Jump to content

Paul Adam (French novelist)

From Wikipedia, the free encyclopedia
The printable version is no longer supported and may have rendering errors. Please update your browser bookmarks and please use the default browser print function instead.
Paul Adam before 1904; Photo of Nadar
Paul Adam, woodcut by Félix Vallotton

Paul Auguste Marie Adam (7 December 1862 – 1 January 1920) was a French novelist who became an early proponent of Symbolism in France, and one of the founders of the Symbolist review Le Symboliste.[1] He was a prominent writer in Montmartre's anarchist movement.[2][3]

Career

Adam's first novel, Chair molle ("Soft Flesh"), was the story of a prostitute in the Naturalist manner, which led to him being prosecuted for immorality before the Cour d'assises and sentenced to a fortnight in prison and a 500-franc fine.[4] Together with Jean Moréas, he co-wrote Les Demoiselles Goubert, a novel that marked the transition to Symbolism in French literature.[5] His Lettres de Malaisie (1897) was speculative fiction about politics in the future.[1] He also wrote a series of historical novels that dealt with the period of the Napoleonic Wars and their aftermath; the first installment in the series, La Force, was published in 1899. It was followed by L'enfant d'Austerlitz (1901), La ruse (1902) and Au soleil de Juillet (1903).[1] His work was part of the literature event in the art competition at the 1912 Summer Olympics.[6]

He was born and died in Paris.[7]

Works

  • Chair molle (1885)
  • Soi (1886)
  • Les Demoiselles Goubert (with Jean Moréas, 1886)
  • Le Thé chez Miranda (with Jean Moréas, 1886)
  • La glèbe (1887)
  • Les Volontés merveilleuses: Être (1888)
  • Les Volontés merveilleuses: L'essence de soleil (1890)
  • Les Volontés merveilleuses: en décor (1890)
  • L'Époque: Le Vice filial (1891)
  • L'Époque: Robes rouges (1891)
  • L'Époque: Les Cœurs utiles (1892)
  • L'Automne (1893, a censored play)
  • Le Conte futur (1893)
  • Critique des mœurs (1893)
  • Les Images sentimentales (1893)
  • Princesses byzantines (1893)
  • La Parade amoureuse (1894)
  • Le Mystère des foules (1895)
  • Les Cœurs nouveaux (1896)
  • La Force du mal (1896)
  • L'Année de Clarisse (1897, illustrated by Gaston Darbour)
  • La bataille d'Uhde (1897)
  • Le Vice filial (1898, illustrated by Jan Dědina)
  • Le Temps et la Vie:
  1. La Force (1899)
  2. L'Enfant d'Austerlitz (1901)
  3. La Ruse, 1827-1828 (1903)
  4. Au soleil de juillet, 1829-1830 (1903)
  • Basile et Sophia (1901)
  • Lettres de Malaisie (1898)
  • Le Troupeau de Clarisse (1904)
  • Le Serpent noir (1905)
  • Vues d'Amérique (1906)
  • Clarisse et l'homme heureux (1907)
  • La Morale des Sports (1907)
  • La cité prochaine (1908)
  • Les Impérialismes et la morale des peuples (1908)
  • Le Malaise du monde latin (1910)
  • Le Trust (1910)
  • Contre l’Aigle (1910)
  • Stéphanie (1913)
  • Le Lion d'Arras (1919)
  • Notre Carthage (1922)
  • Dieu (1924, published posthumously in La Phalange)

Further reading

  • "ADAM Paul", Le Maitron (in French), Paris: Maitron/Editions de l'Atelier, 2020-03-10, retrieved 2023-03-18

References

  1. ^ a b c "Adam, Paul". Encyclopaedia Britannica. Vol. 1 (14 ed.). 1930. p. 149.
  2. ^ Berghaus, Günter (2012-10-25). International Futurism in Arts and Literature. Walter de Gruyter. ISBN 978-3-11-080422-5.
  3. ^ Marlais, Michael (2010-11-01). Conservative Echoes in Fin-de-Si_cle Parisian Art Criticism. Penn State Press. ISBN 978-0-271-04197-1.
  4. ^ Robert Netz, Histoire de la censure dans l'édition (Presses Universitaires de France, 1997), p. 124.
  5. ^ Maupassant, Guy de (2001). Pierre Et Jean. OUP Oxford. ISBN 978-0-19-283147-7.
  6. ^ "Paul Adam". Olympedia. Retrieved 22 July 2020.
  7. ^ "Paul Adam". Encyclopædia Britannica.

External links