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The New Review
Culture, reviews and features from the Observer
13 September 2024
The Jesus Lizard: Rack review – Chicago punks return with pyrotechnics undimmed
Fousheé: Pointy Heights review – a Caribbean-facing new direction
10 September 2024
Elaine by Will Self review – an intense reimagining of the author’s mother’s life
Book of the day
Nexus: A Brief History of Information Networks from the Stone Age to AI by Yuval Noah Harari review – rage against the machine
9 September 2024
Graphic novel of the month
Final Cut by Charles Burns review – a book to be read and reread
Book of the day
Wild Thing: A Life of Paul Gauguin by Sue Prideaux review – savage with a sensitive side
8 September 2024
Want: Sexual Fantasies, edited by Gillian Anderson review – intriguing survey of desire
Exam Nation by Sammy Wright review – an essential lesson for Britain’s grade-obsessed education system
Firebrand review – magnetic Alicia Vikander and glorious Jude Law lift cautious Tudor court drama
‘After Rwanda, I felt I needed philosophical more than psychological help’: journalist Lindsey Hilsum on war and the consolation of poetry
We Solve Murders by Richard Osman review – his new crime-fighting team is another winner
Rebel Ridge review – Aaron Pierre impresses in small-town US action thriller
‘I have taken risks, but Damien is a staggering risk-taker’: Michael Craig-Martin on style, the YBAs and being the great late bloomer of British art
Apollo 13: Survival review – gripping documentary on Nasa’s near-disastrous lunar mission
Starve Acre review – Matt Smith and Morfydd Clark hole up in brooding Yorkshire folk-horror
People Who Like Dogs Like People Who Like Dogs review – a touching tale of the canine-human community
The week in theatre: G; The Spy Who Came in from the Cold; The Real Thing – review
Stopgap Dance Company: Lived Fiction review – a thrillingly inclusive celebration
The pub garden smoking ban is a drag on our freedoms
David Mitchell
Goodbye Tinder, hello Strava: have ‘hobby’ apps become the new social networks?
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