- ¡Puro Rock!
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¡Puro Rock!
Apple Music Alternativa en Español
The best guitar-driven rock from the Spanish-speaking world. - Frente Alternativo
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Frente Alternativo
Apple Music Alternativa en Español
Flipping the map of Latin music upside down.
- Apple Music Alternativa en Español
- Apple Music Electronic
- Apple Music Alternativa en Español
- Apple Music Alternativa en Español
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- The Warning
- Carla Morrison
- Six Feet Deep
- The Warning
- blush
- Girl Ultra
- Como Queremos
- Siddhartha
- Nicolás Cage
- Alan Sutton y las criaturitas de la ansiedad
- Amantes (Eclipse Sonar Remix)
- León Larregui & Eclipse Sonar
- palacio <3
- Elsa y Elmar
- Cangrejal
- Bestia Bebé
- Unos Besos
- Los Blenders
- estupefacientes
- Depresión Sonora
- Bolero (feat. Foudeqush & Esteman)
- Mexican Institute of Sound
- japón
- Vanessa Zamora
- Si Esto Es
- Méne, Nsqk & Ximena Sariñana
- Liberté (feat. Bunbury)
- Aterciopelados, Susana Baca & Dr.Shenka
- Una Historia Sin Final
- Jay De La Cueva
- Edith
- Cuco
- Buena Cara
- Valsian
- Quémalo
- Wet Baes
- Apple Music Alternativa en Español
- Apple Music Alternative
- Apple Music Alternativa en Español
- Apple Music Alternativa en Español
- Apple Music Alternativa en Español
- Apple Music Rock in Spanish
- Apple Music Alternativa en Español
- Siddhartha
- Julieta Venegas
- Los Fabulosos Cadillacs
- Mon Laferte
- José Madero
- Elsa y Elmar & Alvaro De Luna
- Siddhartha & El Zar
- Nicole Zignago & Camilo
- Elsa y Elmar
- Natalia Lafourcade
- Songs We’re Loving
- Updated Playlist
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- Playlist We Like
Über uns
The most indiscriminate genre under the umbrella of Latin music, alternativo en español has something for every ear. Born in the ‘50s out of worship for British and American idols, Latin alternativ rock spent half a century carving out an identity, encompassing everything from Andean folk music to thrash metal. Around the same time that Sandro was earning his “Argentine Elvis” nickname in Buenos Aires, Ritchie Valens took a traditional Mexican folk song and turned it into rock ’n' roll gold: 1958’s “La Bamba” sparked the Chicano rock movement in North America. Following Carlos Santana’s legendary set at Woodstock in 1969, the Tito Puente–penned megahit “Oye Como Va” combined smoldering Afro-Cuban percussion and Santana’s spellbinding guitar riffs, which sound just as incredible today. The late ‘60s were charged with revolutionary sounds from around Latin America. In Argentina, Gustavo Santaolalla pioneered the fusion of rock with charanga and ronroco-based folk music and soon became the go-to maestro for scores of commercially successful pop-rock acts. He produced Colombia’s Juanes, Mexico’s Café Tacvba and Julieta Venegas, all while working as an Oscar®-winning composer and gigging with his neo-tango ensemble Bajofondo. Emerging from Buenos Aires' underground club scene in the early ‘80s, Soda Stereo put the angst of Dirty War–era adolescence and the dreams of a newly formed democracy into song, giving voice to a generation that had long been silent. The trio resonated particularly deeply with youth in countries that had endured their own right-wing military dictatorships, like Chile and Spain. By their fifth and final album, 1995's Sueño Stereo, Soda had credibly touched on the genre’s far-flung corners: folk, funk, new wave, prog-rock, electronica, ambient pop and more. Other bands in this loosely related family have been fearless from the get-go: consider the early ska of Los Fabulosos Cadillacs, the cumbia-rock fusion of Caifanes’ classic “La Negra Tomasa”, the irreverent punk of Aterciopelados and the norteño roots on a tune like “La Ingrata” from Café Tacvba’s Re—easily one of the most timeless alt-rock en español album ever recorded.