Without Air (2023) Poster

(2023)

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8/10
A timely warning about the perils of the teaching profession
chong_an17 September 2023
In small-town Hungary, Ana is a beloved teacher of literature, who tends not to slavishly follow the official curriculum, but uses creative methods. In discussing the French poet Rimbaud, she assigns as optional homework the viewing of the film Total Eclipse (1995), which depicts Rimbaud in a homosexual relationship. While she has done that for many years without complaint, this time a conservative father happens upon his son watching the film on his computer, and he launches a complaint about the immoral material. A committee is formed to determine whether the film is age-appropriate.

Concerned with the school's upcoming 150th-anniversary celebrations, the school principal tries to sweep this under the carpet with a temporary reprimand. But Ana is standing on principle, and is worried about the implications of censorship, so she appeals. That brave and foolish move forces a bigger inquiry, which causes a bigger fuss.

I saw this at the Toronto International Film Festival, where the director said it was inspired by a real incident. Written during the COVID lockdown and shot in 2021, this film has become very topical, as issues of banning the discussion of sexuality in even high schools has emerged in various locations outside Hungary.
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7/10
How an oppressive regime takes hold
ListenToChris2 April 2024
This is a really well worked film. The teacher at the centre of it is doing her job well, just the way she has for the last few years. But things have changed in the political environment, and things that used to be OK have been declared inappropriate.

The teacher thinks the change is regressive, and stands her ground, but soon loses the support of those around her, and those who stay in support find themselves being pressured in other ways.

To understand the film, it's useful to have some understanding of the political changes in Hungary and Romania at the time.

Overall it's well played out, and we strongly sympathised with the teacher in the central role. It's also a generic story looking at just one aspect of how an authoritarian regime works its restrictions into the society it seeks to control.
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7/10
Too subtle to have a bite
rozi725 February 2024
The story originally happened to a Romanian teacher and the film also takes place in Romania (but in an ethnic Hungarian grammar school), so it is only indirectly about the Orbán régime. However, since then, a law has been passed in Hungary that bans talking to minors about homosexuality, so this is quite a relevant topic in Hungary.

The film presents social pressure very effectively, it is difficult to watch how her colleagues turn against the popular Hungarian literature teacher, who recommended the film Total Eclipse to her students when learning about Rimbaud.

I understand that the creators wanted to avoid using a heavy-handed approach, and for this reason, there are hardly any discussions about the subject matter, but this can leave the viewer feeling that too many things were left unsaid. The main character is also very quiet and subdued, which sometimes comes across a bit unnatural in her situation. Not totally unnatural though, since she is a literature teacher, I suppose it is plausible that she would never get angry or use any bad words.

What happens to the other main character (the student) is also shown in an understated way, perhaps the depiction is a bit too subtle for true drama.

For a film to provide a critique of a régime or a way of thinking, biting satire is more effective, like in the cult Hungarian film The Witness (A tanú). A more subtle approach, as the one used here, might feel a little weak.
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5/10
Disappointingly timid
Radu_A18 August 2024
The incident referenced here actually happened happened in Romania (but could happen anywhere), yet incidentally there's a film with much more gusto about this subject from there which won the Berlin Golden Bear, "Bad Luck Banging", in which a teacher has to face a PTA because of leaked homemade porn. That film is way over the top and filled with useless symbolism, but it's interesting because it evolves from an intellectual exercise into a full-blown satire.

This Hungarian treatment of administrative bullying in a small town over something as trite as a boring Leo Di Caprio film takes a serious approach but remains horribly dry as a result. The school's staff easily relents to a homophobic attack and uses this to exert authority over a defenseless victim, but there's no real conflict. In the German "Teacher's Lounge", a student rallies his class into bullying a teacher after she caught his mother stealing. That film builds into a major confrontation, this one refrains from making any statement. It's just a few predictable talking points and therefore doesn't do its subject any service or justice.
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3/10
Sadly it wasn't a good film
talmacsiistvan18 August 2024
Warning: Spoilers
Unfortunately it wasn't a good film. The plot of the film is quite important, the actors were fine, the directing & filming was ok, but the film was bad. The real conflicts weren't shown. I don't think that everything should be said, but in this film there were too many untold words. And this caused not a poetic film, but like a film made by a secondary school drama class.

The moral of the film is not about a universal, time & place independent conflict - rather a specific, present day problem (intolerance towards homosexualty and open mindset) wich has universal meaning.

For me it was annoying, that the film looked a present day, realistic one; but I couldn't figure it out the place of the film: there were signs that it plays in Transylvania, but after all it was blurry (maybe in Hungary, or other Hungarian minority place). For a Hungarian mainland scene, it was unrealistic (the situations, the characters). And even the Transylvanian accent only came at the middle of the film. A realistic film needs realistic situations, real life characters - for a poetic film it's not enough to untell words and to maintain silent in conflicts.

If a film is about a life-changing conflict (like this), in this case the conflict should be clear, should be said and should be real. In this piece, none of them were present. Real drama needs real human interactions.

The screenplay text and the main concept would needed more time, because the actors and filming and even the directing were much better than the film itself.

The film is about a teacher got fired, because she suggested for her students a film about a homosexual poet; and one of the students father got upset about it. And all of her colleagues turn away from her. But the father was calm all the time, and didn't turn out what was his problem, and why he got upset, and how upset he got?

If you know the problem of the film is about, you don't need this film. And don't get anything from this film, but seeing a mildly miserable failure.

But if you don't get the point: you also don't get anything. Even you won't get what's the problem of the others. And this film doesn't make you think, and doesn't change your mind a little bit.

And it's bad. And sad.
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