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Marar (caste)

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Marar
ClassificationTemple musicians, Musicians caste
ReligionsHinduism
LandIndien

Marar is the name given to the caste of hereditary temple musicians[1] of Travancore, Cochin and Malabar region in the state of Kerala, whose primary duty was to provide the traditional temple Sopanam music.[citation needed] They belong to the Ambalavasi caste.[1][2]

Etymology

The word 'Marar' comes from the tamil word 'mar', which means 'beat' and marar meaning the one who beat instruments like chenda and idakka in temples.

Men of marar caste are called Mārar and ladies are called Mārasyar or Amma.

Paani, the indispensable part of high tantric rituals of temple such as ulsavabali, sreeboothabali etc. is  another main hereditory temple profession of Marar.[3] They were also known for their playing of chenda (valam thala represents deva vadyam (usually play inside the nalambalam) and edam thala represents asura vadyam) and idakka[2] (deva vadyam) in temples[4][5] Sopanadwani[6] is the monthly publication of Akhila Kerala Marar Kshema Sabha.

Social status

Marar of Kerala maintained a high ritual life akin to Brahmins and other Ambalavasi castes.

They were popularly known as antharala jathikal, with a ritual rank lying between Nairs and Brahmins[7] [8].They formed Akhila Kerala Marar Maha Sabha for the welfare of Marars.[9][10]

In South Kerala, Marar and Pathamangalakkar, along with other temple-related Ambalavasi castes, were taken into Nair caste. They were not part of the Nair caste until the middle of the 20th century. The history of Travancore itself records that in southern Kerala too, the Marar sect was between Brahmins and Nairs and all of them were pure vegetarians.[11].Despite being Ambalavasi, they were also known as Nair-Marar, and were part of Akhila Kerala Marar Maha Sabha along with the Nair Service Society.The Ambalavasi who have the most temple rights in southern Kerala were also Marars. Apart from this, these people also inherited music.

Notable People

References

  1. ^ a b Bodies of Silence, Floods of Nectar: Ritual Music in Contemporary Brahmanical Tantric Temples of Kerala. Yale Journal of Music & Religion: Vol. 7: No. 2, Article 2.
  2. ^ a b "It is God's own instrument". The Hindu. 27 December 2018.
  3. ^ https://malayalimanasu.com/us-news/arivinte-muthukal-7/ PMN namboothiri
  4. ^ Vishnu, Achutha Menon (2020). "The Rhythmic Structure of Melam". The Chitrolekha Journal on Art and Design. 4 (2): 1–14. doi:10.21659/cjad.42.v4n202. S2CID 242270596.
  5. ^ "On a journey with the edakka". 21 May 2015. Retrieved 29 March 2023 – via www.thehindu.com.
  6. ^ "SOPANADHWANI". Readwhere - India's Largest Digital Newsstand. Retrieved 28 October 2022.
  7. ^ "Census of India 1901 vol.20".
  8. ^ Thurston, Edgar (1909). Castes and Tribes of Southern India.
  9. ^ Thurston, Edgar (28 September 2020). Castes and Tribes of Southern India (Complete). Library of Alexandria. ISBN 978-1-4655-8236-2.
  10. ^ Kerala Brahmins in Transition: A Study of a Namputiri Family. The Society. 2000. ISBN 978-951-9380-48-3.
  11. ^ "Report on the Census of Travancore - Census 1871".