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The series has achieved a rating of 86% on [[Rotten Tomatoes]], where it is listed under the Netflix title ''Anne with an E''. The site's critical consensus states: "''Anne with an E'' uses its complex central character to offer a boldly stylish, emotionally resonant spin on classic source material that satisfies in its own right."<ref>{{cite web|title=Anne with an E (2017 - )|url=https://www.rottentomatoes.com/tv/anne|website=Rotten Tomatoes|accessdate=31 May 2017}}</ref> The series has received a rating of 79 on [[Metacritic]] based on 15 reviews.<ref>{{cite web|title=Anne with an E : Season 1|url=http://www.metacritic.com/tv/anne-with-an-e|website=Metacritic|accessdate=17 June 2017}}</ref> A sizeable majority of reviewers of the series have been women.
The series has achieved a rating of 86% on [[Rotten Tomatoes]], where it is listed under the Netflix title ''Anne with an E''. The site's critical consensus states: "''Anne with an E'' uses its complex central character to offer a boldly stylish, emotionally resonant spin on classic source material that satisfies in its own right."<ref>{{cite web|title=Anne with an E (2017 - )|url=https://www.rottentomatoes.com/tv/anne|website=Rotten Tomatoes|accessdate=31 May 2017}}</ref> The series has received a rating of 79 on [[Metacritic]] based on 15 reviews.<ref>{{cite web|title=Anne with an E : Season 1|url=http://www.metacritic.com/tv/anne-with-an-e|website=Metacritic|accessdate=17 June 2017}}</ref> A sizeable majority of reviewers of the series have been women.


Emily Ashby, writing for [[Common Sense Media]], calls the series an "exceptional" and "spectacular" interpretation, giving it four out of five stars.<ref>{{cite web|last1=Ashby|first1=Emily|title=Anne with an E|url=https://www.commonsensemedia.org/tv-reviews/anne-with-an-e#|website=Common Sense Media|accessdate=17 June 2017}}</ref> Writing of the 90-minute premiere episode for the ''[[Toronto Star]]'', [[Johanna Schneller]] was appreciative of Walley-Beckett's departures from the novel, bringing its [[subtext]] to the fore: "Reading between the novel's lines and adding [[verisimilitude]], she gives us quick but potent glimpses of the miseries many orphans faced in 1890s imperialist culture."<ref>{{cite news|last1=Schneller|first1=Johanna|title=This Anne of Green Gables hints at miseries: What I'm Watching|accessdate=4 June 2017|work=Toronto Star|date=March 20, 2017}}</ref> Hahn Nguyen, reviewing the series for [[IndieWire]], concurs with this assessment, saying: "Rather than ruining the series, they give the context for why Anne would be filled with gratitude for the beauties of nature, basic human decency and having a family to call her own. Montgomery had based much of Anne’s need for escape into imagination on her own lonely childhood, and her stories have always had an underlying poignancy that made them all the sweeter."<ref>{{cite web|last1=Nguyen|first1=Hahn|title=‘Anne with an E’ Review: A ‘Breaking Bad’ Producer Updates ‘Anne of Green Gables’ for Our Darker Times|url=http://www.indiewire.com/2017/05/anne-with-an-e-review-anne-of-green-gables-netflix-1201815976/|website=IndieWire|accessdate=17 June 2017}}</ref> Jen Chaney, writing for [[New York Magazine#Digital expansion and blogs|Vulture.com]], agrees, saying: "What distinguishes it from other previous Anne iterations is its willingness to harden some of the story’s softness, just enough, to create an element of realism that period pieces, Gables-related or not, can be inclined to avoid."<ref>{{cite web|last1=Chaney|first1=Jen|title=Anne of Green Gables Fans, You Will Love Netflix’s Anne With an E|url=http://www.vulture.com/2017/05/anne-with-an-e-review-netflix-anne-of-green-gables.html|website=Vulture.com|publisher=New York Magazine|accessdate=17 June 2017}}</ref> One of the few men to have reviewed the series, [[Neil Genzlinger]], writing for the ''[[New York Times]]'', commenting on reports of darkness and grittiness, goes so far as to call the adaptation "richer" than the source material: "Ms. McNulty’s Anne is still wonderfully ebullient and eminently likable; she’s just not the one-dimensional figure of other adaptations".<ref>{{cite news|last1=Genzlinger|first1=Neil|title=Review: ‘Anne With an E’ Is a Rewarding Return to Green Gables|url=https://www.nytimes.com/2017/05/11/arts/television/review-anne-with-an-e-is-a-rewarding-return-to-green-gables.html?_r=0|accessdate=17 June 2017|work=New York Times|date=May 11, 2017}}</ref>
Emily Ashby, writing for [[Common Sense Media]], calls the series an "exceptional" and "spectacular" interpretation, giving it four out of five stars.<ref>{{cite web|last1=Ashby|first1=Emily|title=Anne with an E|url=https://www.commonsensemedia.org/tv-reviews/anne-with-an-e#|website=Common Sense Media|accessdate=17 June 2017}}</ref> Writing of the 90-minute premiere episode for the ''[[Toronto Star]]'', [[Johanna Schneller]] was appreciative of Walley-Beckett's departures from the novel, bringing its [[subtext]] to the fore: "Reading between the novel's lines and adding [[verisimilitude]], she gives us quick but potent glimpses of the miseries many orphans faced in 1890s imperialist culture."<ref>{{cite news|last1=Schneller|first1=Johanna|title=This Anne of Green Gables hints at miseries: What I'm Watching|accessdate=4 June 2017|work=Toronto Star|date=March 20, 2017}}</ref> Hahn Nguyen, reviewing the series for [[IndieWire]], concurs with this assessment, saying: "Rather than ruining the series, they give the context for why Anne would be filled with gratitude for the beauties of nature, basic human decency and having a family to call her own. Montgomery had based much of Anne’s need for escape into imagination on her own lonely childhood, and her stories have always had an underlying poignancy that made them all the sweeter."<ref>{{cite web|last1=Nguyen|first1=Hahn|title=‘Anne with an E’ Review: A ‘Breaking Bad’ Producer Updates ‘Anne of Green Gables’ for Our Darker Times|url=http://www.indiewire.com/2017/05/anne-with-an-e-review-anne-of-green-gables-netflix-1201815976/|website=IndieWire|accessdate=17 June 2017}}</ref> Jen Chaney, writing for [[New York Magazine#Digital expansion and blogs|Vulture.com]], agrees, saying: "What distinguishes it from other previous Anne iterations is its willingness to harden some of the story’s softness, just enough, to create an element of realism that period pieces, Gables-related or not, can be inclined to avoid."<ref>{{cite web|last1=Chaney|first1=Jen|title=Anne of Green Gables Fans, You Will Love Netflix’s Anne With an E|url=http://www.vulture.com/2017/05/anne-with-an-e-review-netflix-anne-of-green-gables.html|website=Vulture.com|publisher=New York Magazine|accessdate=17 June 2017}}</ref> One of the few men to have reviewed the series, [[Neil Genzlinger]], writing for the ''[[New York Times]]'', commenting on reports of darkness and grittiness, goes so far as to call the adaptation "richer" than the source material: "Ms. McNulty’s Anne is still wonderfully ebullient and eminently likable; she’s just not the one-dimensional figure of other adaptations".<ref>{{cite news|last1=Genzlinger|first1=Neil|title=Review: ‘Anne With an E’ Is a Rewarding Return to Green Gables|url=https://www.nytimes.com/2017/05/11/arts/television/review-anne-with-an-e-is-a-rewarding-return-to-green-gables.html?_r=0|accessdate=17 June 2017|work=New York Times|date=May 11, 2017}}</ref> Annie Hirschlag, writing for [[Mic (media company)|Mic]], suggests that a genuinely contemporary ''Anne'' is bound to reflect the current televsion landscape and wider culture of its times (the 2010s): "Since today's entertainment is peppered with antiheroes — characters who are far from perfect, even occasionally villainous — it makes sense that Anne's familiar idealism is fringed with darkness and agony."<ref>{{cite web|last1=Hirschlag|first1=Annie|title='Anne with an E' Review: The Neflix Adpatation Hits the Nostalgia Button and More.|url=https://mic.com/articles/175653/anne-with-an-e-review-the-netflix-adaptation-hits-the-nostalgia-button-and-more#.p6SknGeK5|website=Mic.com|publisher=Mic (media Company)|accessdate=17 June 2017}}</ref>


Some reviewers were more ambivalent, if only about Walley-Beckett's changes to the story. Canadian novelist [[Saleema Nawaz]], who reviewed the 90-minute first episode for ''[[Toronto Life]]'', said she enjoyed it more than she expected, particularly the set designs and costumes, as well as the performances by McNulty and Thomson, and she approved of the choice of theme song as reflective of the continued relevance of the source material. She was more ambivalent about how far the series intended to stray from that source material, and disapproved of the "manufactured drama, such as Matthew’s wild horse ride".<ref>{{cite journal|last1=Nawaz|first1=Saleema|title=We asked an Anne of Green Gables superfan to review the first episode of CBC’s new TV series|journal=Toronto Life|date=March 21, 2017|url=http://torontolife.com/culture/movies-and-tv/anne-superfan-review-saleema-nawaz/|accessdate=4 June 2017}}</ref> Isabella Beidenharn expressed similar feelings. Writing for ''[[Entertainment Weekly]]'', she said: "putting the source material aside, it’s a fine show on its own", and conceded that "inventing a dark side might help ''Anne With an E'' fit into today’s TV landscape".<ref>{{cite journal|last1=Beidenharn|first1=Isabella|title=Anne With an E: EW review Netflix’s new series has a different take on the pleasant Avonlea you may have grown up with|journal=Entertainment Weekly|date=May 15, 2017|url=http://ew.com/tv/2017/05/15/anne-with-e-netflix-ew-review/|accessdate=17 June 2017}}</ref> Allison Keene, writing for [[Collider (website)|Collider]], agrees that ''Anne'' is a good drama on its own terms, but allows it is "only a fair adaptation" of the novel, at its best in the home scenes: "''Anne with an E'' is undeniably the most stylish adaptation we’ve ever seen of Anne of Green Gables. But its desire to reveal more of Anne’s miserable past in order to be more true to what the desperation of an orphan is like feels at odds with Montgomery’s story."<ref>{{cite web|last1=Keene|first1=Allison|title=‘Anne with an E’ Review: Netflix’s Green Gables Adaptation Has Grit|url=http://collider.com/anne-with-an-e-review-netflix/#images|website=Collider|accessdate=16 June 2017}}</ref>
Some reviewers were more ambivalent, if only about Walley-Beckett's changes to the story. Canadian novelist [[Saleema Nawaz]], who reviewed the 90-minute first episode for ''[[Toronto Life]]'', said she enjoyed it more than she expected, particularly the set designs and costumes, as well as the performances by McNulty and Thomson, and she approved of the choice of theme song as reflective of the continued relevance of the source material. She was more ambivalent about how far the series intended to stray from that source material, and disapproved of the "manufactured drama, such as Matthew’s wild horse ride".<ref>{{cite journal|last1=Nawaz|first1=Saleema|title=We asked an Anne of Green Gables superfan to review the first episode of CBC’s new TV series|journal=Toronto Life|date=March 21, 2017|url=http://torontolife.com/culture/movies-and-tv/anne-superfan-review-saleema-nawaz/|accessdate=4 June 2017}}</ref> Isabella Beidenharn expressed similar feelings. Writing for ''[[Entertainment Weekly]]'', she said: "putting the source material aside, it’s a fine show on its own", and conceded that "inventing a dark side might help ''Anne With an E'' fit into today’s TV landscape".<ref>{{cite journal|last1=Beidenharn|first1=Isabella|title=Anne With an E: EW review Netflix’s new series has a different take on the pleasant Avonlea you may have grown up with|journal=Entertainment Weekly|date=May 15, 2017|url=http://ew.com/tv/2017/05/15/anne-with-e-netflix-ew-review/|accessdate=17 June 2017}}</ref> Allison Keene, writing for [[Collider (website)|Collider]], agrees that ''Anne'' is a good drama on its own terms, but allows it is "only a fair adaptation" of the novel, at its best in the home scenes: "''Anne with an E'' is undeniably the most stylish adaptation we’ve ever seen of Anne of Green Gables. But its desire to reveal more of Anne’s miserable past in order to be more true to what the desperation of an orphan is like feels at odds with Montgomery’s story."<ref>{{cite web|last1=Keene|first1=Allison|title=‘Anne with an E’ Review: Netflix’s Green Gables Adaptation Has Grit|url=http://collider.com/anne-with-an-e-review-netflix/#images|website=Collider|accessdate=16 June 2017}}</ref>

Revision as of 06:47, 17 June 2017

Anne with an E
GenreDrama
Based onAnne of Green Gables
by Lucy Maud Montgomery
Screenplay byMoira Walley-Beckett
Starring
Opening theme"Ahead by a Century" by The Tragically Hip
Country of originKanada
Original languageEnglisch
No. of seasons1
No. of episodes7 (list of episodes)
Production
ProducerMiranda de Pencier
CinematographyBobby Shore
Running time44min
Original release
NetworkCBC Television
Netflix (Worldwide)
ReleaseMarch 19, 2017 (2017-03-19) –
present (present)

Anne (titled Anne with an E on Netflix) is a Canadian television series based on the 1908 novel Anne of Green Gables by Lucy Maud Montgomery, and adapted by Emmy Award-winning writer and producer Moira Walley-Beckett.[1] It airs on CBC in Canada, and elsewhere in the world it is available for streaming on Netflix.[2] The first season consists of seven episodes, with Niki Caro directing the two-hour season premiere.[3] The series premiered on March 19, 2017 on CBC and concluded on April 30, 2017.[4]

Cast

Production

According to executive producer Miranda de Pencier, this adaptation of the novel has a different look and feel to past productions, aiming for a "documentary level of realism", as reflected in the extraordinary detail which has gone into the design of sets and costumes.[8]

Personnel

Besides the show itself having a larger number of female characters than male, women serving as executive producer and showrunner, the series has several female directors.[9]

Casting

Approximately 1800 girls on three continents auditioned for the role of Anne Shirley. Amybeth McNulty was chosen for her ability to deliver dialogue which is "incredibly thick and dynamic and beautiful", according to Miranda de Pencier. Showrunner and scriptwriter Moira Walley-Beckett describes her as at once "luminous," transparent, smart, soulful and emotional.[9]

Filming locations

The series is filmed partially in Prince Edward Island as well as locations in Southern Ontario (including Millbrook[10] and Caledon).[11]

Music

The opening theme is the song "Ahead by a Century" performed and originally composed by Canadian band The Tragically Hip.[9]

Themes

Moira Walley-Beckett had this to say about her treatment, which is darker than the previous productions: "In this day and age, themes of identity, prejudice, bullying, being an outsider, searching for a way to be accepted and how to belong are entirely topical and super relevant, and those are themes that are built into the story of 'Anne.'" She went on to call Anne Shirley an "accidental feminist", and how she "really wanted to tell this story now."[9]

Broadcast and release

The series initially premiered on March 19, 2017 on CBC and aired on a weekly basis, concluding on April 30, 2017.

The series debuted on Netflix on May 12, 2017 under the name Anne with an E.[12][13]

Episodes

No.TitelDirected byWritten byOriginal air dateCan. viewers
(millions)
1"Your Will Shall Decide Your Destiny"Niki CaroMoira Walley-BeckettMarch 19, 2017 (2017-03-19)0.999[14]
When a miscommunication brings a girl, Anne Shirley, to Green Gables instead of a boy, Marilla and Matthew Cuthbert are faced with a life-changing decision.
2"I Am No Bird, and No Net Ensnares Me"Helen ShaverMoira Walley-BeckettMarch 26, 2017 (2017-03-26)0.780[15]
Hoping all is not lost, Matthew races to catch up with Anne while Marilla anxiously hopes and waits for their return to Green Gables.
3"But What Is So Headstrong as Youth?"Sandra GoldbacherMoira Walley-BeckettApril 2, 2017 (2017-04-02)0.994[16]
Anne is excited to begin school and make friends, but is unprepared for the bullying that occurs when she doesn't fit in. Marilla too, is testing new waters as she accepts an invitation to join a "Progressive Mothers" group.
4"An Inward Treasure is Born"David EvansMoira Walley-BeckettApril 9, 2017 (2017-04-09)0.654[17]
Anne is faced with the decision of whether or not to return to school. But a fire at the Gillis house and Anne's generous actions help her in her choice.
5"Tightly Knotted to a Similar String"Patricia RozemaMoira Walley-BeckettApril 16, 2017 (2017-04-16)K.A.
Anne must deal with the inevitability of womanhood when she gets her first period. At the same time, Marilla and Matthew acclimatize to parenthood and revisit moments of their youth through Anne.
6"Remorse Is the Poison of Life"Paul FoxMoira Walley-BeckettApril 23, 2017 (2017-04-23)0.656[18]
When her little sister becomes ill, Diana runs to Anne for help. Meanwhile, the Blythe farm sees change, as Marilla is reminded of what she gave up and Matthew receives some unsettling news.
7"Wherever You Are Is My Home"Amanda TappingMoira Walley-BeckettApril 30, 2017 (2017-04-30)K.A.
The Cuthberts vow to do whatever it takes to save the farm which reminds Anne of the strength of friendship and love.

Reception

Critical response

The series has achieved a rating of 86% on Rotten Tomatoes, where it is listed under the Netflix title Anne with an E. The site's critical consensus states: "Anne with an E uses its complex central character to offer a boldly stylish, emotionally resonant spin on classic source material that satisfies in its own right."[19] The series has received a rating of 79 on Metacritic based on 15 reviews.[20] A sizeable majority of reviewers of the series have been women.

Emily Ashby, writing for Common Sense Media, calls the series an "exceptional" and "spectacular" interpretation, giving it four out of five stars.[21] Writing of the 90-minute premiere episode for the Toronto Star, Johanna Schneller was appreciative of Walley-Beckett's departures from the novel, bringing its subtext to the fore: "Reading between the novel's lines and adding verisimilitude, she gives us quick but potent glimpses of the miseries many orphans faced in 1890s imperialist culture."[22] Hahn Nguyen, reviewing the series for IndieWire, concurs with this assessment, saying: "Rather than ruining the series, they give the context for why Anne would be filled with gratitude for the beauties of nature, basic human decency and having a family to call her own. Montgomery had based much of Anne’s need for escape into imagination on her own lonely childhood, and her stories have always had an underlying poignancy that made them all the sweeter."[23] Jen Chaney, writing for Vulture.com, agrees, saying: "What distinguishes it from other previous Anne iterations is its willingness to harden some of the story’s softness, just enough, to create an element of realism that period pieces, Gables-related or not, can be inclined to avoid."[24] One of the few men to have reviewed the series, Neil Genzlinger, writing for the New York Times, commenting on reports of darkness and grittiness, goes so far as to call the adaptation "richer" than the source material: "Ms. McNulty’s Anne is still wonderfully ebullient and eminently likable; she’s just not the one-dimensional figure of other adaptations".[25] Annie Hirschlag, writing for Mic, suggests that a genuinely contemporary Anne is bound to reflect the current televsion landscape and wider culture of its times (the 2010s): "Since today's entertainment is peppered with antiheroes — characters who are far from perfect, even occasionally villainous — it makes sense that Anne's familiar idealism is fringed with darkness and agony."[26]

Some reviewers were more ambivalent, if only about Walley-Beckett's changes to the story. Canadian novelist Saleema Nawaz, who reviewed the 90-minute first episode for Toronto Life, said she enjoyed it more than she expected, particularly the set designs and costumes, as well as the performances by McNulty and Thomson, and she approved of the choice of theme song as reflective of the continued relevance of the source material. She was more ambivalent about how far the series intended to stray from that source material, and disapproved of the "manufactured drama, such as Matthew’s wild horse ride".[27] Isabella Beidenharn expressed similar feelings. Writing for Entertainment Weekly, she said: "putting the source material aside, it’s a fine show on its own", and conceded that "inventing a dark side might help Anne With an E fit into today’s TV landscape".[28] Allison Keene, writing for Collider, agrees that Anne is a good drama on its own terms, but allows it is "only a fair adaptation" of the novel, at its best in the home scenes: "Anne with an E is undeniably the most stylish adaptation we’ve ever seen of Anne of Green Gables. But its desire to reveal more of Anne’s miserable past in order to be more true to what the desperation of an orphan is like feels at odds with Montgomery’s story."[29]

Sarah Larson, writing for the New Yorker, was the least impressed with changes made to the story, arguing that they alter Anne's character to the point of non-recognition. While she acknowledges that bringing subtext to the fore is a fine idea, she is not pleased with the execution, saying that the result is part "the Anne we know and love" and part "untrustworthy stranger", calling the alteration and addition of scenes a "betrayal" of Montgomery's novel, comparing the treatment unfavourably to Patricia Rozema's 1999 adaptation of Jane Austen's Mansfield Park.[30]

References

  1. ^ "Anne of Green Gables set for new life on CBC-TV". CBC.ca. Retrieved March 28, 2017.
  2. ^ "Netflix Boards CBC's 'Anne Of Green Gables' Adaptation; Niki Caro To Helm Premiere". Deadline. August 22, 2016.
  3. ^ Katie Rogers. "Oh, Gilbert! 'Anne of Green Gables' Is Coming to Netflix". New York Times. Retrieved August 23, 2016.
  4. ^ "Anne". CBC.ca. Retrieved March 10, 2017.
  5. ^ a b c "Netflix's 'Anne of Green Gables' Adaptation Finds Its Anne Shirley, Casts 2 Other Roles". Deadline. October 21, 2016.
  6. ^ "Maureen McCormick To Guest In 'The Guest Book'; Lucas Jade Zumann Joins 'Anne'". Deadline.com. Retrieved November 18, 2016.
  7. ^ a b c "Netflix's 'Anne Of Green Gables' Adaptation Adds Three To Cast". Deadline.com. Retrieved November 21, 2016.
  8. ^ Hunt, Nigel (March 19, 2017). "'Ain't your grandmother's Anne': new series gives gritty Green Gables amid glut of Anne adaptations". CBC News. Retrieved 4 June 2017.
  9. ^ a b c d Ahearn, Victoria (March 16, 2017). "VIDEO: CBC's 'Anne' shows darker past of 'accidental feminist' from Green Gables". Chronicle Herald. Canadian Press. Retrieved 4 June 2017.
  10. ^ Anderson, Lance (8 November 2016). "New series based on Anne of Green Gables filmed in Millbrook on Tuesday - MyKawartha.com".
  11. ^ Fraser, Sara (November 28, 2016). "Behind the scenes on the newest Anne of Green Gables series". CBC News. Retrieved April 4, 2017.
  12. ^ "Get Red-dy! Netflix's 'Anne' Now Has a Release Date". EW.com. Retrieved February 8, 2017.
  13. ^ "Anne with an E Netflix". www.netflix.com. Retrieved 2017-04-20. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  14. ^ "Top Programs – Total Canada (English) March 13, 2017 - March 19, 2017" (PDF). Numeris.
  15. ^ Brioux, Bill [@BillBriouxTV] (March 31, 2017). "LAST SUN o'nites CBC Heartland 859k Anne 780k Story of Us 745k CTV Saving Hope 665k GLO NCIS:LA 1127k SNet NHL Van-Peg 473k" (Tweet) – via Twitter.
  16. ^ "Top Programs – Total Canada (English) March 27, 2017 - April 2, 2017" (PDF). Numeris.
  17. ^ Brioux, Bill [@BillBriouxTV] (April 10, 2017). "SUN onites SNET NHL TOR-COL 1181k VAN--EDM 766k TSN CURL 1026k GLO NCISLA 1Mk CBC ANNE 654k STORY US 546k CITY SHOTS 623k CTV SAVE HOPE 548k" (Tweet) – via Twitter.
  18. ^ Brioux, Bill [@BillBriouxTV] (April 24, 2017). "SJN o'nites SNet NHL TOR-WASH Game 6 3467k OTT-BOS 1284k OMNI2 TOR-WASH 121k CTV SAVE HOPE 686K CBC ANNE 656K STORY OF US 450K" (Tweet) – via Twitter.
  19. ^ "Anne with an E (2017 - )". Rotten Tomatoes. Retrieved 31 May 2017.
  20. ^ "Anne with an E : Season 1". Metacritic. Retrieved 17 June 2017.
  21. ^ Ashby, Emily. "Anne with an E". Common Sense Media. Retrieved 17 June 2017.
  22. ^ Schneller, Johanna (March 20, 2017). "This Anne of Green Gables hints at miseries: What I'm Watching". Toronto Star. {{cite news}}: |access-date= requires |url= (help)
  23. ^ Nguyen, Hahn. "'Anne with an E' Review: A 'Breaking Bad' Producer Updates 'Anne of Green Gables' for Our Darker Times". IndieWire. Retrieved 17 June 2017.
  24. ^ Chaney, Jen. "Anne of Green Gables Fans, You Will Love Netflix's Anne With an E". Vulture.com. New York Magazine. Retrieved 17 June 2017.
  25. ^ Genzlinger, Neil (May 11, 2017). "Review: 'Anne With an E' Is a Rewarding Return to Green Gables". New York Times. Retrieved 17 June 2017.
  26. ^ Hirschlag, Annie. "'Anne with an E' Review: The Neflix Adpatation Hits the Nostalgia Button and More". Mic.com. Mic (media Company). Retrieved 17 June 2017.
  27. ^ Nawaz, Saleema (March 21, 2017). "We asked an Anne of Green Gables superfan to review the first episode of CBC's new TV series". Toronto Life. Retrieved 4 June 2017.
  28. ^ Beidenharn, Isabella (May 15, 2017). "Anne With an E: EW review Netflix's new series has a different take on the pleasant Avonlea you may have grown up with". Entertainment Weekly. Retrieved 17 June 2017.
  29. ^ Keene, Allison. "'Anne with an E' Review: Netflix's Green Gables Adaptation Has Grit". Collider. Retrieved 16 June 2017.
  30. ^ Larson, Sarah (May 11, 2017). "How Not to Adapt "Anne of Green Gables"". The New Yorker. {{cite journal}}: |access-date= requires |url= (help)
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