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Some camera stabilization machines use [[gyroscope]]s to sense disruptive motion. The Artemis Trinity system from [[Arri]] combines a mechanical and electronic stabilization.<ref>{{cite web|url=http://www.fdtimes.com/2016/05/02/arri-artemis-trinity-stabilizergimbal-video/|title=ARRI Artemis Trinity Stabilizer/Gimbal Video|publisher=Film and Digital Times|accessdate=7 June 2016}}</ref><ref>{{cite web|url=http://nofilmschool.com/2016/04/arri-artemis-trinity|title=Is the ARRI Artemis Trinity the World's Most Advanced Camera Stabilizer?|publisher=No Film School|accessdate=7 June 2016}}</ref><ref>{{cite web|url=http://www.studiodaily.com/2016/05/arri-debuts-final-version-of-trinity-stabilizer-and-maxima-gimbal/|title=ARRI Debuts Final Version of Trinity Stabilizer and Maxima Gimbal|publisher=Studio Daily|accessdate=7 June 2016}}</ref>
Some camera stabilization machines use [[gyroscope]]s to sense disruptive motion. The Artemis Trinity system from [[Arri]] combines a mechanical and electronic stabilization.<ref>{{cite web|url=http://www.fdtimes.com/2016/05/02/arri-artemis-trinity-stabilizergimbal-video/|title=ARRI Artemis Trinity Stabilizer/Gimbal Video|publisher=Film and Digital Times|accessdate=7 June 2016}}</ref><ref>{{cite web|url=http://nofilmschool.com/2016/04/arri-artemis-trinity|title=Is the ARRI Artemis Trinity the World's Most Advanced Camera Stabilizer?|publisher=No Film School|accessdate=7 June 2016}}</ref><ref>{{cite web|url=http://www.studiodaily.com/2016/05/arri-debuts-final-version-of-trinity-stabilizer-and-maxima-gimbal/|title=ARRI Debuts Final Version of Trinity Stabilizer and Maxima Gimbal|publisher=Studio Daily|accessdate=7 June 2016}}</ref>


After approx. year 2015 it has become common to stabilize moving cameras with remote controlled camera heads. The camera and lens are mounted in a remote controlled camera holder which is then mounted on anything that moves, such as rail systems, cables, cars or helicopters. An example of a remote stabilized head that is used to stabilize moving TV cameras that are broadcasting live is the Newton stabilized head.<ref>{{cite web|url=http://www.newtonnordic.com | title = NEWTON stabilized remote camera heads | publisher = newtonnordic.com | date = 2020-01-09 | accessdate = 2020-06-26}}</ref>
After approx. year 2015 it has become common to stabilize moving cameras with remote controlled camera heads. The camera and lens are mounted in a remote controlled camera holder which is then mounted on anything that moves, such as rail systems, cables, cars or helicopters.


Although a [[tripod]] can hold a camera stably, stationary platforms are not regarded as camera stabilizers.
Although a [[tripod]] can hold a camera stably, stationary platforms are not regarded as camera stabilizers.

Revision as of 21:38, 17 December 2020

Filming with a handheld camera stabilizer
An operator uses a camera stabilizer in a low-angle shot

A camera stabilizer, or camera–stabilizing mount, is a device designed to hold a camera in a manner that prevents or compensates for unwanted camera movement, such as "camera shake".

For small hand-held cameras, a harness or contoured frame steadies the camera against the photographer's body. In some models, the camera mount is on an arm that protrudes in front of the photographer; beneath the camera is a handle grip. Another variation positions the camera atop a fulcrum braced against the photographer's chest or abdomen.

To compensate for camera instability caused by the movement of the operator's body, camera operator Garrett Brown invented the Steadicam, a body-mounted stabilization apparatus for motion picture cameras, which uses springs as shock absorbers.

In 1991, Martin Philip Stevens (born in England in 1963) invented a hand-held camera stabilizer for motion-picture and video cameras, called the Glidecam.

Some camera stabilization machines use gyroscopes to sense disruptive motion. The Artemis Trinity system from Arri combines a mechanical and electronic stabilization.[1][2][3]

After approx. year 2015 it has become common to stabilize moving cameras with remote controlled camera heads. The camera and lens are mounted in a remote controlled camera holder which is then mounted on anything that moves, such as rail systems, cables, cars or helicopters.

Although a tripod can hold a camera stably, stationary platforms are not regarded as camera stabilizers.

Camera shoulder brace

A camera shoulder brace stabilizes by shifting the weight of the camera to the operator's shoulder. This allows for smoother shots than might be obtainable by handheld operation. Camera shoulder braces are typically padded for comfort and allow the attachment of zoom controllers, transmitters, and other devices.

The operator generally holds two handles while a third brace rests on the shoulder. A remote LANC zoom controller is usually placed on one of the handles.

Most braces are made of PVC, carbon fiber or light-weight metals to keep the weight down. If the brace were too heavy it would defeat the purpose of using it, reduced camera shake and fluidity of movement.

For low shots, most braces can be used as a mini-tripod by setting the brace on flat surface.

Shoulder braces also reduce stress on the arms which reduces tiredness and muscle cramps during filming.

See also

References

  1. ^ "ARRI Artemis Trinity Stabilizer/Gimbal Video". Film and Digital Times. Retrieved 7 June 2016.
  2. ^ "Is the ARRI Artemis Trinity the World's Most Advanced Camera Stabilizer?". No Film School. Retrieved 7 June 2016.
  3. ^ "ARRI Debuts Final Version of Trinity Stabilizer and Maxima Gimbal". Studio Daily. Retrieved 7 June 2016.