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Heritage Interpretation Centre Thesis Synopsis
Heritage Interpretation Centre Thesis Synopsis
TABLE OF CONTENTS
1. AIM ………………………………………………………………..……………………….………..3
2. INTRODUCTION…………………………………………………………………….……………..3
3. OBJECTIVE ……………………………………………………………………………………….3
4. SCOPE OF THE DESIGN ………………………………………………………………………...3
5. FOCUS ………………………………………………………………………………………………4
6. REQUIREMENTS…………………………………………………………………………………...4
7. CASE STUDIES …………………………………………………………………………………….5
8. RESEARCH …………………………………………………………………………………………6
1. AIM
The aim of cultural interpretation center is to provide visitors with the experience that helps them to better
understand and appreciate the cultural heritage of a particular place. It can serve as a valuable tool for
promoting cultural awareness, understanding, and appreciation, and can help to foster greater respect and
tolerance for different cultures and ways of life.
2. INTRODUCTION
Heritage is the best expression of cultural identity of the community of its civilization personally. Its one of
the aspects of the creativity that a community has in store, where it originates in individual or in groups.
Temples of varnasi, Ahmedabad, Ujjain, hampi, Jaipur and many more are considered to be the important
heritage cities in india.
3. SCOPE
• Interpretive center helps in preserving the rich cultural heritage of the place.
• Project will be combination of the art, architecture and the communal heritage.
• To promote cultural understanding and appreciation, provide educational opportunities, and foster
intercultural dialogue and exchange.
• cultural interpretation center have a broader focus, providing information and education on multiple
cultures, including local, regional, and international cultures.
• To offer exhibits, performances, lectures, workshops, and other programs that promote intercultural
understanding and dialogue.
• To showcase the traditions, art, history, and beliefs of that culture.
4. OBJECTIVES
• Exhibitions: Cultural interpretation centers create exhibitions to showcase the history and
traditions of their region. These exhibitions can be temporary or permanent and may include
displays, interactive exhibits, and educational programs.
• Education programs: Cultural interpretation centers offer educational programs for people of all
ages. These programs can include workshops, seminars, and classes on various topics related to
the cultural heritage of the region.
• Conservation and preservation: Cultural interpretation centers may also work on conservation
and preservation projects to protect historic sites and artifacts. This can involve activities such as
restoration, repair, and maintenance of cultural heritage assets.
• Digital resources: Many cultural interpretation centers are developing digital resources to
provide access to their collections and educational materials online. This can include virtual tours,
online exhibitions, and digital archives.
• Community engagement: Cultural interpretation centers often work to engage the local
community in their activities. This can involve partnerships with local schools, community groups,
and other organizations to promote cultural awareness and heritage tourism.
6. REQUIREMENTS
1. Museum
2. Theatre
3. Library
4. Art gallery
5. Studio
6. Workshop area
7. Guest house
8. Dorm
9. Amphitheatre
10. Cafeteria
11. Administrative spaces
12. Recreational spaces
AYODHYA
The period of the Ramayana was, perhaps the most glorious
period in the history of ancient India. For not only did this age
mark the composition of the holiest scriptures, the Vedas, and
other sacred literature that laid the foundation of Indian culture
and civilization, but the era was also exemplary in its rule of law
and truthfulness.
7. CASE STUDIES
Jawahar Kala Kendra is built like a red fort with no windows on its facade. The design was prepared by
the noted architect Charles correa in 1986 and the building was ready in 1992. The plan is inspired by
the original city plan of Jaipur, consisting of nine squares with central square left open. The Jawahar
Kala Kendra adapts and applies concepts from ancient architectural principles called the vastu vidya.
Site area : 9.5 acres
Bharat Bhavan is an autonomous multi-arts complex and museum in Bhopal, india , established in
Madhya Pradesh .The architect of the Bharat Bhavan is charles correa. Opened in 1982, facing the upper
lake, it houses multiple art galleries, a graphic printing workshop, a ceramics workshop, an open-air
amphitheatre, a studio theatre, an auditorium, a museum of tribal & folk art, and libraries of Indian
poetry, classical music & folk music.
AHMEDABAD
UJJAIN
PATNA
One of the oldest living cities in the world, Patna, the capital
of Bihar, stands on the banks of River Ganges, proudly cradling
in its heart the city's heritage, patriotism and culture. A
bustling city with old neighbourhoods, Patna's heritage spans
across two millennia. An epicentre for various religions, the
city was the stronghold of several dynasties, and thus boasts
a treasure trove of culture and traditions.
GAYA