Professional Documents
Culture Documents
Objectives
Objectives
Decor
An Architects/ interitor designers dream often becomes a
housekeepers nightmare
Interior design is the orderly arrangement of lines, forms, patterns, colours etc
to create interiors. An interior designer is someone who conducts such
projects.
Objective
The objective of interior design and decoration is to achieve beauty,
expressiveness and functionalism.
Asymmetrical balance
Broken lines
Bright and warm colours used
Simple and comfortable furniture are used
Modernism: The modern home expresses the spirit
of this machine age. Le Corbusier famous definition of a house as "the
machine in which we live" indicates the importance of functionalism in a
modern house. Modernism expresses the directness and speed of the
youth of today. This effect is achieved by stripping off all non-essentials
in designs for furnishings and houses. The families that choose modern
furnishings are usually young, courageous, experimental, impersonal,
and logical. They are interested in a style which is expressive of their
own day.
Naturalness (Primitiveness): A natural or primitive
type of home may express the following things: simplicity, handmade
quality, sincerity, thrift, naiveté, playfulness, rugged force,
unpretentiousness, originality, or protest against artificiality. Among the
things which contribute to the attainment of the natural effect are the
use of native materials and native styles, handwork showing natural
irregularities in structure, direct treatment, inexpensive materials, and
peasant or primitive colours. Laboured effects, fine finish, and imitations
are avoided.
EXPRESSING THE OWNER'S PERSONALITY: It is the
personality of the owner and his family that determines the idea to be
expressed in a home. Qualities sincerely characteristic of the family that
is to live with it should be the basis for the home furnishing. An interest
which has permanent significance, and not merely a passing fad, should
provide the inspiration for a plan of decorating and furnishing. It is true,
of course that the income, as well as the taste of the family, must help to
determine the type of home to be created.
Functionalism: Any object that does not function is a failure. The home
that does not permit its occupants to find peace, comfort, and relaxation
is not functioning. The needs of the family form the basis for the
selection of a home and its furnishings.
A living room so fine that the men of the house do not feel free to
lounge in it does not serve its purpose. A room so cluttered with bric-a-
brac that one has to be on guard against upsetting things does not
function. Curtains that shut out the view in daytime, lamps that throw
light in the reader's eyes, vases that are tippy, and pitchers with spouts
that do not pour well are examples of failure in function. Some of these
illustrations show the close relation between form and function.
The wrong kind of material, colour, or
decoration may be a handicap to functional quality. Carvings in wood so
deep that they are impossible to dust, light rugs and upholstery that
have to be cleaned often, and perishable silk curtains are not functional
in the home of a family of modest means. Modern designers have
especial respect for functionalism. They have concluded that beauty and
utility are partners, not enemies. Some of their new ideas are so logical
that we wonder why they were not used long ago.
Basic Types of Design
There are two kinds of designs – Structural and Decoration
1. Structural Design: It denotes the structure and construction of
objects. This is comprised of an object, be it the object itself or the
drawing of the object worked out on papers. It should be simple,
well proportionate, and beautiful, suited for purpose and should
also suit the material from which it is made.
2. Decorative Design: It is the surface enrichment of structural
design. Any lines, colour and material applied to structural design
for the purpose of adding a richer quality to it is decorative design.
It should be used in moderation. It should be placed at structural
points and it should strengthen the shape of the object. There
should be enough background space to give it an effect of
simplicity. The background should be suited to the patterns that
are placed against it.