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Let's All Go to the Lobby

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Let's All Go to the Lobby
Four anthropomorphic snack food items are featured in the film.
Directed byDave Fleischer
Produced byFilmack
Release date
1957
Running time
1 minute
SpracheEnglisch

Let's All Go to the Lobby (officially known as Technicolor Refreshment Trailer No. 1) is an animated musical advertisement that was produced in the mid-1950s for Filmack Studios. It was played in theaters before the beginning of the main film or before intermission, and features animated food items urging the audience to buy snacks sold in the theater lobby. It was directed by Dave Fleischer with lyrics by Jack Tillar.[1][2]

Filmack has continued selling copies in the decades since its production. The company estimates that 80% of independent theaters have screened the film at various points, and it is likely the most viewed snipe.[3] In 2000, Let's All Go to the Lobby was selected for preservation in the US National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[4][5]

Content

The film consists of six shots. The most recognizable of these depicts four animated food items (from left to right: a candy bar,[a] popcorn, candy, and a soft drink) singing and walking leftwards. In the foreground before these characters are silhouettes of audience members, creating an illusion of depth, a standard technique of the medium. In a later shot, a group of four consumers are depicted enjoying their purchased food items.[3]

The eponymous song of the film is set to the same tune as "We Won't Be Home Until Morning", "The Bear Went Over the Mountain", "For He's a Jolly Good Fellow", and "Marlbrough s'en va-t-en guerre" (c. 1709). While the origins of the melody are lost, it was already well-enough known in the early 19th century to be used for a passage in Wellington's Victory (1813) by Ludwig van Beethoven.[3]

Daniel Eagan argues that "[w]ith its simple, repetitive lyrics and streamlined animation, Let's All Go to the Lobby has a hypnotic pull that is as compelling today as it was fifty years ago."[3] He also notes that by choosing not to simply photograph the offered items, the creators of the film avoided using brand names for the products for sale.[3]

Background and production

The Chicago-based Filmack Studios, originally known as Filmack Trailer Company, was founded in 1919 by Irving Mack. The company specialized in the production of newsreels and promotional material for theaters. A short film of this type is known as a snipe, which is defined as material displayed on a projection screen without being part of the featured presentation. This includes advertising material, previews of coming attractions, courtesy requests for the audience, and notices concerning the concession stand of the movie theater.[3] By the 1950s, the sales of the concession stands represented a significant portion of movie theaters' revenue.[3][8] Filmack commissioned a series of Technicolor trailers aimed at informing audiences about a theater's newly installed concession stand. Let's All Go to the Lobby was one of these films.[3]

The lyrics were written by Jack Tillar.[1] Dave Fleischer is identified as the creator of this short film in a catalog of Filmack's releases, which reported that "...trailers were produced exclusively for Filmack by Dave Fleischer". Specific details for Fleischer's involvement are lacking, and the original production records are considered lost with other production crew unknown.[3] Production may have started by 1953,[9][3] but Robbie Mack (a later owner of Filmack) estimates it was completed c. 1955. The release date is typically estimated to 1957. Filmack sold to various theater owners the right to use the film, which it still owns.[3]

Legacy

Filmack has continued selling copies in the decades since its production. The company estimates that 80% of independent theaters in the United States have screened the film,[3] and it is likely the most-viewed snipe.[7] In 2000, Let's All Go to the Lobby was selected for preservation in the National Film Registry by the US Library of Congress as being "culturally, historically, or aesthetically significant".[4][5]

Animation historian Thad Komorowski noted that while the animation is "downright primitive" by the standards of the 1950s, it "outlast[ed] any other trailer of its kind".[1] John Owens of The Chicago Tribune called it "one of the most iconic movies in American cinema history".[7] Dan Eagan, who wrote a comprehensive guide to NFR titles, called it "a cultural touchstone" and an inherent part of the American theatre experience of the 1950s and 1960s.[7]

The scene of the singing concessions has frequently been parodied in advertisements of the 2000s. These include a 2006 spot for Chipotle Mexican Grill where a burrito attempts to join the characters,[10] a 2011 spot for the Tribeca Film Festival where the characters are mobsters voiced by the cast of The Sopranos,[11] and a 2013 GEICO commercial where the characters are chided for speaking on their cell phones.[12][13] It has also been spoofed in popular entertainment including Late Show with David Letterman, The Simpsons,[7] and The Lego Movie 2: The Second Part,[14] and appears in fictional depictions of theaters.[2] Lionsgate produced a quarantine-themed version of the snipe to accompany special presentations of films streamed online during the COVID-19 pandemic.[15]

Footnotes

Notes

  1. ^ The left-most refreshment is a rectangular wrapped package described by the National Film Preservation Board and Eagan as chewing gum,[6][3] and by the Chicago Tribune as a candy bar.[7]

References

  1. ^ a b c Komorowski, Thad. "Let's All Go to the Lobby" (PDF). Washington, DC: Library of Congress. Archived (PDF) from the original on July 12, 2019. Retrieved May 12, 2020. For one of the more iconic shorts in the National Film Registry, Technicolor Refreshment Trailer No. 1, better known as Let's All Go to the Lobby, easily has one of the murkiest histories.
  2. ^ a b Kubincanek, Emily (June 20, 2017). "'Let's All Go to the Lobby' Tells the History of the Movie Theater Experience". Film School Rejects. Archived from the original on November 12, 2020. Retrieved July 10, 2020.
  3. ^ a b c d e f g h i j k l m Eagan, Daniel (2010). "Let's All Go to the Lobby". America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry. Continuum International Publishing Group. pp. 543–544. ISBN 978-0-8264-2977-3.
  4. ^ a b "Complete National Film Registry Listing". Library of Congress. Washington, DC. Archived from the original on May 7, 2016. Retrieved May 4, 2020.
  5. ^ a b "Librarian of Congress Names 25 More Films to National Film Registry". Library of Congress. Washington, DC. December 27, 2000. Archived from the original on April 3, 2019. Retrieved May 4, 2020.
  6. ^ "Brief Descriptions and Expanded Essays of National Film Registry Titles". Library of Congress. Washington, DC. Archived from the original on April 28, 2021. Retrieved May 23, 2020.
  7. ^ a b c d e Owens, John (November 19, 2017). "Timeless 'Let's All Go to the Lobby' has deep local roots". The Chicago Tribune. Tribune Publishing. Archived from the original on December 3, 2020. Retrieved May 13, 2020.
  8. ^ Valentine, Maggie (1996). The Show Starts on the Sidewalk: An Architectural History of the Movie Theatre, Starring S. Charles Lee. Yale University Press. p. 176. ISBN 0300066473.
  9. ^ Inspiration - Filmack Catalog. February, 1954. Volume 15, Issue 2. Page 10.
  10. ^ Nudd, Tim (July 26, 2006). "Burritos: You can't take them anywhere". Adweek. Archived from the original on December 19, 2018.
  11. ^ Nudd, Tim (April 19, 2011). "Concessions Get Wise in Tribeca Film Festival Spot". Adweek. Archived from the original on October 7, 2013.
  12. ^ "Ad of the Day: Geico's Camel is Back, and Obsessed With a Different Day". Adweek. October 2, 2013. Archived from the original on October 5, 2013.
  13. ^ "'Let's All Go to the Lobby': SVA Faculty Members Recast the GEICO Gecko". School of Visual Arts Close Up. Manhattan, New York. October 30, 2013. Archived from the original on November 4, 2013. Retrieved January 15, 2017.
  14. ^ Kaplan, Jeanne; Kaplan, David (February 9, 2019). "Kaplan Vs Kaplan Movie Reviews of the Lego Movie 2: The Second Part". Weho Times. West Hollywood, California: Murillo Media. Archived from the original on March 31, 2019. Retrieved May 12, 2020.
  15. ^ "Not even the coronavirus puts Baby in the corner". Los Angeles Times. April 21, 2020. Archived from the original on December 7, 2020. Retrieved May 13, 2020.
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