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Preface
The investment landscape is ever-changing. Today’s innovative solution will be taken
for granted tomorrow. In writing Running Money: Professional Portfolio Manage-
ment, our goal was to expose students to what it is really like to run money profession-
ally by providing the tools.
Broadly speaking, this book focuses on the business of investment decision mak-
ing from the perspective of the portfolio manager—that is, from the perspective of the
person responsible for delivering investment performance. It reflects our combined
professional experience managing multibillion-dollar mandates within and across the
major global and domestic asset classes, working with real clients, and solving real
investment problems; it also reflects our experience teaching students. Before writ-
ing this text, we taught the Portfolio Management Course in the Master of Science
in Investment Management (MSIM) programs at Boston University and Reykjavik
University in Iceland. The MSIM curriculum encompasses and extends the CFA Body
of KnowledgeTM required of candidates for the CFA® designation. This text grew from
these courses and was refined as we used early versions of the manuscript in class.
Two draft chapters of this book have also been included in the CFA Institute’s con-
tinuing education program for charterholders since 2007.
This book aims to build on earlier investment coursework with minimal repetition
of standard results. Ideally the student should already have taken a broad investments
course that introduces the analysis of equity, fixed income, and derivative securi-
ties. The material typically covered in these courses is reviewed only briefly here as
needed. In contrast, new and more advanced tools are accorded thorough introduction
and development. Prior experience with Microsoft Excel spreadsheets and functions
will be helpful because various examples and exercises throughout the book use these
tools. Familiarity with introductory quantitative methods is recommended as well.
We believe this book is most effectively used in conjunction with cases, projects,
and real-time portfolios requiring hands-on application of the material. Indeed this is
how we teach our courses, and the book was written with this format in mind. This
approach is facilitated by customizable Excel spreadsheets that allow students to apply
the basic tools immediately and then tailor them to the demands of specific problems.
It is certainly possible to cover all 16 chapters in a single-semester lecture course. In
a course with substantial time devoted to cases or projects, however, the instructor may
find it advantageous to cover the material more selectively. We feel strongly that Chap-
ters 1, 2, and 14 should be included in every course—Chapters 1 and 2 because they set
the stage for subsequent topics, and Chapter 14 because ethical standards are an increas-
ingly important issue in the investment business. In addition to these three chapters, the
instructor might consider creating courses around the following modules:
• The investment business: Chapters 3, 6, 13, and 16
• These chapters provide a high-level perspective on the major components of the
investment business: clients, asset allocation, the investment process, and perfor-
mance. They are essential for those who need to understand the investment busi-
ness but who will not be involved in day-to-day investment decision making.
• Managing client relationships: Chapters 13, 15, and 16
• These chapters focus on clients: their needs, their expectations, their behavior, how
they evaluate performance, and how to manage your relationships with them. Virtually
vii
viii Preface
Preface ix
This book was conceived to share our investment management and university
teaching experience. Writing it has been a lot like being a portfolio manager: always
challenging, sometimes frustrating, but ultimately rewarding. We hope the book chal-
lenges you and whets your appetite for running money.
Supplements
The Online Learning Center (OLC) Web site, www.mhhe.com/sph1e, contains the
Excel spreadsheets and additional supplementary content specific to this text. Sample
exams, solutions, and PowerPoint presentations are available to the instructor in the
password-protected instructor’s center. As students read the text, they can go online to
the student center to download the Excel spreadsheets, check answers to the end-of-
chapter problems, and review the supplemental case material.
• Case spreadsheets: Excel spreadsheets give students additional material for analy-
sis of the cases.
• Solutions to end-of-chapter problems: Detailed solutions to the end-of-chapter
problems help students confirm their understanding.
• Sample final exams: Prepared by the authors, the sample exams offer multiple-
choice and essay questions to fit any instructor’s testing needs.
• Solutions to sample final exams: The authors offer detailed suggested solutions
for the exams.
• PowerPoint presentation: Prepared by the authors, the PowerPoint presentation
offers full-color slides for all 16 chapters to use in a classroom lecture setting.
Organized to accompany each chapter, the slides include images, tables, and key
points from the text.
Acknowledgments
This book would not have been possible without the academic training provided to us
by many dedicated teachers. We’d especially like to thank our doctoral thesis advisors
Stephen Figlewski, Benjamin Friedman, and Seymour Smidt for their gifts of time,
encouragement, and thoughtful advice. We’d also like to recognize several professors
who challenged and guided us in our academic careers: Fischer Black, David Connors,
Nicholas Economides, Edwin Elton, Robert Jarrow, Jarl Kallberg, John Lintner, Terry
Marsh, Robert Merton, William Silber, and L. Joseph Thomas.
The practical experience we received in the investment industry helped us make
this book unique. We thank all our colleagues at Fidelity, Gottex, MFS, Prudential,
State Street, and Venus for their support and good ideas over the years. Space does
not permit listing all the individuals with whom we have shared the pursuit of supe-
rior investment performance for our clients. We would be remiss, however, if we did
not acknowledge Steve Bryant, Ed Campbell, Ren Cheng, Jennifer Godfrey, Richard
Hawkins, Timothy Heffernan, Cesar Hernandez, Dick Kazarian, Richard Leibovitch,
Liliana Lopez, Robert Macdonald, Kevin Maloney, Vik Mehrotra, Les Nanberg, Wil-
liam Nemerever, Marcus Perl, Dan Scherman, Robin Stelmach, and Myra Wonisch
Tucker.
We also want to thank those who helped with specific sections of the text, includ-
ing providing data and suggestions to improve chapters, cases, and examples. These
include Scott Bobek, Richard Hawkins, Ed Heilbron, Dick Kazarian, John O’Reilly,
Marcus Perl, Jacques Perold, Bruce Phelps, Jonathan Shelon, and George Walper, as
well as the MSIM students at Boston University and Reykjavik University who used
drafts of this text.
Michele Janicek, Executive editor, and Katherine Mau, Editorial coordinator, pro-
vided invaluable guidance and encouragement throughout the project. We also wish to
thank all of the other McGraw-Hill staff members who worked on the book.
We are grateful to the following individuals for their thoughtful reviews and sug-
gestions for this text:
Honghui Chen Zhuoming Peng
University of Central Florida Western Oregon University
Ji Chen Craig G. Rennie
University of Colorado-Denver University of Arkansas
Douglas Kahl Alex P. Tang
The University of Akron Morgan State University
David Louton Damir Tokic
Bryant University University of Houston-Downtown
Mbodja Mougoue Barbara Wood
Wayne State University Texas Christian University
Finally, a special thank you to our families and friends for their support and patience
during the long journey of writing this book; it would not have been possible without
them.
Brief Contents
1 Introduction 1 12 Portfolio Management through Time:
2 Client Objectives for Diversified Taxes and Transaction Costs 393
Portfolios 11 13 Performance Measurement and
3 Asset Allocation: The Mean–Variance Attribution 423
Framework 51 14 Incentives, Ethics, and Policy 457
4 Asset Allocation Inputs 101 15 Investor and Client Behavior 479
5 Advanced Topics in Asset 16 Managing Client Relations 499
Allocation 139
6 The Investment Management SAMPLE CASES 519
Process 187
GLOSSARY 540
7 Introduction to Equity Portfolio
Investing: The Investor’s View 217 REFERENCES 548
8 Equity Portfolio Construction 241
9 Fixed-Income Management 273
INDEX 554
10 Global Investing 325
11 Alternative Investment Classes 361
xi
Table of Contents
Chapter 1 Portfolio Return and Variance 65
Introduction 1 Objective Function 66
Constraints 66
1.1 Introduction 1 Investment Horizon 67
1.2 What Is a Portfolio Manager? 4 3.3 Practice: Solution of Stylized Problems Using
1.3 What Investment Problems Do Portfolio the Mean–Variance Framework 69
Managers Solve? 5 The Efficient Frontier 70
Asset Allocation and Asset Class Portfolio The Optimal Portfolio 76
Responsibilities 5 Investment Horizons 79
Representative Investment Problems 6 The Shortfall Constraint 82
1.4 Spectrum of Portfolio Managers 7 Asset–Liability Management 83
1.5 Layout of This Book 9 Practice Summary 86
Appendix 1
Chapter 2 Returns, Compounding, and Sample Statistics
Client Objectives for Diversified A. Returns 91
Portfolios 11 B. Continuous Compounding 92
C. Sample Statistics 92
2.1 Introduction 11
D. Application in Excel 93
2.2 Definitions of Risk 12
Appendix 2
2.3 The Portfolio Management Process and the
Optimization
Investment Policy Statement 15
Parameters and Assumptions 94
The Investment Policy Statement 16
Decision Variables 94
2.4 Institutional Clients 20
Objective 95
Foundations and Endowments 20
Constraints 95
Pension Plans 24
Solution 95
2.5 Individual Investors 35
Optimization Failure 96
Understanding the Client: Situational
Linear Programming 96
Profiling 35
Quadratic Programming 97
The Individual’s IPS: Objectives and
Excel Solver 97
Constraints 38
Appendix 3
Trends in the Wealth Management Business 39
Notation
2.6 Asset Class Portfolios 41
Investment 100
Statistical 100
Chapter 3
Asset Allocation: The Mean–Variance Chapter 4
Framework 51 Asset Allocation Inputs 101
3.1 Introduction: Motivation of the Mean–Variance 4.1 Sensitivity of the Mean–Variance Model to
Approach to Asset Allocation 51 Inputs 101
Types of Asset Allocation 52 4.2 Constant Investment Opportunities 102
Asset Classes 52 Using Sample Moments 102
The Mean–Variance Framework 54 James–Stein Estimation 105
3.2 Theory: Outline of the Mean–Variance Linking Returns to the Economy 110
Framework 57 Implied Views 114
Utility Theory 57 Cross-Sectional Risk Models 118
Return Behavior 61 Combining Estimates: Mixed Estimation 123
Return Variance 63 4.3 Time-Varying Investment Opportunities 124
xii
Table of Contents xv
Chapter
1Introduction
Chapter Outline
1.1 Introduction
1.2 What Is a Portfolio Manager?
1.3 What Investment Problems Do Portfolio Managers Solve?
1.4 Spectrum of Portfolio Managers
1.5 Layout of This Book
1.1 Introduction
The investment business is an exciting industry for a career. The stakes are high and
the competition is keen. Investment firms are paid management fees to invest other
people’s money, and their clients expect expert care and superior performance. Manag-
ing other people’s money is a serious endeavor. Individuals entrust their life savings
and their dreams for attractive homes, their children’s educations, and comfortable
retirements. Foundations and endowments hand over responsibility for the assets that
support their missions. Corporations delegate management of the funds that will pay
future pension benefits for their employees. Successful managers and their clients
enjoy substantial financial rewards, but sustained poor performance can undermine
client well-being and leave a manager searching for a new career.
Many bright and hardworking people are attracted to this challenging industry. Because
their competitors work so hard, portfolio managers must always be at their best and con-
tinue to improve their skills and knowledge base. For most portfolio managers, investing
is a highly stimulating vocation, requiring constant learning and self-improvement.
Clients are demanding, especially when results are disappointing. Although this is con-
sidered a stressful job by many people, some professionals continue to manage money
into their 80s or 90s.1
Portfolio management is becoming more sophisticated due to the ongoing advance-
ment of theory and the growing complexity of practice, led by several trends:
• Advances in modern portfolio theory.
• More complex instruments.
• Increased demands for performance.
1
Consider Charlie Munger, born in 1924, who is six years older than his investing partner, Warren Buffett.
2 Chapter 1 Introduction
$ Billions
the United States, in $8,000
$ Billions.
$6,000
Source: Investment Company
Institute (ICI) and Plan Sponsor
Network (PSN). $4,000
$2,000
2
Investment Company Institute Factbooks, 2002–2008.
Theory in Practice
Famous Last Words: “It Is Different This Time”
2008 was a terrible year for the markets. The S&P 500 fell nearly 40 percent, high-yield
bonds declined over 25 percent, and in December Bernie Madoff admitted to what he
claimed was a $50 billion Ponzi scheme. Although these numbers are shocking, they are
not unprecedented, and the reasons behind them are not new. Security values can change
drastically, sometimes with surprising speed. Declining values can be a response to peak-
ing long-term market cycles, short-term economic shocks, or the idiosyncratic risk of an
individual security.
Market cycles can take months or years to develop and resolve. The dot-com bubble
lasted from 1995 to 2001. The March 2000 peak was followed by a 65⫹ percent multiyear
decline in the NASDAQ index as once lofty earnings growth forecasts failed to materialize.
The S&P 500 dropped over 40 percent in 1973 and 1974 as the economy entered a period
of stagflation following the boom of the 1960s and the shock of the OPEC oil embargo.
Black Monday, October 19, 1987, saw global equity markets fall over 20 percent in a single
day. The collapse of Enron destroyed more than $2 billion in employee retirement assets
and more than $60 billion in equity market value. We are still calculating the dollar impact
of the subprime mortgage crisis.
Each of these examples had a different cause and a different time horizon, but in each
case the potential portfolio losses were significant. To assist investors, this book outlines
the basic—and not so basic—principles of sound portfolio management. These techniques
should prepare the investor to weather future market swings. The broad themes include
• Creating and following an investment plan to help maintain discipline. Investors often
appear driven by fear and greed. The aim should be to avoid panicking when markets
sell off suddenly (1974, 1987) and missing the potential recovery, or overallocating to
hot sectors (the dot-com bubble) or stocks (Enron), and being hurt when the market
reverts.
• Focusing on total return and not yield or cost.
• Establishing and following proper risk management discipline. Diversification and rebal-
ancing of positions help avoid outsized exposure to particular systematic or idiosyncratic
risks. Performance measurement and attribution provide insight into the risks and the
sources of return for an investment strategy.
• Not investing in what you do not understand. In addition to surprisingly good per-
formance that could not be explained, there were additional red flags, such as lack of
transparency, in the Enron and Madoff cases.
• Behaving ethically and insisting that others do too.
Although attractive or even positive returns cannot be guaranteed, following the princi-
ples of sound portfolio management can improve the likelihood of achieving the investor’s
long-range goals.
implications for the future. Simply studying historical records and relationships is a
sure way to disappoint clients.
This is not a cookbook or a collection of unrelated essays; the chapters tell a uni-
fied story. This book presents techniques that the reader may use to address real situ-
ations, not merely simplified, stylized problems, such as the simple case presented in
the following Theory in Practice box. A working knowledge of investments, including
derivatives, securities analysis, and fixed income, is assumed, as well as basic profi-
ciency in Excel. Where necessary, the book presents careful development of new tools
that typically are not covered in an MBA curriculum.
3
Chapter 1 Introduction 5
accountable to their clients and firm for their portfolio returns. If performance does
not meet client expectations, at some point the portfolio manager will be terminated.
But if results exceed expectations, clients may increase the level of their commitment,
thereby generating higher management fees for the portfolio manager’s firm. Portfolio
managers are accountable to their firm, which is seeking to maintain and expand rev-
enues, and they receive bonuses (or perhaps pink slips) depending on performance.3
Analysts may be held accountable for their recommendations, in some cases with
precise performance calculations. However, they do not set security weights in a port-
folio and are not ultimately responsible for live performance. Portfolio managers may
use analysts’ recommendations in decision making, but the ultimate security selection is
under their control. Although analysts are not portfolio managers based on the definition
here, they can obviously benefit from understanding the job of the portfolio manager.
Risk officers are responsible for identifying, measuring, analyzing, and monitoring
portfolio and firm risks. While they may have discretion to execute trades to bring
portfolios into compliance, they are not portfolio managers. They do not bear the same
responsibility and accountability for performance. In fact, it is recommended that
portfolio management and risk functions be separated to avoid potential conflicts of
interest.
3
Some investors feel someone is not a true investment professional until he or she has been fired by
at least one client and therefore understands the seriousness and challenge of this responsibility.
6 Chapter 1 Introduction
Chapter 1 Introduction 7
passive managers in the same asset class, though less liquid markets generally have
fewer index funds. Asset classes with higher potential risk-adjusted active return (alpha)
and less liquidity command higher fees and portfolio manager compensation. In these
portfolios the managers are responsible for setting security weights, but they must also
seek out available securities and be conscious of the ability to sell their positions.
8 Chapter 1 Introduction
Registered
Investment Advisor
Brokerage House
Less Rigorous
after withdrawing assets during the 1970s bear market. In the 1990s mutual fund firms
sought to capture the growing DC market as companies began favoring 401(k) plans
over traditional DB programs. Mutual fund companies competed with investment per-
formance,4 low-cost packages offering record keeping (asset collection, safekeeping,
and reporting); cafeteria-style investment programs (individual mutual fund, balanced
products, and brokerage); and by the late 1990s, full menus offering any investment
option, including competitors’ funds. Lifestyle and horizon-based products were intro-
duced during that period, meeting the need for automatic diversification of the grow-
ing 401(k) balances. The percentage of U.S. households invested in mutual funds grew
from less than 10 percent in 1980 to close to 45 percent by 2007. Over 45 million U.S.
households currently own mutual funds in tax-deferred accounts.5
Separate account money managers tend to specialize in a few investment disciplines,
though larger firms have diversified beyond their original disciplines or even asset
classes. Their clients may be institutional investors, but smaller firms also have high net
worth investors. Sometimes large firms specialize in an asset class attractive to individ-
ual investors, such as municipal bonds.6 Institutional investors, frequently with the help
of consultants, will select specialist managers to fill out their asset allocation profiles.
Alternative managers, including hedge funds and private equity funds, are perhaps
more sophisticated than mutual funds and traditional separate account managers. They
may manage short positions, trade derivatives, and use leverage. In addition, they have
more control over client access to liquidity and can limit transparency. Alternative
investment vehicles include commingled limited partnerships and separate accounts.
Portfolio managers may be categorized by investment process rigor and level of
specialization, as shown in Exhibit 1.2.
4
Interestingly, in the mid-1990s when Vanguard’s passive fixed income performance and a compet-
itor’s active equity performance dominated the mutual fund business, Vanguard introduced the idea
of offering a competitor’s mutual funds, in this case equity funds, combined with its own bond funds
in a single program. Before that event 401(k) plans tended to include only one management firm.
5
Investment Company Institute, “Trends in Ownership of Mutual Funds in the United States, 2007.”
6
Appleton Partners, a $2 billion money manager, specializes in municipals for wealthy individuals as
well as institutional investors.
Philip the Bold, Duke of Burgundy, was one of the more important
book collectors of his time. In 1386, the Duke paid to Martin
L’Huillier, dealer in manuscripts and bookbinder, sixteen francs for
binding eight books, six of which were bound in grain leather.[374]
The Duke of Orleans also appears as a buyer of books, and in 1394,
he paid to Jehan de Marsan, master of arts and dealer in
manuscripts, twenty francs in gold for the Letters of S. Pol, bound in
figured silk, and illuminated with the arms of the Duke.
Four years later, the Duke makes another purchase, paying to
Jehan one hundred livres tournois for a Concordance to the Bible in
Latin, an illuminated manuscript bound in red leather, stamped.
The same Duke, in 1394, paid forty gold crowns to Olivier, one of
the four principal librarii, for a Latin text of the Bible, bound in red
leather, and in 1396, this persistent ducal collector pays sixty livres
to a certain Jacques Jehan, who is recorded as a grocer, but who
apparently included books in his stock, for the Book of the Treasury,
a book of Julius Cæsar, a book of the King, The Secret of Secrets,
and a book of Estrille Fauveau, bound in one volume, illuminated,
and bearing the arms of the Duke of Lancaster. Another volume
included in this purchase was the Romance of the Rose, and the
Livres des Eschez, “moralised,” and bound together in one volume,
illuminated in gold and azure.[375]
In 1399, appears on the records the name of Dyne, or Digne
Rapond, a Lombard. Kirchhoff speaks of Rapond’s book business as
being with him a side issue. Like Atticus, the publisher of Cicero,
Rapond’s principal business interest was that of banking, in which
the Lombards were at that time pre-eminent throughout Europe. In
connection with his banking, however, he accepted orders from
noble clients and particularly from the Duke of Burgundy, for all
classes of articles of luxury, among which were included books.
In 1399, Rapond delivered to Philip of Burgundy, for the price of
five hundred livres, a Livy illuminated with letters of gold and with
images, and for six thousand francs a work entitled La Propriété de
Choses. A document, bearing date 1397, states that Charles, King of
France, is bound to Dyne Rapond, merchant of Paris, for the sum of
190 francs of gold, for certain pieces of tapestry, for certain shirts,
and for four great volumes containing the chronicles of France. He is
further bound in the sum of ninety-two francs for some more shirts,
for a manuscript of Seneca, for the Chronicles of Charlemagne, for
the Chronicles of Pepin, for the Chronicles of Godefroy de Bouillon,
the latter for his dear elder son Charles, Dauphin. The King further
purchases certain hats, handkerchiefs, and some more books, for
which he instructs his treasurer in Paris to pay over to said Rapond
the sum of ninety francs in full settlement of his account; the
document is signed on behalf of the King by his secretary at his
château of Vincennes.[376]
Jacques Rapond, merchant and citizen of Paris, probably a
brother of Dyne, also seems to have done a profitable business with
Philip of Burgundy, as he received from Philip, for a Bible in French,
9000 francs, and in the same year (1400), for a copy of The Golden
Legend, 7500 francs.
Nicholas Flamel, scribe and librarius juratus, flourished at the
beginning of the thirteenth century. He was shrewd enough, having
made some little money at work as a bookseller and as a school
manager, to carry on some successful speculations in house
building, from which speculations he made money so rapidly that he
was accused of dealings with the Evil One. One of the houses built
by him in Rue Montmorency was still standing in 1853, an evidence
of what a clever publisher might accomplish even in the infancy of
the book business.
The list of booksellers between the years 1486-1490 includes the
name of Jean Bonhomme, the name which has for many years been
accepted as typical of the French bourgeois. This particular
Bonhomme seems, however, to have been rather a distinctive man
of his class. He calls himself “bookseller to the university,” and was a
dealer both in manuscripts and in printed books. On a codex of a
French translation of The City of God, by S. Augustine, is inscribed
the record of the sale of the manuscript by Jean Bonhomme,
bookseller to the University of Paris, who acknowledges having sold
to the honoured and wise citizen, Jehan Cueillette, treasurer of M. de
Beaujeu, this book containing The City of God, in two volumes, and
Bonhomme guarantees to Cueillette the possession of said work
against all. His imprint as a bookseller appears upon various printed
books, including the Constitutiones Clementinæ, the Decreta
Basiliensia, and the Manuale Confessorum of Joh. Nider.
Among the cities of France outside of Paris in which there is
record of early manuscript-dealers, are Tours, Angers, Lille, Troyes,
Rouen, Toulouse, and Montpellier. In Lille, in 1435, the principal
bookseller was Jaquemart Puls, who was also a goldsmith, the latter
being probably his principal business. In Toulouse, a bookseller of
the name of S. Julien was in business as early as 1340. In Troyes, in
the year 1500, Macé Panthoul was carrying on business as a
bookseller and as a manufacturer of paper. In connection with his
paper-trade, he came into relations with the book-dealers of Paris.
Manuscript Dealers in Germany.—The information
concerning the early book-dealers in Germany is more scanty, and
on the whole less interesting, than that which is available for the
history of bookselling in Italy or in France. There was less wealth
among the German nobles during the fourteenth and fifteenth
centuries, and fewer among the nobles who had means were
interested in literary luxuries than was the case in either France,
Burgundy, or Italy.
As has been noted in the preceding division of this chapter, the
references to the more noteworthy of the manuscript-dealers in
France occur almost entirely in connection with sales made by them
to the members of the Royal Family, to the Dukes of Burgundy, or to
other of the great nobles. The beautifully illuminated manuscript
which carried the coat-of-arms or the crest of the noble for whom it
was made, included also, as a rule, the inscription of the manuscript-
dealer by whom the work of its preparation had been carried on or
supervised, and through whom it had been sold to the noble
purchaser. Of the manuscripts of this class, the record in Germany is
very much smaller. Germany also did not share the advantages
possessed by Italy, of close relations with the literature and the
manuscript stores of the East, relations which proved such an
important and continued source of inspiration for the intellectual life
of the Italian scholars.
The influence of the revival of the knowledge of Greek literature
came to Germany slowly through its relations with Italy, but in the
knowledge of Greek learning and literature the German scholars
were many years behind their Italian contemporaries, while the
possession of Greek manuscripts in Germany was, before the
middle of the fifteenth century, very exceptional indeed. The
scholarship of the earlier German universities appears also to have
been narrower in its range and more restricted in its cultivation than
that which had been developed in Paris, in Bologna, or in Padua.
The membership of the Universities of Prague and of Vienna, the
two oldest in the German list, was evidently restricted almost entirely
to Germans, Bohemians, Hungarians, etc., that is to say, to the races
immediately controlled by the German Empire.
If a scholar of England were seeking, during the fourteenth and
fifteenth centuries, special instruction or special literary and scholarly
advantages, his steps were naturally directed towards Paris for
theology, Bologna for jurisprudence, and Padua for medicine, and
but few of these travelling English scholars appear to have taken
themselves to Prague, Vienna, or Heidelberg.
In like manner, if English book collectors were seeking
manuscripts, they betook themselves to the dealers in Paris, in
Florence, or in Venice, and it was not until after the manuscript-trade
had been replaced by the trade in the productions of the printing-
press that the German cities can be said to have become centres for
the distribution of literature.
Such literary interests as obtained in Germany during the
fourteenth century, outside of those of the monasteries already
referred to, centred nevertheless about the universities. The oldest of
these universities was that of Prague, which was founded in 1347,
more than a century later than the foundations of Paris and Bologna.
The regulations of the University recognised the existence of scribes,
illuminators, correctors, binders, dealers in parchment, etc., all of
which trades were placed under the direct control of the university
authorities.
Hauslik speaks of the book-trade in the fourteenth century as
being associated with the work of the library of the university, and
refers to licensed scribes and illuminators, who were authorised to
make transcripts, for the use of the members of the university, of the
texts contained in the library.[377]
If we may understand from this reference that the university
authorities had had prepared for the library authenticated copies of
the texts of the works required in the university courses, and that the
transcribing of these texts was carried on under the direct
supervision of the librarians, Prague appears to have possessed a
better system for the preparation of its official texts than we have
record of in either Bologna or Paris. Hauslik goes on to say that the
entire book-trade of the city was placed under the supervision of the
library authorities, which authorities undertook to guarantee the
completeness and the correctness of all transcripts made from the
texts in the library. Kirchhoff presents in support of this theory
examples of one or two manuscripts, which contain, in addition to the
inscription of the name of the scribe or dealer by whom it had been
prepared, the record of the corrector appointed by the library to
certify to the correctness of the text.[378]
The second German university in point of date was that of Vienna,
founded in 1365, and, in connection with the work of this university
the manuscript-trade in Germany took its most important
development. There is record in Vienna of the existence of stationarii
who carried on, under the usual university supervision, the trade of
hiring out pecias, but this was evidently a much less important
function than in Bologna.
The buying and selling of books in Vienna was kept under very
close university supervision, and without the authority of the rector or
of the bedels appointed by him for the purpose, no book could be
purchased from either a magister or a student, or could be accepted
on pledge.
The books which had been left by deceased members of the
university were considered to be the property of the university
authorities, and could be sold only under their express directions.
The commission allowed by the authorities for the sale of books was
limited to 2½ per cent., and before any books could be transferred at
private sale, they must be offered at public sale in the auditorium.
The purpose of this regulation was apparently here as in Paris not
only to insure securing for the books sold the highest market prices,
but also to give some protection against the possibility of books
being sold by those to whom they did not belong.
The regulation of the details of the book business appears to have
fallen gradually into the hands of the bedels of the Faculty, and the
details of the supervision exercised approach more nearly to the
Italian than to the Parisian model.
The third German university was that of Heidelberg, founded in
1386. Here the regulations concerning the book-trade were
substantially modelled upon those of Paris. The scribes and the
dealers in manuscripts belonged to the privileged members of the
university. The provisions in the foundation or charter of the
university, which provided for the manuscript-trade, make express
reference to the precedents of the University of Paris.
By the middle of the fifteenth century, there appears to have been
a considerable trade in manuscripts in Heidelberg and in places
dependent upon Heidelberg. In the library of the University of
Erlangen, there exists to-day a considerable collection of
manuscripts formerly belonging to the monastery of Heilsbronn,
which manuscripts were prepared in Heidelberg between 1450 and
1460. The series includes a long list of classics, indicating a larger
classical interest in Heidelberg than was to be noted at the time in
either Prague or Vienna.[379]
The University of Cologne, founded a few years later, became the
centre of theological scholarship in Germany, and the German
manuscripts of the early part of the fifteenth century which have
remained in existence and which have to do with theological subjects
were very largely produced in Cologne. A number of examples of
these have been preserved in the library of Erfurt.
One reason for the smaller importance in Germany of the
stationarius was the practice that obtained on the part of the
instructors of lecturing or of reading from texts for dictation, the
transcripts being made by the students themselves. The authority or
permission to read for dictation was made a matter of special
university regulation. The regulation provided what works could be
so utilised, and the guarantee as to the correctness of the texts to be
used could either be given by a member of the faculty of the
university itself or was accepted with the certified signature of an
instructor of a well known foreign university, such as Paris, Bologna,
or Oxford.
By means of this system of dictation, the production of
manuscripts was made much less costly than through the work of
the stationarii, and the dictation system was probably an important
reason why the manuscript-trade in the German university cities
never became so important as in Paris or London.
It is contended by the German writers that, notwithstanding the
inconsiderable trade in manuscripts, there was a general knowledge
of the subject-matter of the literature pursued in the university, no
less well founded or extended among the German cities than among
those of France or Italy. This familiarity with the university literature is
explained by the fact that the students had, through writing at
dictation, so largely possessed themselves of the substance of the
university lectures.
In the Faculty of Arts at Ingolstadt, it was ordered, in 1420, that
there should be not less than one text-book (that is to say, one copy
of the text-book) for every three scholars in baccalaureate. This
regulation is an indication of the scarcity of text-books.
The fact that the industry in loaning manuscripts to students was
not well developed in the German universities delayed somewhat the
organisation of the book-trade in the university towns. Nevertheless,
Richard de Bury names Germany among the countries where books
could be purchased, and Gerhard Groote speaks of purchasing
books in Frankfort. This city became, in fact, important in the trade of
manuscripts for nearly a century before the beginning of German
printing.[380]
Æneas Silvius says in the preface of his Europa, written in 1458,
that a librarius teutonicus had written to him shortly before, asking
him to prepare a continuation of the book “Augustalis.”[381] This
publishing suggestion was made eight years after the perfection of
Gutenberg’s printing-press, but probably without any knowledge on
the part of the librarius of the new method for the production of
books.
In Germany there was, during the thirteenth and fourteenth
centuries, outside of the ecclesiastics, very little demand for reading
matter. The women had their psalters, which had, as a rule, been
written out in the monasteries. As there came to be a wider demand
for books of worship, this was provided for, at least in the regions of
the lower Rhine, by the scribes among the Brothers of Common Life.
The Brothers took care also of the production of a large proportion of
the school-books required.
During the fourteenth century and the first half of the fifteenth, the
Brothers took an active part in the production and distribution of
manuscripts. Their work was distinct in various respects from that
which was carried on in monastery or in university towns, but
particularly in this that their books were, for the most part, produced
in the tongue of the common folk, and their service as instructors
and booksellers was probably one of the most important influences
in helping to educate the lower classes of North Germany to read
and to think for themselves. They thus prepared the way for the work
of Luther and Melanchthon.
As has been noted in another chapter, the activity of the Brothers
in the distribution of literature did not cease when books in
manuscripts were replaced by the productions of the printing-press.
They made immediate use of the invention of Gutenberg, and in
many parts of Germany, the first printed books that were brought
before the people came from the printing-presses of the Brothers.
Some general system of public schools seems to have taken
shape in the larger cities at least of North Germany as early as the
first half of the thirteenth century. The teachers in these schools
themselves added to their work and to their earnings by transcribing
text-books and sometimes works of worship. Later, there came to be
some extended interest in certain classes of literature among a few
of the princes and noblemen, but this appears to have been much
less the case in Germany than in Italy or even than in France. In the
castles or palaces where there was a chaplain, the chaplain took
upon himself the work of a scribe, caring not only for the
correspondence of his patron, but occasionally also preparing
manuscripts for the library, so called, of the castle. There is also
record of certain stadtschreiber, or public scribes, licensed as such
in the cities of North Germany, and in some cases the post was held
by the instructors of the schools.
Ulrich Friese, a citizen of Augsburg, writing in the latter half of the
fourteenth century, speaks of attending the Nordlingen Fair with
parchment and books. Nordlingen Church was, it appears, used for
the purpose of this fair, and in Lübeck, in the Church of S. Mary,
booths were opened in which, together with devotional books,
school-books and writing materials were offered for sale.
In Hamburg also, the courts in the immediate neighbourhood of
the churches were the places selected by the earlier booksellers and
manuscript-dealers for their trade. In Metz, a book-shop stood
immediately in front of the cathedral, and in Vienna, the first book-
shop was placed in the court adjoining the cathedral of S. Stephen.
Nicolaus, who was possibly the earliest bookseller in Erfurt, had his
shop, in 1460, in the court of the Church of the Blessed Virgin.
From a school regulation of Bautzen, written in 1418, it appears
that the children were instructed to purchase their school-books from
the master at the prices fixed in the official schedule.[382] A certain
schoolmaster in Hagenau, whose work was carried on between 1443
and 1450, has placed his signature upon a considerable series of
manuscripts, which he claims to have prepared with his own hands,
and which were described in Wilken’s History of the library in
Heidelberg. His name was Diebold Läber, or, as he sometimes wrote
it, Lauber, and he describes himself as a writer, schreiber, in the
town of Hagenau. This inscription appears in so many manuscripts
that have been preserved, that some doubt has been raised as to
whether they could be all the work of one hand, or whether Lauber’s
name (imprint, so to speak) may not have been utilised by other
scribes possibly working in association with him.[383]
Lauber speaks of having received from Duke Ruprecht an order
for seven books, and as having arranged to have the manuscripts
painted (decorated or illuminated) by some other hand. Lauber is
recorded as having been first a school-teacher and an instructor in
writing, later a scribe, producing for sale copies of standard texts,
and finally a publisher, employing scribes, simply certifying with his
own signature to the correctness of the work of his subordinates.
There is every indication that he had actually succeeded in
organising in Hagenau, as early as 1443, an active business in the
production and distribution of manuscripts. The books produced by
him were addressed more generally to the popular taste than was
the case with the productions of the monastery scribes.
In part, possibly, as a result of this early activity in the production
of books, one of the first printing-presses in Germany, outside of that
of Gutenberg in Mayence, was instituted in Hagenau, and its work
appears to have been in direct succession to that of the public writer
Lauber.
The relations between Hagenau and Heidelberg were intimate,
and the scholarly service of the members of the university was
utilised by the Hagenau publishers. The book-trade of Hagenau also
appears to have been increased in connection with the development
of intellectual activity given by the Councils of Constance and Basel.
In regard to the latter Council, Kirchhoff quotes Denis as having said:
Quod concilium, qui scholam librariorum dixerit haud errabit.[384]
Either as a cause or as an effect of the activity of the book
production in Hagenau, the Hagenau schools for scribes during the
first half of the fifteenth century became famous.[385] The work of
producing manuscripts appears to have been divided, according to
the manufacturing system; one scribe prepared the text, a second
collated the same with the original, a third painted in the rubricated
initials, and a fourth designed the painted head-pieces to the pages,
while a fifth prepared the ornamented covers. It occasionally
happened, however, that one scribe was himself able to carry on
each division of the work of the production of an illuminated
manuscript.
Hagen quotes some lines of a Hagenau manuscript, as follows: