Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.
- Won 1 Oscar
- 5 wins & 4 nominations total
- Anna Schmidt
- (as Valli)
- Karl
- (as Paul Hoerbiger)
- Kurtz's Mother
- (uncredited)
- International Patrol A
- (uncredited)
- Soldier
- (uncredited)
- Man Chasing Holly
- (uncredited)
- Casanova Barman
- (uncredited)
- Military Policeman
- (uncredited)
- Russian Military Policeman
- (uncredited)
- Director
- Writers
- Graham Greene
- Orson Welles(uncredited)
- Alexander Korda(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe Vienna Police Dept. has a special unit that is assigned solely to patrol the city's intricate sewer system, as its network of interlocking tunnels make great hiding places for criminals on the run from the law, stolen property, drugs, etc. The "actors" playing police officers in the film were actually off-duty members of that unit.
- GoofsIn the two separate back projection shots of Calloway, Martins and Paine, supposedly traveling in a jeep at night in Vienna, a double-decker London bus can be seen in the background.
- Quotes
Harry Lime: Don't be so gloomy. After all, it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long, Holly.
- Crazy creditsOpening credits prologue: V I E N N A
- Alternate versionsThe UK version features introductory voice-over by the director Carol Reed; in the US version Joseph Cotten provides the voice-over, as his character Holly Martins. The UK version runs 104 minutes, versus the US version at 93 minutes, which was cut by producer David O. Selznick to give the film a tighter pace. Both versions have been released on video in the U.S., but as of today the most common is the longer British cut. A video comparison between the narrations appears on the U.S. Criterion Collection DVD.
- ConnectionsEdited into American Cinema: Film Noir (1995)
But in searching for details of Lime's death, Holly gets contradictory stories that don't add up. One of the persons who knew Lime is an attractive woman named Anna Schmidt (Alida Valli) whose continued presence in the story invites suspicion. The film's plot has Holly searching for the truth about his friend, while trying to stave off a city detective, Major Calloway (Trevor Howard) who tries to persuade Holly to leave Vienna.
The film's story is okay. But what makes "The Third Man" really interesting is the B&W cinematography, by Robert Krasker. Unlike most films, camera movement here is restricted, so as to draw attention to each frame's geometry. Typically in this film, a frame is tilted at an angle so that both vertical and horizontal points of reference are off-kilter. Frame images thus become a series of diagonal straight lines and curves. Further, very high-contrast lighting, especially in outdoor scenes at night, creates a bizarre, almost nightmarish look and feel, and are suggestive of German Expressionism.
All of which results in a visual disorientation for viewers that parallels Holly's disorientation both in the streets of Vienna and in his understanding of the circumstances surrounding Lime's absence. In most outdoor scenes there's a conspicuous lack of crowds, a lack of hubbub one would expect in a bustling city. Instead, only a few secondary characters appear in night scenes. This sparseness in characters on the streets conveys the impression that hidden eyes are watching Holly, ready to pounce at any moment from out of dark shadows.
"Everybody ought to (be) careful in a city like this", says one character to Holly, as an implied threat. Soon, a man who wants to give Holly some valuable information is murdered.
The script's dialogue is quite impressive, with some interesting lines and points of view. Some of the dialogue is in German, which enhances authenticity.
The film's acting and editing are very, very good. Adding a slightly romantic, and at times melancholy, tone to this dark film is the music of the "zither", an instrument similar to a guitar, but sounding quite different.
My one complaint about this film is that it's hard to keep tabs on some of the background characters. Trying to connect names with faces can be difficult, resulting in some confusion.
"The Third Man" tells an interestingly bleak story, set in a bleak, desolate urban environment, rendered truly mesmerizing by the creatively surreal B&W cinematography.
- Lechuguilla
- Jun 19, 2009
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- El tercer hombre
- Filming locations
- 8 Schreyvogelgasse, Vienna, Austria(doorway where Harry Lime first appears)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,067,364
- Opening weekend US & Canada
- $13,576
- May 9, 1999
- Gross worldwide
- $1,242,880
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 1.37 : 1
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