Ross McElwee
 |
Ross McElwee | |
|---|---|
| File:Brightl.jpg McElwee shooting a scene from Bright Leaves | |
| Born | July 21, 1947 |
| Occupation(s) | Filmmaker, Professor |
| Website | rossmcelwee |
Ross McElwee is an American documentary filmmaker known for his autobiographical films about his family and personal life, usually interwoven with an episodic journey that intersects with larger political or philosophical issues. His humorous and often self-deprecating films refer to cultural aspects of his Southern upbringing. He received the Career Award at the 2007 Full Frame Documentary Film Festival.
Early life and education
Ross McElwee grew up in Charlotte, North Carolina, in a traditional Southern family.[citation needed] His father was a respected surgeon, and appears often as a figure in McElwee's early films. From an early age, McElwee nurtured an interest in writing.[citation needed] He later attended Brown University, where he studied under novelist John Hawkes, and graduated in 1971 with a degree in creative writing. While at Brown, he also cross-registered in still photography courses at Rhode Island School of Design.[citation needed]
After graduating, McElwee lived for a year in Brittany, France, where he worked for a while as a wedding photographer's assistant. Upon returning to the US, he was admitted into MIT's new graduate filmmaking program, and graduated in 1977 with an M.S. While at MIT, he studied under documentarians Richard Leacock and Ed Pincus, both pioneers of the cinéma vérité movement, with whom he refined his first-person narrative approach. "It was a new way of making films, to eliminate the film crew. You lose some technical polish, but it's much more intimate and less intimidating to your subjects. It allows you to shoot with the autonomy and flexibility of a photojournalist."[2]
Career
McElwee's film career began in his hometown of Charlotte, North Carolina where he found summer employment as a studio cameraman for local evening news, housewife helper shows, and "gospel hour" programs.[citation needed] Later, he freelanced as second cameraman for documentarians D.A. Pennebaker, and later for John Marshall in Namibia. McElwee started filming and producing his own documentaries in 1976.[citation needed]
McElwee has been teaching filmmaking at Harvard University since 1986; he is now a professor in the Department of Visual and Environmental Studies.[3]
McElwee has made ten feature-length documentaries, as well as several shorter films.[citation needed] Most of his films were shot in his homeland of the American South, among them the critically acclaimed Sherman's March (1986), Time Indefinite, Six O'Clock News, and Bright Leaves.[citation needed] He collaborated with his wife, Marilyn Levine, on Something to do with the Wall.[citation needed] His 2011 film, Photographic Memory, breaks new ground in its fully digital process, and in its open development and production structure.[citation needed]
Recognition
Sherman's March won numerous awards, including Best Documentary at the Sundance Film Festival.[citation needed] It was cited by the National Board of Film Critics as one of the five best films of 1986.[citation needed] Time Indefinite won a best film award in several festivals and was distributed theatrically throughout the U.S. Six O'Clock News premiered at the Sundance Film Festival and was broadcast nationally over PBS's Frontline.[citation needed]
McElwee's films have been included in the festivals of Cannes, Berlin, London, Venice, Vienna, Rotterdam, Florence, and Sydney.[citation needed] Retrospectives include the Museum of Modern Art; the Art Institute of Chicago; and the American Museum of the Moving Image, New York; Retrospectives have also been held in Paris, Tehran, Moscow, Seoul, Lisbon, and Quito. McElwee has received fellowships and grants from the John Simon Guggenheim Memorial Foundation, the Rockefeller Foundation, and the American Film Institute.[citation needed] He has twice been awarded fellowships in filmmaking by the National Endowment for the Arts. Sherman's March was chosen for preservation by the Library of Congress National Film Registry in 2000 as an "historically significant American motion picture."[citation needed]
McElwee's film Bright Leaves premiered at the 2003 Cannes Film Festival's Directors' Fortnight, and was nominated for Best Documentary of 2004 by both the Directors Guild of America and the Writers Guild of America.[citation needed]
In Paraguay premiered at the Venice Film Festival in 2008.[citation needed] McElwee returned to Venice in 2011 to present the premier of Photographic Memory.[4]
Filmography
Director
- Space Coast (1979) co-director Michel Negroponte
- Charleen (1980)
- Resident Exile (1981) co-director Alex Anthony and Michel Negroponte
- Backyard (1984)
- Sherman's March (1986)
- Something to Do with the Wall (1990) co-director Marilyn Levine
- Time Indefinite (1993)
- Six O'Clock News (1997)
- Bright Leaves (2003)
- In Paraguay (2008)
- Photographic Memory (2011)
References
- ^ "Ross McElwee - Biography". ROSS MCELWEE / HOMEMADE MOVIES INC. Retrieved 2009-11-24.
- ^ Ken Gewertz. "The world according to McElwee: A documentary filmmaker's unique personal vision" by Ken Gewertz, Harvard News Office, Harvard Gazette, 21 Apr 2005.
- ^ "Ross McElwee". ves.fas.harvard.edu. Retrieved 2017-08-20.
- ^ Vivarelli, Nick (2011-07-27). "Venice Horizons hosts Demme, Franco pix". Variety. Retrieved 2017-06-01.
Further reading
- Landscapes of the Self: The Cinema of Ross McElwee, edited by Efren Cuevas and Alberto N. García (Ediciones Internacionales Universitarias, Madrid, 2007). ISBN 978-84-8469-226-3. The book is in English and Spanish. The chapter in the book by E. Cuevas, Sculpting the Self: Autobiography according to Ross McElwee[permanent dead link], is available on the web.
External links
- Official website
- Ross McElwee's production
- Online conference with Ross McElwee at The D-Word
- Ross McElwee at IMDb
