IMDb RATING
7.4/10
6.2K
YOUR RATING
A black girl from Senegal becomes a servant in France.A black girl from Senegal becomes a servant in France.A black girl from Senegal becomes a servant in France.
- Awards
- 2 wins
Anne-Marie Jelinek
- Madame
- (as Anne-Marie Jelinck)
Raymond Lemeri
- Old Male Guest
- (as Raymond Lemery)
Suzanne Lemeri
- Old Female Guest
- (as Suzanne Lemery)
Toto Bissainthe
- Diouana
- (voice)
Robert Marcy
- Monsieur
- (voice)
Sophie Leclair
- Madame
- (voice)
- (as Sophie Leclerc)
Ousmane Sembene
- The Teacher
- (uncredited)
Storyline
Did you know
- TriviaThis is believed to be the first feature film made by a black African in sub-Saharan Africa.
- GoofsWhen Diouana goes to bed, she is wearing her wig. When wakes up, she is in curlers.
- Quotes
Diouana: Never again will the mistress scold me. Never again will she say: "Diouana make coffee." Never again: "Diouana, make rice." Never again: "Diouana, take off your shoes." Never again: "Diouana, wash this shirt." Never again: "Diouana, you're lazy." Never will I be a slave. I did not come here for the apron or the money. Never will she see me again. Never will she scold me again. Never again Diouana. Never will I see them again.
- Alternate versionsA 70 min. version includes a color sequence. It was cut to adjust to the length requirements of the French producers.
- ConnectionsFeatured in Twenty Years of African Cinema (1983)
Featured review
Recognition of humanity
Not exactly a cheery story and a pretty simple one as well, but the important thing is the perspective, which is that of a Senegalese maid (Mbissine Thérèse Diop) working for a white couple in France, as told by a Senegalese director (Ousmane Sembène). By using simple narration to reveal the maid's thoughts, he ensures that viewers will see her as a person, not as a dumb servant or as an object of pity, as differing extremes might. It seems so incredibly basic and obvious, but it's this recognition of humanity that's powerful, and unfortunately still such a relevant message today. Despite the obvious ways a story like this might go, Sembène is restrained in what he shows us, and a part of the film's strength is that there are moments when we can easily imagine worse with such a gap in power and wealth.
Over her new boyfriend's concerns, the young lady comes to France after having worked for the couple in Dakar. He's a little too grabby with his hands in one scene, but as he stands in front of a Patrice Lumumba 'Uhuru' poster in another, is correct in warning her that she may be treated like a slave in France. When she gets there she soon finds herself bored with being confined to mundane tasks in a small home, disappointed for having been deceived about what she would be doing there, lonely because of her isolation, and weary of being so openly spoken down to and angrily ordered around. In other words her reaction is what any intelligent person's reaction would be, but her employers don't see it that way. They think she's just lazy, and attribute her quietness with ignorance, casually likening her to an animal. When they entertain their friends, another way they take away her humanity is by speaking about her as if she's not there, and by critically sizing her up as some kind of exotic thing.
I loved the scenes in Senegal, and wished there had been more. I also liked the aspects of quiet dignity in poverty, and the brilliant ending scene. It is so pitch perfect that the initial response of white guilt is to turn to money, instead of empathizing or trying to understand. It might have been better fleshed out, but it's a very good movie as it is.
Over her new boyfriend's concerns, the young lady comes to France after having worked for the couple in Dakar. He's a little too grabby with his hands in one scene, but as he stands in front of a Patrice Lumumba 'Uhuru' poster in another, is correct in warning her that she may be treated like a slave in France. When she gets there she soon finds herself bored with being confined to mundane tasks in a small home, disappointed for having been deceived about what she would be doing there, lonely because of her isolation, and weary of being so openly spoken down to and angrily ordered around. In other words her reaction is what any intelligent person's reaction would be, but her employers don't see it that way. They think she's just lazy, and attribute her quietness with ignorance, casually likening her to an animal. When they entertain their friends, another way they take away her humanity is by speaking about her as if she's not there, and by critically sizing her up as some kind of exotic thing.
I loved the scenes in Senegal, and wished there had been more. I also liked the aspects of quiet dignity in poverty, and the brilliant ending scene. It is so pitch perfect that the initial response of white guilt is to turn to money, instead of empathizing or trying to understand. It might have been better fleshed out, but it's a very good movie as it is.
Helpful•93
- gbill-74877
- Jul 29, 2019
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Details
- Release date
- Countries of origin
- Sprache
- Also known as
- Die Schwarze aus Dakar
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 5 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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