dictionaries|accessdate=1 January 2013}}</ref>) Frances's father disapproved of McNally and the couple had to [[elope]] in order to marry.<ref name= tales/> She died in childbirth five years after getting married; she was 29.<ref name= tales/><ref>{{cite journal |author= |date=April 1856 |title=The Lass of Richmond Hill |journal=Willis's Current Notes |volume=6 |issue=64 |page=35 |url= https://books.google.com/books?id=36hPAAAAMAAJ&pg=RA1-PA35&dq=%22Louisa+Edgeworth%22+%22Leonard+McNally%22&hl=en&sa=X&ei=g7_gUNbvLY3C0AWKp4DYCQ&ved=0CDMQ6AEwAA#v=onepage&q=%22Louisa%20Edgeworth%22%20%22Leonard%20McNally%22&f=false |accessdate=30 December 2012}}</ref>
The "lass" referred to is Frances I’Anson, whom Leonard McNally married in 1787.<ref name= Stories169/><ref name= tales>{{cite book |title=Curious Tales of Old North Yorkshire |last=Peach |first=Howard |author2=Willis, Phil |year=2003 |isbn=978-1850587934 |page=142}}</ref> Her family owned a property in [[Richmond, Yorkshire]] called "Hill House", hence she was the "lass of Richmond Hill".<ref name= Stories169/> (''Lass'' is a Scottish or Northern English dialect word for "girl" or "young woman", derived from [[Old Norse]].<ref>{{cite web |url=http://oxforddictionaries.com/definition/english/lass |title=''Lass''|work=Oxford English Dictionary Online |publisher=Oxford Dictionaries|access-date=1 January 2013}}</ref>) Frances's father disapproved of McNally and the couple had to [[elope]] in order to marry.<ref name= tales/> She died in childbirth five years after getting married; she was 29.<ref name= tales/><ref>{{cite journal |date=April 1856 |title=The Lass of Richmond Hill |journal=Willis's Current Notes |volume=6 |issue=64 |page=35 |url= https://books.google.com/books?id=36hPAAAAMAAJ&pg=RA1-PA35&dq=%22Louisa+Edgeworth%22+%22Leonard+McNally%22&hl=en&sa=X&ei=g7_gUNbvLY3C0AWKp4DYCQ&ved=0CDMQ6AEwAA#v=onepage&q=%22Louisa%20Edgeworth%22%20%22Leonard%20McNally%22&f=false |access-date=30 December 2012}}</ref>


McNally's authorship was periodically disputed<ref name= keogh>{{cite book |title=Acts of Union: The Causes, Contexts and Consequences of the Act of Union|last=Keogh |first=Daire |author2=Whelan, Kevin |year=2000|isbn=978-1851825301 |page=257}}</ref> and other origins for the song were claimed over the years.<ref name= Stories>{{cite book |title=Stories of Famous Songs |last=Fitz-Gerald |first=S. J. Adair |authorlink= |year=2005 - reprint of 1901 edition |isbn=978-1417960163 |pages=168–170}}</ref> These claims included that it was written by a Rosa Smith, who may have been a poet from [[Richmond, Surrey]] near London, and that it was about herself; that it was the work of another songwriter called Upton; and that the Prince of Wales (who later became [[George IV of the United Kingdom|the Prince Regent and then George IV]]) was the author.<ref name= Stories/> It was also thought that the Prince of Wales's mistress, [[Maria Fitzherbert]] ("Mrs Fitzherbert") was the subject of the song.<ref>{{cite book |title=Greater London (Vol.2) |last=Walford |first=Edward |authorlink= |year=2006 - originally published 1882 |isbn=0 543 96787 5 |page=376}}</ref> All of these claims were unfounded.<ref name= Stories/>
McNally's authorship was periodically disputed<ref name= keogh>{{cite book |title=Acts of Union: The Causes, Contexts and Consequences of the Act of Union|last=Keogh |first=Daire |author2=Whelan, Kevin |year=2000|isbn=978-1851825301 |page=257}}</ref> and other origins for the song were claimed over the years.<ref name= Stories>{{cite book |title=Stories of Famous Songs |last=Fitz-Gerald |first=S. J. Adair |year=2005 - reprint of 1901 edition |isbn=978-1417960163 |pages=168–170}}</ref> These claims included that it was written by a Rosa Smith, who may have been a poet from [[Richmond, Surrey]] near London, and that it was about herself; that it was the work of another songwriter called Upton; and that the Prince of Wales (who later became [[George IV of the United Kingdom|the Prince Regent and then George IV]]) was the author.<ref name= Stories/> It was also thought that the Prince of Wales's mistress, [[Maria Fitzherbert]] ("Mrs Fitzherbert") was the subject of the song.<ref>{{cite book |title=Greater London (Vol.2) |last=Walford |first=Edward |year=2006 - originally published 1882 |isbn=0 543 96787 5 |page=376}}</ref> All of these claims were unfounded.<ref name= Stories/>


The song is a ballad of praise of and expression of love for the "lass". It contains two verses with eight lines each and a chorus of four lines repeated after each verse. The first verse begins with the notable lines:<ref>{{cite book |title=Wordsworth Dictionary of Quotations |last=Wordsworth Editions |first=|authorlink= |year=1998 |isbn=978-1853264894 |page=253}}</ref>
The song is a ballad of praise of and expression of love for the "lass". It contains two verses with eight lines each and a chorus of four lines repeated after each verse. The first verse begins with the notable lines:<ref>{{cite book |title=Wordsworth Dictionary of Quotations |last=Wordsworth Editions |year=1998 |isbn=978-1853264894 |page=253}}</ref>
[[File:The lass o' Richmond Hill (NYPL Hades-609212-1257020).jpg|thumb|upright|right|A version of the song published in the United States, 1900, incorrectly attributing it to “Upton”.]]
[[File:The lass o' Richmond Hill (NYPL Hades-609212-1257020).jpg|thumb|upright|right|A version of the song published in the United States, 1900, incorrectly attributing it to “Upton”.]]
:::''On Richmond Hill there lives a lass,''
:::''On Richmond Hill there lives a lass,''
Line 24: Line 24:
:::''Sweet lass of Richmond Hill.''
:::''Sweet lass of Richmond Hill.''


According to the [[musicologist]] and conductor [[Peter Holman]], "a way of celebrating national identity was to place a love-story in a picturesque British rural setting. The most famous song of this type is James Hook’s The Lass of Richmond Hill"<ref>{{cite web |url=http://www.hyperion-records.co.uk/tw.asp?w=W9398 |title=The Lass of Richmond Hill |author=[[Peter Holman]]|work= |publisher=[[Hyperion Records]] |accessdate=31 December 2012}}</ref> The song was seen as so quintessentially English that authorship by an Irishman, that is, by McNally, was, as mentioned earlier, periodically challenged.<ref name= keogh/>
According to the [[musicologist]] and conductor [[Peter Holman]], "a way of celebrating national identity was to place a love-story in a picturesque British rural setting. The most famous song of this type is James Hook’s The Lass of Richmond Hill"<ref>{{cite web |url=http://www.hyperion-records.co.uk/tw.asp?w=W9398 |title=The Lass of Richmond Hill |author=[[Peter Holman]]|publisher=[[Hyperion Records]] |access-date=31 December 2012}}</ref> The song was seen as so quintessentially English that authorship by an Irishman, that is, by McNally, was, as mentioned earlier, periodically challenged.<ref name= keogh/>


==Music==
==Music==
{{See also|James Hook (composer)}}
{{See also|James Hook (composer)}}
The music was composed by James Hook (1746 – 1827), a composer and organist at [[Vauxhall Gardens]] from 1774 to 1820.<ref name= Latham/><ref name= CODM>{{cite book |title=The Concise Oxford Dictionary of Music |last=Kennedy |first=Michael |authorlink= |year=2004 |isbn=978-0198608844 |page=[https://archive.org/details/conciseoxforddic00kenn/page/347 347] |url=https://archive.org/details/conciseoxforddic00kenn/page/347 }}</ref> Hook composed over 2,000 songs, the best known of which was "The Lass of Richmond Hill".<ref name= CODM/>
The music was composed by James Hook (1746 – 1827), a composer and organist at [[Vauxhall Gardens]] from 1774 to 1820.<ref name= Latham/><ref name= CODM>{{cite book |title=The Concise Oxford Dictionary of Music |last=Kennedy |first=Michael |year=2004 |isbn=978-0198608844 |page=[https://archive.org/details/conciseoxforddic00kenn/page/347 347] |url=https://archive.org/details/conciseoxforddic00kenn/page/347 }}</ref> Hook composed over 2,000 songs, the best known of which was "The Lass of Richmond Hill".<ref name= CODM/>


The music epitomises Hook’s charming but sanitised folk-song style using a Scottish pastoral idiom, and is often mistakenly believed to be a genuine traditional folk song,<ref>{{cite book |title=Concert Life in London from Mozart to Haydn|last=McVeigh |first=Simon |year=2006|isbn=978-0521028905 |page=134}}</ref><ref>{{cite book |title=The Cambridge History of Nineteenth-Century Music |last=Samson |first=Jim (ed.) |authorlink= |year=2001 |isbn=978-0521590174 |page=247}}</ref> and has been assigned the number 1246 on the [[Roud Folk Song Index]].<ref>{{cite web |url=http://history.wiltshire.gov.uk/community/getfolk.php?id=615 |title=Wiltshire Community History |author= |work= |publisher=Wiltshire Council |accessdate=27 March 2013}}</ref> Indeed, it has become a [[Scottish country dance]].<ref name= dance>{{cite web |url=http://www.scottish-country-dancing-dictionary.com/dance-crib/lass-of-richmond-hill.html |title=The Lass of Richmond Hill |author= |work=Scottish Country Dancing Dictionary |publisher=|accessdate=31 December 2012}}</ref>
The music epitomises Hook’s charming but sanitised folk-song style using a Scottish pastoral idiom, and is often mistakenly believed to be a genuine traditional folk song,<ref>{{cite book |title=Concert Life in London from Mozart to Haydn|last=McVeigh |first=Simon |year=2006|isbn=978-0521028905 |page=134}}</ref><ref>{{cite book |title=The Cambridge History of Nineteenth-Century Music |last=Samson |first=Jim (ed.) |year=2001 |isbn=978-0521590174 |page=247}}</ref> and has been assigned the number 1246 on the [[Roud Folk Song Index]].<ref>{{cite web |url=http://history.wiltshire.gov.uk/community/getfolk.php?id=615 |title=Wiltshire Community History |publisher=Wiltshire Council |access-date=27 March 2013}}</ref> Indeed, it has become a [[Scottish country dance]].<ref name= dance>{{cite web |url=http://www.scottish-country-dancing-dictionary.com/dance-crib/lass-of-richmond-hill.html |title=The Lass of Richmond Hill |work=Scottish Country Dancing Dictionary |access-date=31 December 2012}}</ref>


==History and cultural references to the song==
==History and cultural references to the song==
[[File:Vauxhall Gardens by Samuel Wale c1751.jpg|thumb|300px|right|A prospect of [[Vauxhall Gardens]], where the song was first performed publicly in 1789.]]
[[File:Vauxhall Gardens by Samuel Wale c1751.jpg|thumb|300px|right|A prospect of [[Vauxhall Gardens]], where the song was first performed publicly in 1789.]]
The song was first performed publicly by [[Charles Incledon]] at [[Vauxhall Gardens]] in 1789, although McNally appears to have written the words long before that.<ref name= Stories169/> It became one of the most popular songs of the time,<ref>{{cite book |title=What we hear in music: a course of study in music history and appreciation|url=https://archive.org/details/whatwehearinmusi1921ober2|last= Oberndorfer |first= Anne Faulkner |year=1921|isbn= |page=[https://archive.org/details/whatwehearinmusi1921ober2/page/290 290]}}</ref> and was said to be a favourite of [[George III of Great Britain|George III]].<ref name= Stories170>{{cite book |title=Stories of Famous Songs |last=Fitz-Gerald |first=S. J. Adair |authorlink= |year=2005 - reprint of 1901 edition |isbn=978-1417960163 |page=170}}</ref> The song remains popular,<ref name= keogh/> and, for example, is played by the [[BBC]]'s classical music station, [[BBC Radio 3|Radio 3]].<ref>{{cite web |url=http://www.bbc.co.uk/programmes/b01jxshl |title=BBC Radio 3 Breakfast Programme |author= |date=20 June 2012 |work= |publisher= |accessdate=1 January 2013}}</ref>
The song was first performed publicly by [[Charles Incledon]] at [[Vauxhall Gardens]] in 1789, although McNally appears to have written the words long before that.<ref name= Stories169/> It became one of the most popular songs of the time,<ref>{{cite book |title=What we hear in music: a course of study in music history and appreciation|url=https://archive.org/details/whatwehearinmusi1921ober2|last= Oberndorfer |first= Anne Faulkner |year=1921|page=[https://archive.org/details/whatwehearinmusi1921ober2/page/290 290]}}</ref> and was said to be a favourite of [[George III of Great Britain|George III]].<ref name= Stories170>{{cite book |title=Stories of Famous Songs |last=Fitz-Gerald |first=S. J. Adair |year=2005 - reprint of 1901 edition |isbn=978-1417960163 |page=170}}</ref> The song remains popular,<ref name= keogh/> and, for example, is played by the [[BBC]]'s classical music station, [[BBC Radio 3|Radio 3]].<ref>{{cite web |url=http://www.bbc.co.uk/programmes/b01jxshl |title=BBC Radio 3 Breakfast Programme |date=20 June 2012 |access-date=1 January 2013}}</ref>


As well as becoming a Scottish country dance,<ref name= dance/> the music has been used as a [[March (music)|military march]] by the [[British army]] and is the [[Regimental Marches of the British Army|Regimental march]] of the [[Women’s Royal Army Corps]]<ref>{{cite book |title=[[British Army List]], part 1, 1990 |last= |first= |publisher=[[Office of Public Sector Information|H.M. Stationery Office]] |year=1990 |isbn=978-0802313195 |page=[https://archive.org/details/shorthistoryofir0000mcma/page/301 301] }}</ref> and the [[Middlesex Yeomanry]].<ref>{{cite book |title=The Royal Corps of Signals: Unit Histories of the Corps (1920-2001) and Its Antecedents|last=Lord |first=Cliff |year=2004|isbn=978-1874622925 |page=159}}</ref> It was also the march of the [[107th Regiment of Foot (Bengal Light Infantry)]], a predecessor of the [[Royal Sussex Regiment]].<ref>{{cite book |title=Handbook of British Regiments|last=Chant |first=Christopher |year=1988|isbn=978-0415002417 |page=101}}</ref>
As well as becoming a Scottish country dance,<ref name= dance/> the music has been used as a [[March (music)|military march]] by the [[British army]] and is the [[Regimental Marches of the British Army|Regimental march]] of the [[Women’s Royal Army Corps]]<ref>{{cite book |title=[[British Army List]], part 1, 1990 |publisher=[[Office of Public Sector Information|H.M. Stationery Office]] |year=1990 |isbn=978-0802313195 |page=[https://archive.org/details/shorthistoryofir0000mcma/page/301 301] }}</ref> and the [[Middlesex Yeomanry]].<ref>{{cite book |title=The Royal Corps of Signals: Unit Histories of the Corps (1920-2001) and Its Antecedents|last=Lord |first=Cliff |year=2004|isbn=978-1874622925 |page=159}}</ref> It was also the march of the [[107th Regiment of Foot (Bengal Light Infantry)]], a predecessor of the [[Royal Sussex Regiment]].<ref>{{cite book |title=Handbook of British Regiments|last=Chant |first=Christopher |year=1988|isbn=978-0415002417 |page=101}}</ref>


The song, or its title, has been the subject of a wide variety of cultural references and allusions:
The song, or its title, has been the subject of a wide variety of cultural references and allusions:
Line 45: Line 45:
*''The Lass of Richmond Hill'' was an 1877 painting by [[George Dunlop Leslie]].<ref>{{cite book |title=Love & death: art in the age of Queen Victoria |last=Trumble |first=Angus |year=2001 |isbn=978-0730830764 |page=212}}</ref>
*''The Lass of Richmond Hill'' was an 1877 painting by [[George Dunlop Leslie]].<ref>{{cite book |title=Love & death: art in the age of Queen Victoria |last=Trumble |first=Angus |year=2001 |isbn=978-0730830764 |page=212}}</ref>
*According to a popular story, [[Richmond Hill, Ontario]] gained its name from the nostalgic insistence of the town's first school teacher, who was from Richmond in England, that it should be named after the song.<ref>{{cite web|url = http://edrh.rhpl.richmondhill.on.ca/default.asp?ID=s4.5|title = The Duke, the School Teacher, and "The Lass of Richmond Hill"|work = From Miles' Hill to Richmond Hill: The Birth of a Community|publisher = Town of Richmond Hill Public Library|year = 1991|author = Robert M. Stamp}}</ref>
*According to a popular story, [[Richmond Hill, Ontario]] gained its name from the nostalgic insistence of the town's first school teacher, who was from Richmond in England, that it should be named after the song.<ref>{{cite web|url = http://edrh.rhpl.richmondhill.on.ca/default.asp?ID=s4.5|title = The Duke, the School Teacher, and "The Lass of Richmond Hill"|work = From Miles' Hill to Richmond Hill: The Birth of a Community|publisher = Town of Richmond Hill Public Library|year = 1991|author = Robert M. Stamp}}</ref>
*"Lass of Richmond Hill" is a [[pub]] in [[Richmond, London|Richmond]] in [[London]], the naming of which reflects earlier confusion between which of the two Richmonds the song concerned.<ref>{{cite book |title=Dictionary of Pub Names |last=Rothwell |first=David |year=2006 |isbn=978-1840222661 |page=225}}</ref><ref>{{cite book |title=Stories of Famous Songs |last=Fitz-Gerald |first=S. J. Adair |authorlink= |year=2005 - reprint of 1901 edition |isbn=978-1417960163 |pages=170–171}}</ref>
*"Lass of Richmond Hill" is a [[pub]] in [[Richmond, London|Richmond]] in [[London]], the naming of which reflects earlier confusion between which of the two Richmonds the song concerned.<ref>{{cite book |title=Dictionary of Pub Names |last=Rothwell |first=David |year=2006 |isbn=978-1840222661 |page=225}}</ref><ref>{{cite book |title=Stories of Famous Songs |last=Fitz-Gerald |first=S. J. Adair |year=2005 - reprint of 1901 edition |isbn=978-1417960163 |pages=170–171}}</ref>
*A 1957 BBC film, directed by [[Rudolph Cartier]], about [[Maria Fitzherbert|Mrs Fitzherbert]] was called ''The Lass of Richmond Hill''.<ref>{{cite web |url=http://ftvdb.bfi.org.uk/sift/title/819494 |archive-url=https://web.archive.org/web/20090118050038/http://ftvdb.bfi.org.uk/sift/title/819494 |url-status=dead |archive-date=18 January 2009 |title=Sunday-Night Theatre: The Lass of Richmond Hill |author= |work=Film and TV Database |publisher=[[British Film Institute]] |accessdate=1 January 2013}}</ref>
*A 1957 BBC film, directed by [[Rudolph Cartier]], about [[Maria Fitzherbert|Mrs Fitzherbert]] was called ''The Lass of Richmond Hill''.<ref>{{cite web |url=http://ftvdb.bfi.org.uk/sift/title/819494 |archive-url=https://web.archive.org/web/20090118050038/http://ftvdb.bfi.org.uk/sift/title/819494 |url-status=dead |archive-date=18 January 2009 |title=Sunday-Night Theatre: The Lass of Richmond Hill |work=Film and TV Database |publisher=[[British Film Institute]] |access-date=1 January 2013}}</ref>
*In Dickens' ''[[David Copperfield]]'', [[Uriah Heep]] references the ballad thus: "I call her mine, you see, [[David Copperfield (character)|Master Copperfield]]. There's a song that says, "I'd crowns resign, to call her mine!" I hope to do it, one of these days."
*In Dickens' ''[[David Copperfield]]'', [[Uriah Heep]] references the ballad thus: "I call her mine, you see, [[David Copperfield (character)|Master Copperfield]]. There's a song that says, "I'd crowns resign, to call her mine!" I hope to do it, one of these days."



Revision as of 18:04, 16 December 2020

The Lass of Richmond Hill, the 1877 painting by George Dunlop Leslie inspired by the song

"The Lass of Richmond Hill", also known as "The Sweet Lass of Richmond Hill", is a song written by Leonard McNally with music composed by James Hook, and was first publicly performed in 1789. It was said to be a favourite of George III and, at one time, was thought to have been written by his son, George IV. It is a love ballad which popularized the poetic phrase "a rose without a thorn" as a romantic metaphor. Associated with the English town of Richmond in North Yorkshire, it is now often mistakenly considered to be a traditional or folk song, and has even been assigned the number 1246 on the Roud Folk Song Index. The music is also used as a military march by the British army.

Lyric

The words were written by Leonard McNally[1][2] (1752 – 1820[3]), who was a Dublin barrister, playwright, a leader of the United Irishmen (a clandestine republican Irish revolutionary society[4]), but also a double agent for the British Government.[5][6] McNally would betray his United Irishmen colleagues to the authorities and then, as defence counsel at their trial, secretly collaborate with the prosecution to secure a conviction.[7][8][9] He wrote a number of songs and operettas, including for Covent Garden.[2]

The Yorkshire countryside around Richmond, with the town in the background. c.1800. Painting by George Cuitt.

The "lass" referred to is Frances I’Anson, whom Leonard McNally married in 1787.[2][10] Her family owned a property in Richmond, Yorkshire called "Hill House", hence she was the "lass of Richmond Hill".[2] (Lass is a Scottish or Northern English dialect word for "girl" or "young woman", derived from Old Norse.[11]) Frances's father disapproved of McNally and the couple had to elope in order to marry.[10] She died in childbirth five years after getting married; she was 29.[10][12]

McNally's authorship was periodically disputed[13] and other origins for the song were claimed over the years.[14] These claims included that it was written by a Rosa Smith, who may have been a poet from Richmond, Surrey near London, and that it was about herself; that it was the work of another songwriter called Upton; and that the Prince of Wales (who later became the Prince Regent and then George IV) was the author.[14] It was also thought that the Prince of Wales's mistress, Maria Fitzherbert ("Mrs Fitzherbert") was the subject of the song.[15] All of these claims were unfounded.[14]

The song is a ballad of praise of and expression of love for the "lass". It contains two verses with eight lines each and a chorus of four lines repeated after each verse. The first verse begins with the notable lines:[16]

A version of the song published in the United States, 1900, incorrectly attributing it to “Upton”.
On Richmond Hill there lives a lass,
More bright than May-day morn,
Whose charms all other maids' surpass,
A rose without a thorn.

The chorus is:

Sweet lass of Richmond Hill,
Sweet lass of Richmond Hill,
I'd crowns resign to call thee mine,
Sweet lass of Richmond Hill.

According to the musicologist and conductor Peter Holman, "a way of celebrating national identity was to place a love-story in a picturesque British rural setting. The most famous song of this type is James Hook’s The Lass of Richmond Hill"[17] The song was seen as so quintessentially English that authorship by an Irishman, that is, by McNally, was, as mentioned earlier, periodically challenged.[13]

Music

The music was composed by James Hook (1746 – 1827), a composer and organist at Vauxhall Gardens from 1774 to 1820.[1][18] Hook composed over 2,000 songs, the best known of which was "The Lass of Richmond Hill".[18]

The music epitomises Hook’s charming but sanitised folk-song style using a Scottish pastoral idiom, and is often mistakenly believed to be a genuine traditional folk song,[19][20] and has been assigned the number 1246 on the Roud Folk Song Index.[21] Indeed, it has become a Scottish country dance.[22]

History and cultural references to the song

A prospect of Vauxhall Gardens, where the song was first performed publicly in 1789.

The song was first performed publicly by Charles Incledon at Vauxhall Gardens in 1789, although McNally appears to have written the words long before that.[2] It became one of the most popular songs of the time,[23] and was said to be a favourite of George III.[24] The song remains popular,[13] and, for example, is played by the BBC's classical music station, Radio 3.[25]

As well as becoming a Scottish country dance,[22] the music has been used as a military march by the British army and is the Regimental march of the Women’s Royal Army Corps[26] and the Middlesex Yeomanry.[27] It was also the march of the 107th Regiment of Foot (Bengal Light Infantry), a predecessor of the Royal Sussex Regiment.[28]

The song, or its title, has been the subject of a wide variety of cultural references and allusions:

  • The romantic metaphor "a rose without a thorn" was popularized by the song.[29] It was subsequently much used, a recent example being by the singer-songwriter Nick Drake in his song "Time has told me".[29]
  • An early work of the Austrian composer Johann Nepomuk Hummel, entitled "The Lass of Richmond Hill" (Opus No. 2), is a variation for the piano and was published in 1791.[30]
  • Sweet Lass of Richmond Hill was the title of a 1970 historical novel about Mrs Fitzherbert by Eleanor Hibbert under the pen name "Jean Plaidy".[31]
  • The Lass of Richmond Hill was an 1877 painting by George Dunlop Leslie.[32]
  • According to a popular story, Richmond Hill, Ontario gained its name from the nostalgic insistence of the town's first school teacher, who was from Richmond in England, that it should be named after the song.[33]
  • "Lass of Richmond Hill" is a pub in Richmond in London, the naming of which reflects earlier confusion between which of the two Richmonds the song concerned.[34][35]
  • A 1957 BBC film, directed by Rudolph Cartier, about Mrs Fitzherbert was called The Lass of Richmond Hill.[36]
  • In Dickens' David Copperfield, Uriah Heep references the ballad thus: "I call her mine, you see, Master Copperfield. There's a song that says, "I'd crowns resign, to call her mine!" I hope to do it, one of these days."

References

  1. ^ a b Latham, Alison (ed.) (2004). Oxford Dictionary of Musical Works. p. 91. ISBN 978-0198610205. {{cite book}}: |first= has generic name (help)
  2. ^ a b c d e Fitz-Gerald, S. J. Adair (2005 - reprint of 1901 edition). Stories of Famous Songs. p. 169. ISBN 978-1417960163. {{cite book}}: Check date values in: |year= (help)CS1 maint: year (link)
  3. ^ Keogh, Daire (1998). Patriot Priest: A Life of Reverend James Coigly. p. 81. ISBN 978-1859181423.
  4. ^ Dickson, David, et al. (eds.) (1993). The United Irishmen: Republicanism, Radicalism and Rebellion. p. 172. ISBN 978-0946640959. {{cite book}}: |first= has generic name (help)CS1 maint: multiple names: authors list (link)
  5. ^ Ranelagh, John O'Beirne (1995). A Short History of Ireland. p. 83. ISBN 978-0521469449.
  6. ^ McMahon, Sean (1996). A Short History of Ireland. p. 112. ISBN 978-0802313195.
  7. ^ "Leonard McNally". The Columbia Encyclopedia, Sixth Edition. Encyclopedia.com. 2008. Retrieved 29 December 2012.
  8. ^ Alfred John Webb (1878). "Leonard McNally". A Compendium of Irish Biography. Library Ireland. Retrieved 30 December 2012.
  9. ^ Adrian Hardiman (July–August 2005). "The (Show?) Trial of Robert Emmet". History Ireland. 13 (4). Retrieved 30 December 2012.
  10. ^ a b c Peach, Howard; Willis, Phil (2003). Curious Tales of Old North Yorkshire. p. 142. ISBN 978-1850587934.
  11. ^ "Lass". Oxford English Dictionary Online. Oxford Dictionaries. Retrieved 1 January 2013.
  12. ^ "The Lass of Richmond Hill". Willis's Current Notes. 6 (64): 35. April 1856. Retrieved 30 December 2012.
  13. ^ a b c Keogh, Daire; Whelan, Kevin (2000). Acts of Union: The Causes, Contexts and Consequences of the Act of Union. p. 257. ISBN 978-1851825301.
  14. ^ a b c Fitz-Gerald, S. J. Adair (2005 - reprint of 1901 edition). Stories of Famous Songs. pp. 168–170. ISBN 978-1417960163. {{cite book}}: Check date values in: |year= (help)CS1 maint: year (link)
  15. ^ Walford, Edward (2006 - originally published 1882). Greater London (Vol.2). p. 376. ISBN 0 543 96787 5. {{cite book}}: Check date values in: |year= (help)CS1 maint: year (link)
  16. ^ Wordsworth Editions (1998). Wordsworth Dictionary of Quotations. p. 253. ISBN 978-1853264894.
  17. ^ Peter Holman. "The Lass of Richmond Hill". Hyperion Records. Retrieved 31 December 2012.
  18. ^ a b Kennedy, Michael (2004). The Concise Oxford Dictionary of Music. p. 347. ISBN 978-0198608844.
  19. ^ McVeigh, Simon (2006). Concert Life in London from Mozart to Haydn. p. 134. ISBN 978-0521028905.
  20. ^ Samson, Jim (ed.) (2001). The Cambridge History of Nineteenth-Century Music. p. 247. ISBN 978-0521590174. {{cite book}}: |first= has generic name (help)
  21. ^ "Wiltshire Community History". Wiltshire Council. Retrieved 27 March 2013.
  22. ^ a b "The Lass of Richmond Hill". Scottish Country Dancing Dictionary. Retrieved 31 December 2012.
  23. ^ Oberndorfer, Anne Faulkner (1921). What we hear in music: a course of study in music history and appreciation. p. 290.
  24. ^ Fitz-Gerald, S. J. Adair (2005 - reprint of 1901 edition). Stories of Famous Songs. p. 170. ISBN 978-1417960163. {{cite book}}: Check date values in: |year= (help)CS1 maint: year (link)
  25. ^ "BBC Radio 3 Breakfast Programme". 20 June 2012. Retrieved 1 January 2013.
  26. ^ British Army List, part 1, 1990. H.M. Stationery Office. 1990. p. 301. ISBN 978-0802313195.
  27. ^ Lord, Cliff (2004). The Royal Corps of Signals: Unit Histories of the Corps (1920-2001) and Its Antecedents. p. 159. ISBN 978-1874622925.
  28. ^ Chant, Christopher (1988). Handbook of British Regiments. p. 101. ISBN 978-0415002417.
  29. ^ a b Humphries, Patrick (1998). Nick Drake: The Biography. p. 94. ISBN 978-0747535034.
  30. ^ Kroll, Mark (2007). Johann Nepomuk Hummel: A Musician's Life and World. p. 348. ISBN 978-0810859203.
  31. ^ Drew, Bernard A. (2005). 100 Most Popular Genre Fiction Authors: Biographical Sketches and Bibliographies. p. 261. ISBN 978-1591581260.
  32. ^ Trumble, Angus (2001). Love & death: art in the age of Queen Victoria. p. 212. ISBN 978-0730830764.
  33. ^ Robert M. Stamp (1991). "The Duke, the School Teacher, and "The Lass of Richmond Hill"". From Miles' Hill to Richmond Hill: The Birth of a Community. Town of Richmond Hill Public Library.
  34. ^ Rothwell, David (2006). Dictionary of Pub Names. p. 225. ISBN 978-1840222661.
  35. ^ Fitz-Gerald, S. J. Adair (2005 - reprint of 1901 edition). Stories of Famous Songs. pp. 170–171. ISBN 978-1417960163. {{cite book}}: Check date values in: |year= (help)CS1 maint: year (link)
  36. ^ "Sunday-Night Theatre: The Lass of Richmond Hill". Film and TV Database. British Film Institute. Archived from the original on 18 January 2009. Retrieved 1 January 2013.