Unhooking: On the Gigification of Intimacy
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
Kelly Coyne is a student in Northwestern’s PhD program in film and media studies. Her work has appeared in The Atlantic, The Millions, and Literary Hub, as well as in academic journals.
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
Kelly Coyne asks why TV series from Laverne and Shirley to Girls5Eva need to represent adult female friendship through girlhood
Kelly Coyne dissects the queering of language in Juliet Lapidos’s satirical campus novel “Talent.”
Reading HBO’s “The Deuce” through the lens of academic porn studies.
The duality that Sylvia Plath wrote about in her thesis provides the basis for the personality of Esther, the protagonist of Plath’s “The Bell Jar.”
Kelly Coyne revisits "Grey Gardens."