Karna Tic Music
Karna Tic Music
Karna Tic Music
IKSV X-XI 1
DIPLOM A
KARNATIC MUSIC
IKSV X-XI 2
IKSV X-XI 2
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1. 2. 3. 4. 5. 6. 7. Give brief idea of Melakartha Ragas with some examples. Write Jhampa Thala Alankaram. Explain the terms:(a) Nadam (b) Shruti (c) Gamakam. Explain Sapta Thalas. Write down 12 swarasthanas. Give brief idea about Janya Ragas with examples. Write swarasthanas of following Ragas:(a) Maya malaw goula (b) Malahari. Write down Akshara Kalam for following Thalas:(a) Chatushra Jati Dhruva Thalam (b) Tishra Jati Triputa Thalam. xx
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esydrkZ ds ckjs esa fy[krs gq, dqN mnkgj.k nhft;s A tEi rky vyadkj dks fyf[k;s A fuEufyf[kr dks le>kb;s%& v& ukne~ c& Jqfr l& xede lIrrkyksa dk o.kZu dhft;s A 12 LojLFkkuksa ds uke fyf[k;s A tU; jkxksa dk o.kZu dhft;s rFkk dqN mnkgj.k nhft;s A fuEufyf[kr jkxksa dk LojLFkku fyf[k;s%& v& ek;k ekyo xkSyk c& eygfj A fuEufyf[kr rkyksa ds fy, v{kjdky fyf[k;s%& v& prqJ tkfr /kzqo rky c& frJ tkfr f=iqV rky A
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8.
IKSV X-XI 3
IKSV X-XI 3
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1. Write Swarasthanas of following ragas:(a) Malahari (b) Kalyani (c) Shankarabharanam. Give a brief note on Dwadasha swaras. Write short notes on:(a) Sapta Tala Alankaram (b) Sanchari Geetham (c) Jathi Swaram. Write note on 12 Swarasthanas and give their 16 names. Explain Saptha Tala Alankaram. Differentiate between Melakartha and Janya Ragas. Explain Sabha Gana. Explain Panch Jathis. xx
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fuEufyf[kr jkxksa ds LojLFkku fyf[k;s%& v& eygjh c& dY;k.kh l& kadjkHkjue~ A }knk Lojksa ds ckjs esa laf{kIr fVIi.kh dhft;s A fuEufyf[kr ds ckjs esa laf{kIr esa fyf[k;s%& v& lIrrky vyadkje~ c& lapkjh xhre l& tfrLoje~ 12 Loj LFkkuksa ds ckjs esa fyf[k;s vkSj muds 16 ukeksa dks nkkZb;s A lIrrky vyadkje~ dk o.kZu dhft;s A esydrkZ vkSj tU; jkxksa esa varj nkkZb;s A lHkk xku ds ckjs esa o.kZu dhft;s A iap tkfr;ksa dk o.kZu dhft;s A
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2. 3.
4. 5. 6. 7. 8.
IKSV X-XI 4
IKSV X-XI 4
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[k.Mtkfr vVk rkye dk o.kZu dhft;s rFkk vyadkje~ ds ckjs esa fyf[k;s A eygfj jkx esa ^inqeukHk* xhre~ dh Lojfyfi fyf[k;s A lh[ks gq, Lojtkfr dh ,d Lojfyfi fyf[k;s A rkye~ ds fofHkUu tkfr;ksa dk o.kZu dhft;s iap tkfr;k A dY;k.kh jkx esa deyk tknyk xhre~ dk lkfgR;e~ fyf[k;s A fuEufyf[kr jkxksa ds LojLFkku fyf[k;s%& v& vkHkksxh c& dY;k.kh l& fgUnksye~ A fuEufyf[kr ij laf{kIr fVIi.kh fyf[k;s%& v& Jqfr c& Loj l& rky A 35 rkyksa dh lwph cukb;s A
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1. 2. 3. 4. 5. 6. 7. 8. Explain Khandajati Ata talam and write down the Alamkaram. Write the notation of Geetam- Padumanabha in Malahari Raga. Write the notation of a swarajathi learnt. Explain various jathis of Talam (Pancha jathis). Write the sahityam of Geetam Kamala Jadala in Kalyani ragam. Write swara sthanas of the following ragas:(a) Abhogi (b) Kalyani (c) Hindolam. Write short notes on the following:(a) Sruti (b) Swara (c) Tala. Write the chart of 35 Tala. xx
IKSV X-XI 5
IKSV X-XI 5
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1. 2. 3. 4. 5. 6. 7. 8. Write short notes on the following:(a) Aksharakala (b) Jaathi (c) Sruti. Explain the musical form Varnam. Write the Sahithyam of any Geetam. Write notation of Pallavi, Anupallavi and Anu Pallavi of an Adi Tala Varnam. Write the Lakshana of the following ragas:(a) Shankarabharanam (b) Vasanta Write the general idea of Kriti and Keertana. Write the Swarasthanas of the following Ragas:(a) Kalyani (b) Begada (c) Pantuvarali. Explain the following:(a) Jathiswaram (b) Swarajathi. xx
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fuEufyf[kr ij laf{kIr fVIi.kh fyf[k;s%& v& v{kjdky c& tkfr l& Jqfr A lakxhfrd jpuk o.kZe~ dk o.kZu dhft;s A fdlh Hkh xhre~ dk lkfgR; fyf[k;s A vkfnrky o.kZe~ dh iYyoh ,oa vuqiYyoh dh Lojfyfi fyf[k;s A fuEufyf[kr jkxksa ds y{k.k fyf[k;s%& v& kadjkHkj.ke~ c& olar A d`fr vkSj dhrZuk dk lkekU; fopkj fyf[k;s A fuEufyf[kr jkxksa ds LojLFkkuksa dks fyf[k;s%& v& dY;k.kh c& csxknk l& iUrqojkyh A fuEufyf[kr ds ckjs esa fyf[k;s%& v& tfrLoje~ c& Lojtkfr A
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IKSV X-XI 6
IKSV X-XI 6
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1. 2. 3. 4. 5. Explain the musical form Kriti. Explain the terms:(a) Kalapramana (b) Sruti (c) Jaati. Write lakshanas of Padam. Write the notation of any Aditala Kriti. Explain the following:(a) Ragamalika (b) Thillana. Explain Melakartha and Janya Ragas. Write the lakshnas of following Ragas:(a) Khamas (b) Bhilahari (c) Dhanyasi. Write about the Dasavidha lakshanas of Raga. xx
6. 7.
8.
IKSV X-XI 7
IKSV X-XI 7
lwpuk%& dksbZ ikp izu gy dhft;s A lHkh izuksa ds vad leku gSa A ***
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1. 2. 3. 4. 5. 6. 7. 8. Explain the Ragaalapana system. Describe the construction and tuning of the Violin. Write the story behind any kriti of Thyagaraja which you have learnt. Give an account of sacred music in Telugu. Write in brief about Laya Vadyas. Writer an essay on Geeta Govindam. Write about group krities of Muttuswami Deekshitar. Classify the wind instruments and draw the picture of one instrument. xx
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jkx vykiuk i)fr dk o.kZu dhft;s A csyk dh cukoV vkSj mlds feykus dh fof/k dk o.kZu dhft;s A R;kxjkt ds lh[ks gq, dh fdlh Hkh jpuk dh dgkuh dks fyf[k;s A rsyqxq esa HkfDr laxhr ds ckjs esa fyf[k;s A y; ok| ds ckjs esa laf{kIr esa fyf[k;s A xhr xksfoUne~ ij ,d fucU/k fyf[k;s A eqkqLokeh ds lkewfgd d`fr;ksa ds ckjs esa fyf[k;s A lqfj ok|ksa dks oxhZd`r dhft;s vkSj ,d ok| dk fp= cukb;s A
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IKSV X-XI 8
IKSV X-XI 8
Paper-I
Time: 3 hrs. Max.M.75 Min.M.25
Note: Attempt any five questions. All questions carry equal marks.
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1. 2. 3. 4. 5. 6. Write about Sampoorna Ragas and Upanga Ragas. Explain the Dasavidha Gamakas. Explain different varities of Mudras figuring in Musical Compositions. Write the notation of a Kriti you learnt. Write about the Desadi-Madhyadi Talas. Write short notes on:(a) Chaputalas (b) Shadangas. Write the Gayaka Gunas and Doshas. Write the lakshanas of the following Ragas:(a) Bhairavi (b) Mohana (c) Kanada. xx
7. 8.
IKSV X-XI 9
IKSV X-XI 9
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1. 2. 3. 4. 5. 6. 7. 8. Briefly explain about the main sourses of musical history in India. Elaborate the life sketch of Purandara Dasa. Describe the origin and evolution of musical scale in Indian Music. Elucidate the musical forms that figured in the Ancient Tamil Music. Explain the contribution of Annamacharya in the field of Karnatic Music. Write about the musical content in Bharatas Natyashastra briefly. Compare the music of Brihaddesi with that of Sangita Makarandam. Give short notes on ther followings:(a) Dattilam (b) Musical Inscriptions (c) Yazh. xx
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Hkkjr ds laxhr /kjksgj ds ckjs esa tkudkjh feyus dk eq[; lzkr s D;k&D;k gSa \ iqjUnjnkl dk thou ifjp; dhft;s A laxhr lIrd dk mn~Hko ds ckjs esa foLrkj ls fyf[k;s A ikSjkf.kd rfey laxhr esa pfyr fofHkUu laxhr jpukvksa ds ckjs esa crkb;s A dukZVd laxhr esa vUuekpk;kZ ds ;ksxnku D;k gSa \ Hkjr eqfu }kjk jfpr ^ukV~;kkL=* esa laxhr lacaf/kr D;k mYys[k gS \ ^c`gn~nskh* rFkk ^laxhr edjUne~* ds laxhr dk rqyukRed O;k[;k dhft;s A fuEufyf[kr ij laf{kIr fVIi.kh dhft;s%& v& nfkye~ c& laxhr fkykys[k l& ;k> A
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