A Freak Flag Flown at Half-Mast
Adam Nayman considers Yorgos Lanthimos’s latest film “Kinds of Kindness” amid the provocateur director’s broader body of work.
Criticism
Adam Nayman considers Yorgos Lanthimos’s latest film “Kinds of Kindness” amid the provocateur director’s broader body of work.
Tristan Marshall, a graduate of the foster care system, considers Rob Henderson’s “Troubled: A Memoir of Foster Care, Family, and Social Class.”
Yelena Furman reviews Karolina Krasuska’s “Soviet-Born: The Afterlives of Migration in Jewish American Fiction.”
Adam Nayman considers Yorgos Lanthimos’s latest film “Kinds of Kindness” amid the provocateur director’s broader body of work.
Is school choice compatible with a national lesson plan? Johann N. Neem considers a radical new proposal from Ashley Rogers Berner.
John W. W. Zeiser finds many keys in “The Enigma of Clarence Thomas” by Corey Robin.
Josie Torres Barth reviews Molly A. Schneider’s “Gold Dust on the Air: Television Anthology Drama and Midcentury American Culture.”
Madeline Howard reviews Hannah Regel’s “The Last Sane Woman.”
Alexander Billet reviews Dominique Routhier’s “With and Against: The Situationist International in the Age of Automation.”
Jenna N. Hanchey reviews Suyi Davies Okungbowa’s “Lost Ark Dreaming.”
Pallavi Aiyar explores how the youth navigate the precarity of contemporary China in her review of two new books by Alec Ash and Yuan Yang.
Torsa Ghosal discusses Dev Patel’s film “Monkey Man” and the problematic politics of revenge.
LARB presents an excerpt from Saikat Majumdar’s “The Amateur: Self-Making and the Humanities in the Postcolony.”
Dan Hartland reviews Christopher Priest’s “Airside.”