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Mirrored Heavens

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About The Book

The interwoven destinies of the people of Meridian will finally be determined in this stunning conclusion to New York Times bestselling author Rebecca Roanhorse’s Between Earth and Sky trilogy.

Even the sea cannot stay calm before the storm. —Teek saying

Serapio, avatar of the Crow God Reborn and the newly crowned Carrion King, rules Tova. But his enemies gather both on distant shores and within his own city as the matrons of the clans scheme to destroy him. And deep in the alleys of the Maw, a new prophecy is whispered, this one from the Coyote God. It promises Serapio certain doom if its terrible dictates are not fulfilled.

Meanwhile, Xiala is thrust back amongst her people as war comes first to the island of Teek. With their way of life and their magic under threat, she is their last best hope. But the sea won’t talk to her the way it used to, and doubts riddle her mind. She will have to sacrifice the things that matter most to unleash her powers and become the queen they were promised.

And in the far northern wastelands, Naranpa, avatar of the Sun God, seeks a way to save Tova from the visions of fire that engulf her dreams. But another presence has begun stalking her nightmares, and the Jaguar God is on the hunt.

Nominated for the Nebula, Lambda, Locus, and Hugo Awards, winner of the Alex Award from the American Library Association and the Ignyte Award from Fiyah magazine, the Between Earth and Sky trilogy is amongst our most lauded modern fantasy series from The New York Times, Los Angeles Times, and USA TODAY bestselling author Rebecca Roanhorse.

Excerpt

Chapter 1 CHAPTER 1
CITY OF TOVA

YEAR 1 OF THE CROW

On earth, in heaven, and within,

Three wars to lose, three wars to win.

Cut the path. Mark the days. Turn the tides.

Three tasks before the season dies:

Turn rotten fruit to flower,

Slay the god-bride still unloved,

Press the son to fell the sire.

Victory then to the Carrion King who in winning loses everything.

—Coyote song

Zataya of the Coyote clan was no tower-trained Watcher casting fortunes and charting star maps, no birthright sorcerer from the southern cities dispensing futures gleaned from dark mirrors painted with blood, but she knew enough to read the portents around her, and they told her that something terrible was coming.

First there was the eclipse that lingered over the city since the new year solstice, an impossible thing made real by the crow god’s magic. Then there was the tailing comet that had blazed across the twilight sky last month when the Odo Sedoh ascended his throne upon Shadow Rock to break the matrons and rule the city. And now the seasons turned, again, and the constellations of the lesser gods burst to life upon the sky’s inky canvas: jaguar and kraken, serpent and spear.

And she understood.

The war on earth may have yet to start as the gods claimed their vessels and set their stakes, but the war in heaven had already begun.

For what was earth but a mirror of heaven?

And what was she but a thing caught in between?

But Zataya would not be idle. She would not wait to be devoured by avatars and armies. She would find a way to survive.

And why not? Her god was a sly god, a god of narrow spaces and narrower paths. He made his own way and did not wait for others to clear it for him.

So she would do the same.

When she had augured the future before, she had used southern sorcery, blood on a dark mirror that revealed the shadow world to those who sought it. But now she wished to walk with Coyote, and his communion manifested in natural things. Rock and flame, leaf and root.

She had been living in a small room in the matron of Coyote clan’s house and serving as her Shield captain, a title that allowed her to counsel and observe. But for this, she wanted no witnesses.

The Lupine stood abandoned after Denaochi’s death, its gambling tables and drinking cups left to entertain ghosts. That is where she went. Her old room was still there with all of her tools, and she knew no one would disturb her delicate work.

She set the fire in the hearth and stoked it until it burned steadily. Once the logs had diminished to glowing lumps of char, she used a flint spade to rake the largest onto the floor.

Tradition told her that the answer to her question lay within the heated charcoal, so she set her resolve and asked, “How do I survive the war that is in heaven, and the war to come on earth?”

Unhesitating, she struck the lump with the edge of the spade. It cracked into smoldering pieces of black and orange and red. She used a stick to poke around the heated mass, looking for what message the Coyote might send her.

And gasped.

A crow. She saw a crow.

“No,” she breathed, shaking her head. That could not be right. Surely the Coyote did not mean to bind her fate to the Crow God Reborn.

Frustrated, she swept the pieces away and lifted another charred lump from the fire. Again, she asked her question, split it open, and again the pieces formed a crow.

With a growl of despair she tried one more time, only to receive the same result.

Perhaps the fire was not the answer.

She went to her cabinets, still intact even after months of abandonment, and searched for the tiny herb that would surely give her a clearer vision. She found it, a crush of dried cactus flower they called Coyote’s Paw. It was a powerful medicine known to cause visions, and she swallowed it down.

And then she waited.

It did not take long.

She had expected to see things, but instead she heard a voice. It spoke to her in echoing whispers, a sound that seemed everywhere and nowhere at once. Inside and outside. Above and below.

She knew it was the voice of her god, the Coyote’s own song, and she repeated the words with a fervor, letting her lips form to their shape and her tongue learn their weight, knowing that this was the path to survival.

She was not sure how long she sat there muttering the same words over and over again, but when she came back to herself, her entire being resonated with them.

Only they made no sense.

She had memorized a riddle.

She should have known the Coyote’s currency would not be so straightforward.

It was the chilling hearth that reminded her that too much time had passed and soon her matron would notice her absence, and that would raise questions, and there were things Zataya did not wish to share with anyone.

She shoveled dirt into the hearth and put away her auguring tools, pausing to tidy her room. And there, cooled to shades of black and gray but still plainly visible, was the crow.

At the thought of the crow, the Coyote song that lay behind her teeth trembled her jaw and burst from her mouth. She found herself repeating the riddle, a whisper under her breath that would not cease. She slapped her hand over her mouth, and the song became a shout. She stumbled to the wall and slammed her head against the stones. Stars danced in her eyes, and she swayed at the pain, but still the words came like a bubbling froth.

Desperate, terrified, she slammed her head into the wall again.

And then again and again until her vision shuttered, and her mind went dark.

She collapsed to the floor, unconscious… her lips still moving.

About The Author

Photograph by Emily Blasquez Photography

Rebecca Roanhorse is the New York Times bestselling author of The Sixth World series and the Between Earth and Sky trilogy. She has won multiple awards for her fiction including the Nebula, Hugo, and Locus Awards. She has also written for Marvel and Lucasfilm, and for hit TV series including A Murder At the End of the World and Echo. She lives in New Mexico with her family.

Product Details

  • Publisher: S&S/Saga Press (June 4, 2024)
  • Length: 608 pages
  • ISBN13: 9781534437708

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Raves and Reviews

“Rebecca Roanhorse is one of my auto-read authors — and one major reason is because of her fire Between Earth and Sky series. That trilogy comes to a stunning, fevered conclusion with Mirrored Heavens. All of the characters you love, hate and love to hate will converge on the city of Tova. Get ready for an epic battle between ancient gods, their human avatars and the mortals caught in between.”

NPR

“Rebecca Roanhorse… [is one] of the Indigenous novelists reshaping North American science fiction, horror and fantasy — genres in which Native writers have long been overlooked.”

The New York Times

"The pages turn themselves. A beautifully crafted setting with complex character dynamics and layers of political intrigue? Perfection. Mark your calendars, this is the next big thing."

Kirkus, starred review

"A a razor-sharp examination of politics, generational trauma, and the path to redemption...Roanhorse strikes a perfect balance between powerful worldbuilding and rich thematic exploration as the protagonists struggle against their fates. Fantasy fans will be wowed."

Publishers Weekly, starred review

“I emerged from Black Sun bleary-eyed, tongue-tied, heart-swollen. This is a brilliant world that shows the full panoply of human grace and depravity. Rebecca Roanhorse is the epic voice of our continent and time.”—Ken Liu, award-winning author of The Grace of Kings, and The Hidden Girl and Other Stories.

"This is the novel I've been waiting for. This is the novel we've all been waiting for. Everything's different now, with Black Sun. Different and better. Stands shoulder to shoulder with the very best fantasy out there. There's Martin, there's Jemisin, and now there's Roanhorse."—Stephen Graham Jones, award-winning author of The Only Good Indians, and Mongrels

"Engrossing and vibrant. Black Sun left me with my jaw on the floor."—Tochi Oneybuchi, author of Riot Baby

"Absolutely tremendous. Roanhorse knocks it out of the park again with an epic tale about duty and destiny that will sweep readers away and broaden the horizons of an entire genre."—S.A. Chakraborty, nationally bestselling author of The City of Brass.

“The world sucks you in from the start, and the pacing yanks you along by the collar. Black Sun is instantly riveting from the beginning—Roanhorse is at the top of her game here.”—R.F. Kuang, bestselling author of The Poppy War

"Roanhorse introduces an epic fantasy with vivid worldbuilding and exciting prose. Readers will be attracted to the story, in which there is no real right vs. wrong. Only inevitable change will draw out the heroes of this imaginative tale." — Library Journal, (starred review)

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