Good afternoon, Max Goldbart here penning the newsletter on the day of the Paris Olympics opening ceremony. Read on to digest happenings in the world of media and entertainment. And sign up here.
Olympic Torch Burns Bright
On your marks, get set…: We’re nearly there. Tonight, a dazzling Olympics opening ceremony featuring dozens of boats along the Seine will take place in the French capital, and yes, Celine Dion will perform, as will Lady Gaga. Trouble in paradise however, as Insider goes to press the French rail network has been paralyzed by arson attacks, with a whopping 800,000 people expected to be impacted. Almost immediately after the end of the last games, which were delayed to 2021 due to Covid-19, the International Olympic Committee set the wheels in motion for Paris 2024, and the next three weeks will see some of the globe’s ultimate superstars compete in France, paired with...
Olympic Torch Burns Bright
On your marks, get set…: We’re nearly there. Tonight, a dazzling Olympics opening ceremony featuring dozens of boats along the Seine will take place in the French capital, and yes, Celine Dion will perform, as will Lady Gaga. Trouble in paradise however, as Insider goes to press the French rail network has been paralyzed by arson attacks, with a whopping 800,000 people expected to be impacted. Almost immediately after the end of the last games, which were delayed to 2021 due to Covid-19, the International Olympic Committee set the wheels in motion for Paris 2024, and the next three weeks will see some of the globe’s ultimate superstars compete in France, paired with...
- 7/26/2024
- by Max Goldbart
- Deadline Film + TV
A lineup for the senses includes Tim Burton’s Beetlejuice sequel, Lady Gaga in Joker: Folie à Deux and Angelina Jolie as Maria Callas. How nutritious it will prove remains to be seen
Kidman, Clooney, Craig and Jolie join Venice film festival lineup
Once again, Venice film festival director Alberto Barbera presents a mouthwateringly calorific menu of awards-bait movies, and a pageant of Hollywood stars about to arrive at the Palazzo del Cinema, kicking off with Tim Burton’s sequel Beetlejuice Beetlejuice.
The debate about festival gender parity among directors, never a huge priority in Venice, does seem to have receded still further in the memory – but there are brilliant women directors and it’s another festival of alpha-list auteurs and bankable names either side of the camera, both in competition and out – 86-year-old French icon Claude Lelouch is incidentally in the latter list, poignantly giving us his swan song...
Kidman, Clooney, Craig and Jolie join Venice film festival lineup
Once again, Venice film festival director Alberto Barbera presents a mouthwateringly calorific menu of awards-bait movies, and a pageant of Hollywood stars about to arrive at the Palazzo del Cinema, kicking off with Tim Burton’s sequel Beetlejuice Beetlejuice.
The debate about festival gender parity among directors, never a huge priority in Venice, does seem to have receded still further in the memory – but there are brilliant women directors and it’s another festival of alpha-list auteurs and bankable names either side of the camera, both in competition and out – 86-year-old French icon Claude Lelouch is incidentally in the latter list, poignantly giving us his swan song...
- 7/23/2024
- by Peter Bradshaw
- The Guardian - Film News
While we might still be on the fence about what is being described as a first-person shooter-type experience in Harmony Korine‘s Baby Invasion, but the Venice Film Festival’s Out of Competition section lineup could be just as daring as the films selected for the competition. We have established filmmakers giving another go at it from Pupi Avati‘s gothic-friendly L’Orto Americano to Claude Lelouch‘s latest feature which caps off a trilogy in Finalement, and then we have a burst of Asian cinema auteurs from Kurosawa Kiyoshi in Cloud to a just over one hour narrative from Takeshi Kitano in Broken Rage to Lav Diaz once again testing our patience with the over four hour journey in Phantosmia.…...
- 7/23/2024
- by Eric Lavallée
- IONCINEMA.com
We’re just about five weeks away from the opening of the 81st Venice International Film Festival, the oldest such celebration of international cinema and the official kickoff to awards season in earnest. A gondola loaded with news about this year’s titles washed up on our shores this morning, and this year’s competition slate is packed.
It’s no surprise that Todd Phillips will bring his “Joker” sequel, “Joker: Folie à Deux,” back to the late-summer Italian event. The first dark comic book film won the top prize there in 2019, slapping a huge international halo on it released to the public, eventually netting Joaquin Phoenix the Best Actor Oscar, as well as a Best Original Score trophy for Hildur Guðnadóttir and nine other nominations, including Best Picture. The sequel, which was not a foregone conclusion when the first movie was made, but a Mack truck of Warner Bros....
It’s no surprise that Todd Phillips will bring his “Joker” sequel, “Joker: Folie à Deux,” back to the late-summer Italian event. The first dark comic book film won the top prize there in 2019, slapping a huge international halo on it released to the public, eventually netting Joaquin Phoenix the Best Actor Oscar, as well as a Best Original Score trophy for Hildur Guðnadóttir and nine other nominations, including Best Picture. The sequel, which was not a foregone conclusion when the first movie was made, but a Mack truck of Warner Bros....
- 7/23/2024
- by Jordan Hoffman
- Gold Derby
Just a day after New York Film Festival and Toronto International Film Festival made major announcements, Venice Film Festival is here with their full lineup ahead of the festival taking place August 28 through September 7.
Highlights include Pedro Almodóvar’s The Room Next Door, Luca Guadagnino’s Queer, Brady Corbet’s The Brutalist, Kiyoshi Kurosawa’s Cloud, Alex Ross Perry’s Pavements, Harmony Korine’s Baby Invasion, Pablo Larraín’s Maria, Takeshi Kitano’s Broken Rage, Errol Morris’ Separated, Lav Diaz’s Phantosmia, Thomas Vinterberg’s Families Like Ours, Dea Kulumbegashvili’s April, and more.
Check out the lineup below with a hat tip to Cineuropa.
Competition
The Room Next Door – Pedro Almodóvar
Campo di battaglia – Gianni Amelio
Leurs enfants après eux – Ludovic & Zoran Boukherma
The Brutalist – Brady Corbet
Jouer avec le feu – Delphine & Muriel Coulin
Vermiglio – Maura Delpero
Iddu (Sicilian Letters) – Fabio Grassadonia & Antonio Piazza
Queer – Luca Guadagnino
Love – Dag Johan Haugerud...
Highlights include Pedro Almodóvar’s The Room Next Door, Luca Guadagnino’s Queer, Brady Corbet’s The Brutalist, Kiyoshi Kurosawa’s Cloud, Alex Ross Perry’s Pavements, Harmony Korine’s Baby Invasion, Pablo Larraín’s Maria, Takeshi Kitano’s Broken Rage, Errol Morris’ Separated, Lav Diaz’s Phantosmia, Thomas Vinterberg’s Families Like Ours, Dea Kulumbegashvili’s April, and more.
Check out the lineup below with a hat tip to Cineuropa.
Competition
The Room Next Door – Pedro Almodóvar
Campo di battaglia – Gianni Amelio
Leurs enfants après eux – Ludovic & Zoran Boukherma
The Brutalist – Brady Corbet
Jouer avec le feu – Delphine & Muriel Coulin
Vermiglio – Maura Delpero
Iddu (Sicilian Letters) – Fabio Grassadonia & Antonio Piazza
Queer – Luca Guadagnino
Love – Dag Johan Haugerud...
- 7/23/2024
- by Jordan Raup
- The Film Stage
The lineup for the 81st Venice International Film Festival is here. Artistic director Alberto Barbera and Biennale president Pietrangelo Buttafuoco revealed the complete list of titles across sections early on Tuesday, July 23. Watch the live stream here or on YouTube.
Competition highlights included, as expected, Todd Phillips’ “Joker: Folie à Deux,” Pablo Larraín’s “Maria” with Angelina Jolie, Luca Guadagnino’s “Queer” with Daniel Craig, and Pedro Almodóvar’s first English-language feature, “The Room Next Door.” Other gems in the lineup include “April,” from Georgian “Beginning” director Dea Kulumbegashvili; Brady Corbet’s “Fountainhead”-inspired epic “The Brutalist,” which runs a whopping 215 minutes and will present in 70mm; Aussie auteur Justin Kurzel’s thriller “The Order”; “Chevalier” director Athina Rachel Tsangari’s “Harvest” with Caleb Landry Jones; and Halina Reijn’s psychosexual thriller for A24, “Babygirl,” starring Nicole Kidman and Harris Dickinson.
Out of competition across series and features, there’s new work from Harmony Korine,...
Competition highlights included, as expected, Todd Phillips’ “Joker: Folie à Deux,” Pablo Larraín’s “Maria” with Angelina Jolie, Luca Guadagnino’s “Queer” with Daniel Craig, and Pedro Almodóvar’s first English-language feature, “The Room Next Door.” Other gems in the lineup include “April,” from Georgian “Beginning” director Dea Kulumbegashvili; Brady Corbet’s “Fountainhead”-inspired epic “The Brutalist,” which runs a whopping 215 minutes and will present in 70mm; Aussie auteur Justin Kurzel’s thriller “The Order”; “Chevalier” director Athina Rachel Tsangari’s “Harvest” with Caleb Landry Jones; and Halina Reijn’s psychosexual thriller for A24, “Babygirl,” starring Nicole Kidman and Harris Dickinson.
Out of competition across series and features, there’s new work from Harmony Korine,...
- 7/23/2024
- by Ryan Lattanzio
- Indiewire
The full list of titles set for the 81st edition of the Venice Film Festival has been revealed, and it’s another powerhouse lineup — scroll below to check it out.
The venerable event in 2023 took place under the cloud of the SAG-AFTRA strike, which prevented many stars coming out in support of their movies. With the labor action resolved and this year’s roster now formalized, we can expect a tidal wave of talent to wash over the Lido at the end of next month and into early September.
Many of the films announced this morning by La Biennale President Pietrangelo Buttafuoco and Venice Film Festival Artistic Director Alberto Barbera were widely anticipated, including Todd Phillips’ Joaquin Phoenix/Lady Gaga starrer Joker: Folie à Deux. The Warner Bros sequel arguably is the highest-profile movie of the competition bunch, coming five years after Phillips’ Joker won the Golden Lion before going on to 11 Oscar nominations,...
The venerable event in 2023 took place under the cloud of the SAG-AFTRA strike, which prevented many stars coming out in support of their movies. With the labor action resolved and this year’s roster now formalized, we can expect a tidal wave of talent to wash over the Lido at the end of next month and into early September.
Many of the films announced this morning by La Biennale President Pietrangelo Buttafuoco and Venice Film Festival Artistic Director Alberto Barbera were widely anticipated, including Todd Phillips’ Joaquin Phoenix/Lady Gaga starrer Joker: Folie à Deux. The Warner Bros sequel arguably is the highest-profile movie of the competition bunch, coming five years after Phillips’ Joker won the Golden Lion before going on to 11 Oscar nominations,...
- 7/23/2024
- by Nancy Tartaglione
- Deadline Film + TV
Venice Film Festival has revealed the programme for its 81st edition, featuring a 21-strong Competition that includes new films from Todd Phillips, Pedro Almodovar, Luca Guadagino, Pablo Larrain, Brady Corbet and Justin Kurzel.
Scroll down for full line-up
The selection was unveiled by festival president Pietrangelo Buttafuoco and artistic director Alberto Barbera. It marked Buttafuoco’s first time at the annual press conference, after replacing Roberto Cicutto in October 2023.
Further filmmakers in Competition include Wang Bing, Luis Ortega, Dea Kulumbegashvili, Dag Johan Haugerud, Athina Rachel Tsangari and Walter Salles.
The line-up also includes Jon Watt’s Wolfs, starring Brad Pitt and George Clooney,...
Scroll down for full line-up
The selection was unveiled by festival president Pietrangelo Buttafuoco and artistic director Alberto Barbera. It marked Buttafuoco’s first time at the annual press conference, after replacing Roberto Cicutto in October 2023.
Further filmmakers in Competition include Wang Bing, Luis Ortega, Dea Kulumbegashvili, Dag Johan Haugerud, Athina Rachel Tsangari and Walter Salles.
The line-up also includes Jon Watt’s Wolfs, starring Brad Pitt and George Clooney,...
- 7/23/2024
- ScreenDaily
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSNo Other Land.The Berlin-Brandenburg Broadcasting Corporation (rbb), a state institution, has withdrawn funding for the €40,000 Berlinale Documentary Film Prize. The prize was most recently awarded to No Other Land (2024), which depicts the displacement of Palestinians in the West Bank by the Israeli military. While accepting the award, co-directors Basel Adra and Yuval Abraham called for a ceasefire in Gaza and an end to the occupation of Palestine, statements which were met with opprobrium by German state officials.After more than three months of contract negotiations, IATSE has reached a tentative agreement with AMPTP, including structured wage increases matching those won by SAG-AFTRA last year and new streaming residuals to address the union’s pension and health plan shortfall.
- 6/28/2024
- MUBI
Die französisch-schweizerische Schauspielerin erhält am 9. August im Rahmen des Locarno Film Festival den Leopard Club Award.
Irène Jacob erhält beim Locarno Film Festival den Leopard Club Award (Credit: Stephane Cardinale – Corbis / Gettyimages)
Die in Paris geborene und in Genf aufgewachsene Schauspielerin Irène Jacob wird am 9. August vom Locarno Film Festival mit dem Leopold Club Award ausgezeichnet. Tags darauf wird Jacob Festivalangaben zufolge ab 10.30 Uhr für ein Publikumsgespräch zur Verfügung stehen. Im Rahmen eines Tributes zeigt das Locarno Film Festival Krzysztof Kieslowskis „Drei Farben: Rot“ aus dem Jahr 1994. Drei Jahre zuvor war Jacob, die ihr Debüt 1987 in Louis Malles „Auf Wiedersehen, Kinder“ gefeiert hatte, für ihre Rolle in Kieslowskis ersten Film außerhalb Polens, „Die zwei Leben der Veronika“, in Cannes als beste Darstellerin ausgezeichnet worden und hatte eine César-Nominierung erhalten.
Der Künstlerische Direktor des Locarno Film Festival, Giona A. Nazzaro, sagt über Irène Jacob: „Irène Jacob ist eine der geheimnisvollsten und erhabensten Erscheinungen des Kinos.
Irène Jacob erhält beim Locarno Film Festival den Leopard Club Award (Credit: Stephane Cardinale – Corbis / Gettyimages)
Die in Paris geborene und in Genf aufgewachsene Schauspielerin Irène Jacob wird am 9. August vom Locarno Film Festival mit dem Leopold Club Award ausgezeichnet. Tags darauf wird Jacob Festivalangaben zufolge ab 10.30 Uhr für ein Publikumsgespräch zur Verfügung stehen. Im Rahmen eines Tributes zeigt das Locarno Film Festival Krzysztof Kieslowskis „Drei Farben: Rot“ aus dem Jahr 1994. Drei Jahre zuvor war Jacob, die ihr Debüt 1987 in Louis Malles „Auf Wiedersehen, Kinder“ gefeiert hatte, für ihre Rolle in Kieslowskis ersten Film außerhalb Polens, „Die zwei Leben der Veronika“, in Cannes als beste Darstellerin ausgezeichnet worden und hatte eine César-Nominierung erhalten.
Der Künstlerische Direktor des Locarno Film Festival, Giona A. Nazzaro, sagt über Irène Jacob: „Irène Jacob ist eine der geheimnisvollsten und erhabensten Erscheinungen des Kinos.
- 6/18/2024
- by Jochen Müller
- Spot - Media & Film
Anouk Aimée, the enigmatic French actress known for her work in Federico Fellini’s La Dolce Vita (1960), Jacques Demy’s Lola (1961), George Cukor’s Justine (1969), and Bernardo Bertolucci’s Tragedy of a Ridiculous Man (1981) died on Tuesday. She was 92. Aimée’s daughter, Manuela Paptakis, confirmed her death in a post on Instagram. “With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée,” she wrote. “I was right by her side when she passed away this morning at her home in Paris.” See the post below. Well-regarded for her “striking features” and her beauty, the internationally-acclaimed actress first struck American audiences for her performance in A Man and a Woman, the Palme d’Or-winning 1966 French romance film directed by Claude LeLouch in which she played a young widow who forms a budding relationship with a widower she meets at her son’s boarding school.
- 6/18/2024
- TV Insider
Anouk Aimée in The Best Years Of A Life with Jean-Louis Trintignant, reprising their characters 53 years on from A Man And A Woman. Director Claude Lelouch said: 'It was wonderful for us all to get together again. It was as though something had been left unfinished, and none of us wanted it to end.' Photo: UniFrance Jean-Louis Trintignant as Jean-Louis and Anouk Aimée is Anne in A Man And A Woman One of the most revered icons of French cinema, Anouk Aimée who starred opposite Jean-Louis Trintignant in one of the most successful French films of all time, A Man And A Woman, by Claude Lelouch, has died today at the age of 92. The news was revealed by her daughter Manuella Papatakis.
The poet and screenwriter Jacques Prévert was so entranced with her that he gave her the name Anouk Aimée (she was born Françoise Sorya), and cast her...
The poet and screenwriter Jacques Prévert was so entranced with her that he gave her the name Anouk Aimée (she was born Françoise Sorya), and cast her...
- 6/18/2024
- by Richard Mowe
- eyeforfilm.co.uk
Anouk Aimée, the French star of classic titles like Federico Fellini’s La Dolce Vita and Jacques Demy’s Lola has died. She was 92.
Aimée’s daughter, Manuela Papatakis, shared the news with a post on social media Tuesday morning. Aimée’s cause of death has yet to be announced.
“With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée,” the statement read. “I was right by her side when she passed away this morning at her home in Paris.”
View this post on Instagram
A post shared by Manuela Papatakis (@manuelapapatakis)
Aimée clocked almost 100 credits during her decades-long career. She is perhaps best known for her role in Federico Fellini’s seminal thriller La Dolce Vita. She later re-teamed with Fellini for his enigmatic epic 8½. She went on to work with some of world cinema’s leading new-wave filmmakers,...
Aimée’s daughter, Manuela Papatakis, shared the news with a post on social media Tuesday morning. Aimée’s cause of death has yet to be announced.
“With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée,” the statement read. “I was right by her side when she passed away this morning at her home in Paris.”
View this post on Instagram
A post shared by Manuela Papatakis (@manuelapapatakis)
Aimée clocked almost 100 credits during her decades-long career. She is perhaps best known for her role in Federico Fellini’s seminal thriller La Dolce Vita. She later re-teamed with Fellini for his enigmatic epic 8½. She went on to work with some of world cinema’s leading new-wave filmmakers,...
- 6/18/2024
- by Zac Ntim
- Deadline Film + TV
Anouk Aimee, the French actress who received a best actress Oscar nomination in 1967 for A Man And A Woman, has died aged 92.
Aimee died at her home in Paris. Her death was confirmed by an Instagram post from her daughter Manuela Papatakis, which read, “With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée.”
Born Nicole Francoise Florence Dreyfus in Paris in 1932, she made her film debut aged 14 in the role of Anouk in Henri Calef’s The House Under The Sea. She kept the name for her career,...
Aimee died at her home in Paris. Her death was confirmed by an Instagram post from her daughter Manuela Papatakis, which read, “With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée.”
Born Nicole Francoise Florence Dreyfus in Paris in 1932, she made her film debut aged 14 in the role of Anouk in Henri Calef’s The House Under The Sea. She kept the name for her career,...
- 6/18/2024
- ScreenDaily
Anouk Aimee, the French actress who received a best actress Oscar nomination in 1967 for A Man And A Woman, has died aged 92.
Aimee died at her home in Paris. Her death was confirmed by an Instagram post from her daughter Manuela Papatakis, which read, “With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée.”
Born Nicole Francoise Florence Dreyfus in Paris in 1932, she made her film debut aged 14 in the role of Anouk in Henri Calef’s The House Under The Sea. She kept the name for her career,...
Aimee died at her home in Paris. Her death was confirmed by an Instagram post from her daughter Manuela Papatakis, which read, “With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée.”
Born Nicole Francoise Florence Dreyfus in Paris in 1932, she made her film debut aged 14 in the role of Anouk in Henri Calef’s The House Under The Sea. She kept the name for her career,...
- 6/18/2024
- ScreenDaily
The French actor was one of the key faces of the New Wave, starring in classics by directors including Federico Fellini, Jacques Demy and Claude Lelouch
• Peter Bradshaw on Anouk Aimée: an entrancing 60s movie icon with an air of glamorous unknowability
• Anouk Aimée – a life in pictures
Anouk Aimée, the French star of European New Wave classics including La Dolce Vita, A Man and a Woman and Lola, has died aged 92. Her daughter Manuela Papatakis announced the news on social media on Tuesday.
Papatakis said: “We have the immense sadness to announce the departure of my mother … I was close to her when she passed away this morning, at her home in Paris.”...
• Peter Bradshaw on Anouk Aimée: an entrancing 60s movie icon with an air of glamorous unknowability
• Anouk Aimée – a life in pictures
Anouk Aimée, the French star of European New Wave classics including La Dolce Vita, A Man and a Woman and Lola, has died aged 92. Her daughter Manuela Papatakis announced the news on social media on Tuesday.
Papatakis said: “We have the immense sadness to announce the departure of my mother … I was close to her when she passed away this morning, at her home in Paris.”...
- 6/18/2024
- by Andrew Pulver
- The Guardian - Film News
Anouk Aimée, the French actress known for her elegance and cool sophistication in films including Claude Lelouch’s “A Man and a Woman” (1966), Fellini classics “La Dolce Vita” (1960) and “8½” (1963) and Jacques Demy’s “Lola” (1961), died on Tuesday. She was 92.
Aimée’s daughter, Manuela Papatakis, confirmed her death in a post on Instagram.
“With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée,” she wrote. “I was right by her side when she passed away this morning at her home in Paris.”
Fairly described in one encyclopedia as an “an aloof but alluring presence on the screen,” Aimée was frequently described as ““regal,” “intelligent” and “enigmatic,” giving the actress, according to journalist Sandy Flitterman-Lewis, “an aura of disturbing and mysterious beauty that has earned her the status of one of the hundred sexiest stars in film history (in a...
Aimée’s daughter, Manuela Papatakis, confirmed her death in a post on Instagram.
“With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée,” she wrote. “I was right by her side when she passed away this morning at her home in Paris.”
Fairly described in one encyclopedia as an “an aloof but alluring presence on the screen,” Aimée was frequently described as ““regal,” “intelligent” and “enigmatic,” giving the actress, according to journalist Sandy Flitterman-Lewis, “an aura of disturbing and mysterious beauty that has earned her the status of one of the hundred sexiest stars in film history (in a...
- 6/18/2024
- by Carmel Dagan
- Variety Film + TV
Actress Anouk Aimée, the sophisticated French beauty who graced the films of Federico Fellini, Jacques Demy, Sidney Lumet, Bernardo Bertolucci and Claude Lelouch, has died. She was 92.
Aimee’s daughter said in an Instagram post on Tuesday that the star died at her home in Paris without providing further details.
Perhaps best known for her role opposite Jean-Louis Trintignant in Lelouch’s A Man and a Woman (1966) — for which she received an Oscar nomination for best actress and won a Golden Globe — Aimée also starred in such art house standouts as Fellini’s La Dolce Vita (1960) and 8 1/2 (1963), Demy’s Lola (1961), Jacques Becker’s Montparnasse 19 (1958) and Bertolucci’s Tragedy of a Ridiculous Man (1981).
Her career kicked off in the late 1940s and lasted all the way through a reunion with Trintignant in The Best Years (Les Plus belles annees), Lelouch’s 2019 epilogue to A Man and a Woman.
With more than 80 feature credits,...
Aimee’s daughter said in an Instagram post on Tuesday that the star died at her home in Paris without providing further details.
Perhaps best known for her role opposite Jean-Louis Trintignant in Lelouch’s A Man and a Woman (1966) — for which she received an Oscar nomination for best actress and won a Golden Globe — Aimée also starred in such art house standouts as Fellini’s La Dolce Vita (1960) and 8 1/2 (1963), Demy’s Lola (1961), Jacques Becker’s Montparnasse 19 (1958) and Bertolucci’s Tragedy of a Ridiculous Man (1981).
Her career kicked off in the late 1940s and lasted all the way through a reunion with Trintignant in The Best Years (Les Plus belles annees), Lelouch’s 2019 epilogue to A Man and a Woman.
With more than 80 feature credits,...
- 6/18/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Françoise Hardy, a French singer, actor and model whose classical beauty and often melancholy music combined to transfix fans internationally in the 1960s and beyond, has died at age 80.
Her son, Thomas Dutronc, also a musician, reported the death on his Instagram account, posting a baby photo of himself with his mother and writing: “Maman est partie.” Or, mom is gone.
Hardy had battled cancer for at least the last two decades, and had been known to have been fighting lymphoma and laryngeal since 2004.
In a sign of her ongoing legend, in 2023, Rolling Stone magazine ranked Hardy as No. 162 on a ranking of the greatest singers of all time. She was the only French performer on the list. Will Hermes wrote that Hardy “epitomized French cool and Gallic heat simultaneously, with a breathy, deadpan alto that wafted like Gauloises smoke. Her words enhanced her tone: Writing her own material, unusual in the early mid-Sixties,...
Her son, Thomas Dutronc, also a musician, reported the death on his Instagram account, posting a baby photo of himself with his mother and writing: “Maman est partie.” Or, mom is gone.
Hardy had battled cancer for at least the last two decades, and had been known to have been fighting lymphoma and laryngeal since 2004.
In a sign of her ongoing legend, in 2023, Rolling Stone magazine ranked Hardy as No. 162 on a ranking of the greatest singers of all time. She was the only French performer on the list. Will Hermes wrote that Hardy “epitomized French cool and Gallic heat simultaneously, with a breathy, deadpan alto that wafted like Gauloises smoke. Her words enhanced her tone: Writing her own material, unusual in the early mid-Sixties,...
- 6/12/2024
- by Chris Willman
- Variety Film + TV
If you took Magnolia, Goodfellas, Boyz n the Hood and perhaps Claude Lelouch’s A Man and a Woman, plugged them all into the latest version of ChatGPT and asked it to spit out a brand new film, you could wind up with something like Gilles Lellouche’s (no relation to Claude) swooning French crime romance, Beating Hearts (L’Amour ouf).
A hodgepodge of movie clichés and overwrought scenes, directed with zero tact and plenty of pounding needle drops, actor-turned-director Lellouche’s third stab at the helm after his rather likeable ensemble comedy, Sink or Swim, is less a disappointment than a serious assault on the viewer’s intelligence. The fact that it premiered in Cannes’ competition, rather than in a sidebar “Première” slot, speaks to the general level of one of the festival’s weakest main slates in recent memory.
Sink or Swim was a major hit in France that grossed $40 million,...
A hodgepodge of movie clichés and overwrought scenes, directed with zero tact and plenty of pounding needle drops, actor-turned-director Lellouche’s third stab at the helm after his rather likeable ensemble comedy, Sink or Swim, is less a disappointment than a serious assault on the viewer’s intelligence. The fact that it premiered in Cannes’ competition, rather than in a sidebar “Première” slot, speaks to the general level of one of the festival’s weakest main slates in recent memory.
Sink or Swim was a major hit in France that grossed $40 million,...
- 5/23/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Cannes Film Festival president Iris Knobloch said she learned about the “power of cinema to carry messages, liberate speech and accomplish a duty of remembrance” from her parents, who are Holocaust survivors.
Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week. “For them, going to the cinemas was about reclaiming the youth they had lost.”
She cited Volker Schlöndorff’s “The Tin Drum” as the one movie that marked her the most, alongside French movies by Claude Sautet, Claude Lelouch. “I would see the Cannes Film Festival from afar, and it seems a bit like a fairy tale to be here today,” said Knobloch, a trained lawyer who became Cannes’ first female president in 2023 after spending 25 years at Warner Bros. where she led the studio in France and Germany.
Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week. “For them, going to the cinemas was about reclaiming the youth they had lost.”
She cited Volker Schlöndorff’s “The Tin Drum” as the one movie that marked her the most, alongside French movies by Claude Sautet, Claude Lelouch. “I would see the Cannes Film Festival from afar, and it seems a bit like a fairy tale to be here today,” said Knobloch, a trained lawyer who became Cannes’ first female president in 2023 after spending 25 years at Warner Bros. where she led the studio in France and Germany.
- 5/22/2024
- by Elsa Keslassy
- Variety Film + TV
Timothée Chalamet is one of the most talented stars in the industry working today, who first made a name for himself for his outstanding performance in Call Me By Your Name. The role earned him a nomination for the Best Actors category at the Oscars. Since then, he never had to look back as he went on to create a streak of blockbuster films such as Beautiful Boy, Dune, Wonka, Little Women, and many more.
Timothée Chalamet. Credits: Martin Kraft/Wikimedia Commons
Needless to say, Chalamet is among the finest stars in Hollywood. His recent advertisement with the film maestro, Martin Scorsese outclasses many big names in the industry. Interestingly, it is not a large-scale Hollywood project but an advertisement for Chanel that has gone viral, and fans compare it with Pitt and Kidman’s cinematic commercial.
Timothée Chalamet Outclasses Brad Pitt and Nicole Kidman in His Latest Chanel Commercial
Recently,...
Timothée Chalamet. Credits: Martin Kraft/Wikimedia Commons
Needless to say, Chalamet is among the finest stars in Hollywood. His recent advertisement with the film maestro, Martin Scorsese outclasses many big names in the industry. Interestingly, it is not a large-scale Hollywood project but an advertisement for Chanel that has gone viral, and fans compare it with Pitt and Kidman’s cinematic commercial.
Timothée Chalamet Outclasses Brad Pitt and Nicole Kidman in His Latest Chanel Commercial
Recently,...
- 5/19/2024
- by Tushar Auddy
- FandomWire
The Wages of Fear is a French film directed by Julien Leclercq starring Franck Gastambide and Ana Girardot.
“The Wages of Fear” is a film based on Georges Arnaud’s novel, which, as you may already know, had a previous adaptation in 1953, directed by H.G. Clouzot. This has become a classic of French cinema and one of the best thrillers in film history.
In these current times, Julien Leclercq dares to create a new version of this story, modernizing it entirely and trying to maintain the character tension in this updated plot, although we’re not fully sure if it’s for the better.
It’s always a risk to compare yourself to a classic, but Julien Leclercq has the courage to try it.
Plot
To save a village during an oil extraction, four people must escort a convoy loaded with nitroglycerin in a desolate place, surrounded by armed gangs.
“The Wages of Fear” is a film based on Georges Arnaud’s novel, which, as you may already know, had a previous adaptation in 1953, directed by H.G. Clouzot. This has become a classic of French cinema and one of the best thrillers in film history.
In these current times, Julien Leclercq dares to create a new version of this story, modernizing it entirely and trying to maintain the character tension in this updated plot, although we’re not fully sure if it’s for the better.
It’s always a risk to compare yourself to a classic, but Julien Leclercq has the courage to try it.
Plot
To save a village during an oil extraction, four people must escort a convoy loaded with nitroglycerin in a desolate place, surrounded by armed gangs.
- 3/29/2024
- by Martin Cid
- Martin Cid Magazine - Movies
Non-English-language movies stormed the Oscars this year, with five films taking home statuettes — the most ever in one ceremony.
Justine Triet and Arthur Harari’s Best Screenplay Academy Award for French-language courtroom drama Anatomy of a Fall followed three past non-English-language winners: Bong Joon-ho’s Parasite (2019), Pedro Almodóvar’s Talk To Her (2002) and A Man and a Woman by Claude Lelouch and Pierre Uytterhoeven (1966).
The Best Sound Academy Award for Jonathan Glazer’s German-language Holocaust drama The Zone of Interest marked a first for a non-English-language film. The pic also clinched Best International Feature Film.
Related: ‘Oppenheimer’, ‘The Zone Of Interest’ & ‘Poor Things’ Wins Cap Good Night For Brits At The Oscars
The Best Animation Oscar for The Boy and the Heron marked a second Academy Award for Japanese animation maestro Hayao Miyazaki, who took co-directing credits with Toshio Suzuki.
Miyazaki previously triumphed in the category in its second year...
Justine Triet and Arthur Harari’s Best Screenplay Academy Award for French-language courtroom drama Anatomy of a Fall followed three past non-English-language winners: Bong Joon-ho’s Parasite (2019), Pedro Almodóvar’s Talk To Her (2002) and A Man and a Woman by Claude Lelouch and Pierre Uytterhoeven (1966).
The Best Sound Academy Award for Jonathan Glazer’s German-language Holocaust drama The Zone of Interest marked a first for a non-English-language film. The pic also clinched Best International Feature Film.
Related: ‘Oppenheimer’, ‘The Zone Of Interest’ & ‘Poor Things’ Wins Cap Good Night For Brits At The Oscars
The Best Animation Oscar for The Boy and the Heron marked a second Academy Award for Japanese animation maestro Hayao Miyazaki, who took co-directing credits with Toshio Suzuki.
Miyazaki previously triumphed in the category in its second year...
- 3/11/2024
- by Melanie Goodfellow
- Deadline Film + TV
Gigi Hadid walked the runway in front of a star-studded crowd at the Chanel show during Paris Fashion Week.
Penelope Cruz and Margaret Qualley were among the stars who sat in the front row at the fashion show on Tuesday (March 5) in Paris, France.
More stars in attendance included Riley Keough, Zazie Beetz, Zoey Deutch, Vanessa Paradis, Camille Rowe, Gracie Abrams, Angele, and Dree Hemingway.
Penelope stars in a new Chanel short film alongside Brad Pitt and the one-minute clip was shown at the top of the show. The brand notes, “A tribute to the film A Man and a Woman by French director Claude Lelouch, it captures the beginning of a love story in Deauville, a place dear to the House and the inspiration behind the collection imagined by Virginie Viard.”
Browse through the gallery for 25+ photos from the Chanel show…...
Penelope Cruz and Margaret Qualley were among the stars who sat in the front row at the fashion show on Tuesday (March 5) in Paris, France.
More stars in attendance included Riley Keough, Zazie Beetz, Zoey Deutch, Vanessa Paradis, Camille Rowe, Gracie Abrams, Angele, and Dree Hemingway.
Penelope stars in a new Chanel short film alongside Brad Pitt and the one-minute clip was shown at the top of the show. The brand notes, “A tribute to the film A Man and a Woman by French director Claude Lelouch, it captures the beginning of a love story in Deauville, a place dear to the House and the inspiration behind the collection imagined by Virginie Viard.”
Browse through the gallery for 25+ photos from the Chanel show…...
- 3/5/2024
- by Just Jared
- Just Jared
Studiocanal will co-produce and is handling international sales on Fred Cavayé’s adaptation of Victor Hugo’s epic novel Les Misérables.
Set to shoot at the end of 2024, Les Miserables is produced by Olivier Delbosc’s Curiosa Films, whose notable behind The Taste Of Things, and Richard Grandpierre’s Eskwad, f recent films Like A Son and Spring Blossom.
No cast is yet attached. Studiocanal will release the film in France.
Cavayé’s most recent credits include the World War II-set drama Farewell Mister Haffmann and period comedy This is the Goat! starring Dany Boon which is set for release...
Set to shoot at the end of 2024, Les Miserables is produced by Olivier Delbosc’s Curiosa Films, whose notable behind The Taste Of Things, and Richard Grandpierre’s Eskwad, f recent films Like A Son and Spring Blossom.
No cast is yet attached. Studiocanal will release the film in France.
Cavayé’s most recent credits include the World War II-set drama Farewell Mister Haffmann and period comedy This is the Goat! starring Dany Boon which is set for release...
- 2/6/2024
- ScreenDaily
Juliette Binoche, Marion Cotillard and Jacques Audiard are among 500 French cinema professionals to have signed an open letter in support of a silent march for peace in Paris this Sunday.
The initiative – created in response to the Israel-Hamas conflict and its ongoing reverberations around the world – is being spearheaded by the newly launched Une Autre Voix (Another Voice) collective.
“This fratricidal war affects us all, and regardless of our reasons or affinities on each side of the wall, we want it to cease and that both peoples finally live in peace,” reads the letter.
“This is why we are organizing a silent, united, humanist and peaceful march that will open with a single long white banner. No political claims nor slogans. White flags, white handkerchiefs are welcome.”
Belgian-Moroccan actress Lubna Azabal presides over the Une Autre Voix collective which also features French...
The initiative – created in response to the Israel-Hamas conflict and its ongoing reverberations around the world – is being spearheaded by the newly launched Une Autre Voix (Another Voice) collective.
“This fratricidal war affects us all, and regardless of our reasons or affinities on each side of the wall, we want it to cease and that both peoples finally live in peace,” reads the letter.
“This is why we are organizing a silent, united, humanist and peaceful march that will open with a single long white banner. No political claims nor slogans. White flags, white handkerchiefs are welcome.”
Belgian-Moroccan actress Lubna Azabal presides over the Une Autre Voix collective which also features French...
- 11/17/2023
- by Melanie Goodfellow
- Deadline Film + TV
Charles Leclerc, a featured subject on the Netflix docuseries “Formula 1: Drive to Survive,” has signed with WME.
The agency will represent the 26-year-old racing phenom in entertainment and commercial ventures. At 20, Leclerc was the youngest driver in history to be signed to the storied Scuderia Ferrari team, in the midst of his debut F1 season with the Alfa Romeo Sauber team. He is currently in his fifth season with Scuderia Ferrari. Netflix recently announced that many of its racing pros from “Drive to Survive” will face off against pro-golfers for a streaming special to air in November.
In the most recent batch of Netflix episodes, Leclerc battled for a world championship title and came in as runner-up. Off the track, he has cred in both the brand and scripted space. Leclerc lent his voice to the Italian language version of Pixar’s “Lightyear.” He was also featured in director...
The agency will represent the 26-year-old racing phenom in entertainment and commercial ventures. At 20, Leclerc was the youngest driver in history to be signed to the storied Scuderia Ferrari team, in the midst of his debut F1 season with the Alfa Romeo Sauber team. He is currently in his fifth season with Scuderia Ferrari. Netflix recently announced that many of its racing pros from “Drive to Survive” will face off against pro-golfers for a streaming special to air in November.
In the most recent batch of Netflix episodes, Leclerc battled for a world championship title and came in as runner-up. Off the track, he has cred in both the brand and scripted space. Leclerc lent his voice to the Italian language version of Pixar’s “Lightyear.” He was also featured in director...
- 10/24/2023
- by Matt Donnelly
- Variety Film + TV
Updated: German film master Wim Wenders was greeted like a rock star in Lyon, France, where he received an honorary tribute on Friday evening (Oct. 21) at the Lumiere Festival, a week-long celebration of classic cinema headed by Cannes festival boss Thierry Fremaux.
“I’ve received prizes in my life but this time it’s different, it’s the the prize of cinema!” said Wenders after stepping on stage to the beat of Texas’ “I Don’t Want a Lover.” Glancing at Fremaux who was standing nearby, Wenders added, with a cheeky smile, “I don’t want to say that a Palme d’Or is nothing. But the Lumiere Prize is unique and I’m proud of it!” Wenders, who won the Palme d’Or with “Paris, Texas,” is considered a Cannes regular. He’s presented his most iconic films there, including “Wings of Desire” which won best director. This year,...
“I’ve received prizes in my life but this time it’s different, it’s the the prize of cinema!” said Wenders after stepping on stage to the beat of Texas’ “I Don’t Want a Lover.” Glancing at Fremaux who was standing nearby, Wenders added, with a cheeky smile, “I don’t want to say that a Palme d’Or is nothing. But the Lumiere Prize is unique and I’m proud of it!” Wenders, who won the Palme d’Or with “Paris, Texas,” is considered a Cannes regular. He’s presented his most iconic films there, including “Wings of Desire” which won best director. This year,...
- 10/20/2023
- by Lise Pedersen and Elsa Keslassy
- Variety Film + TV
Olivier Dahan: “I didn’t want to make a film about Simone Veil as we know her in France.”
Simone: Woman Of The Century director, writer, editor Olivier Dahan (La Vie En Rose with Marion Cotillard as Edith Piaf and Grace de Monaco with Nicole Kidman as Grace Kelly) is no stranger to depicting influential women. His all-embracing portrait of Simone Veil stars Elsa Zylberstein as Veil from 1968 till 2006, and Rebecca Marder (Arnaud Desplechin’s Tromperie and François Ozon’s Mon Crime) from 1942 through 1967.
Olivier Dahan with Anne-Katrin Titze on young people not knowing Simone Veil, Steven Spielberg’s Schindler’s List, Roman Polanski’s The Pianist, and László Nemes’s Son Of Saul: “I was really trying to connect with those young people and this woman, of course.”
In Bernard-Henri Lévy’s homage to Simone Veil he writes: “The world, French philosopher Gaston Bachelard said a century ago,...
Simone: Woman Of The Century director, writer, editor Olivier Dahan (La Vie En Rose with Marion Cotillard as Edith Piaf and Grace de Monaco with Nicole Kidman as Grace Kelly) is no stranger to depicting influential women. His all-embracing portrait of Simone Veil stars Elsa Zylberstein as Veil from 1968 till 2006, and Rebecca Marder (Arnaud Desplechin’s Tromperie and François Ozon’s Mon Crime) from 1942 through 1967.
Olivier Dahan with Anne-Katrin Titze on young people not knowing Simone Veil, Steven Spielberg’s Schindler’s List, Roman Polanski’s The Pianist, and László Nemes’s Son Of Saul: “I was really trying to connect with those young people and this woman, of course.”
In Bernard-Henri Lévy’s homage to Simone Veil he writes: “The world, French philosopher Gaston Bachelard said a century ago,...
- 9/8/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
French film organisations Arp, directors’ guild Srf spearhead initiative.
With the parallel WGA and SAG-AFTRA strikes still in full swing across the Atlantic, France and Italy’s top filmmakers guilds have come together to show solidarity and reinforce auteur rights with a joint ’declaration of filmmakers’ and have announced a September 3 symposium in Venice.
French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, spearheaded the initiative.
They wrote the original “declaration of filmmakers” open letter in May calling for full authorship rights, fair redistribution of revenues and immediate regulation of AI, before...
With the parallel WGA and SAG-AFTRA strikes still in full swing across the Atlantic, France and Italy’s top filmmakers guilds have come together to show solidarity and reinforce auteur rights with a joint ’declaration of filmmakers’ and have announced a September 3 symposium in Venice.
French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, spearheaded the initiative.
They wrote the original “declaration of filmmakers” open letter in May calling for full authorship rights, fair redistribution of revenues and immediate regulation of AI, before...
- 8/29/2023
- by Rebecca Leffler
- ScreenDaily
In the article series Sound and Vision we take a look at music videos from notable directors. This week we take a look at Françoise Hardy's Tous les Garçons et les Filles, directed by Claude Lelouch. I have to admit something: I am not that familiar with the works of Claude Lelouch, even if he made several bonafide classics. Les Uns et Les Autres and A Man and a Woman (Un Homme et Une Femme) are considered major works of French cinema, both of which I have not seen yet. In fact, as far as I know, the only thing that Claude Lelouch directed that I have seen was the music video for the Sound and Vision of this week, for Françoise Hardy's Tous Les...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 8/21/2023
- Screen Anarchy
In Bernard-Henri Lévy’s homage to Simone Veil he writes: “The world, French philosopher Gaston Bachelard said a century ago, could be reduced to a series of copyrights. Einstein’s relativity. Descartes’s doubt. Bergson’s laughter. Dante’s hell. Today: Simone Veil’s Europe.” Olivier Dahan’s all-embracing portrait, Simone: Woman of the Century, stars Elsa Zylberstein as Veil from 1968 till 2006, and Rebecca Marder (Arnaud Desplechin’s Tromperie and François Ozon’s Mon Crime) from 1942 through 1967.
Auschwitz survivor, Health Minister of France, magistrate, mother, member of the Constitutional Council, advocate for the rights of women and prison reform, and the first President of the European Parliament, Simone Veil’s importance for the 20th and 21st century cannot be overstated. Director, writer, editor...
Auschwitz survivor, Health Minister of France, magistrate, mother, member of the Constitutional Council, advocate for the rights of women and prison reform, and the first President of the European Parliament, Simone Veil’s importance for the 20th and 21st century cannot be overstated. Director, writer, editor...
- 8/16/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Elsa Zylberstein with Anne-Katrin Titze on Simone Veil: “She was really someone fighting for people’s dignity. I didn’t know it was that strong. My models were Meryl Streep, obviously, or Gary Oldman as Churchill (in Joe Wright’s Darkest Hour). So I didn’t want to play her, I wanted to become her.”
Olivier Dahan’s all-embracing portrait, Simone: Woman Of The Century, stars Elsa Zylberstein as Simone Veil from 1968 till 2006, and Rebecca Marder (Arnaud Desplechin’s Tromperie and François Ozon’s Mon Crime) from 1942 through 1967.
Auschwitz survivor, Health Minister of France (she put an end to the criminalization of abortion), magistrate, mother, member of the Constitutional Council, advocate for the rights of women and prison reform, and the first President of the European Parliament, Simone Veil’s importance for the 20th and 21st century cannot be overstated. Dahan (La Vie En Rose with Marion Cotillard as Edith Piaf...
Olivier Dahan’s all-embracing portrait, Simone: Woman Of The Century, stars Elsa Zylberstein as Simone Veil from 1968 till 2006, and Rebecca Marder (Arnaud Desplechin’s Tromperie and François Ozon’s Mon Crime) from 1942 through 1967.
Auschwitz survivor, Health Minister of France (she put an end to the criminalization of abortion), magistrate, mother, member of the Constitutional Council, advocate for the rights of women and prison reform, and the first President of the European Parliament, Simone Veil’s importance for the 20th and 21st century cannot be overstated. Dahan (La Vie En Rose with Marion Cotillard as Edith Piaf...
- 8/16/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Kohn’s Corner is a weekly column about the challenges and opportunities of sustaining American film culture.
Chances are that if you care about international cinema, you care about the French New Wave. A loose collective of young directors who came to define their country’s cinema as the 1950s gave way to the ’60s, the French New Wave gave cinema permission to be audacious and uncompromising while bolstering its style and personality. It was cool with purpose.
Jacques Rozier, the last living member of the Nouvelle Vague, died this week at 96. Rozier was a blind spot for me, but the French New Wave was my guide to grasping what the movies could be.
As a teenager, Jean-Luc Godard’s “Breathless” got me excited about the possibilities of the movies like nothing that came before. Francois Truffaut’s “The 400 Blows” was a formative encounter with the expansive possibilities of the coming-of-age story.
Chances are that if you care about international cinema, you care about the French New Wave. A loose collective of young directors who came to define their country’s cinema as the 1950s gave way to the ’60s, the French New Wave gave cinema permission to be audacious and uncompromising while bolstering its style and personality. It was cool with purpose.
Jacques Rozier, the last living member of the Nouvelle Vague, died this week at 96. Rozier was a blind spot for me, but the French New Wave was my guide to grasping what the movies could be.
As a teenager, Jean-Luc Godard’s “Breathless” got me excited about the possibilities of the movies like nothing that came before. Francois Truffaut’s “The 400 Blows” was a formative encounter with the expansive possibilities of the coming-of-age story.
- 6/17/2023
- by Eric Kohn
- Indiewire
Sooner or later, the lead actor of the movie-within-a-movie being made in “A Brighter Tomorrow” jokes, disgruntled director Giovanni (self-referential cornball Nanni Moretti’s latest on-screen avatar) was bound to make a movie that ended with its protagonist’s suicide — the implication being, the world wouldn’t be so surprised to find the helmer putting a noose around his own neck.
Well, he does and he doesn’t go that far in a high-concept meta-comedy that presents its director’s personal disillusion with art, love and the state of the world, before becoming a “just kidding” group hug for his fans. That’s a sizable public in Moretti’s native Italy, where this welcome return-to-form has already been a commercial success. The director’s not nearly as big a deal abroad, however, to the extent that few may care whether the Cannes regular (who won the Palme d’Or for...
Well, he does and he doesn’t go that far in a high-concept meta-comedy that presents its director’s personal disillusion with art, love and the state of the world, before becoming a “just kidding” group hug for his fans. That’s a sizable public in Moretti’s native Italy, where this welcome return-to-form has already been a commercial success. The director’s not nearly as big a deal abroad, however, to the extent that few may care whether the Cannes regular (who won the Palme d’Or for...
- 5/24/2023
- by Peter Debruge
- Variety Film + TV
Claude Lelouch, the Oscar-winning director of “A Man and a Woman,” is getting ready to direct “Finalement…,” his next film which he says will be a sort of sequel to his BAFTA-nominated film “Happy New Year” and “L’aventure, l’aventure.” The lighthearted movie will reteam Lelouch with Metropolitan FilmExport which is co-producing with Lelouch’s banner Les Films 13, and will distribute in France.
Scored by popular French singer Ibrahim Maalouf, “Finalement…” will boast a large ensemble cast of French stars, including Kad Merad (“Baron Noir”), Elsa Zylberstein (“Simone”), Sandrine Bonnaire, Raphael Mezrahi, Michel Boujenah and Barbara Pravi.
Merad will play a powerful lawyer who sees his life take an unexpected turn after a health issue removes his ability to lie and forces him to speak without any filter. Merad’s character embarks on a road trip across France, from Paris to the Normandie, to the Mont St Michel, Avignon...
Scored by popular French singer Ibrahim Maalouf, “Finalement…” will boast a large ensemble cast of French stars, including Kad Merad (“Baron Noir”), Elsa Zylberstein (“Simone”), Sandrine Bonnaire, Raphael Mezrahi, Michel Boujenah and Barbara Pravi.
Merad will play a powerful lawyer who sees his life take an unexpected turn after a health issue removes his ability to lie and forces him to speak without any filter. Merad’s character embarks on a road trip across France, from Paris to the Normandie, to the Mont St Michel, Avignon...
- 5/21/2023
- by Elsa Keslassy
- Variety Film + TV
Studiocanal has signed a deal with Metropolitan Filmexport for worldwide rights to the entire film catalog of acclaimed French director Claude Lelouch.
The deal, announced at the Cannes Film Market on Saturday, includes more than 40 films, among them such French classics as A Man and a Woman (1966) — winner of the 1966 Palme d’Or, as well as two Oscars, for best international film and best original screenplay — Live for Life (1967), Love Is a Funny Thing (1969), The Crook (1970), Money Money Money (1972), Happy New Year (1973), Bolero (1981), Itinerary of a Spoilt Child (1988) and Les Misérables (1995).
Studiocanal has been handling French TV rights for the Lelouch catalog for the past seven years. The new deal will give the group exclusive worldwide distribution rights to the director’s vast catalog, as well as SVOD, free-on-demand and AVOD rights in France. Metropolitan will continue to distribute Lelouch’s films in theaters, on video and through transactional video-on-demand (Tvod) in France.
The deal, announced at the Cannes Film Market on Saturday, includes more than 40 films, among them such French classics as A Man and a Woman (1966) — winner of the 1966 Palme d’Or, as well as two Oscars, for best international film and best original screenplay — Live for Life (1967), Love Is a Funny Thing (1969), The Crook (1970), Money Money Money (1972), Happy New Year (1973), Bolero (1981), Itinerary of a Spoilt Child (1988) and Les Misérables (1995).
Studiocanal has been handling French TV rights for the Lelouch catalog for the past seven years. The new deal will give the group exclusive worldwide distribution rights to the director’s vast catalog, as well as SVOD, free-on-demand and AVOD rights in France. Metropolitan will continue to distribute Lelouch’s films in theaters, on video and through transactional video-on-demand (Tvod) in France.
- 5/20/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: Fremantle has acquired global distribution rights to the upcoming Brigitte Bardot documentary.
TF1’s Bardot from Alain Berliner (Ma Vie en Rose), which will air later this year on the French network, is a 90-minute feature from Featuristic Films and Timpelpictures that aims to unearth the true life story of a “muse to the greatest artists who was often misunderstood.”
Fremantle will sell around the world and Deadline can reveal that the likes of Paul Watson, Claude Lelouch, Allain Bougrain-Dubourg and Jean-Max Rivière are taking part in the doc.
Bardot was one of the first French movie stars to attain worldwide fame. The And God Created Woman star lived a life under the spotlight, thrown from success to scandal until she almost completely disappeared. Seen in the present day as an enigma, Bardot, who will shortly turn 90, shares her current outlook on life, being ahead of her time on women’s rights,...
TF1’s Bardot from Alain Berliner (Ma Vie en Rose), which will air later this year on the French network, is a 90-minute feature from Featuristic Films and Timpelpictures that aims to unearth the true life story of a “muse to the greatest artists who was often misunderstood.”
Fremantle will sell around the world and Deadline can reveal that the likes of Paul Watson, Claude Lelouch, Allain Bougrain-Dubourg and Jean-Max Rivière are taking part in the doc.
Bardot was one of the first French movie stars to attain worldwide fame. The And God Created Woman star lived a life under the spotlight, thrown from success to scandal until she almost completely disappeared. Seen in the present day as an enigma, Bardot, who will shortly turn 90, shares her current outlook on life, being ahead of her time on women’s rights,...
- 5/18/2023
- by Max Goldbart
- Deadline Film + TV
There are many stories about Jean-Luc Godard in Cannes, like the year he helped to shut it down (1968) because of the civil unrest that was sweeping France at the time. Then there was the time when (in 1985) he was ambushed in the Palais by a Belgian anarchist and hit in the face with a custard pie after the premiere of Détective. And, as recently as 2018, there was the time he conducted a press conference for his film The Image Book via FaceTime from Switzerland, making journalists line up to speak into a mobile phone.
But the story that endures the most is the time in 1985 he signed a contract on a napkin with Menahem Golan and Yoram Globus, CEOs of The Cannon Group, whose big hits that year were Invasion U.S.A., starring Chuck Norris, and Death Wish 3, with Charles Bronson. Godard — who died last year at age...
But the story that endures the most is the time in 1985 he signed a contract on a napkin with Menahem Golan and Yoram Globus, CEOs of The Cannon Group, whose big hits that year were Invasion U.S.A., starring Chuck Norris, and Death Wish 3, with Charles Bronson. Godard — who died last year at age...
- 5/17/2023
- by Damon Wise
- Deadline Film + TV
It was signed by auteurs including Claire Denis, Jacques Audiard, the Dardenne brothers and Katell Quillévéré.
In an echo of the issues forcing US writers to strike, French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, have written an open letter lashing out at copyright infringements and contemporary commercial cinema practices that they say pose a threat to auteur film.
The letter began: “We, filmmakers, work at the crossroads of ’an art and also an industry’”, in a reference to André Malraux.
They went on to condemn practices that “contravene the core...
In an echo of the issues forcing US writers to strike, French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, have written an open letter lashing out at copyright infringements and contemporary commercial cinema practices that they say pose a threat to auteur film.
The letter began: “We, filmmakers, work at the crossroads of ’an art and also an industry’”, in a reference to André Malraux.
They went on to condemn practices that “contravene the core...
- 5/16/2023
- by Rebecca Leffler
- ScreenDaily
“Flo,” a biopic of popular French sailor Florence Arthaud slated to world premiere at Cannes’ Cinema de la Plage, has been boarded by Other Angle. The French sales company will introduce the film to buyers at Cannes.
Set to unspool on May 19, “Flo” charts Arthaud’s unique achievement in the male-dominated world of sailing, notably her victory of the Route du Rhum, a transatlantic sailing race, in 1990. The movie also portrays Arthaud as a fiercely independent woman who chose to live her dreams to the fullest rather than follow her pre-determined path.
The film is directed by Geraldine Danon and is produced by Manuel Munz, in association with Metropolitan which will release the film in French theaters on Nov. 25.
“Flo” stars Stephane Caillard, Alison Wheeler, Pierre Deladonchamps, Charles Berling, Alexis Michalik and Marlyne Canto.
”It’s a real pleasure to work with Metropolitan again after our collaboration on ‘The Best Years of a Life...
Set to unspool on May 19, “Flo” charts Arthaud’s unique achievement in the male-dominated world of sailing, notably her victory of the Route du Rhum, a transatlantic sailing race, in 1990. The movie also portrays Arthaud as a fiercely independent woman who chose to live her dreams to the fullest rather than follow her pre-determined path.
The film is directed by Geraldine Danon and is produced by Manuel Munz, in association with Metropolitan which will release the film in French theaters on Nov. 25.
“Flo” stars Stephane Caillard, Alison Wheeler, Pierre Deladonchamps, Charles Berling, Alexis Michalik and Marlyne Canto.
”It’s a real pleasure to work with Metropolitan again after our collaboration on ‘The Best Years of a Life...
- 5/10/2023
- by Elsa Keslassy
- Variety Film + TV
Elsa Zylberstein, one of the most famous – and bankable — faces of French cinema, known for her Cesar-winning performance in “I’ve Loved You For So Long,” is preparing to emerge as a major film producer.
Having recently set up banners in France and the U.S., Zylberstein is actively developing a raft of films and series, working with the likes of Oscar-winning Syrian filmmaker Feras Fayyad (“The Cave”), Ted Braun (Darfur Now”) and Oscar-winning screenwriter Christopher Hampton (“The Father”), among others. These include “Kingdom of Hope,” a movie about Elise Boghossian, a French acupuncturist and humanitarian worker in a war zone who has healed children victims of Isis . The movie will be directed by Fayyad, who is based in Berlin, and is being penned by Braun, based on Boghossian’s autobiographical book “Au royaume de l’espoir, il n’y a pas d’hiver.”
Zylberstein, who stands out from the...
Having recently set up banners in France and the U.S., Zylberstein is actively developing a raft of films and series, working with the likes of Oscar-winning Syrian filmmaker Feras Fayyad (“The Cave”), Ted Braun (Darfur Now”) and Oscar-winning screenwriter Christopher Hampton (“The Father”), among others. These include “Kingdom of Hope,” a movie about Elise Boghossian, a French acupuncturist and humanitarian worker in a war zone who has healed children victims of Isis . The movie will be directed by Fayyad, who is based in Berlin, and is being penned by Braun, based on Boghossian’s autobiographical book “Au royaume de l’espoir, il n’y a pas d’hiver.”
Zylberstein, who stands out from the...
- 2/20/2023
- by Elsa Keslassy
- Variety Film + TV
Exclusive: France tv distribution has boarded international sales on French philosopher and writer Bernard-Henri Lévy and director-photographer Marc Roussel’s documentary Slava Ukraini and will launch the title at the EFM.
The film documents the situation in Ukraine in the final months of 2022 as Russia’s brutal invasion of the country ground on.
Arp Sélection will theatrically release the feature doc in France on February 22, just two days before the first anniversary of the beginning of the Russian invasion on February 24, 2022.
Slava Ukraini visits the conflict’s hotspots through a war diary documenting trips to Kharkiv in the frontline region of the Donbas as well as the strategic Black Sea-Dnieper River port of Kherson, in the aftermath of the city’s liberation on November 11, 2022.
It bears witness to the ravages of war through the testimonies of soldiers, chronicles of the frontline and portraits of civilians, and shares the struggle of the Ukrainian people.
The film documents the situation in Ukraine in the final months of 2022 as Russia’s brutal invasion of the country ground on.
Arp Sélection will theatrically release the feature doc in France on February 22, just two days before the first anniversary of the beginning of the Russian invasion on February 24, 2022.
Slava Ukraini visits the conflict’s hotspots through a war diary documenting trips to Kharkiv in the frontline region of the Donbas as well as the strategic Black Sea-Dnieper River port of Kherson, in the aftermath of the city’s liberation on November 11, 2022.
It bears witness to the ravages of war through the testimonies of soldiers, chronicles of the frontline and portraits of civilians, and shares the struggle of the Ukrainian people.
- 2/14/2023
- by Melanie Goodfellow
- Deadline Film + TV
Chicago – On the next stop on the book tour, Chicago International Film Festival Founder Michael Kutza will talk about his book “Starstruck: How I Magically Transformed Chicago into Hollywood for More than 50 Years” at Chicago’s Union Club on Tuesday, January 31st, 2023. The tome is a dishy insider account of his two generation run as a film influencer, and moderating the event will be entertainment reporter Candace Jordan. Tickets and more information are available by clicking Starstruck.
After retiring from the festival in 2018, Kutza authored the story, which talks of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and his founding of one of the most important film festivals in cinema history in 1964. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza of ‘Starstruck’
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.
After retiring from the festival in 2018, Kutza authored the story, which talks of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and his founding of one of the most important film festivals in cinema history in 1964. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza of ‘Starstruck’
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.
- 1/30/2023
- by [email protected] (Adam Fendelman)
- HollywoodChicago.com
Ten years ago, there were five clear frontrunners for the Oscar for Best Director of 2012: Ben Affleck for “Argo,” Kathryn Bigelow for “Zero Dark Thirty,” Tom Hooper for “Les Misérables,” Ang Lee for “Life of Pi” and Steven Spielberg for “Lincoln. But when the nominations were announced, only Lee and Spielberg made the cut. Replacing Affleck, Bigelow and Hooper were Michael Haneke for “Amour,” David O. Russell for “Silver Linings Playbook” and Benh Zeitlin for “Beasts of the Southern Wild.”
Talk about an Oscar race going wild.
The lesson learned was that the Directors Branch of the Academy can be very unpredictable. They might overlook a big Hollywood star for helming a critical and commercial success, and instead go with an obscure director for their work on a tiny arthouse film. With that said, we should be prepared for some surprises in the directing category when the nominations are...
Talk about an Oscar race going wild.
The lesson learned was that the Directors Branch of the Academy can be very unpredictable. They might overlook a big Hollywood star for helming a critical and commercial success, and instead go with an obscure director for their work on a tiny arthouse film. With that said, we should be prepared for some surprises in the directing category when the nominations are...
- 1/9/2023
- by Tariq Khan
- Gold Derby
Chicago – Looking for a last minute book gift for the Chicago film buff? Well, it doesn’t get any more insider than “Starstruck: How I Magically Transformed Chicago into Hollywood for More than 50 Years” by Michael Kutza … the founder of the Chicago International Film Festival and a film influencer for a couple generations.
Michael Kutza is taking a well-deserved victory lap, after retiring from the festival in 2018. In “Starstruck,” he talks of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and his founding of one of the most important film festivals in cinema history in 1964. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza of ‘Starstruck’
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com
During his 55 years in film, Michael supported the early careers of many cinema titans, including Martin Scorsese,...
Michael Kutza is taking a well-deserved victory lap, after retiring from the festival in 2018. In “Starstruck,” he talks of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and his founding of one of the most important film festivals in cinema history in 1964. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza of ‘Starstruck’
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com
During his 55 years in film, Michael supported the early careers of many cinema titans, including Martin Scorsese,...
- 12/21/2022
- by [email protected] (Adam Fendelman)
- HollywoodChicago.com
When the 2020 Oscar for original screenplay went to South Korea’s “Parasite” scribes, some were surprised, but they should not have been; the Academy has long been open to foreign-language contenders in all categories. As early as 1947, when the writing categories were a bit different, the Italian screenwriters Sergio Amidei and Federico Fellini nabbed a nomination for “Open City,” as did French scribe Jacques Prévert for “Children of Paradise.”
While during the 1940s and 1950s, barely a handful of foreign-language films reached the nomination stage for writing awards, by the 1960s, every year saw at least one non-English-speaking nominee, and some years, a whopping three. 1962 marked the first Oscar win for international scribes, with Ennio de Concini, Alfredo Gianetti and Pietro Germi claiming it for “Divorce Italian Style.” And in 1966, French screenwriters Claude Lelouch and Pierre Uytterhoeven nabbed a statuette for “A Man and a Woman.”
Although foreign-language writers continued...
While during the 1940s and 1950s, barely a handful of foreign-language films reached the nomination stage for writing awards, by the 1960s, every year saw at least one non-English-speaking nominee, and some years, a whopping three. 1962 marked the first Oscar win for international scribes, with Ennio de Concini, Alfredo Gianetti and Pietro Germi claiming it for “Divorce Italian Style.” And in 1966, French screenwriters Claude Lelouch and Pierre Uytterhoeven nabbed a statuette for “A Man and a Woman.”
Although foreign-language writers continued...
- 12/16/2022
- by Alissa Simon
- Variety Film + TV
Tim Burton will receive the festival’s 14th Lumiere Award.
The 2022 Lumiere Festival (October 15-32) kicked off over the weekend for a week-long celebration of heritage films and modern masters.
Today (Oct 18) marks the start of the festival’s International Classic Film market reserved for industry professionals, the only such market in the world dedicated to classic cinema and film rights.
Highlights of this year’s event include a spotlight on Spain, a conversation with Manuel Alduy, director of cinema and digital fiction at France Télévisions, a DVD publishers fair and a focus on sustainability in the industry.
Now in...
The 2022 Lumiere Festival (October 15-32) kicked off over the weekend for a week-long celebration of heritage films and modern masters.
Today (Oct 18) marks the start of the festival’s International Classic Film market reserved for industry professionals, the only such market in the world dedicated to classic cinema and film rights.
Highlights of this year’s event include a spotlight on Spain, a conversation with Manuel Alduy, director of cinema and digital fiction at France Télévisions, a DVD publishers fair and a focus on sustainability in the industry.
Now in...
- 10/18/2022
- by Rebecca Leffler
- ScreenDaily
Chicago – Chicago International Film Festival Founder Michael Kutza will sign his new book – “Starstruck: How I Magically Transformed Chicago into Hollywood for More than 50 Years” – during the current Fest, at Chicago’s AMC River East lobby from 6-9pm on October 19th, 2022.
The powerful film influencer is taking a well-deserved victory lap, after retiring from the festival in 2018. In “Starstruck,” he tells stories of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and in 1964, his founding of one of the most important film festivals in cinema history. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza to Sign ‘Starstruck’
Photo credit: ChicagoFilmFestival.com
During his 55 years in film, Michael supported the early careers of many cinema titans, including Martin Scorsese, Rainer Werner Fassbinder, Claude LeLouch, Wim Wenders, Margarethe von Trotta, Mike Leigh,...
The powerful film influencer is taking a well-deserved victory lap, after retiring from the festival in 2018. In “Starstruck,” he tells stories of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and in 1964, his founding of one of the most important film festivals in cinema history. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza to Sign ‘Starstruck’
Photo credit: ChicagoFilmFestival.com
During his 55 years in film, Michael supported the early careers of many cinema titans, including Martin Scorsese, Rainer Werner Fassbinder, Claude LeLouch, Wim Wenders, Margarethe von Trotta, Mike Leigh,...
- 10/17/2022
- by [email protected] (Adam Fendelman)
- HollywoodChicago.com
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