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Journal - Featured
Journal - Featured
Kentucky-born and Georgia-raised, Julie Shavin adopted the Rocky Mountains as home in 1993.
She is a classically-trained pianist who began writing music at age 10. She attended the
University of North Carolina at Chapel Hill, Emory University and Ga. State University; her
degrees are in Philosophy and English. A journalist, editor and licensed professional proofreader,
she became disabled in 1987, and has since devoted herself to poetry, music and artwork, though
she still sometimes freelances her former professions. Many of her artworks are enhancements of
her photographs, drawings and paintings; she is also fond of the Sketcher application, which
allows for creativity via the use of just one finger. She has four books of poetry; the last two
collections are Of Mortality a Music and This Grave Oasis; she is at work on a fifth book. The
Pikes Peak Arts Council has conferred upon her its annual Performance Poet and Page Poet
awards two years consecutively. She has taken 1st, 2nd and 3rd place prizes in the National
Federation of State Poetry Societies contests. In 2016 she won the Mark Fischer prize, out of
Telluride, Colorado, and she publishes often in literary magazines. She currently serves as
president of Poetry West in Colorado Springs and describes herself as a synesthete of the worst
and best sort(s), has perfect pitch and plays cello with the city's community orchestra. She has
been an animal welfare advocate and activist and has four rescue pets. She has two daughters,
whom she considers her grandest masterpieces of all.
long winter
children tantrumming their boredom
the uncaring snow tantalizes our suicides Forest of Few
our homes heady shelters turn to prisons
walls disrobe their colors
a white house in white Even in this desert city of ozone,
a palm pierces the sky
one must remember the terrible impulse spindly and green-eared.
that created our joy I sleepwalk to imagined heaven
that crowned their hairless heads beyond the hotel railing. How far to air
nothing is a childs fault we were fashioned for?
snow is not snow's fault Huge lights scream FITNESS CENTER,
violating low mountains.
still, rebellion clutches the throat
an opportunity to change venue An ambulance sings its mordant purpose.
sings from the sea Rem sleep might change something.
where palms grow and quick snails Yesterday's nap combined the baby's
inch to sustenance in snail time laughter
with a jumping giraffe, a giraffearoo,
when bound to another being a kangaraffe, I'll tell her, savoring small
one comes to understand the snail moments.
and not it may lust for thumbs
but it's doubtful a slime of night creeps up At this pay-by-the-week,
the white walls grown sad people distract themselves
and the mute and artful use of words with sleep, food, drink, other.
thunders in prison There are some things we are allowed to
a harmony of cobwebs say.
spinning and spinning midnight's promise Outside the airplane window,
an outline for a tomorrow clouds had scudded like cottony dresses,
wearing today's white name. or no, the plane whisked - does it matter?
Since we are born of chains and Such a freedom in seeking the poor, poor
into chains, one would think dead,
nothing matters and yet it does. which is to say, I was likely off by a pea,
Soon the clammy night maybe two,
will spill its pearl of day, didn't care how many peas.
reshifting our solitudes, reckless, We prowled the tall grasses for bones:
without guile or relent. bovine skull, goat with horns intact,
huge vertebrae in a perfect stretched S,
antlers white as sin is white
when it must be white.
Changeling I see him now, strange decorated hero,
Frankenstein thing of confused and
threatening exoskeleton.
Today the mouth is a white box No one will ever love you like I do,
fisting its fury he said over and over again over time over
but the problem is not mouth but brain, the time.
black box, Four years gone,
and all the other boxes: prism of insides and still no keeping him mortal.
roiling,
this one anxious, that one afraid,
other in ribbons of regret.
The Baltering
It is such a day.
It is not up to the boxes, the way messages carry oxygen across the
not up to depth perception, pulse
all those equilateral triangles such that fingertips
that tell us where we are, that we are, teach us a reaching
but depth itself that fuels the white box until we are still alone
with its confounding this is how I am delicate,
it will last, will not last, not strong enough to arm a judge
worry not, worry more. in a fight to the death with dementia.