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Counting (music)

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This is an old revision of this page, as edited by Hyacinth (talk | contribs) at 04:49, 11 February 2010 ("One-''and''-''ah''-Two-''and''-''ah''"<ref name="Blatter">Blatter, Alfred (2007). ''Revisiting music theory: a guide to the practice'', p.26. ISBN 0415974402.</ref> but may be articulated as "One-''l). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

In music, counting is repeatedly adding one (counting), or multiples of some other number, so as to assist with the performance or audition of music. Counting is most commonly used with rhythm and form and often involves subdivision.

The method involving numbers may termed count chant, "to identity it as a unique instructional process."[1]

Example of "count chant" method

Triple meter, such as 3/4, is often counted 1 2 3, while compound meter, such as 6/8, is often counted in two and subdivided "One-and-ah-Two-and-ah"[2] but may be articulated as "One-la-lee-Two-la-lee"[2]. For each subdivision employed a new syllable is used. For example, sixteenth notes in 4/4 are counted 1 e & a 2 e & a 3 e & a 4 e & a, using numbers for the quarter note, "&" for the eighth note, and "e" and "a" for the sixteenth note level. "However the counting may be syllabized, the important skill is to keep the pulse steady and the division exact."[2]

Rather than numbers, nonsense syllables or a random word may be assigned to a rhythm such that a triplet subdivision is often counted "tri-pl-et"[3]. The Kodály Method uses "Ta" for quarter notes and "Ti-Ti" for eighth notes. For sextuplets simply say triplet twice (see Sextuplet rhythm.png), while quintuplets may be articulated as "un-i-vers-i-ty"[3]. In some approaches, "rote-before-note"[4], the fractional definitions of notes are not taught to children until after they are able to perform syllable or phrase-based versions of these rhythms.[5]

Sources

  1. ^ Improving Rhythm Reading in Middle School Band, p. 36, Lewis H Strouse, Teaching Music; Apr 2007; 14, 5; ProQuest Direct Complete, pg. 35.
  2. ^ a b c Blatter, Alfred (2007). Revisiting music theory: a guide to the practice, p.26. ISBN 0415974402.
  3. ^ a b Nokes, Mark (2009). Modern Guitar Method: A Practical Approach, p.35. ISBN 098225332X.
  4. ^ "Effects of Rote versus Note Presentations on Rhythm Learning and Retention", p. 118, Patricia K. Shehan, Journal of Research in Music Education, Vol. 35, No. 2 (Summer, 1987), pp. 117-126.
  5. ^ Gordon (1971) and Bebeau (1982), cited in "A Comparison of Syllabic Methods for Improving Rhythm Literacy", p. 222, Bernadette Colley, Journal of Research in Music Education, Vol. 35, No. 4 (Winter, 1987), pp. 221–235.