The swaggering Petruchio agrees to marry the spitting hellcat, Katherine.The swaggering Petruchio agrees to marry the spitting hellcat, Katherine.The swaggering Petruchio agrees to marry the spitting hellcat, Katherine.
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- TriviaJohn Cleese had never performed Shakespeare prior to this film. Coupled with this, he had seen several of the BBC Television Shakespeare productions and been unimpressed with them. As such, it took a great deal of persuasion from director/producer Jonathan Miller to convince Cleese to appear.
- ConnectionsVersion of The Taming of the Shrew (1908)
Featured review
Shakespearean Comedy And John Cleese: A Match Made In Heaven!
The simple truth about Shakespeare's plays - especially the comedies - is that they can be delightful beyond one's wildest imagination. I consider Much Ado About Nothing to be by far one of the most pleasant comedies of Shakespeare, but upon watching The Taming of the Shrew, I come to realize that it, when well produced, can be just as wondrous. The wisdom and humor contained in a play by the Bard are nigh-infinite, if only we have the eyes to see it.
Having said that, this classic BBC production may indeed be classic, but apart from John Cleese it is fairly pedestrian. The delight, for me, comes from the words rather than the stage production, and then, of course, from John Cleese. I had my doubts about him when I heard he was in a "serious" Shakespeare play, but the second I saw him my doubts evaporated. He carries this show, being easily the best thing about it, and it should be obvious to all that Shakespeare and John Cleese is a match made in heaven - a mad mating, to use a pun from the play! One is grief-stricken that Cleese did not go into Shakespeare acting as a full career; woe is we who have spent our lives lacking a comedic giant such as Cleese in the Shakespearean art form!
In short: Cleese is superb, utterly and completely. The rest of the production is adequate, but Cleese absolutely steals the show.
My rating: about 6-ish for the rest of the production, with two points added for Cleese's brilliant performance, coming to an 8 out of 10.
Having said that, this classic BBC production may indeed be classic, but apart from John Cleese it is fairly pedestrian. The delight, for me, comes from the words rather than the stage production, and then, of course, from John Cleese. I had my doubts about him when I heard he was in a "serious" Shakespeare play, but the second I saw him my doubts evaporated. He carries this show, being easily the best thing about it, and it should be obvious to all that Shakespeare and John Cleese is a match made in heaven - a mad mating, to use a pun from the play! One is grief-stricken that Cleese did not go into Shakespeare acting as a full career; woe is we who have spent our lives lacking a comedic giant such as Cleese in the Shakespearean art form!
In short: Cleese is superb, utterly and completely. The rest of the production is adequate, but Cleese absolutely steals the show.
My rating: about 6-ish for the rest of the production, with two points added for Cleese's brilliant performance, coming to an 8 out of 10.
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By what name was The Taming of the Shrew (1980) officially released in Canada in English?
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