Fyodor Dostoevsky

"Dostoyevsky" redirects here. For the surname, see Dostoyevsky (surname).

Fyodor Dostoyevsky
Portrait of Dostoyevsky in 1872 painted by Vasily Perov
Born	Fyodor Mikhaylovich Dostoyevsky (1821-11-11)11 November 1821 Moscow, Russian Empire
Died	9 February 1881(1881-02-09) (aged 59) Saint Petersburg, Russian Empire
Nationality	Russian
Education	Military Engineering-Technical University, St. Petersburg
Period	1846–1881
Genre	Novel, short story, journalism
Subject	Psychology, philosophy, religion
Literary movement	Realism
Notable works	Notes from Underground Crime and Punishment The Idiot Demons The Brothers Karamazov
Spouse	Maria Dmitriyevna Isayevna (1857–1864) [her death] Anna Grigoryevna Snitkina (1867–1881) [his death]
Children	Sonya (1868) Lyubov (1869–1926) Fyodor (1871–1922) Alexey (1875–1878)
Signature

Fyodor Mikhailovich Dostoyevsky (Russian: Фёдор Миха́йлович Достое́вский, IPA: [ˈfʲodər mʲɪˈxajləvʲɪtɕ dəstɐˈjefskʲɪj] ; 11 November 1821 – 9 February 1881, sometimes transliterated Dostoevsky, was a Russian novelist, short story writer, and essayist. Dostoyevsky's literary works explore human psychology in the troubled political, social and spiritual context of 19th-century Russia. Although he began writing in the mid-1840s, his most memorable works—including Crime and Punishment, The Idiot and The Brothers Karamazov—are from his later years. His work consists of eleven novels, three novellas, seventeen short novels and three essays, and he has been judged by many literary critics to be one of the greatest and most prominent psychologists in world literature.

Dostoyevsky was born in Moscow. He was introduced to literature at an early age—through fairy tales and legends, but also through books by English, French, German and Russian authors. His mother's sudden death in 1837, when he was in his early teens, devastated him. Around that time, he left school to enter the Nikolayev Military Engineering Institute. After graduating, he worked as an engineer and briefly enjoyed a liberal lifestyle. He soon began translating books to earn extra money. In the mid-1840s he wrote his first novel, Poor Folk, which allowed him to join St Petersburg's literary circles. In 1849 he was arrested for his involvement with the Petrashevsky Circle—a secret society of liberal utopians as well as a literary discussion group. He and other members were condemned to death, but at the last moment, a note from Tsar Nicholas I arrived at the scene of the firing squad, commuting the sentence to four years' hard labour in Siberia. There, he was diagnosed with epilepsy during a period when his seizures increased. After his release, Dostoyevsky was forced to serve as a soldier, but was discharged due to his ill health.

In the following years Dostoyevsky worked as a journalist, publishing and editing several magazines of his own and later a serial, A Writer's Diary. He began travelling around western Europe, and developed a gambling addiction which led to financial hardship and an embarrassing period of begging for money. But through the sheer volume of his work, he eventually became one of the most widely read and renowned Russian writers. His books have been translated into more than 170 languages and have sold around 15 million copies. Dostoyevsky has influenced a multitude of writers of varying genres, from Anton Chekhov and James Joyce to Ernest Hemingway and Jean-Paul Sartre, among others.

Early life

Family background

Mariinsky Hospital in Moscow, Dostoyevsky's birthplace

Fyodor Dostoyevsky was born on 30 October 1821 (11 November 1821, according to the Gregorian Calendar), the second child of Mikhail Dostoyevsky and Maria Nechayeva. The Dostoyevskys were a multi-ethnic and multi-denominational Lithuanian noble family from the Pinsk region with roots dating to the 16th century. Branches of the family included Orthodox and Catholic members, but Dostoyevsky's immediate ancestors were of the non-monastic clergy class. On his mother's side, Dostoyevsky was descended from Russian merchants.

Dostoyevsky's paternal great-grandfather and grandfather were priests in the Ukrainian town of Bratslav. Mikhail was expected to join the clergy, like his father, but instead of going into seminary, he ran away from home and broke with his family permanently. In 1809, when he was twenty years old, Mikhail was admitted to Moscow's Imperial Medical-Surgical Academy. From there, he was assigned to a Moscow hospital where he served as military doctor and in 1818 was appointed to senior physician. In 1819, he married Maria Isayevna. The following year, he resigned from his post to accept a new job at the Mariinsky Hospital for the poor. After the birth of his first two sons, Mikhail and Fyodor, he was promoted to collegiate assessor, a position that raised his legal status to nobility and enabled him to acquire a small estate in Darovoye, a town 150 versts (about 150 km or 100 miles) away from Moscow. Dostoyevsky's parents subsequently had six more children: Varvara (1822–92), Andrei (1825–97), Lyubov (born and died 1829), Vera (1829–96), Nikolai (1831–83) and Aleksandra (1835–89).

Childhood

Dostoyevsky was raised in the family home on the grounds of the Mariinsky Hospital. The family usually spent the summers in their estate in Darovoye when he was a child. At the age of three, Fyodor was introduced to heroic sagas, fairy tales and legends and—influenced by his nannies—developed a deeply ingrained religious piety. His nanny, Alina Frolovna, and a family friend, the serf and farmer Marei from Darovoye, were influential figures in his childhood; Marei helped him deal with his hallucinations. After discovering the hospital garden, which was separated by a large fence from the house private garden, Dostoyevsky would often talk with the patients, even though his parents forbade it. He once encountered a nine-year-old girl who had been raped, an event that traumatised him. Since Dostoyevsky's parents valued education, his mother taught him to read and write, using the Bible, when he was four. He always looked forward to his parents' nightly readings. They introduced him to Russian and world literature at an early age, including national writers Karamzin, Pushkin and Derzhavin; gothic literature, such as Ann Radcliffe; Romantic works of Friedrich Schiller and Johann Wolfgang von Goethe; heroic tales by Cervantes and Walter Scott; and Homer's epics.

Although Dostoyevsky had a less robust physical constitution and was measured at only 2 arshins and 6 vershoks, approximately 1.60 m or 5'2", shortly before his imprisonment, he had a powerful personality. He was described by his parents as a hot-headed youngster, stubborn and cheeky. In 1833, Dostoyevsky's father, a profoundly religious and strict person, sent him to a daily boarding school which taught in French, and, one year later, to the Chermak boarding school, where several people depicted him as a pale, introverted dreamer and an over-excitable romantic. To pay off his school fees, his father had to take out loans and extend his private medical practice. Dostoyevsky felt out of place among his aristocratic classmates at the Moscow school, an experience later reflected in some of his works, notably The Adolescent. A school day, which usually began at six o'clock in the morning and ended nine at night, offered a diverse number of subjects.

Youth

Dostoyevsky as an engineer

On 27 September 1837 Dostoyevsky's mother died of tuberculosis. The previous May his parents had sent Fyodor and his brother Mikhail to St Petersburg to attend the Nikolayev Military Engineering Institute, forcing the brothers to abandon their academic studies at the Moscow college for a military career. On the way to St Petersburg, Dostoyevsky witnessed a violent incident in a post house. He entered the academy in 1838, but only with the help of family members, who—unknown to him—had paid the tuition fees. Mikhail was refused admission on account of his poor health and was sent to the Academy in Reval, Estonia; he was separated from his brother.

Dostoyevsky did not enjoy the academy, primarily because of his lack of interest in science, mathematics and military engineering and his preference for drawing and architecture. As his friend Konstantin Trutovsky once said, "There was no student in the entire institution with less of a military bearing than F. M. Dostoyevsky. He moved clumsily and jerkily; his uniform hung awkwardly on him; and his knapsack, shako and rifle all looked like some sort of fetter he had been forced to wear for a time and which lay heavily on him." Among his 120 classmates Dostoyevsky's character and interests made him an outsider: in contrast with many of his class fellows, he was brave and had a strong sense of justice, protected newcomers, aligned himself with teachers, criticised corruption among officers and helped poor farmers. Although he was a loner and lived in his own literary world, his classmates respected him. His reclusive way of life and his interest in religion earned him the nickname "Monk Photius".

Dostoyevsky's first seizure may have occurred after learning of the death of his father on 16 June 1839, although reports of this originated from accounts (now considered unreliable) written by his daughter, which were later expanded by Sigmund Freud. The father's official cause of death was an apoplectic stroke, although a neighbour accused the father's serfs of murder. Had the serfs been found guilty and sent to Siberia, the neighbour, Pavel Khotiaintsev, would have been in a position to buy the vacated land. The serfs were found innocent in a criminal trial in Tula, but Dostoyevsky's brother Andrei perpetuated the story. After his father's death, Dostoyevsky continued with his studies, passed his exams and obtained the rank of engineer cadet, which gave him the right to live away from the academy. After a short visit to his brother Mikhail in Reval, Fyodor frequently went to concerts, operas, plays and ballets. It was during this time that two of his friends initiated him into gambling.

In August 1843 he took a job as a military draftsman (a job he found "as boring as potatoes"), and lived with Adolph Totleben in an apartment owned by Dr A. Riesenkampf, a friend of his brother Mikhail. The doctor characterized him as "no less-good natured and no less courteous than his brother, but when not in a good mood he often looked at everything through dark glasses, became vexed, forgot good manners, and sometimes was carried away to the point of abusiveness and loss of self-awareness"; but "in the circle of his friends he always seemed lively, untroubled, self-content". As he had done when he was a child, Dostoyevsky continued to show concern for the poor and the sick. He earned some badly-needed money by translating works of literature into Russian. He graduated from the academy on 19 October 1844 as a lieutenant. Already in financial trouble, Dostoyevsky decided to write his own novel.

Career

Early career

Dostoyevsky, 1847

In 1844, Dostoyevsky shared an apartment with Dmitry Grigorovich, a friend from the academy, and began on his first novel, hoping to obtain a large readership to improve his finances. In a letter to his brother Mikhail he wrote, "It's simply a case of my novel covering all. If I fail in this, I'll hang myself." In May 1845 he finished the manuscript, Poor Folk, and asked Grigorovich to read the novel aloud. Grigorovich was so impressed that the same night he took it to his friend the poet Nikolay Nekrasov, who also became enthusiastic about it and called Dostoyevsky the "New Gogol". The next day, Nekrasov showed the manuscript to Vissarion Belinsky, the most renowned and influential literary critic of the time. Skeptical at first, Belinsky was astonished after reading it, so much that he described it as Russia's first "social novel". Poor Folk was released on 15 January 1846 in the almanac St Petersburg Collection and was an enormous commercial success.

Shortly after the publication of Poor Folk, Dostoyevsky wrote his second novel, The Double. The book was published in February 1846, although it had already appeared in the journal Annals of the Fatherland on 30 January. In the 1840s, socialism began to be more influential in Russia, to the detriment of romanticism and idealism. Dostoyevsky, who discovered socialism around 1846, was initially influenced by the French socialists Fourier, Cabet, Proudhon and Saint Simon. Through his relationship with Belinsky, Dostoyevsky expanded his knowledge of the philosophy of socialism and was attracted to its logic, its sense of justice and its preoccupation with the destitute and disadvantaged. His relationship with Belinsky became increasingly strained as Belinsky's atheism and dislike of religion clashed with Dostoyevsky's Orthodox beliefs. Dostoyevsky eventually parted company with him and his associates. In his later books, Dostoyevsky focused on the issues of the existence of God and nihilism, as well as the nature of human coexistence, the requirements of fraternity and the coherence between freedom and fortune.

After his second novel received negative reviews, Dostoyevsky's health declined and he had more epileptic seizures, but he continued his prolific writing. From 1846 to 1848 he released a number of short stories in the magazine Annals of the Fatherland, including "Mr. Prokharchin", "The Landlady", "A Weak Heart" and "White Nights". Since these stories were unsuccessful, Dostoyevsky found himself in financial trouble yet again and decided to join the utopian socialist Betekov circle, a tight-knit community that helped him to survive. When the circle dissolved, Dostoyevsky befriended Apollon Maykov and his brother Valerian; after Valerian's death, Apollon became an important figure in Dostoyevsky's life. In 1846, on recommendation of the poet Aleksey Pleshcheyev, he joined the socio-Christian Petrashevsky Circle, founded by Mikhail Petrashevsky, who had proposed social reforms in Russia. "The first Russian Communist" Mikhail Bakunin once wrote to Alexander Herzen, that the group was "the most innocent and harmless company" and its members "systematic opponents of all revolutionary goals and means". Dostoyevsky used the circle's library on Saturdays and Sundays, and sometimes participated in their discussions of themes like freedom from censorship and the abolition of serfdom.

In 1849 the first parts of Netochka Nezvanova, a novel Dostoyevsky had been planning since 1846, were published in Annals of the Fatherland, but his banishment brought it to an end. Dostoyevsky never tried to complete it and the novel remained unfinished.

Exile in Siberia

Before the attempted execution, the members were split into three-man groups. Dostoyevsky was the third in the second row (not seen on the picture); next to him stood Pleshcheyev and Durov.

Dostoyevsky and other members of the Petrashevsky Circle were denounced to Liprandi, an official for the Ministry of International Affairs. Dostoyevsky was accused of reading several works by Belinsky, including Correspondence with Gogol, Criminal Letters and The Soldier's Speech, and of passing copies of these and other works. Antonelli, the government agent who had reported the group, wrote in his statement that at least one of the papers criticised Russian politics and religion. Dostoyevsky responded to these charges by declaring that he had read the essays only "as a literary monument, neither more nor less" and argued about "personality and human egoism" instead of politics. Even so, he and his companions—deemed to be "conspirators"—were arrested on 22 April 1849 on the request of Count A. Orlov and Emperor Nicolas I, who feared a revolution like the Decembrist revolt of 1825 in Russia and the Revolutions of 1848 in Europe. The members were brought to the well-defended Peter and Paul Fortress, where the most dangerous convicts were sent.

Dostoyevsky (left) in his cell, 1853

The future of the convicts was discussed for four months by an investigative commission headed by the Tsar. It was deliberated over by commander General Ivan Nabokov, senator Count Pavel Gagarin, Count Vasili Dolgorukov, Generals Yakov Rostovtsev and head of the secret police Leonty Dubelt. They decided to execute the convicts. On 23 December 1849, the members of the circle were brought to Semyonov Place in St Petersburg. In the last minute, the execution was stayed when a cart came running. The Tsar had written a letter to general adjutant Sumarokov in which the people were pardoned. Dostoyevsky's sentence was commuted to four years of exile with hard labour at a katorga prison camp in Omsk, Siberia, followed by a term of compulsory military service. After a fourteen-day sleigh ride, they reached Tobolsk in Siberia, a staying place for Russian prisoners. Despite all the burden, Dostoyevsky netherless stayed calm and knew how to take heart from such situations. He consoled and uplifted other prisoners, such as Ivan Yastrzhembsky, one of the members of the Petrashevsky Circle, who was surprised by his kindness and eventually decided not to commit suicide. In Tobolsk the members received food and clothes from the Decembrist women, and additionally several copies of the New Testament with a ten-ruble banknote inside each one. Eleven days later, Sergey Durov and Dostoyevsky reached Omsk, whose barracks he described as follows:

In summer, intolerable closeness; in winter, unendurable cold. All the floors were rotten. Filth on the floors an inch thick; one could slip and fall ... We were packed like herrings in a barrel ... There was no room to turn around. From dusk to dawn it was impossible not to behave like pigs ... Fleas, lice, and black beetles by the bushel ...

— Fyodor Dostoyevsky, Pisma, I: pp. 135–7.

Classified as "one of the most dangerous convicts", Dostoyevsky had his feet and hands permanently chained until his release. He unsuccessfully appealed for release from the chains. During his imprisonment, he was not allowed to read anything except his New Testament; he would randomly open its pages whenever in doubt. In addition to his epileptic seizures, Dostoyevsky had haemorrhoids and was "burned by some fever, trembling and feeling too hot or too cold every night" and "losing weight". The smell of a privy was distributed throughout the building, and the bathroom was a small room occupying more than 200 people. Sometimes he was sent to the military hospital, where he had the opportunity to read Dickens novels and newspapers. Dostoyevsky was generally respected by the prisoners, but despised by some because of xenophobic statements.

Release from prison

Dostoyevsky (right) and the Kazakh scholar Shokan Walikhanuli in 1859

After his release on 14 February 1854, Dostoyevsky asked his brother Mikhail to help him financially and to send him books by authors such as Vico, Guizot, Ranke, Hegel and Kant. He also began to write The House of the Dead, basing it on his experience in prison. It became the first novel about Russian prisons. Before moving to Semipalatinsk in mid-March, where he was forced to serve in the Siberian Army Corps of the Seventh Line Battalion, Dostoyevsky met geographer Pyotr Semyonov and ethnographer Shokan Walikhanuli. Around November 1854, he met Baron Alexander Egorovich Wrangel, an admirer of his books who had attended the mock execution. They both rented houses outside Semipalatinsk, in the "Cossack Garden". Describing his character, "He looked morose. His sickly, pale face was covered with freckles, and his blond hair was cut short. He was a little over average height and looked at me intensively with his sharp, grey-blue eyes. It was as if he were trying to look into my soul and discover what kind of man I was".

In Semipalatinsk, Dostoyevsky began to work as tutor to several schoolchildren and came into social contact with several upper-class families. This is how he made the acquaintance of Lieutenant-Colonel Belikhov, who used to invite him to read out passages from newspapers and magazines. During a visit to Belikhov, Dostoyevsky met the family of Alexander Ivanovich Isaev and Maria Dmitrievna Isaeva, and soon fell in love with her. Alexander Isaev took a new post in Kuznetsk, where he died in August 1855. Maria then moved with Dostoyevsky to Barnaul. Dostoyevsky sent a letter through Wrangel to General Eduard Totleben, apologising for his activity in several utopian circles and, as a result, in 1856 he obtained the right to publish books and to marry, but remained under police surveillance for the rest of his life. He married Maria in Semipalatinsk on 7 February 1857. In 1859 Dostoyevsky was released from military service as his health had worsened since his marriage. He was also granted permission to return to Russia, first to Tver—where he met his brother for the first time in ten years—then to St Petersburg.

Dostoyevsky in Paris (1863)

"A Little Hero" (Dostoyevsky's only work completed while in prison) appeared in a journal, while "Uncle's Dream" and "The Village of Stepanchikovo" were not published until 1860. Notes from the House of the Dead was released in Russky Mir ("Russian World") in September 1860; "The Insulted and the Injured", in the new Time magazine, which had been created with the help of funds from his brother's cigarette factory.

Dostoyevsky travelled to western Europe for the first time on 7 June 1862. He went to the German cities of Cologne, Berlin, Dresden and Wiesbaden and to Belgium and Paris afterwards. In London he met Herzen, for whom Dostoyevsky was "a naive, not entirely lucid, but very nice person", and visited the Crystal Palace. He then travelled with Strakhov through Switzerland and several cities in northern Italy, Turin, Livorno and Florence among them. He wrote mainly negative comments about these countries in Winter Notes on Summer Impressions, where he criticised capitalism, social modernisation, materialism, Catholicism and Protestantism.

From August to October 1863 Dostoyevsky made another trip to western Europe. In Paris he met his second love, Polina Suslova. Once again, he lost all his money gambling in Wiesbaden and Baden-Baden. He then wrote a letter to Wrangel, asking for a loan and mentioning his next novel for the first time. In 1864, after the successive deaths of his wife Maria and his brother, Dostoyevsky became the lone parent of his stepson Pasha and, almost immediately afterwards, of Mikhail's family. The failure of Epokha, the magazine he had founded with his brother after the suppression of Vremya, worsened his financial situation. The continued help of his relatives and friends, however, prevented him from going bankrupt.

Travels

Anna Snitkina

The first two parts of Dostoyevsky's sixth novel, Crime and Punishment, were published in January and February 1866 in the periodical The Russian Messenger, bringing the magazine at least 500 new subscribers. The complete novel was also a success.

Dostoyevsky returned to St Petersburg in mid-September and promised his editor, Fyodor Stellovsky, that he would complete the novel The Gambler by November, although he had not yet written a single line. Milyukov, one of Dostoyevsky's friends, advised him to hire a secretary. Dostoyevsky contacted stenographers Pavel Olkhin from St Petersburg, who recommended his pupil Anna Grigoryevna Snitkina. After being hired in October 1866, she registered his dictation in shorthand and The Gambler, a short novel focused on gambling, was completed within 26 days on 30 October. After meeting with him, she remarked, "[Dostoyevsky] was of average height, and he held himself erect. He had light brown, slightly reddish hair, he used some hair conditioner, and he combed his hair in a diligent way. I was struck by his eyes, they were different: one was dark brown; in the other, the pupil was so big that you could not see its color [caused by an injury]. The strangeness of his eyes gave Dostoyevsky some mysterious appearance. His face was pale, and it looked unhealthy ..."

Gambling "hell" in Bad Homburg

On 15 February 1867, Dostoyevsky married Anna Snitkina in the Trinity Cathedral in St Petersburg. The 7,000 rubles he had earned from Crime and Punishment did not cover all their debts, forcing Anna to sell things. On 14 April 1867, they began a delayed honeymoon in Germany with the money raised. They stayed in Berlin, and later visited the Gemäldegalerie Alte Meister, where he sought inspiration for his writing. Three weeks later Dostoyevsky travelled to Homburg, where he lost all of his wife's money gambling. They continued their trip through Germany, visiting Frankfurt, Darmstadt, Heidelberg and Karlsruhe, finally staying in Geneva. In Baden-Baden, Anna became pregnant. Their first child, Sonya was born on 5 March 1868. Three months later the baby died from pneumonia. In September 1868, Dostoyevsky started to work on The Idiot, managing to complete 100 pages in just 23 days. They left Geneva and moved to Vevey and then to Milan to complete his novel. After enduring some rainy autumn months in Milan, they travelled to Florence. The Idiot was completed there in January 1869 and serialised in The Russian Messenger.

Dostoyevsky's study in Saint Petersburg

In Dresden, Anna gave birth to Lyubov on 26 September 1869. In April 1871 Dostoyevsky made a final visit to a gambling hall in Wiesbaden. According to Anna, Dostoyevsky was cured of his addiction after the birth of their second daughter, but whether or not this is true is open to speculation. Another reason for his abstinence might have been the closure of casinos in Germany in 1872 and 1873, or his entering into a synagogue which he confused with a gambling hall. According to biographer Joseph Frank, Dostoyevsky took that on as a sign not to gamble anymore. Around November 1869, Anna's younger brother, Ivan Snitkin, a pupil at the Petrovsky Agricultural Academy in Moscow, told about the unrest among the students there and mentioned a classmate of his, Ivan Ivanov, who was involved in that movement, led by Sergey Nechayev. Nechayev, influenced by Bakunin's Alliance révolutionnaire européenne, had formed this terror organisation composed of several five-man groups. As Ivanov eventually left the society, other members, fearing he might turn into an informer, murdered him on 21 November 1869 in the Academy park. After hearing the news of the "Nechayev Affair", as the case was known, Dostoyevsky began writing on Demons.

In 1871, Dostoyevsky and Anna travelled by train to Berlin. During this trip, he burnt numerous manuscripts, including those for The Idiot, because he was worried about problems when going through customs. The family arrived in St Petersburg on 8 July, marking the end of a honeymoon (originally planned to last for three months) that had lasted over four years.

Return to Russia

Back in Russia in July 1871, the family was again in financial trouble and had to sell their remaining possessions. Besides, Anna was reaching the final term of her second pregnancy. Their son, Fyodor, was born on 16 July. Soon after the birth, they moved to a different apartment near the Institute of Technology. The family hoped to cancel their large debts by selling their house in Peski, but as problems with the tenant resulted in a relatively low selling price, disputes with their creditors continued. Anna proposed that they raise money on her husband's copyrights and negotiated with the creditors to pay off their debts in instalments.

Dostoyevsky's dacha in Staraya Russa, bought in 1876

Dostoyevsky was able to revive his friendships with Maykov and Strakhov and to find new acquaintances, such as Vsevolod Solovyov and his brother Vladimir, church politician Terty Filipov and Konstantin Pobedonostsev, future Imperial High Commissioner of the Most Holy Synod, who influenced Dostoyevsky's political progression to conservatism. In early 1872, the art collector Pavel Tretyakov asked Dostoyevsky to pose for Vasily Perov. According to Danish critic Georg Brandes, Perov's painting, one of the most popular portraits of Dostoyevsky, is a depiction "half that of a Russian peasant, half that of a criminal". Around this time, the Dostoyevskys planned their holidays in Staraya Russa, a town known for its mineral spa, where the family spent several months. Shortly afterwards, Anna's sister died from typhus and Anna developed an abscess on her throat. Dostoyevsky's work on his next novel was consequently delayed.

Dostoyevsky, 1876

The family returned to St Petersburg in September 1872. Demons was finished on 26 November 1872 and released in January by the "Dostoyevsky Press", founded by Dostoyevsky and his wife. Although they only accepted cash payments and the bookshop was their own apartment, the business was successful: about 3,000 copies of Demons were sold. Anna was in charge of the financing. Dostoyevsky proposed that they establish a new periodical, A Writer's Diary, which would include a collection of essays, but due to lack of money it had to be published in Vladimir Meshchersky's The Citizen, beginning on 1 January in return for a salary of 3,000 rubles per year. In the summer of 1873, Anna travelled again with her children to Staraya Russa, while Dostoyevsky stayed in St Petersburg to continue with his Diary.

In March 1874, Dostoyevsky left The Citizen because of the stressful nature of the work and interference from the Russian bureaucracy. In his fifteen months with The Citizen, he was brought to court twice: on 11 June 1873, for citing the words of prince Meshchersky without permission, and again on 23 March 1874. Dostoyevsky offered to sell The Russian Messenger a new novel he had not yet begun to write, but the magazine refused to give him the sum he had asked for. Nikolay Nekrasov suggested that he publish A Writer's Diary in The National Annals; he would receive 250 rubles for each printer's sheet, 100 more than from The Russian Messenger. Dostoyevsky's health began to decline, and he started to experience the first symptoms of a lung disease. He consulted several doctors in St Petersburg and was advised to take a cure outside Russia. Around July, Dostoyevsky reached Ems but went to a different physician, who diagnosed him with acute catarrh. During his stay at the health spa he began to work on The Adolescent. In late July he returned to St Petersburg.

His wife proposed that they spend the winter in Staraya Russa to give him a rest from his work, although doctors had suggested that Dostoyevsky make a second visit to Ems because his health had improved. On 10 August 1875, in Staraya Russa, his son Alexey was born. In mid-September the family returned to St Petersburg. Dostoyevsky finished The Adolescent at the end of 1875, although passages of it had been serialised since January in the Annals. The Adolescent chronicles the life of a 19-year-old intellectual, Arkady Dolgoruky, the illegitimate child of a controversial and womanising landowner named Versilov and a peasant mother. A main theme in the novel is the recurring conflict between father and son—particularly about different ideologies—representing battles between the conventional way of thinking in the 1840s and the new nihilistic view of the youth of 1860s Russia.

Last years

In early 1876 Dostoyevsky continued to work on his Diaries. The book includes his classic works, composition books, sketches, drafts, letters, autographs and committed thoughts, and encompasses various different social, religious, political and ethical themes. This essay collection sold over twice as much as his previous books. Dostoyevsky received more letters from readers than ever before, and people of all ages and occupations visited him. Thanks to Anna's brother, the family could finally buy a dacha in Staraya Russa. In the summer of 1876, Dostoyevsky began experiencing breathlessness again. He visited Ems for a third time and was told that he might live for another 15 years should he move to a more healthy climate. When Dostoyevsky returned to Russia, Tsar Alexander II ordered him to visit his palace and to present Diaries to him, and asked that Dostoyevsky educate his sons, Sergey and Paul. This visit led to the increase of his circle of acquaintances. He was a frequent guest in several salons in St Petersburg and met many famous people, Princess Sofya Tolstaya, the poet Yakov Polonsky, the politician Sergei Witte, the journalist Alexey Suvorin, the musician Anton Rubinstein and the artist Ilya Repin among them.

Last photo of Dostoyevsky, shot 6 months before his death

Dostoyevsky's health began to deteriorate further, and in March 1877 he had four epileptic seizures. Instead of going back to Ems he decided to visit Maly Prikol, a manor near Kursk. On the way back to St Petersburg to finalise his Diaries, Dostoyevsky visited Darovoye, where he had spent much of his childhood. In December he attended Nekrasov's funeral and gave a speech. He was also appointed an honorary member of the Russian Academy of Sciences. In early 1878 he heard a speech about the "God-man" delivered by Vladimir Solovyov, which set him thinking about his next novel. In February 1879 he received an honorary certificate from the academy. He declined the invitation to an international congress about copyright in Paris after his son Alyosha had an extreme epileptic seizure and died on 16 May. The family later moved to the apartment where Dostoyevsky had written his first works. Around this time he was elected to the board of directors of the Slavic Benevolent Society in St Petersburg, and that summer he was elected to the honorary committee of the Association Littéraire et Artistique Internationale, which included Victor Hugo, Ivan Turgenev, Paul Heyse, Alfred Tennyson, Anthony Trollope, Henry Longfellow, Ralph Waldo Emerson and Leo Tolstoy. Dostoyevsky made his fourth and final visit to Ems in early August 1879. He was diagnosed as having early-stage pulmonary emphysema. His doctor believed that although his disease could not be cured, it could be successfully managed.

Dostoyevsky's funeral.

On 3 February 1880, Dostoyevsky was chosen as the vice president of the Slavic Benevolent Society, and was invited to speak at the unveiling of the Pushkin memorial in Moscow. Dostoyevsky delivered his speech from memory two days later, inside a large room, giving an impressive performance that had great emotional impact on many in his audience. His speech was met with thunderous applause, and even his long-time rival Ivan Turgenev embraced him. Dostoyevsky's speech was later attacked by several people. For example, the liberal political scientist Alexander Gradovsky thought that he idolised the people in his speech, and conservative thinker Konstantin Leontiev, in his essay "On Universal Love", compared the speech with French utopian socialism. Konstantin Staniukovich praised his speech in his essay "The Pushkin Anniversary and Dostoevsky's Speech" from Business, "the language of Dostoevsky's [Pushkin Speech] really looks like a sermon. He speaks with the tone of a prophet. He makes a sermon like a pastor; it is very deep, sincere, and we understand that he wants to impress the emotions of his listeners." The several attacks on his speech led to a further deterioration of Dostoyevsky's health.

"He looked as though he were asleep, gently smiling, as though he could see something beautiful"
– Lyubov Dostoyevskaya

On 25 January, the Tsar's secret police, while searching for members of the terror organisation Narodnaya Volya ("The People's Will") who had assassinated Tsar Alexander II, executed a search warrant in the apartment of one of Dostoyevsky's neighbours. Anna denied that this might have been the cause for Dostoyevksy's pulmonary haemorrhage on 26 January 1881, saying that it occurred after her husband had been searching for a dropped pen holder. The haemorrhage may have also been caused by the heavy disputes with his sister Vera about his aunt Aleksandra Kumanina's estate, which was agreed upon on 30 March and discussed in the St Petersburg City Court on 24 July 1879. His wife would later acquire a part of the estate of ca. 185 desiatina (around 500 acres or 202 ha) of forest and 92 desiatina (around 250 acres or 101 ha) of farmland. Following another haemorrhage Anna called the doctors, who gave a grim prognosis. A third haemorrhage followed shortly afterwards.

Among Dostoyevsky's last words was his citation of Matthew 3:14: "But John forbad him, saying, I have need to be baptised of thee, and comest thou to me? And Jesus answering said unto him, Suffer it to be so now: for thus it becometh us to fulfil all righteousness" and finishing with "Hear now—permit it. Do not restrain me!". According to a Russian custom, his body was placed on a table. Dostoyevsky was interred in the Tikhvin Cemetery at the Alexander Nevsky Convent, near his favourite poets Karamsin and Zhukovsky. It is not exactly known how many visitors attended his funeral. According to a reporter, more than 100,000 mourners were there, while others state a number between 40,000 and 50,000. His tombstone is inscribed with these words of Christ from the New Testament:

Verily, verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit.

— Jesus, from the Gospel According to John 12:24

Affairs

Dostoyevsky had his first known affair with Avdotya Yakovlevna, whom he met in the Panayev circle in the early 1840s. He described her as educated, interested in literature and a femme fatale. However, Dostoyevsky later admitted that he was unsure about their relationship. According to Dostoyevskaya in her memoirs, Dostoyevsky once asked his sister's sister-in-law, Yelena Ivanova, whether she would marry him, in order to replace her deathly ill husband in future, but she denied his proposal.

Another short but intimate affair was with Polina Suslova, which peaked in the winter of 1862–3 and decreased the following years. Suslova's infidelity with a Spaniard in late spring and Dostoyevsky's gambling addiction and age resulted in the end of their relationship. He later described her in a letter to Nadezhda Suslova as a "great egoist. Her egoism and her vanity are colossal. She demands everything of other people, all the perfections, and does not pardon the slightest imperfection in the light of other qualities that one may possess", and later stated "I still love her, but I do not want to love her any more. She doesn't deserve this love ..." Around this time, his first wife, Maria Dostoyevskaya, née Isayevna, died of tuberculosis. She had previously refused his marriage proposal, stating that they were not meant for each other and that his poor financial situation precluded marriage. When Dostoyevsky later went to Kuznetsk, he discovered that she had had an affair with the 24-year-old schoolmaster Nikolay Vergunov. Despite this, Maria married Dostoyevsky in Semipalatinsk on 7 February 1857. Their family life was unhappy and she found it difficult to cope with his seizures. Describing their relationship, he wrote: "Because of her strange, suspicious and fantastic character, we were definitely not happy together, but we could not stop loving each other; and the more unhappy we were, the more attached to each other we became". They mostly lived apart. In 1858, Dostoyevsky had a romance with the comedy actress Aleksandra Ivanovna Schubert, and although divorcing with her husband, Dostoyevsky's friend Stepan Yanovsky, she would not abide with him. Dostoyevsky did not love her either, but they were probably good friends. She reckoned that he "became very attracted to me".

Through a worker in Epoch Dostoyevsky learned about the Russian-born Martha Brown (née Elizaveta Andreyevna Chlebnikova), who had had affairs to several people from the West. She had remained with a Methodist pastor in the Isle of Guernsey, taking the surname "Brown", until divorcing and moving to Russia. Not much is known about her relationship with Dostoyevsky, only through letters between November 1864 and January 1865. In 1865, Dostoyevsky met Anna Korvin-Krukovskaya. Their relationship was not certain: while Anna Dostoyevskaya spoke of a good affair, her sister, the mathematician Sophia, thought that Anna rejected him after a visit. Around 1866, Dostoyevsky fell in love with the stenographer Anna Snitkina, a "very young and rather nice looking twenty-year-old woman with a kind heart ... I noticed that my stenographer loved me sincerely, though she never told me about it. I also liked her more and more". He later "proposed to her and ... got married".

Beliefs

Political

Dostoyevsky characterized the Crystal Palace a symbol of materialism and industrialization in works including Crime and Punishment and Note from the Underground.

In his youth, Dostoyevsky enjoyed reading Nikolai Karamzin's History of the Russian State, which praised conservatism and the independence of Russia from other countries, ideas that Dostoyevsky would embrace in his late adulthood. Before his arrest for participating in the Petrashevsky circle in 1849, Dostoyevsky remarked, "As far as I am concerned, nothing was ever more ridiculous than the idea of a republican government in Russia". In an 1881 edition of his Diaries, Dostoyevsky stated that the tsar and the people should form a unity: "For the people, the tsar is not an external power, not the power of some conqueror ... but a power of all the people, an all-unifiying power the people themselves desired".

While critical of serfdom, Dostoyevsky was sceptical about the creation of a constitution, a concept he viewed as unrelated to Russia's history, a mere "gentleman's rule", and affirmed that "a constitution would simply enslave the people". He advocated for social change instead, for the forming of a connection between the peasantry and the affluent classes. Dostoyevsky believed in an utopian Christianized Russia where "if everyone were actively Christian, not a single social question would come up ... If they were Christians they would settle everything". He thought democracy and oligarchy poor systems, as exemplified by the French current state of affairs: "the oligarchs are only concerned with the interest of the wealthy; the democrats, only with the interest of the poor; but the interests of society, the interest of all and the future of France as a whole—no one there bothers about these things." He maintained that political parties ultimately lead to social discord. In the 1860s he discovered Pochvennichestvo, a movement similar to Slavophilism in that it rejected Europe's culture and contemporary philosophical movements such as nihilism and materialism. Unlike Slavophilism, however, it did not intend to establish an isolated Russia, but a more open Peter the Great state.

In his incomplete article "Socialism and Christianity", Dostoyevsky considered that civilisation ("the second stage in human history") was degraded, moving towards liberalism and losing its faith in God. He asserted that the traditional concept of Christianity should therefore be recovered. He felt contemporary western Europe "rejected the single formula for their salvation that came from God and was proclaimed through revelation to humanity, 'Thou shalt love they neighbour as thyself', and replaced it with practical conclusions such as, 'Chacun pour soi et Dieu pour tous' ("Every man for himself and God for all"), or scientific slogans like 'the struggle for survival'". This crisis was the consequence of the collision between communal and individual interests, brought about by a decline in religious and moral principles.

Dostoyevsky also differentiated three "enormous world ideas" prevailing in his time: Catholicism, which continued the tradition of Imperial Rome and had thus become anti-Christian and proto-socialist inasmuch as the Church's interest in political and mundane affairs made it leave behind the idea of Christ. For Dostoyevsky, socialism was "the latest incarnation of the Catholic idea" and its "natural ally"; Protestantism, which, while colliding with Catholicism, was none better than it as its doctrine was self-contradictory and would ultimately lose power and spirituality; and the Russian or Slavic idea, grounded in Russian Orthodoxy, which he deemed the ideal Christianity.

During the Russo-Turkish War (1877–1878), Dostoyevsky asserted that war may be necessary if salvation were granted. He wanted to eliminate the Muslim Ottoman Empire and retrieve the Christian Byzantian Empire. Furthermore, he hoped for the liberation of Balkan Slavs and its unification with the Russian Empire.

Dostoyevsky expressed antisemitic sentiments, some of which are found in his Diaries, but he also stood up for the rights of the Jewish people. In a review of Joseph Frank's book, The Mantle of the Prophet, Orlando Figes notes that A Writer's Diary is "filled with politics, literary criticism, and pan-Slav diatribes about the virtues of the Russian Empire, [and] represents a major challenge to the Dostoyevsky fan, not least on account of its frequent expressions of antisemitism." Frank, in his foreword for David I. Goldstein's book Dostoevsky and the Jews, attempts to paint Dostoyevsky as a product of his time, noting that Dostoyevsky made antisemitic remarks, but that these views were ones which he was not entirely comfortable with.

But he supported equal rights of the Russian Jewish population, which was an unpopular position in Russia at the time. Dostoyevsky stated that he did not hate Jewish people and was not antisemitic. He spoke of the potential negative influence of Jewish people, but advised Emperor Alexander II of Russia to allow them positions of influence in Russian society, such as access to professorships at universities. Labelling Dostoyevsky as antisemitic does not take into consideration his expressed desire to reconcile Jews and Christians peacefully in a single universal brotherhood of mankind.

Religious

The New Testament given to Dostoyevsky in January 1850 shortly before his imprisonment in Siberia.

Dostoyevsky was raised in a "pious Russian family" and knew the Gospel "almost from the cradle". He was introduced to Christianity through the Russian translation of Johannes Hübner's One Hundred and Four Sacred Stories from the Old and New Testaments Selected for Children (partly a German bible for children and partly a catechism), attended Liturgy every Sunday from an early age and took part in annual pilgrimages to the St Sergius Trinity Monastery. Apart from his spiritual upbringing at home, Dostoyevsky was also educated by a deacon who lived near the hospital. Among his most cherished childhood memories were the prayers he used to say in front of guests and a reading from the Book of Job, which "made an impression on [Dostoyevsky]" when "still almost a child".

According to an officer at the military academy, Dostoyevsky was profoundly religious, followed the precepts of the Orthodox Church and would regularly read the Gospels and Heinrich Zschokke's Die Stunden der Andacht ("Hours of Devotion"), which "preached a sentimental version of Christianity entirely free from dogmatic content and with a strong emphasis on giving Christian love a social application". This book was, perhaps, what prompted his later interest in Christian socialism. Through the literature of Hoffmann, Balzac, Sue and Goethe, Dostoyevsky created his own belief system, similar to Russian sectarianism and Old Belief. After his arrest, the mock execution and the subsequent imprisonment in Siberia, he focused intensely on the figure of Christ and the New Testament, the only book allowed in prison. Dostoyevsky wrote in a January 1854 letter to a woman who had sent him the Testament, that he was a "child of unbelief and doubt up to this moment, and I am certain that I shall remain so to the grave." He also told that "even if someone were to prove to me that the truth lay outside Christ, I should choose to remain with Christ rather than with the truth."

In Semipalatinsk, Dostoyevsky revived his trust in God by frequently looking at the star-studded sky. Wrangel said that he was "rather pious, but did not often go to church, and disliked priests, especially the Siberian ones. But he spoke about Christ ecstatically". Both planned to translate Hegel's works and Carus' Psyche. Dostoyevsky explored Islam too, after asking his brother to send him a copy of the Quran. Two pilgrimages and two works by Dmitri Rostovsky, the archbishop who influenced Ukrainian and Russian literature by composing groundbreaking religious plays, strengthened his beliefs. Through his visits to western Europe and discussions with Herzen, Grigoriev and Strakhov, Dostoyevsky discovered the Pochvennichestvo movement and the theory that the Catholic Church had adopted the principles of rationalism, legalism, materialism and individualism from ancient Rome and passed on its philosophy to Protestantism and consequently to socialism, which becomes atheistic.

Dostoyevsky's real beliefs remain nevertheless uncertain, since he never stated his faith explicitly. One exception might be his response, in April 1876, to a question about a suicide in Diary of a Writer, remarking that he was a "philosophical deist"—this was a quote from The Adolescent, though he did not say that it was. Two months later, however, Dostoyevsky wrote in his Diaries that his heroine George Sand "died a deisté, firmly believing in God and in the immortality of the soul". But deists at that time held different beliefs about the immortality of the soul. Besides, his belief in doctrines such as the Trinity—clearly discussed in The Brothers Karamazov, for example—suggests that he did not thoroughly understand the meaning of this term.

Overall, many critics have pointed out that Dostoyevsky's religion is unusual and partially at odds with the Christian dogma. Malcolm V. Jones has found elements of Islam and Buddhism in his religious convictions.

Themes and style

Main article: Themes in Fyodor Dostoyevsky's writings

Manuscript of Demons

Dostoyevsky's works comprise such themes as suicide, poverty, human manipulation and morality. His early works emphasised the realistic and naturalistic social life, that is the differences between poor and rich. Since his release, Dostoyevsky incorporated religious themes, particularly Russian Orthodox, into his oeuvre. "An explorer of ideas", Dostoyevsky manifested the "tumultuous period in Russian history", which was "undoubtedly shaped by the sociopolitical happenings he witnessed". Influences from other writers, clearly evident especially in his early works, led to accusations of plagiarism, but his style gradually developed in the course of the years. Elements of gothic fiction, romanticism and satire are inherent parts in some of his books. Apart from philosophical, psychological and religious themes, Dostoyevsky also wrote spy fiction and suspense literature. Dostoyevsky's canon includes novels, novellas, novelettes, short stories, essays, epistolary novels and even poems. The main characteristics in his works are polyphony and autobiographical or semi-autobiographical elements. His negative characters, such as the Underground Man in Notes from Underground, Raskolnikov in Crime and Punishment, Ippolit in The Idiot, Kirillov in Demons, and Ivan Karamazov and Smerdiakov in The Brothers Karamazov, are a product of their times, and eventually commit either a crime or suicide.

Dostoyevsky's works were often called "philosophical" despite his lack of knowledge about philosophy; he described himself as "weak in philosophy". "Fyodor Mikhailovich loved these questions about the essence of things and the limits of knowledge", Strakhov wrote. Although theologian George Florovsky described Dostoyevsky as a "philosophical problem" because it is unknown whether Dostoyevsky believed in what he wrote, many philosophical thoughts are found in books such as A Writer's Diary and The Brothers Karamazov because he often wrote in the first person. He might have been critical of rational and logical thinking because he was "more a sage and an artist than a strictly logical, consistent thinker." He represented Kierkegaardian irrationalism, in works such as House of the Dead, Notes from Underground, Crime and Punishment and Demons. His irrationalism is mentioned in William Barrett's Irrational Man: A Study in Existential Philosophy and in Walter Kaufmann's Existentialisms from Dostoevsky to Sartre.

Legacy

Dostoyevsky monument in Dresden

Together with Leo Tolstoy, Dostoyevsky is often regarded as one of the greatest and most influential novelists of the Golden Age of Russian literature. Albert Einstein put him above the mathematician Carl Friedrich Gauss, and called him a "great religious writer" who explores "the mystery of spiritual existence". Friedrich Nietzsche called Dostoyevsky "the only psychologist, incidentally, from whom I had something to learn; he ranks among the most beautiful strokes of fortune in my life". Hermann Hesse enjoyed Dostoyevsky's work and also cautioned against that to read him is like a "glimpse into the havoc". The Norwegian novelist Knut Hamsun wrote that "no one has analysed the complicated human structure as Dostoyevsky. His psychologic sense is overwhelming and visionary".

In his posthumously published collection of sketches A Moveable Feast, Ernest Hemingway stated that in Dostoevsky "there were things believable and not to be believed, but some so true that they changed you as you read them; frailty and madness, wickedness and saintliness, and the insanity of gambling were there to know." According to Arthur Power's Conversations with James Joyce, the Irishman praised Dostoyevsky's prose: "... he is the man more than any other who has created modern prose, and intensified it to its present-day pitch. It was his explosive power which shattered the Victorian novel with its simpering maidens and ordered commonplaces; books which were without imagination or violence." In her essay The Russian Point of View, Virginia Woolf said, "Out of Shakespeare there is no more exciting reading". Franz Kafka named Dostoyevsky as his "blood-relative", and was heavily influenced by his works, especially The Brothers Karamazov and Crime and Punishment, both of which had a profound effect on The Trial. Sigmund Freud called his last work "the most significant novel ever written". Modern cultural movements such as the surrealists, the existentialists and the Beats regard Dostoyevsky as an influence. Dostoyevsky is cited as the forerunner of Russian symbolism, existentialism, expressionism and psychoanalysis.

Soviet Union stamp, 1971

In 1956 an olive-green postage stamp dedicated to Dostoyevsky was released in the Soviet Union with a print run of 1,000 copies. A Dostoevsky Museum was opened on 12 November 1971 in the apartment where he wrote his first and last novels. A minor planet discovered in 1981 by Lyudmila Karachkina was named 3453 Dostoevsky. Viewers of the TV show Name of Russia voted him the ninth greatest Russian of all time, behind chemist Dmitry Mendeleev and ahead of ruler Ivan IV. A Moscow Metro station on the Lyublinsko-Dmitrovskaya Line was scheduled to open to the public on 15 May 2010, the 75th anniversary of the Moscow Metro. Illustrations on the décor made by artist Ivan Nikolaev depicts scenes from his works, such as controversial suicides, which did not hinder the opening of Dostoyevskaya on 19 June. Four of Dostoyevsky's books (Crime and Punishment, The Possessed, The Idiot and The Brothers Karamazov) are on the list of Norwegian Book Club's 100 best books of all time.

Dostoyevsky's work has not always met positive receptions. Several critics, such as Nikolay Dobrolyubov, Ivan Bunin and Vladimir Nabokov, viewed his writing rather psychological and philosophical than artistical. Others found fault in chaotic and disorganised plots, whereas others, like Turgenev, in "excessive psychologising" or in an overdetailed naturalism. His style was deemed "prolix, repetitious and lacking in polish, balance, restraint and good taste". Saltykov-Shchedrin, Tolstoy, Mikhailovsky among others criticised his puppet-like characters, most prominently in The Idiot, The Possessed and The Brothers Karamazov. The unrealistic puppet-like feature was compared with that of Hoffmann's characters, an author Dostoyevsky admired.

Basing his estimation on a stated criteria of enduring art and individual genius, Nabokov judged Dostoyevsky as "not a great writer, but rather a mediocre one—with flashes of excellent humour but, alas, with wastelands of literary platitudes in between." Compiling a list he demonstrates and complains that the novels are peopled by "neurotics and lunatics" and notes that Dostoyevsky's characters do not develop: "We get them all complete at the beginning of the tale and so they remain." He finds the novels full of contrived "surprises and complications of plot", which when first read are effective. On a second reading, though, and without the shock and benefit of these surprises, the books appear loaded with "glorified cliché".

Reputation

Dostoyevsky's books have been translated into more than 170 languages and have sold around 15 million copies. The German translator Wilhelm Wolfsohn published one of the first translations, parts of Poor Folk, in an 1846–1847 magazine, and a French translation followed. Usually, French, German and Italian translations were directly translated from the original, while English translations were second-hand and of low quality. The first English translations were provided by Marie von Thilo in 1881, but the first acclaimed translations into English were produced between 1912 and 1920 by Constance Garnett. Her flowing and easy translations helped popularizing Dostoyevsky's novels in England, and Bakthin's Problems of Dostoevsky's Poetics (1929) provided further understanding of his style.

Dostoyevsky's works were filmed or staged in many different countries. Princess Varvara Dmitrevna Obolenskaya was among the first to propose staging Crime and Punishment, but Dostoyevsky denied the proposal, as he believed that "each art corresponds to a series of poetic thoughts, so that one idea cannot be expressed in another non-corresponding form." His extensive explanations against his works to be transposed into media was groundbreaking in fidelity criticism. He felt that only one episode should be picked or the same idea incorporated into a rewritten plot. Among the most prolific adaptions, according to critic Alexander Burry, are Sergei Prokofiev's The Gambler; in that it was the "least Dostoevskian of Dostoevsky's stories"; Leoš Janáček's From the House of the Dead; Akira Kurosawa's The Idiot and Andrzej Wajda's The Possessed.

After the 1917 Russian Revolution, Dostoyevsky's books were often censored or banned. His philosophy, especially in Demons, was deemed capitalistic and anti-Communist, leading Maxim Gorky to nickname the author "our evil genius". Reading Dostoyevsky was forbidden, and those who did not observe this rule were imprisoned. During the Second World War, however, his works were used as propaganda by both the Soviets and the Nazis. After the war, the prohibition law in the Soviet Union was overturned. Even though the 125th anniversary of his birth was celebrated throughout Russia in 1947, his works were banned again until Nikita Khrushchev's accession to power ten years later, following de-Stalinization and a softening of repressive laws.

Works

Dostoyevsky's works of fiction include 15 novels and novellas, 17 short stories, and 5 translations. Many of his longer novels were first published in serialised form in literary magazines and journals (see the individual articles). The years given below indicate the year in which the novel's final part or first complete book edition was published. In English many of his novels and stories are known by different titles.

Major works

Poor Folk

Main article: Poor Folk

Poor Folk describes in the form of an epistolary novel the relationship between the somewhat elder, small official Makar Devushkin and the young seamstress Varvara Dobroselova, a remote relative. Both write letters to each other and through the tender, sentimental adoration for his relative and her confident, warm friendship with him, they seem to prefer a life in a higher society, although this pushed them into a humiliating poverty. Their idyll would be destroyed by money and might.

An unscrupulous merchant finds an inexperienced girl and hires her as his housewife and guarantor. He sends her to a manor, somewhere on a steppe, while Devushkin alleviates his misery and pain with alcohol. The story focuses on poor people who fight against their lack of self esteem. Their threats and destruction leads to the loss of their inner freedom, to the entire dependence of the social authorities and to the extinction of the individual. Dostoyevsky shows how poverty and dependence are indissolubly aligned with profound inner damage, i.e. deflection and deformation of the self esteem, which combine for inner and outer loss.

Notes from Underground

Main article: Notes from Underground

This novel is split into two stylistically very different parts: the first is essay-like, while the second narrative and similar to a novella. The protagonist and first-person narrator is an unnamed, 40 years old official. About his living situation it is only known that he quits the service, lives in a basement flat on the outskirts of St Petersburg and finances his livelihood owing to a modest heritage. The first part is a record of his thought to the society and to his character. He describes himself as vicious, squalid and ugly; the chief aim of his polemic and incisive analysis is the "modern human" and the self-created society, which he comments severely and zynically and towards which he builds aggression and revengefulness. He considers his own decline naturally and necessary. Although he emphasizes that he does not intend to publish the notes for the public, the narrator appeals repeatedly to the ill-described audience, whose questions he tries to take a stand on.

In the second part he tells different, old scenes from his life, which are responsible for his fail in the professional life as well as in the interpersonal area and in his love life. For example, he tells about the meeting with old schoolfriends, who unlike him are situated in sophisticated and secure position and meet him with condescension. His aggression now turns towards him and he tries to humiliate himself further. At the same time he takes it out on lower-classed people: he presents himself as a possible saviour towards the poor prostitute Lisa to reject all self-reproaches in the moment when she hopes to obtain hope through him. Dostoyevsky added a short commentary to the Notes, which points to the fact that although all characters plus the storyline are fictional, a similar action may occur not only in contemporary society, but which is also inevitable.

The Underground Man was very influential on philosophers. His alienated existence from the mainstream has influenced modernist literature.

Crime and Punishment

Main article: Crime and Punishment

A detective novel Crime and Punishment describes Rodion Raskolnikov's life, from the murder of a pawnbroker, to the spiritual regeneration under a hooker with a heart of gold, Sonya, to his sentence in Siberia. The critic Strakhov, generally satisfied with the novel, remarked that "Only Crime and Punishment was read in 1866" and said that Dostoyevsky had managed to portray, aptly and realistically, a Russian person. Initially, however, the novel received a mixed reception from critics, with most of the negative responses coming from nihilists. Grigory Eliseev of the radical magazine The Contemporary called the novel a "fantasy according to which the entire student body is accused without exception of attempting murder and robbery".

The Idiot

Main article: The Idiot

The novel's protagonist, the twenty-six-year-old Prince Lev Nikolayevich Myshkin, returns to Russia after spending several years at a Swiss sanatorium. Scorned by the society of St. Petersburg for his trusting nature and naivete, he finds himself at the center of a struggle between a beautiful kept woman (Nastasya) and a virtuous and pretty young girl (Aglaja), both of whom win his affection. Unfortunately, Myshkin's very goodness precipitates disaster, leaving the impression that, in a world obsessed with money, power, and sexual conquest, a sanatorium may be the only place for a saint. Myshkin is the personification of a "relatively beautiful man", namely Christ. Coming "from above", the Swiss mountains to Russia, he physically bears a resemblance to Christ: a little bit above medium sized; very blond, thick hair; sunken cheeks and a thin, almost entirely white goatee. Just like Christ, Myshkin is a teacher, confessor and mysterious outsider. Passions such as greed or jealousy are for him alien. In contrast to his environment he puts no value to vindicate his right to money and might. He feels compassion without hate, love or ferocity. His relationship with the sinful Mary is obviously inspired by Christ's relationship with Mary Magdalene. Therefore he is called "Idiot" because of such differences.

The Demons

Main article: The Possessed (novel)

The story of Demons is largely based on the murder of Ivanov and was influenced by the Book of Revelation. The second characters, Stepan and Pyotr Verkhovensky, are the embodiments of Nechayev and Timofey Granovsky, respectively. The novel takes place in a provincial Russian setting, primarily on the estates of Stepan Trofimovich Verkhovensky and Varvara Stavrogina. Stepan Trofimovich's son, Pyotr Verkhovensky, is an aspiring revolutionary conspirator who attempts to organize a knot of revolutionaries in the area. He considers Varvara Stavrogina's son, Nikolai, central to his plot because he thinks Nikolai Stavrogin has no sympathy for mankind whatsoever. Verkhovensky gathers conspirators like the philosophizing Shigalyov, suicidal Kirillov, and the former military man Virginsky, and he schemes to solidify their loyalty to him and each other by murdering Ivan Shatov, a fellow conspirator. Verkhovensky plans to have Kirillov, who was committed to killing himself, take credit for the murder in his suicide note. Kirillov complies and Verkhovensky murders Shatov, but his scheme falls apart. He escapes, but the remainder of his aspiring revolutionary crew is arrested. In the denouement of the novel, Nikolai Stavrogin kills himself, tortured by his own misdeeds.

The Brothers Karamazov

Main article: The Brothers Karamazov

At nearly 800 pages, The Brothers Karamazov is Dostoyevsky's largest literary work. It received both critical and popular acclaim and is often cited as his magnum opus. Composed of 12 books, The Brothers Karamazov tells the story of the three protagonists: the novice Alyosha Karamazov, the non-believer Ivan Karamazov and the soldier Dmitry. First parts of the books introduces the Karamazovs. The main plot is the death of their father Fyodor, while other parts are philosophical and religious argumentations by Father Zosima to Alyosha.

The most renowned chapter is "The Grand Inquisitor", a parable told by Ivan to Alyosha about Christ's Second Coming in Seville, Spain, where Christ was imprisoned by the ninety-years old, pseudo-religious, Catholic Grand Inquisitor. Instead of answering him, Christ gives him a kiss and the Inquisitor subsequently releases him but tells him not to return. The tale was misunderstood for being a defence to the actions by the Inquisitor, while others, such as Romano Guardini, argued that the book's Christ was Ivan's own interpretation of his Christ, "the idealistic product of the unbelief". Ivan, however, obviously stated that he is against Christ. Most contemporary critics and scholars agree that Dostoyevsky is particularly attacking Roman Catholicism and socialist atheism, which both represent the Inquisitor. With this novel he warns the readers against a terrible revelation in the future which already occurred in the past. For Dostoyevsky, the Donation of Pepin around 750 and the Spanish Inquisition in the 16th century corrupted the true Christianity.

Bibliography

Novels and novellas

• (1846) Poor Folk
• (1846) The Double
• (1849) Netochka Nezvanova (unfinished)
• (1859) Uncle's Dream
• (1859) The Village of Stepanchikovo
• (1861) Humiliated and Insulted
• (1862) The House of the Dead
• (1864) Notes from Underground
• (1866) Crime and Punishment
• (1867) The Gambler
• (1869) The Idiot
• (1870) The Eternal Husband
• (1872) Demons
• (1875) The Adolescent
• (1880) The Brothers Karamazov

Short stories

• (1846) "Mr. Prokharchin"
• (1847) "Novel in Nine Letters"
• (1847) "The Landlady"
• (1848) "A Jealous Husband"
• (1848) "Another Man's Wife"
• (1848) "Another Man's Wife and a Husband under the Bed" (merger between the latter two)
• (1848) "A Weak Heart"
• (1848) "Polzunkov"
• (1848) "An Honest Thief"
• (1848) "A Christmas Tree and a Wedding"
• (1848) "White Nights"
• (1849) "A Little Hero"
• (1862) "A Nasty Story"
• (1865) "The Crocodile"
• (1873) "Bobok"
• (1876) "The Heavenly Christmas Tree"
• (1876) "A Gentle Creature"
• (1876) "The Peasant Marey"
• (1877) "The Dream of a Ridiculous Man"

Essay collections

• Winter Notes on Summer Impressions (1863)
• A Writer's Diary (1873–1881)

Translations

• (1843) Eugénie Grandet (Honore de Balzac)
• (1843) La dernière Aldini (George Sand)
• (1843) Mary Stuart (Friedrich Schiller)
• (1843) Boris Godunov (Alexander Pushkin)

References

Notes

Footnotes

Bibliography

• Bloshteyn, Maria R. (2007). The Making of a Counter-Culture Icon: Henry Miller's Dostoevsky. University of Toronto Press. ISBN 978-0-8020-9228-1. {{cite book}}: Invalid |ref=harv (help)
• Breger, Louis (2008). Dostoevsky: The Author As Psychoanalyst. Transaction Publishers. ISBN 978-1-4128-0843-9. {{cite book}}: Invalid |ref=harv (help)
• Burry, Alexander (2011). Multi-Mediated Dostoevsky: Transposing Novels Into Opera, Film, and Drama. Northwestern University Press. ISBN 978-0-8101-2715-9. {{cite book}}: Invalid |ref=harv (help)
• Cicovacki, Predrag (2012). Dostoevsky and the Affirmation of Life. Transaction Publishers. ISBN 978-1-4128-4606-6. {{cite book}}: Invalid |ref=harv (help)
• Frank, Joseph (1981). "Foreword". In Goldstein, David (ed.). Dostoevsky and the Jews. University of Texas Press. ISBN 978-0-292-71528-8.
• Jones, Malcom V.; Terry, Garth M. (2010). New Essays on Dostoyevsky. Cambridge University Press. ISBN 978-0-521-15531-1. {{cite book}}: Invalid |ref=harv (help)
• Lantz, Kenneth A. (2004). The Dostoevsky Encyclopedia. Greenwood Publishing Group. ISBN 978-0-313-30384-5. {{cite book}}: Invalid |ref=harv (help)
• Lauer, Reinhard (2000). Geschichte der Russischen Literatur: von 1700 bis zur Gegenwart (in German). Verlag C.H. Beck. ISBN 978-3-406-50267-5. {{cite book}}: Invalid |ref=harv (help)
• Lavrin, Janko (2005). Dostoevsky: A Study. Kessinger Publishing. ISBN 978-1-4179-8844-0.
• Leatherbarrow, William J (2002). The Cambridge Companion to Dostoevskii. Cambridge University Press. ISBN 978-0-521-65473-9. {{cite book}}: Invalid |ref=harv (help)
• Meier-Gräfe, Julius (1988). Dostoevsky: The Man and His Work. insel verlag. {{cite book}}: Invalid |ref=harv (help)
• Mochulsky, Konstantin (1967) [1967]. Dostoevsky: His Life and Work. Princeton University Press. ISBN 0-691-01299-7. {{cite book}}: Invalid |ref=harv (help)
• Müller, Ludolf (1982). Dostojewskij: Sein Leben, Sein Werk, Sein Vermächtnis (in German). Erich Wewel Verlag. ISBN 978-3-87904-100-8. {{cite book}}: Invalid |ref=harv (help)
• Scanlan, James Patrick (2002). Dostoevsky the Thinker. Cornell University Press. ISBN 978-0-8014-3994-0. {{cite book}}: Invalid |ref=harv (help)
• Sekirin, Peter, ed. (1997). The Dostoevsky Archive: Firsthand Accounts of the Novelist from Contemporaries' Memoirs and Rare Periodicals, Most Translated Into English for the First Time, with a Detailed Lifetime Chronology and Annotated Bibliography. McFarland. ISBN 978-0-7864-0264-9.{{cite book}}: CS1 maint: ref duplicates default (link)
• Terras, Victor (1998). Reading Dostoevsky. University of Wisconsin Press. ISBN 978-0-299-16054-8. {{cite book}}: Invalid |ref=harv (help)

Biographies

• Bloom, Harold (2004). Fyodor Dostoevsky. Infobase Publishing. ISBN 978-0-7910-8117-4. {{cite book}}: Invalid |ref=harv (help)
• Frank, Joseph (2009). Dostoevsky: A Writer in His Time. Princeton University Press. ISBN 978-0-691-12819-1. {{cite book}}: Invalid |ref=harv (help)
• Frank, Joseph (1979) [1976]. Dostoevsky: The Seeds of Revolt, 1821–1849. Princeton University Press. ISBN 978-0-691-01355-8.{{cite book}}: CS1 maint: ref duplicates default (link)
• Frank, Joseph (1987) [1983]. Dostoevsky: The Years of Ordeal, 1850–1859. Princeton University Press. ISBN 978-0-691-01422-7.{{cite book}}: CS1 maint: ref duplicates default (link)
• Frank, Joseph (1988) [1986]. Dostoevsky: The Stir of Liberation, 1860–1865. Princeton University Press. ISBN 978-0-691-01452-4.{{cite book}}: CS1 maint: ref duplicates default (link)
• Frank, Joseph (1997) [1995]. Dostoevsky: The Miraculous Years, 1865–1871. Princeton University Press. ISBN 978-0-691-01587-3.{{cite book}}: CS1 maint: ref duplicates default (link)
• Frank, Joseph (2003) [2002]. Dostoevsky: The Mantle of the Prophet, 1871–1881. Princeton University Press. ISBN 978-0-691-11569-6.{{cite book}}: CS1 maint: ref duplicates default (link)
• Kjetsaa, Geir (1989). A Writer's Life. Fawcett Columbine. ISBN 978-0-449-90334-6. {{cite book}}: Invalid |ref=harv (help)
• Lavrin, Janko (1947). Dostoevksy. New York The Macmillan Company. OCLC 646160256. {{cite book}}: Invalid |ref=harv (help)

Religion

• Bercken, Wil van den (2011). Christian Fiction and Religious Realism in the Novels of Dostoevsky. Anthem Press. ISBN 978-0-85728-976-6. {{cite book}}: Invalid |ref=harv (help)
• Jones, Malcolm V. (2005). Dostoevsky And the Dynamics of Religious Experience. Anthem Press. ISBN 978-1-84331-205-5. {{cite book}}: Invalid |ref=harv (help)
• Cassedy, Steven (2005). Dostoevsky's Religion. Stanford University Press. ISBN 0-8047-5137-4. {{cite book}}: Invalid |ref=harv (help)
• Pattison, George; Thompson, Diane Oenning (2001). Dostoevsky and the Christian tradition. Cambridge University Press. ISBN 978-0-521-78278-4. {{cite book}}: Invalid |ref=harv (help)

External links

• Information about Dostoyevsky Template:De icon
• FyodorDostoevsky.com – forum, quotes, essays, photos, bio, ebooks and more
• Complete works Template:Ru icon
• Complete journalistic works Template:Ru icon
• Dostoyevsky studies
• Biographical and Critical Material
• Dostoyevsky's family tree
• Works by Fyodor Dostoyevsky at Project Gutenberg
• Template:Worldcat id
• Fyodor Dostoevsky at the Internet Book List
• Fyodor Dostoevsky at IMDb
• Research Tools on Fedor Mikhailovich Dostoevskii
• F. M. Dostoevsky Literary Memorial Museum Template:Ru icon Template:En icon