A Desire Sung in A Pattern

CENTRAL ASIAN JOURNAL OF ARTS AND DESIGN
VOLUME: 3 ISSUE: 5 | 2022
Available online at www.cajad.centralasianstudies.org
CENTRAL ASIAN JOURNAL OF

ARTS AND DESIGN
Journal homepage: http://cajad.centralasianstudies.org/index.php/CAJAD
A Desire Sung in a Pattern
Sattorova Sarvinozkhan Ortiqboy Daughter

Teacher of the Kokand State Pedagogical Institute
Jumagul Makhsudali daughter of Ahmadaliyev
Teacher of the Kokand State Pedagogical Institute
[email protected]
Abstract
ARTICLEINFO
In this article, the information about the Kokand School of
Decorative Arts and their manifestations, the way of creativity of Article history:
Received 8 Feb 2022
followers is widely covered. Received in revised form 13 Feb
Accepted 10Apr 2022
Available online 11 May 2022
Key words: Honorary

members of Kokand School
of Decorative Arts, pattern,
Association of artisans.
To see aspects of the world that ordinary people can not see is peculiar only to artists! They show such
things in the works they create! Such beauty is characteristic of the Kokand pattern, which by creating
it and glorifying the world!
After finishing the Second World War, returning home, rubbing the soil of our homeland into the
Eyes, Living with the enthusiasm to continue the “decoration”of the profession of their ancestors, the
Master Saidahmad Mahmudov, who set himself the goal of becoming a propagandist of beauty, was
born in the family of “Hunarmand” embroiderers in the city of Kokand in 1909. His father,
Saidmahmud Nurkuziyev, studied the art of embroidery in his childhood and got the secret of mastery.
Saidmahmud Norkuziyev, a famous sculptor of the city of Kokand, should not be an unfamiliar person
in our republic. Saidmahmud Nurkoziyev was born in 1883 in the family of Kokand carvings. His
father Norkozi Nurmatov and grandfather Nurmat Hoshim are also masters. About the master who
studied this art from them P.Sh. in Zohidov's book” The Art of Architecture“, The Master explains:
"the ornaments made by Saidmahmud Norkoziev are always new and orginal with the continuous
continuation of folk traditions in architecture.The master knows by heart all the elements that make up
the ancient ornaments. Using these elements, create new compositions from scratch.
To the composition of the pattern began to work, adding the master's notes. In his skillfully written
phrases, we read Respect for the guest, attention to the youth. Often they are inscribed in them bytes
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(ISSN: 2660-6844). Hosting by Central Asian Studies. All rights reserved..
Copyright (c) 2022 Author (s). This is an open-access article distributed under the terms of Creative Commons Attribution License (CC BY).
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CENTRAL ASIAN JOURNAL ARTS AND DESIGN (ISSN: 2660-6844). 7
that the people love.

To decorate the middle row of the Wall applied a separate pattern composition - manifestation. Ustanin
believes that “two manifestations of ornament on different harakter stand side by side in one house, the
decoration looks funky. ”
It is also very important to choose colors for the master. Having gained a great experience, as a result
of a thorough study of our rich heritage in painting, it is possible to profoundly emphasize the
combination of colors, the output of polish, their compatibility with the shape of the elements. The
colorful creative work presented in the applications gives a partial picture in the study of the creativity
of the master Norkoziev.
Master Saidahmad not only was satisfied with the decoration, but also worked in the genre of the
landscape. He was mainly engaged in copying. The master painted the landscapes in his own way, he
sometimes gives side views, contrary to the laws of perspective, also superimposed on one plane.
We can see from the example of the work of Norkoziev how rich experience the work of people's
Masters reflects the possibilities of art. Therefore, interest in folk decorative art grew day by day. The
ancient decorative art is enriched with new content and has been widely applied in residential and
public buildings of our republic. O'r patterns of seats in some buildings of Tashkent attracted the
attention of ayniks people.
The ranks of the engravers are filled with young masters from year to year. The application from the
composition of Saidmahmud Norkoziyev can help in the work experience of young decorative
Masters.
Master Saidmahmud is a skillful artist who has completed his craft. In his hands, the whiskers of
miracles are wounded."
In 1913-th year the master Saidmahmud received a photo from his father, from 1930-th year he began
to fully train his son Saidahmad as a shogirt. Works created by Saidmahmud Norkoziev with his
father: now the works of Saidmahmad's father Saidmahmud Baba are shown in the decoration of the
building of the people's Museum of Applied Art and several houses in Fergana and Andijon, the works
of Saidmahmad's father Saidmahmud Baba are shown in the State Academic great theater named after
Alisher Navoi in Tashkent, in the Kokan the creators. In addition, they can meet their patterns even in
border countries.
In 1945-th year, Master Saidahmad returned from the Second World War with one leg disabled, with
the badge “for his courage”. They call it so because they say: "I would have served my people more
than this if my foot was not disabled. I would have promoted beauty. Because it is necessary to feed
the world with beauty!”
Such people have added a lot to the national culture of the Uzbek people. They left their experiences as
a trail to their shogirts. Saidahmad had about seventy Knights of the father, who taught them his art
skillfully as a circle. The Kokand continues the traditional school of decoration, decorating the modern
buildings of the shogirt with patterns.
It will be correct to call the master not the Master The Master. His works, which he inherited from us,
are invaluable. Not only is the teacher satisfied with the art of decoration, but they are also aware of
the calligraphy. At the age of 14, they remembered the Holy Quran. In their works, too, they drew and
decorated the verses of the Qur'an with the help of calligraphy and also shared this art with their
followers,”says the mother of testimony!
-“I lived forty years together with my PA in this delightful apartment! They accepted me as their
(ISSN: 2660-6844). Hosting by Central Asian Studies. All rights reserved.
8 CENTRAL ASIAN JOURNAL ARTS AND DESIGN (ISSN: 2660-6844).
daughter. That's what you see in your apartment there lived the ancestors of my pawn, who were
creative, that is, nine generations lived in the same house. Another sentence was a lot of accents: the
patterns we created are peculiar, repetitive, tiny, connecting patterns! I can distinguish my patterns at a
glance!- they used to say. At present, about seventy-five people from the shogirt are life and they are
honorary members of the “House of Craftsmen” of the Kokand city.”
Even if I talk about the Kokand School of Fine Arts and its manifestations, there is little, it will not be
finished. How much they write about, can praise what they have done. As I studied the creativity of
these masters, what they saw was manifested before my eyes, which made me wave more than I had
received my scientific work and began to search deeper. Indeed, the patterns that make up the beauty
anthill are polished, dazzling.
What is the pattern itself?
Pattern-Arabic image, means a flower. We can say that the pattern is stylized by nature. Because many
compositions are obtained from nature. Even when they are wounded, they are wounded as a thematic
composition on the basis of symbolic meanings. The composition of the pattern is used to decorate
national objects of the Uzbek people. One of the largest types of Uzbek folk applied art. The art of
embroidery has a centuries-old history.
In embroidery, the pattern, the decoration is drawn by skilled craftsmen, such patterns can be met in
the embodiment of architecture, carpet weaving, embroidery, cladding and other Dag patterns.
Creating a pattern requires skill-skill, diligence, long exercises-did the master. The embroiderers in the
past formed the most knowledgeable-grain, talented part of the folk masters, they are on the Masters he
received education, knew different sciences (literature, music, history, chemistry, mathematics)well.
Making a pattern composition requires much more patience. With coloring and decorating patterns,
their beauty, meaning and meaning are expressed through consonant sounds. At the stages of coloring
the patterns, elements such as ground form, flower, Rod, Leaf are mostly round, subject to a single
color coloration. The stages of coloring the pattern are as follows:
1. Color the floor (taiga) of the pattern.
2. Color The Shape of the pattern in the middle.
3. Color the flowers, leaves and bands of the pattern.
4. Color the pattern with a scarf and road lines.
5. To give an ink pen and propagation to the pattern.
6. Draw white bands and Obis of the pattern
When coloring on patterns, it is necessary to draw in pencil lines, pay special attention to incomplete
staining. If the colors of the pattern are not painted in a coherent way, then the ink will not come out as
if the make-up given in the pencil was made. The result will spoil the beauty and beauty of the pattern.
The Uzbek fine art of the 20th century developed in harmony with its traditional art of practical
decoration. The Masters of the people gave life back to our national art, which has been preserved for
centuries, and developed it with new-new polishes.
Architectural monuments, archaeological excavations in the territory of Central Asia indicate that the
carvings developed here from ancient times. Types of Applied decorative art (pottery, copper, jewelry,
carpet weaving, embroidery, pottery, etc.) and the development of architecture also necessitated the
development of decoration. Kettledkale, grounding, blindfold, step. The attractiveness of pattern
CENTRAL ASIAN JOURNAL ARTS AND DESIGN (ISSN: 2660-6844). 9
patterns of different styles found in sweat, Ayritom, childhood, Varakhsha, Afrasiab and other places
is evident from the high culture of ancestors. Embroidery was widespread, especially in the middle
ages (9-12, 14-15, 18-19 centuries). Kito-bat sanatiaa the main role of painting, painting in the
decoration of hands with figurative works; the application of na-QS in architecture, especially
developed, having its own laws and styles, the combination of specific colors and independent
incarnations.
At the beginning of the twentieth century, the diplomat was a public official. Polovsev lived in
Tashkent. He was very interested in eastern culture. So uchuy he built himself a European House. The
building consisted of a high Hall, a hotel, a hostel and other rooms. A. Polovsev is an ethnographer
who knows Uzbek folk art well. S. He appoints Andreyev as the head of decorative works. He was an
outstanding ethnographer who collected samples of Uzbek folk art and gave his life to study them. In
addition to Tashkent, Kokand, Bukhara, Fergana and other cities were invited to decorate this building
with ganch carvings, wood carvings and carvings.
Shular in the sentence there were also master Shirin Muradov, Master Arslochkul Nazarov, Master
Usman Ikromov, stone carving Lionkulov and other ganchs. M. S. Andreyev divided the work of the
duchess into Masters, chunanchi was handed over to the Masters of Bukhara, decorating the East and
North walls of the workshop, the niche, the western and southern walls of the turshkent. In 1902-1903,
the house was built in Europe and decorated in the uzbek millimetre. Other types of Applied Art rely
on this type, and on the basis of this type, another type of art appears. Master Saidmahmud and
Saidahmad, who made similar compositions, and the cultural heritage of their ancestors, give pleasure
and joy to the person.
The continuation of the work of such teachers and fathers is our youth's farce and debt! In vain, the
president did not say that our youth is the creator of the future!
Used literature:
1. Sh. Mirziyoyev said: "We will build our great future together with our brave and noble people."
A'bekistan-2017y.
2. S.Bulatov" Uzbek folk applied art of decoration "Tashkent-2004y.
3. H. Rafikova "Ferganski rospis" Tashkent-2006.y.


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CENTRAL ASIAN JOURNAL OF ARTS AND DESIGN

VOLUME: 3 ISSUE: 5 | 2022

Available online at www.cajad.centralasianstudies.org

CENTRAL ASIAN JOURNAL OF

A Desire Sung in a Pattern

Sattorova Sarvinozkhan Ortiqboy Daughter

Key words: Honorary

that the people love.

E-mail address: [email protected]

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