lgnorantsde leur ombre, et ne sachant de mort que ce qui s'en consumed'immorlet

au bruit lointain des

grandeseaux,ils passent,nous lais.sant,
et nousne sommesplus les memes.ils sontt'espacetravers1 d,une
seule pensde.

NOTATION
key slap -- the givennotesare repeatedin / tree 6rder(asquicklyas posr
)to

k eVs laps im ult a n e o u sw

l yi ths o u n d
JTil repetitionof the samenote

-i
aeoliansounds(onlybrea.th
is audible)
[r1 poco rubato,barsnot marked

breathand soundmixed di mi nuendo

>! al ni ente
inhale I e x h a l e.) crescendod'al niente
{ CF ::
at- t
tongue pizzicato changeve4Aqlaclglrrromonesoundor wayof ptaying
to another;e.g.
x -:---j> v

* tongue pizzicaitocombined
withkey slap Flatsand sharpsare validone measureand onlv
in the sameoctave.
Non{empered(micro-)intervals: +
moltovibrato V f between i and ,tf
\/\,/- m ' ..
: not enoughair,uncontrolled
''underpressure" fi between f and L
I
result
aa

f-f "overpressure"
- toomuchair,producing
a turbulent
. . andunpredictablesound
.4--
f asquickly
as possible
si ngand pl ay
sirnultaneouslyf1
speaking,repeat!t" makeglissandowith
voice(to d1)whileplaying

whispering

2
Py
f$ultiphonics a1-
VT yn',Ay(,a.ni
| .J.+
rf- 1 34
,.SV T 5 2 s4
- r r----

Foriurtherinformation
aboutnew techniques and fingerings
see
Pierre-YvesArtaud/ G.'Geay:1)Fl0tesau pr€sent/ presentdayflutes
ta k e nf ro m 1 ) (Jobert),or
RobertDick:The OtherFtute(OxfordUniversitypress)

In passageswhichseeminglyare writtenin two parts,the illusion

') fromline20 on this shouldbe donewithlhe mouth
\
!ne-@markings shouldbe car:efu|ly
observec. coveringJfeembouchurehole.
gg1pr@r pagei on1is always,unmeasur:ed,
whereas
Effi-poll (frompage 2 on) is always measur:ed.
The difference
se two charactersshouldbe madeas clearlyas possible. For information
aboutoptionalamplification,
see bacr page.

duration7'30' - 9'30' Thi s ecl i l i on has hccn ki ndl v pr{i tpd hvl C ami i l e H ni tpnna
 Sta rt to reci te the text sl ow l y and cal ml y but w i th . a w el l audible voice ( iJ
KAIJA SAARIAHO.. p o s s i b l e .by
, heart, eyes to.w ardsthe audi ence). W hi l e speaki n g lif t t he f lut e
v e ry s l o w l y l ow ardb the l i ps (reachi ng them at the poi nt m ar ked) and
LACONISME
DEL'AILE c h a n g e y our voi ce . gradual l y f rom speaki ng i nto. forced w hisper ing. The
for soloflute(1982) fi n g e rs s houl d be kept ready i n posi ti on' for the fi rst sound (d') . The t em po
with optionalelectronics s h ou l d s l ow down and the s pea ki ng become s uccessi vel y l ess u nder st and-
dedicated
to AnneRaitio a b l e , th e. w ords shoul d gradual l y Qe_bound, together to form a single line.

i,i/[(v
lento(J = 48 - 60)

f...........-....-.----- r' ---------------l

votce
Ig - no -r ant s ig - n o - rants Je l eur' onr - bre et ne sa

E iovo-
Eo
T_J

vo lc e -v
- chant de rnort de mort que ce qui s'en. con - sunre d'im - rnor - tel - au
N
l Hl

r_J =___r

VOlCe

bru it lo in - ta in des g la n cle s eaux ils passent .nous . l al s - s ant

tRl
T,-;1
3i7a - -
l 4l A ' @- 40vo

irrstrunrent
on lips prp (sentpre)

(accel.)

plusles
e t n ou sn es om lnes ils s 0 n t I 'e s pace

tR t rl0c rL - - - -
t l_t !;;: - n,_,-a

',
\i ".kp,;rA" 2"vcttr
_ t\,r
{; tenrpoI (.D=-60)
o" sentprelegatissino
)_ d ryp
pp

Fl (ros")- 40Vc
@oovo :

lRl +oz,
E o- 50Vo -._----=---o @-< 5oEo --@

@Jasemusiikki Oy t) cl i ck l ny keys. not changi ng the i v l i tten pi tc l r:

typesetby HenryKoch i t i s i rrtentJccl that the cl i cks oi ur l uc e a k i nc l of v i br-l to
 2.
>{

1 ,^ -ffi-
' . f lut t enb , r . '. l l i r r-J --r
, | -,r,t \Ii ..i i
0/'
1Zrs.r r.lt It 4
-------) -_---->

l-Rl 407c - -
'
E 60Vo --'-----i 20Vo 6AVo >-4

@ goqo> '1 1

Ea z'
, € , 1 0 0 Vo _ g
5 !, ,..:
, tenrpo111.[ =-SO1

-t
co n vlDr :
csPr.
D-
rytw/L rc inWul,.f. r':.
l-Rl 40Vo 25Vo- '
E
i
- tempo II .
srff
p^f f*
0.)

L
- .1
.-.1.-4 esPr: '5

rRl25Va 40Vo- - - - - - >- 2 5 V o

E o -Q

l2

@ 1zsz,; 25Vo 50o/c 40Vo- -

i.\ , /lt
-.<'

___-_=--______;,' I eg a t o tenrpoI i

legatissiito
I [ 6,' rI ,1 rr;J'. O
l
 a
J
I
\ : "
iJ

"a" ilt the Bivcn pjtch

") sing the vorvcl
@ aozo
,it 1_,i ,(
1)

1 <q^
lE-l
UJ
oicz^r
\!J
, 50Vo
'e l

Jt' -t'

i !1A ,
!.. ! j !
------

25Vo
@ zsz,

11rrrtertongue
*) -------->
,^

'fi;1*-
i.- \ ) . -::--
l'1,..
i dolce \ vf

t-J- .
- J-

lnl roeb
ffi zoz" .--'1t'

I ' . i/ '. \ IV ,1,,i:,i;....

r, J
. ),.,. '/- klaa,, rr
"', r
r- J-----i dolce
tcnrpoI

r- j ------r

u'hi soerl l l l l l llllll

? :: ,illi.lli
"",,,!$IlJJ4lJ
(ilt itx |r\$rr ftirr.,:..(ctc)
lJp = rcFrt as quickly aj Poss

fnl zsz
Eo

lce
tenrpo'I tcnrpoII
.-t--J {

--J

+ ---J v()tce
..,:zli'a,"U
I
r': i- ' !U' :r I( -t',.ir i, iti
1ri ai :ti ...) (a
- - -r- 7}Vo
l-R-] I < n e ^ \ -
\Jw lu )

E O -
IOOVo
 4
tempoI
2 1 | -- - - - - . - ) r-j--

ppp rtr

N zsso 50Vo-
1007o - 20Vo
Eo
_-ryEP
c(rltnato calnruto
JN
f-- .

(aoao)_______

o-g

rvhisper ff > r qp< ffi> " <etc

poto accet._ -
-pP
lnto
Inst r' ( ssss...)

l-Rl7jVo
lrll o- @

( Icg u to )
I lttlc c. t.t.tilt i lc
P ltr

-; : / / i, l r, ' 7

N(ioz,) -:-- l00Vo -

ffi1 rn
Li-iJ v

as slowlyaspossible

(into instr.)

tra - ver-se

fnl irooz,) 50Vo -

60Vo
Ea f ' . t
\\/
kilP rv
Y
./'

..<.
,. passiot:iate!
move away from lnstrument
attaica

seule

lK l)u7o-
__-___ o
ffi 6OEo

') choose3 clearlyditterent (diflerdnt

fingerings lor the givenpitch
colours)
changesbetweenlingerings.
wiienplayingdo progressive
") glissendo
withvoice
 {
J

)/
'\ ,'.I.
(semprelegaro)
.f.--.-

. OC{ a 't

11.11407o) 4 0 Vo ,- - - -

60Eo - 4dVo 60Vo

- - - - - - - -! - -- .-"t -- l = - - - I7 ' - "

r tl i ":: 'J
3 = gWt 'i

-2,2" r i - 2.5"
r

[Rl
-, 1 ,
6oz, 40Vo 60Vo 40Vo 60Vo

f'l'll'"'tLtt&' '
I

o,:r ...):
icqrri
rit. ( senp re pochissinto)
t

^, ?EP
JI^ ,,
f
:

lR) 70vo- 30vo 3jVo '7jVo

: 'i ."i i-r\I I

i
l tr.
I i l' .1 -* \
- ! - -l
- -rit.(sentirepoc:hkrn|ro1'J

| -.3,0r. ,. r 3.5" t

@louo 3jVo 70Vo - 30

 t-l

'1\Vo - 20Vc
@ roz,

wt nf

@ zoz,

nf

I I
I possi bl e
asl ong.ns -?.5"
-J"

@t ro-s o z , ) - - -
r ..
r ^,\ li.
\_,^, _v tT

whistletones
< fortc poss.

as long as possible

lEl eo-8ovo)
IUI d
lrrt v

37;_r:?+__:,3h ,?k - t:t

f-----:-?rf-?

accel. -

fp-l iro-aozo)
@a

\
whistletones I

a.s/orr.r.J
rr.r lxts,sible
r=t (70-807o
,^^ ^^- , )
lRl
toovo a
ffi loz,
Pa r i s,2 5 .3 I. 9 8 2