Features rare archival material from the personal collections of Powell, Pressburger and Scorsese.Features rare archival material from the personal collections of Powell, Pressburger and Scorsese.Features rare archival material from the personal collections of Powell, Pressburger and Scorsese.
Emeric Pressburger
- Self - Filmmaker
- (archive footage)
Michael Powell
- Self - Filmmaker
- (archive footage)
Thomas Beecham
- Self - Conductor
- (archive footage)
Dirk Bogarde
- Self - Actor, Night Ambush
- (archive footage)
Kathleen Byron
- Self - Actress, Black Narcissus
- (archive footage)
- …
Karlheinz Böhm
- Self - Actor, Peeping Tom
- (archive footage)
David Farrar
- Self - Actor, Black Narcissus
- (archive footage)
- …
Samuel Goldwyn
- Self - Producer
- (archive footage)
Marius Goring
- Self - Actor, The Red Shoes
- (archive footage)
Kim Hunter
- Self - Actress, A Matter of Life and Death
- (archive footage)
Jerome Jackson
- Self - Producer
- (archive footage)
Jennifer Jones
- Self - Actress, Gone to Earth
- (archive footage)
Alfred Junge
- Self - Art Director
- (archive footage)
Deborah Kerr
- Self - Actress, Black Narcissus
- (archive footage)
- …
Alexander Korda
- Self - Producer
- (archive footage)
James Mason
- Self - Actor, Age of Consent
- (archive footage)
Anna Massey
- Self - Actress, Peeping Tom
- (archive footage)
Storyline
Featured review
Who Is This For?
This movie turned out to be, as you might suspect, a two-hour lecture by Martin Scorsese on Powell and Pressberger, with supporting documents and clips. To be slightly more precise, it's about Scorsese, his reaction to the films of the two men, and how he knew Powell for the last decade and a half of his life. It's a pretty good lecture on the films. If you're not familiar with them, you'll have a good overview of their movies, and what to look for.
If you are very familiar with them, there won't be much new. I'm glad their works have returned to prominence, and their abilities are recognized. Not because of Art or Fairness, but because the better of them satisfy my three basic criteria for good movies: they tell a story well, they're immensely entertaining, and they have something to say about the human condition. But I am confronted with the question: if they weren't already important to you, would you even look at this film?
If you are very familiar with them, there won't be much new. I'm glad their works have returned to prominence, and their abilities are recognized. Not because of Art or Fairness, but because the better of them satisfy my three basic criteria for good movies: they tell a story well, they're immensely entertaining, and they have something to say about the human condition. But I am confronted with the question: if they weren't already important to you, would you even look at this film?
helpful•00
- boblipton
- Jul 27, 2024
Details
- Release date
- Country of origin
- Language
- Also known as
- Meydin İngiltere: Powell ve Pressburger Filmleri
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $7,083
- Opening weekend US & Canada
- $7,083
- Jul 14, 2024
- Gross worldwide
- $71,043
- Runtime2 hours 11 minutes
- Aspect ratio
- 1.85 : 1
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Top Gap
What is the Brazilian Portuguese language plot outline for Made in England: The Films of Powell and Pressburger (2024)?
Answer