Professional Documents
Culture Documents
Fashion Events
Fashion Events
V It is important to stand out and distinguish yourself to get the attention of the press
in order to turn the collection into an object of desire.
V It is taken as resources of authenticity: novelty, innovation and spectacularity.
V The photographers and journalists who work on the shows highlight the commercial
reality of the catwalk.
• To be remembered.
• A fashion editor sees a large number of fashion shows, if you have managed to get
their attention, the important thing now is to be remembered and remain present
in their fashion editions to increasingly position the designer's name or brand.
• Support the purchase decision.
MANAGEMENT
It involves the set of procedures that are carried out
to resolve an issue or complete a project.
Management is also the direction or administration
of a company or business.
MANAGEMENT MODELS
The start is from a project that specifies:
concept, objectives, justification and development of
production.
In the case of public organizations, the management model they
use is different from the management model of the private sector.
While the second is based on obtaining economic gains, the first
puts other issues into play, such as the social well-being of the
population.
FASHION SHOW
CATALOGS OF
FASHION
FASHION BLOG
HOARDING
ACTORS INVOLVING IN A
designer
FASHION PRODUCTION Fashion
Producer of
An event production requires the management fashion
Fashion Editor
and interaction of the designer with
Fashion stylist
professionals and fashion experts in an
interdisciplinary and transdisciplinary work Models
network, in which each actor plays the role that Makeup Artists
(MUA)
corresponds to him within each stage of the Photographer
READY-TO-WEAR SHOWS
CELEBRITY PARADES
AUDIOVISUAL PARADES
VIRTUAL DEFILES
CLASSIC PARADES
THEATER PARADES
CONCEPTUAL DEFILE
THE GENDERS
HAUTE COUTURE SHOWS
Haute couture shows are aimed at the press.
They are traditionally developed behind closed doors, they
require a
high budget for the extravagance of luxury and exclusivity that
it
implies.
READY-TO-WEAR SHOWS
The ready-to-wear shows show
garments produced on a large scale
in standard sizes, serialized, but not
massive, they are characterized by
being more affordable than haute
couture, but they do not leave their
luxury category.
THE SALON PARADES
The showroom or salon fashion shows have the purpose of sales rather
than promotion, where the attendees are solely and exclusively the
regular buyers of the brand, they can also be directed to a very select
group of the press.
CELEBRITY PARADES
These shows are intended for celebrities,
politicians and people from the
entertainment world, who are transformed
into models that parade in a very
professional and insightful manner, which
increases the popularity and popularity of a
designer or brand.
AUDIOVISUAL PARADES
Lately, fashion shows have diversified their format,
which is why audiovisual shows are alternative, efficient and economical, although in our
Latin environment they have not been developed frequently, certain European designers
have done so, obtaining a benefit with the use of few resources. , although when doing
them for the first time it is somewhat complicated.
VIRTUAL SHOWS
These types of shows are aimed at the final consumer, the press and buyers, all of them sitting in
the front row of their living room. Futuristic looks are most often created in this format, where a
video of the collection is made, showing various angles of the designs and of course the scenery
and environment where it is developed; In the near future this type of parade may be the new
trend.
THE CLASSIC PARADE
Present the collection by clearly showing all the garments in the
collection for 15 or 20 minutes, without advertisements or
additional messages that could distract the viewer or buyer.
This type of presentation takes place within the classic canons :
the lights turn on, the music begins to play and the models
parade one after the other to stop at the end of the catwalk,
posing so that the photographers can accurately capture the
outfits. , turn around and disappear behind the curtain, and
finally all the models come out in the company of the designer
to thank the public.
THE THEATER
PARADE
This type of parade aims to impress and seduce both
the press and buyers; for all the spectacle that it
represents by using theatrical techniques, opera, etc.
The models wear a single outfit and in addition to
parading they act. Many of the garments are
produced solely for the show and the collection that
reaches the showrooms and stores is more
commercial.
THE CONCEPTUAL PARADE
Conceptual fashion and its
staging, like conceptual art, does
not stop at forms or materials,
but at ideas and concepts.
THE GENDERS
Within the shows we have some genres with which the designers identify and transmit
their style; Some of these platforms not only show their collection but also spread
ideological, conceptual or personal messages.
Choosing one of these genres depends on the type
of collection you want to show, the budget you
have as well as the type of audience you want to
target.
MANAGEMENT OF A FASHION
SHOW
o In a parade, an important part of the public is made up of regular customers,
buyers and potential buyers.
o For those who are already there, the show is a good way to ratify their purchasing
decision and show loyalty to the brand.
o The parade becomes an effective system to convince them.
o Generate expectation.
o Once the designer manages to attract the attention of the press and the public,
buyers will see his name in the media and when his new collection is presented,
many will want to attend the event.
o The work must be continuous, before, during and after the parade.
RESOURCES OF A GATEWAY
Element Aspects to take into account Fashion Actors
Local Location, size and suitability Fashion Designer/Producer
For young designers starting out, there are, however, some fashion productions
that offer suitable frameworks to be able to present a first collection or products
with the minimum possible economic impact, through aid.
Likewise, others choose to look for sponsors from cosmetics, hairdressing or
beverage brands.
Therefore, it is necessary to evaluate and manage the budget to avoid surprises
during the process.
MULTIDISCIPLINARY INTERACTION AND PROACTIVITY
DETERMINANTS FOR FASHION PRODUCTION
1 COMPANY DESIGNER
2 TARGET: Description of the client for whom the fashion product is intended
GENDER: AGE: SOCIAL STRATUM MODALITY OF CLIMATE URBAN TRIBE SIZE
HOME
Female Low Medium High Suburban Urban Rural Dry Rainy Wet Hot Cold Hippies Punks Small Medium Large
Children Teenager
Male Rockers Extra big
Young
Skaters
young adult
Gothic
Adult
Elderly
3 PRODUCT OR COLLECTION: Description of the origin and characteristics of the collection and what you wish to transmit
Collection style: Collection Type: Trends: Concept:
Avant-garde, Modern, classic, Formal, casual, sportwear, Color, fabrics, shapes, Inspiration and references to
Minimalist, romantic, jeanswear, streetwear silhouettes develop the product
baroque.
4 BRAND POSITIONING: Referring to the scope of the brand and the product in the market
Output: Brand Status
Massive or Exclusive High, medium, low
5 OBJECTIVE
Reach a massive audience Reach an exclusive audience
6 BUDGET FOR PRODUCTION: The economic aspect that the company has is decisive when choosing a promotion format
Unff Fatdgrajo Radio advertising bataditoi and dock stage staff: ^•onds and aecofaüras
photographer, focati'c^ Advertising on TV cbampognc. Models, D^Podar, elements.
icautt^ modciüí Press Advertising Moquilllstu, fsrMsra, ApUc&rei pusnarent
professionals, eshlista d Iuitocian Banners Hoto delivery of foedgrafo. Wardrobe (pressure at the cUmte
trocla. rihilikta, presents to the public assistants to Iorr.p'a)
moquilism. by porte de! company
name (optional) Pecursos
Torque size and
Equipment; Photographer
suitability. In
Lspejos Nesos SiNas
accordance with the
Location: outside the Coat racks
style and theme of the
photographic studio , Moquillje estNism
previous
apLc for the moot or in instruments
diognastkoda
the studio in January a Uuminacidn
collection.
set or mpntje of the
•rKO^rta will be written
Personnel: Protocol,
photographer,
^odeios, eettuorlú
assistant, maquiilista,
stylist, prvdiKtor,
presenter, act
*ptermedw, catering
sery^cw v áptera.
1 group: i^ommocián,
music, seats porp ei
púühco and
dUtnbuc/óa (ViPs,
pubocidoa media,
fashion specialists,
special invaders and
púbbcol.
botkstogey omunkcecian
'ipoune ona nrltues).
Footbridge assembly:
Coionciórf, i^^'tud.
height, decoration.
Walkway assembly :
Placement, length, height,
decoration.
Walkway assembly:
Placement, length, height,
decoration.
DIAGNOSIS
Genre: Casting of female models, male children.
Age: Guests and attendees must be within the specified age
Social status:
Guests with medium and medium-high purchasing and economic levels.
Climate:
Search for a place with a cover to transmit the concept.
Style:
Makeup and hairstyle of the sophisticated models, attitude, Glamorous.
Size:
Determines that the collection is a sample that will be exhibited, for which an appropriate sales strategy is sought.
PRODUCT OR COLLECTION
Collection style Trends Concept Number of outfits in the collection
Collection type
Classic / Avant-garde Current Spring City of Cuenca Chola 70 outfits Women Men Children
Sport Wear Jeans Summer 2020 Cuencana
Wear Casual Autumn Winter
Formal 2020
Promptness Prêt-
à-porter High
Fashion
Diagnosis:
Collection style: determine the hairstyle: waves and volume according to the inspiration of the city of Cuenca and
the Chola Cuencana.
Type of Collection: a sober place is chosen but without a waste of luxury because the clothing is high Fashion,
ready-to-wear and Prontismo.
The concept:
It is linked to the styling and attitude of the models, the setting and the concept.
Outfits:
Casting of 45 models:
25 women, 10 men, 10 children
BRAND POSITIONING
Output Brand Status
Exclusive production High (medium high, medium)
Diagnosis:
Production Volume: the production will be directed to an exclusive audience.
Brand status: Greater media coverage, since it is a positioned academic (institutional) parade. Television:
Radio:
AIM
Reach a massive audience v Reach an exclusive audience v
Diagnosis:
Objective: The dissemination will be through Radio/
Press:
PROMOTION FORMAT TO USE
Runway
Diagnosis:
x Catalogue
— Blog
— Fences
—
Promotion format: Feasibility analysis of the option chosen by the institution
OWN RESOURCES AND SPONSORSHIP OWN RESOURCES
Guest designer
BUDGET FOR PRODUCTION
$ 5.000 Auspices
Location: The student collections are ready-to-wear high fashion since they will be developed in
the institution's facilities, a sober, traditional and elegant place is sought, which fits the targeted
target.
Sincerely
Sirs
SPONSOR COMPANY
POST
City.-
From our considerations:
We, the students of IST Gran Colombia, with the aim of presenting an example of teamwork and pro-activity of the students of the fashion design career, aimed at
presenting an event of excellence and professionalism, in which the collections of students from second to fifth level, called “CAPAQ ÑAN III”, which will take place on
March 19, 2020, at the IST Yavirac facilities.
Considering the attendance of 500 guests at said event, we asked you to consider whether your prestigious company could cooperate through a sponsorship of its
product for the toast to be made at the event.
Attached please find the following package:
Product exchange package
Commitment of the sponsoring company Champagne for 300 guests
Includes Cups
Organizers' commitment:
Logo on 500 invitations
2 event banner logo
The sponsoring company can place a banner of its product at the event.
Thanking you in advance for your valuable collaboration, waiting for your comments, we subscribe to you.
Sincerely
BUDGET
To carry out a production, companies and designers must have a budget or financing, which will
determine the magnitude of the production; Another option is to seek financial support through
sponsoring companies that are interested and that support the idea of the project. For example, holding
a parade is of great magnitude. Despite their short duration (generally no more than thirty minutes), they
involve a large investment of time and budget in their design and development. If proper and proactive
management is carried out, it can generate between ten and one hundred times its cost in free
advertising, in photos appearing in magazines, newspapers and blogs, in television coverage, etc.
• For young designers starting out, there are, however, some fashion
productions that offer suitable frameworks to be able to present a
first collection or products with the minimum possible economic
impact, through aid.
• Likewise, others choose to look for sponsors from cosmetics,
hairdressing or beverage brands.
• Therefore, it is necessary to evaluate and manage the budget to avoid
surprises during the process.
MULTIDISCIPLINARY INTERACTION AND PROACTIVITY
DETERMINANTS FOR FASHION PRODUCTION
1 COMPANY DESIGNER
2 TARGET: Description of the client for whom the fashion product is intended
GENDER: AGE: SOCIAL STRATUM MODALITY OF CLIMATE URBAN TRIBE SIZE
HOME
Female Low Medium High Suburban Urban Rural Dry Rainy Wet Hot Cold Hippies Punks Small Medium Large
Children Teenager
Male Rockers Extra big
Young
Skaters
young adult
Gothic
Adult
Elderly
3 PRODUCT OR COLLECTION: Description of the origin and characteristics of the collection and what you wish to transmit
Collection style: Collection Type: Trends: Concept:
Avant-garde, Modern, classic, Formal, casual, sportwear, Color, fabrics, shapes, Inspiration and references to
Minimalist, romantic, jeanswear, streetwear silhouettes develop the product
baroque.
4 BRAND POSITIONING: Referring to the scope of the brand and the product in the market
Output: Brand Status
Massive or Exclusive High, medium, low
5 OBJECTIVE
Reach a massive audience Reach an exclusive audience
6 BUDGET FOR PRODUCTION: The economic aspect that the company has is decisive when choosing a promotion format
Unff Fatdgrajo Radio advertising bataditoi and dock stage staff: ^•onds and aecofaüras
photographer, focati'c^ Advertising on TV cbampognc. Models, D^Podar, elements.
icautt^ modciüí Press Advertising Moquilllstu, fsrMsra, ApUc&rei pusnarent
professionals, eshlista d Iuitocian Banners Hoto delivery of foedgrafo. Wardrobe (pressure at the cUmte
trocla. rihilikta, presents to the public assistants to Iorr.p'a)
moquilism. by porte de! company
name (optional) Pecursos
Torque size and
Equipment; Photographer
suitability. In
Lspejos Nesos SiNas
accordance with the
Location: outside the Coat racks
style and theme of the
photographic studio , Moquillje estNism
previous
apLc for the moot or in instruments
diognastkoda
the studio in January a Uuminacidn
collection.
set or mpntje of the
•rKO^rta will be written
Personnel: Protocol,
photographer,
^odeios, eettuorlú
assistant, maquiilista,
stylist, prvdiKtor,
presenter, act
*ptermedw, catering
sery^cw v áptera.
1 group: i^ommocián,
music, seats porp ei
púühco and
dUtnbuc/óa (ViPs,
pubocidoa media,
fashion specialists,
special invaders and
púbbcol.
botkstogey omunkcecian
'ipoune ona nrltues).
Footbridge assembly:
Coionciórf, i^^'tud.
height, decoration.
Walkway assembly :
Placement, length, height,
decoration.
Walkway assembly:
Placement, length, height,
decoration.
DIAGNOSIS
Genre: Casting of female models, male children.
Age: Guests and attendees must be within the specified age
Social status:
Guests with medium and medium-high purchasing and economic levels.
Climate:
Search for a place with a cover to transmit the concept.
Style:
Makeup and hairstyle of the sophisticated models, attitude, Glamorous.
Size:
Determines that the collection is a sample that will be exhibited, for which an appropriate sales strategy is sought.
PRODUCT OR COLLECTION
Collection style Trends Concept Number of outfits in the collection
Collection type
Classic / Avant-garde Current Spring City of Cuenca Chola 70 outfits Women Men Children
Sport Wear Jeans Summer 2020 Cuencana
Wear Casual Autumn Winter
Formal 2020
Promptness Prêt-
à-porter High
Fashion
Diagnosis:
Collection style: determine the hairstyle: waves and volume according to the inspiration of the city of Cuenca and
the Chola Cuencana.
Type of Collection: a sober place is chosen but without a waste of luxury because the clothing is high Fashion,
ready-to-wear and Prontismo.
The concept:
It is linked to the styling and attitude of the models, the setting and the concept.
Outfits:
Casting of 45 models:
25 women, 10 men, 10 children
BRAND POSITIONING
Output Brand Status
Exclusive production High (medium high, medium)
Diagnosis:
Production Volume: the production will be directed to an exclusive audience.
Brand status: Greater media coverage, since it is a positioned academic (institutional) parade. Television:
Radio:
AIM
Reach a massive audience v Reach an exclusive audience v
Diagnosis:
Objective: The dissemination will be through Radio/
Press:
PROMOTION FORMAT TO USE
Runway x Catalogue — Blog — Fences —
Diagnosis:
Promotion format: Feasibility analysis of the option chosen by the institution
OWN RESOURCES AND SPONSORSHIP OWN RESOURCES
Guest designer
BUDGET FOR PRODUCTION
$ 5.000 Auspices
PRE-EXECUTION
PUBLICITY AND PROMOTION PLACE OF THE CATWALK SALE
Advertising in Location: institution facilities Stand (information from
Television: Public relations Capacity: 500 people Browshore designers)
Radio: listeners 18 to 45 years Style: Montage inspired by Cuenca
old Type: high fashion show, ready-to-wear, prompt.
Written press : public relations Staff:
2 banners at the event Protocol : 15 people
1 backing Backstage: 15 costume designers
500 invitations Models: 45 women men children
Makeup artists: 15 people
Hairdressers: 15 people
Presenter: 1 person
Photographers : 2 people
Assembly: 45 people
Producers : 5 people
Equipment: lighting, sound, general public seats, VIP (authorities,
media, fashion specialists), giant screen, 2 televisions
(backstages,)
Communication (walkie and talkies)