Art curator George Steele experiences a train wreck...which may not have actually happened. Is he cracking up, or the victim of a wicked plot?Art curator George Steele experiences a train wreck...which may not have actually happened. Is he cracking up, or the victim of a wicked plot?Art curator George Steele experiences a train wreck...which may not have actually happened. Is he cracking up, or the victim of a wicked plot?
- Man
- (uncredited)
- Man
- (uncredited)
- Nagging Wife on Train
- (uncredited)
- Arcade Patron
- (uncredited)
- Station Agent
- (uncredited)
- Lecture Guest
- (uncredited)
- Dorothy
- (uncredited)
- Man with Drunk
- (uncredited)
- Cop
- (uncredited)
Storyline
Did you know
- TriviaThe footage of the oncoming train was used again in other RKO films including The Clay Pigeon (1949), Cry Danger (1951) and The Narrow Margin (1952).
- GoofsAlbrecht Dürer's "Adoration of the Magi" (called "Adoration of the Kings" in the film), and the forgery that is passing for it, are shown as paintings on canvas, which people roll up in several scenes. However, the real painting is on a wood panel.
- Quotes
Terry: [opening her car's passenger door] Come on. Get in.
George Steele: No thanks, I'll take a streetcar; I can trust streetcars.
[a policeman's whistle is heard and we see two cops running toward Steele. Steele jumps into the car, and they take off]
George Steele: What's your racket girlie? Whad'ya do for a living?
Terry: I'm outta my head. I drive around in cars picking up psychopathic killers.
[softening]
Terry: Someone has to look after you. I was at a party at Reynolds'. Things began to come apart at the seams. I drove Traybin...
George Steele: [interrupting] I know that.
Terry: OK, you know that. You know everything. You're the great Steele. You walk through brick walls. You...
[she pulls over]
Terry: You can wait here. They're going to put in a streetcar soon. Unless... unless you have some dim idea of what you're doing and want me to help you.
George Steele: I always ask one question of people who want to join my club. Who's Traybin?
- ConnectionsEdited into Cry Danger (1951)
Pat O'Brien (ANGELS WITH DIRTY FACES) is a WWII vet and art curator who gives lectures on paintings at an art museum. While trying to account for his actions one strange night, he finds himself pretty deep in some kind of criminal racket. On the lam from the law, he decides to get to the bottom of things on his own. (O'Brien is a street-smart art curator, knowing how to evade the police, sneak into and out of buildings, and arrange meetings in shady places.) He's mixed up in something serious. He knows too much. His life is in danger. Can he trust *him*? Can he trust *her*? Should he be trusting anybody at this point?
There are a handful of secondary characters, but the film doesn't take the time to explain who they are or what their deal is. We only know that they are associated in some way with O'Brien and/or the museum. And we know that one of those people in the room must be the "bad guy". And so the guessing game begins.
Why is Herbert Marshall so interested in O'Brien's activity? What was that person doing on the night of the murder? Is that a crooked cop? Why didn't the cigarette boy recognize him? Who's that lurking in the shadows? Could O'Brien be betrayed by *them*?
The final solution to the art theft mystery seems like too much work, too much risk, and too much bloodshed to be worth it all. (And what good is a painting that's too hot to be displayed for anybody?) But what do I know about great art?
Pat O'Brien is past his 1930s prime and looking a bit William Bendix-y around the edges. He is joined by the lovely Claire Trevor, a film noir staple, as an old friend and his only true ally. The cast also includes Herbert Marshall, Wallace Ford, and Ray Collins. The film has some typical noir touches, and the art theme is unique. Seeing the x-rayed paintings is fascinating, so the movie has that going for it. But the film overall doesn't stand out. It's okay, but not great.
Details
- Release date
- Country of origin
- Sprache
- Also known as
- Galveston
- Filming locations
- San Pedro, Los Angeles, California, USA(scenes on the ship - Los Angeles harbor)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 1.37 : 1
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![Pat O'Brien, Herbert Marshall, and Claire Trevor in Crack-Up (1946)](https://m.media-amazon.com/images/M/MV5BMzFlMjVlYjktMjdmOS00Zjg5LTlmNTEtNmRmOWRlODExODhjXkEyXkFqcGdeQXVyNTk1MTk0MDI@._V1_QL75_UX90_CR0,1,90,133_.jpg)